‘Complete reinvention' — Faye Wong's daughter praised for post-surgery look
Photo: Weibo/Li Yan
HONG KONG: Have you heard about Li Yan, the daughter of that famous Chinese actor, Li Yapeng, and the Hong Kong pop icon, Faye Wong?
Well, after undergoing surgeries for her cleft lip and palate for a whole 18 years, she really turned heads recently with how lovely she looked when she was out, according to VnExpress . Photo: Weibo/Li Yan
So, on May 12, to be exact, the 19-year-old Li Yan was spotted doing some shopping with a friend at Shin Kong Place – that really posh mall in Beijing.The teenager arrived in a luxury vehicle, dressed stylishly in branded clothes and a branded handbag. Cleft scar hardly noticeable
Her tall stature, fair skin, and elegant facial features were widely praised on social media, with many pointing out that her cleft scar is now hardly noticeable, according to a Chinese media source, 163 .
Netizens on Weibo referred to her change as a 'complete reinvention.' Her towering body of about 1.75 meters, prominent nose bridge, and well-proportioned form were among the many comments that emphasised how much she resembled her mother.
From the moment she was born, it was discovered that Li Yan had a cleft lip and palate. For almost twenty years, her parents really poured their time and energy into helping her recover, making sure she got the best medical care possible, according to Sinchew.
Li Yan went for four major operations. When she was only three, she had her very first surgery all the way in Boston, in the US. What was supposed to be a three-hour surgery actually stretched to five hours and ended up costing a million yuan – that's about $139,000 in US dollars. Comforting her dad
A few months later, she had another surgery to make her lips look and work even better. Apparently, during her third surgery, when she was around twelve, she was the one comforting her dad as he walked her into the operating room.
Then, in 2024, Li Yan had her latest operation. Afterwards, she shared a photo online with a caption that talked about a little boat finally making it through a storm. It really showed how relieved she was that her long journey with medical treatments was finally over. See also Rumour has it that Faye Wong gave birth to Nicholas Tse's child
Throughout her medical journey, both her mum and dad were really there for her. Li Yapeng was present for almost all of her surgeries, and even though Wong wasn't always in the spotlight, she consistently offered her love, strength, and the financial help they needed. Stayed really connected
Even after her parents split up in 2013 and Li Yan went to live with her dad, her mum, Wong, stayed really connected with her. Despite the distance, they made sure to celebrate birthdays together, and Wong would visit her when she was studying abroad.
You'd often see them out shopping or singing karaoke, just like any close friends. In 2019, Li Yan began a new chapter when she started at an international school in Switzerland. Thanks to support from both her parents, she had a good life and was often spotted buying nice things and enjoying herself. Daughter of two well-known people
Despite not working in the entertainment sector, Li Yan is nevertheless well-known because she is the daughter of two well-known people. She's also had her moments on social media that have raised eyebrows. Like that time she shared some photos of herself in swimwear before she was 18. And there were also pictures of her hanging out with well-off friends, with people suggesting she was spending a lot of money even though she wasn't working. See also Nicholas Tse and Faye Wong still happily attached
So, Li Yapeng, at 54, is a pretty well-known face in China. You might remember him from some really popular dramas back in the day. He was in The Singer in 1997, then Laughing in the Wind around 2001, and also The Legend of the Condor Heroes in 2003 – those were huge! But he actually stopped acting in 2011 to try his hand at business. Fast forward to 2022, he married this model, Haiha Jinxi, who's 35, and they now have a daughter together.
On the other side, Faye Wong, who's 55, has been in a happy relationship with the actor Nicholas Tse ever since they got back together in 2014.
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CNA
an hour ago
- CNA
She's his limbs, he's her eyes. It's love and art in full colour for this couple with disabilities
It is not very often that couples who have disabilities get married or even stay in a long-term relationship in general. Throw in the mix of working closely together in the same space for a common career and the chances of friction and tension arising can be high. Yet, for Mr Shalom Lim, 29, and his girlfriend Amanda Yip, 38, they are embarking on the road less travelled and they believe their relationship is "rare and unique" enough to help them grow as a couple in life and at work. They met about two years ago and swiftly realised they completed each other to make a whole. Ms Yip is visually impaired and Mr Lim, who has a debilitating muscle-wasting disease caused by a mutated gene, is wheelchair-bound and requires a ventilator for daily living. Their common goal now as a couple is to realise their dream of being artists and to create art for other people with disabilities to behold and experience. And they are doing this through a startup called Rebirth Ensemble. When I met them, they were completing an artwork showing an iceberg emerging from the sea under a starry night sky. It might look like any ordinary oil pastel piece created during an art jamming session, but it was painstakingly drawn and required laborious back-and-forth communication. I watched as Mr Lim, whose arms rested limply at his sides, guided Ms Yip on where to place the pastel colours. He also prompted her on the direction and intensity of her strokes on the canvas. Mr Lim said: 'When the two of us are together, we feel that disability is not even present, because we complement each other's abilities.' Ms Yip agreed, saying that they form a team because they help each other move around and do things when they are together. 'I can be Shalom's arms and legs and he can be my eyes.' On working together for their startup, Mr Lim said: 'Traditionally, art is something that is seen but not experienced by the other senses. So the fine-art space, from my perspective, can be rather elitist and inaccessible. We want to change that.' Rebirth Ensemble was launched in October last year and is supported by Temasek Polytechnic. It is a studio that aims to make fine art accessible to everyone with special needs, regardless of whether they have vision, mobility, hearing or sensory issues. The couple's first goal is to create art pieces that are three-dimensional and can be touched by visitors, so that those with visual impairments such as Ms Yip can appreciate them. In the years ahead, they also plan to work on pieces that can be heard, smelled and perhaps even tasted. They recently submitted a proposal for next year's Singapore Art Week in January and hope to showcase a debut exhibition there. FINDING THEIR WAY AROUND BEFORE THEY FOUND EACH OTHER Ms Yip was born with a genetically-inherited eye condition called retinitis pigmentosa. This causes light perception problems, tunnel vision, as well as colour and night blindness. Her vision was not always terrible at the start but it gradually worsened over the years. Ms Yip went to a mainstream secondary school. In 2010, she graduated with a bachelor's degree in accounting and finance from England's University of London offered by the Singapore Institute of Management. She then worked in corporate jobs for 12 years. In the past, she could still see bus numbers without any assistive aids when buses approached bus stops. However, from the age of 24, she has been using a long-distance magnifying device to read bus numbers and sometimes, she asks for help from other commuters. Navigating public spaces requires her to use a white cane as well. This vision loss also affected her ability to create art, a hobby of hers that made her 'feel free', she said. When she was around 28 years old, she realised that she could no longer see pencil marks on the paper or differentiate colours, especially if they were subtle and light. 'I felt really depressed because I felt like something was taken away from me. When I tried to draw, I realised that I couldn't do the same as what I could do before. 'It was stressful to draw something and in the end, it still didn't look like what I imagined. That was frustrating. I felt like giving up, wondering why I was straining and squinting my eyes, trying to do something that I couldn't do by myself anymore,' she said. As for Mr Lim, he has Duchenne muscular dystrophy, which is a degenerative neuromuscular condition that causes muscles to weaken, starting with the lips, followed by the heart and lungs. He was diagnosed when he was three months old. At first, he could still walk like any other child but at the age of six, he started needing a wheelchair. He had to use a ventilator by the time he was 15 and he still relies on it today. As a teenager, he studied at Temasek Polytechnic's School of Business. After that, he took up a degree course on criminology and security from England's University of Liverpool that was a collaborative tie-up with the Singapore Institute of Technology. He wanted to learn about social justice issues because his older sister works as a prosecutor. To accommodate his lifestyle, he did the degree course on a part-time basis and took about six years to finish it, graduating in 2021. Like Ms Yip, he also loved to draw and paint. He took up the hobby when he was a child after seeing his older brother Isaac do it. In 2007, he published a collection of artworks entitled Live Your Dreams, together with his brother's book of art titled Not a Wasteland, to raise money for the Muscular Dystrophy Association (Singapore). His brother, who also had Duchenne muscular dystrophy, died in 2019. When he was 17, Mr Lim had a near-death episode with pneumonia and after he recovered, the strength 'just completely left' his body, he said. 'I did try, but it became very demoralising because I could no longer hold a piece of paper in the way I wanted to or make the strokes that I wanted. It was all just very haphazard and I didn't feel empowered at all,' he recalled. The traditional way of painting and drawing was, therefore, challenging for him and Ms Yip. SPURRED TO FULFIL EACH OTHER'S DREAMS Things changed when the couple met at a theatre workshop in March 2023 and fell in love. Working together was like a 'renaissance' for their artistic dreams since they could finally make art again, as Mr Lim put it. This was the reason why they named their startup Rebirth Ensemble. "Rebirth" pointed to them being able to produce art again, while "Ensemble" means it is a collaborative effort. They felt that it perfectly articulates their relationship. So far, they have completed two pieces of art, which are images of trees drawn using oil pastels on canvas. They spent about three sessions of an hour each over the span of a month to complete each artwork. Hearing this, it struck me how drawing and writing on paper is effortless to me, but is a process that requires much planning, intention and perseverance for the couple. When I asked why art means so much to them, Ms Yip said she believes that art is not just colours put on a canvas. She thinks that each brush stroke and colour choice has intention, tells a story and carries meaning. Mr Lim chimed in, saying that art has always been a therapeutic medium for him. He also witnessed how his late brother, who had autism in addition to Duchenne muscular dystrophy, suddenly 'blossomed' when he was exposed to fine art even though he could not communicate in words. 'For us as a differently-abled artist couple, we strongly believe that we have a very compelling and inspiring story to tell,' Mr Lim said of him and Ms Yip. 'And we want to use that story not just to inspire change or make a positive impact, but also to enable us to have a future together and leave our legacy behind.' THEIR HOPES FOR REBIRTH ENSEMBLE Mr Lim is the managing director of Rebirth Ensemble and Ms Yip is the lead artist. The startup rents an office space in Temasek Polytechnic at a subsidised rate. This venture is more than just a business to them – it is the foundation on which they hope to build their careers together, a means by which they can be independent and financially self-sufficient. 'Even if I were to work in a full-time job – but I can't because of my condition – we still won't make enough to be able to meet our relationship goals in terms of getting married, settling down and having our own place,' Mr Lim explained. Ms Yip said that through this startup, they hope to support themselves and potentially their parents. Keeping a full-time job was not easy for her. She had worked full-time in human resources for more than 10 years in three companies, but she was mostly in contract positions and found it difficult to secure a permanent role. Recalling her first job where she worked for 3.5 years, she said that the position underwent a revamp, which meant that she had to travel more between two premises. She explained to her manager that travelling was not straightforward for her, then asked if the job could be redesigned so that she could do more administrative and desk-bound work instead. 'Despite how much I expressed that I would like to stay, the senior management just said 'no'. I did not feel respected because I voiced up my challenges and they thought that there was nothing up for discussion. So I really felt discouraged,' she added. In her experience, she also felt that she was always viewed as a 'lesser' worker whose efforts were not really recognised or seen. In Mr Lim's case, he still has a part-time job as a marketing communications assistant at Shalom Medcare, a medical transportation service for wheelchair-bound users or those with special requirements. The company's name is a pure coincidence – Mr Lim does not own the company or have personal ties to it. Right now, he works from home on this part-time job. Going full-time would mean he would have to travel more frequently, which would be tough for him due to reduced stamina from his medical condition. For the rest of this year, their immediate plan for Rebirth Ensemble is to recreate selected art pieces by themselves and Mr Lim's late brother, to make the artworks three-dimensional and tactile. Some of his brother's pieces that they want to revive are drawings and paintings of tulips, a lighthouse, fire, smiley faces and the sea. Mr Lim said painting was important to his brother because it was his only platform to communicate and express who he was to the world. Ms Yip said: 'We are test-driving these ideas. And we don't want his brother's collection to be put away in a storeroom and not seen. We find that his art is very moving and we want more people to be able to enjoy that.' The pair hopes to have some works up for the next Singapore Art Week. If their proposal is rejected, they would search for other public spaces to display the artworks. They are also looking to create soundscapes that would make the art pieces accessible through hearing. This would 'add another layer' for the visually impaired to experience art, Mr Lim said. Along this line, he is keen to work with ArtWave Studio, which has expertise in sound design and production, and they have tentative plans to reach out to the studio. Another idea is to establish partnerships with SG Enable, a disability services organisation, and The Art Faculty, a gift shop selling crafts made by people with autism. As a new startup, Rebirth Ensemble is trying to secure grants from the National Arts Council and other agencies while building up its brand and preparing for its website launch. Mr Lim and Ms Yip are designing the website themselves. TWO IS BETTER THAN ONE Before I met them, I expected that the couple would find it challenging to perform daily tasks. However, I was surprised that they managed to adapt and find ways to work around the hindrances, making day-to-day living easier. Observing them at home, it was like they settled into a practised rhythm. Their movements were quick, seamless and required minimal direction, even if these might have looked a little odd to outsiders. For example, if he needed a drink, Mr Lim used a straw to drink from a plastic cup since he could not hold a mug. Ms Yip automatically positioned the straw to fit into his mouth easily without him having to adjust his head. She also held up his mobile phone so that he could look at the screen from a comfortable angle. He would then read aloud what he was seeing so that Ms Yip, whose sight prevents her from looking at words, would know the content and they could have a conversation about it. As an able-bodied person who never had to worry about doing things independently, it was humbling for me to see the lengths they both go to in order to live in a society that often treats their needs as invisible. Ms Yip said: 'Sometimes, if I drop something, he will help me to see and guide me to the correct spot to pick up the thing. "And when we're watching movies or TV shows, Shalom will be my 'audio describer'. He would describe the scene to me and what was happening.' The couple said they preferred a peaceful and quiet lifestyle. They like to take walks around Mr Lim's neighbourhood whenever Ms Yip visits him and they play with the pet dog at home. They also enjoy watching drama series on streaming site Netflix and humorous videos on video-sharing platform TikTok, as well as going for meals at the nearby shopping centre. When they are in their office at Temasek Polytechnic, they patronise the McDonald's outlet downstairs. 'A lot of the time, we are experiencing and enjoying art and life as one person,' Ms Yip said. Mr Lim agreed, saying: 'We really enjoy each other's company and we see each other as partners, not just in work and love, but also in life.' He added that long-lasting relationships among people with disabilities are uncommon or if they do last, it is usually between people with the same disability. Married couples are the exception rather than the norm. 'By telling our story, which is rare and unique, we want to show that even with severe disabilities, we can still thrive, flourish and be the people we want to be.' Nearing the end of the interview, I decided to touch on a topic that I assumed must weigh heavily on their minds – death. Considering that Mr Lim's older brother who had the same disease died at the age of 28, do they worry that their time together is limited? Mr Lim's response surprised me. It was, to me, a poignant reminder of the beauty of the human condition and the ability to transcend barriers. He did not directly address the part of the question about time being potentially short for him but said that someone who is gone can still be present in spirit. He shared, for example, a memory of watching Ms Yip recite a few poems last July at the Ion Art Gallery. The poems were written by visually impaired artist Chng Seok Tin, who died in 2019 at the age of 72. She was a recipient of the Cultural Medallion, Singapore's highest arts accolade. Mr Lim said: 'When I saw Amanda perform, I was really touched, because I could feel and see Seok Tin in Amanda's voice and delivery, making it seem like Seok Tin is still very much alive. "Seok Tin is no longer physically around, but her story lives on.' Mr Lim does not know the artist personally but said his mother once interacted with her. Similarly, he felt that his older brother 'never really left' him. He grew up being afraid of death but after losing his brother, his perspective changed. 'My brother's art and legacy continue to inspire me and empower me to do what I'm doing in the art space. (In that sense), no artist is ever gone.
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Tavia Yeung joins Raymond Lam's concert crowd, ends night with bus ride to hotpot
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