logo
Kiingi Tuheitia Portraiture Award: Winning photo ‘reclaims narrative' for Māori amid cultural unrest

Kiingi Tuheitia Portraiture Award: Winning photo ‘reclaims narrative' for Māori amid cultural unrest

NZ Herald22-05-2025
Her photo, part of a series called Taniwha Chasers, was chosen from 41 finalists and was announced in the presence of the Māori Queen, Kuini Ngā Wai hono i te pō, at Pipitea Marae in Wellington on Wednesday night.
'Ōpōtiki hasn't always had the most positive stories told about them to the media and I think it's really important for us Māori digital artists or people who work in this media-type space ... to be reclaiming those stories and reclaiming our narrative and telling them the way we want them to be told, and capturing the beauty of our small towns and our communities,' Paget-Knebel told the Herald.
She said Taniwha Chasers was about representing her community 'and their resilience and us as a people'.
'Really embracing mana motuhake [self-determination, independence and sovereignty] and our strength.'
Paget-Knebel said she wanted to focus on a Māori perspective for her photo.
'Our time is non-linear, so to photograph a rangatahi, it just shows that real deep connection with our tūpuna [ancestors] and to see our tūpuna in them.'
She felt the picture was a 'timely piece with everything that's happening with this Government and the Toitū te Tiriti movement. I think it's a really great symbol of hope for our rangatahi. There's so much power within all aspects of our community.'
Speaking on why she chose to enter that particular picture out of the others in the series, she said: 'There's just something about that photo, eh?
'The rangatahi's expression, it's so pure, and just the movement, this feeling of excitement but complete stillness. Yeah, it just fit the brief for me.'
In her entry to the awards, she wrote that the photo also referred to an intimate connection shared between tangata, hōiho (horses) and their whenua.
'Māori have held a long and historic connection to horses as they were used as a tool to colonise Aotearoa but have since been reclaimed as part of our whakapapa. This image captures the intimate connection rangatahi Māori share with the wild horses of Ōpōtiki and how they are being used to uplift the mana of our community.'
Paget-Knebel was born and raised in Ōmaio, a small coastal town near Ōpōtiki. She began taking photographs at the age of 12, and her interest in photography deepened after attending a five-day National Geographic photo camp in Murupara, where she learned alongside world-renowned photographers.
She moved to Wellington four years ago to study photography at Massey University, and will complete her honours degree this year.
She photographed the 2023 Kiingi Tuheitia Portraiture Award and was later invited by the New Zealand Portrait Gallery to photograph the 2025 awards.
Organisers were left scrambling to find a new photographer when Paget-Knebel unexpectedly became the winner of this year's award.
She said she 'kind of just went silent' when she found out she had won. She was most excited to meet the Māori Queen, and said sharing a hongi with her at the awards 'made my entire year and more'.
She was thinking about using some of her winnings to publish a book of her photo series, and was hopeful if there was some left over it could go towards her receiving her moko kauae later this year.
The biennial award was established in 2020 to inspire a new generation of emerging Māori artists to create portraits of their tūpuna.
This year's award attracted portraits using a wide range of mediums, including video, stop-motion puppetry, ceramics with pāua inlay, oil paintings and textiles made from linen, cotton and glass beads.
The judges described the winning photo as uplifting and joyful, and captured 'the heart of our time'.
'It is full of hope and youthful energy, with a fresh perspective on connecting with our tūpuna and te taiao [the natural world]. We are all carried along with this young rider into a future that is increasingly uncertain.
'The young rider, his galloping horse, the raised flag and the brooding land all merge wonderfully to convey this powerful message ... For us judges, it was a unanimous choice. We all read the work the same way.'
The runner-up, who wins $2500, was Maata-Maria Cartisciano from Waitārere Beach for Ekore koe e ngaro i tōku Koro, an acrylic and pencil portrait of her koro.
The exhibition of pictures from the award is at the New Zealand Portrait Gallery on Wellington's waterfront until August 17. Entry is free.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Tangihanga: Stage show by Hastings woman who's been to more than 1000 funerals opens Dying Matters Week in Hawke's Bay
Tangihanga: Stage show by Hastings woman who's been to more than 1000 funerals opens Dying Matters Week in Hawke's Bay

NZ Herald

time18 hours ago

  • NZ Herald

Tangihanga: Stage show by Hastings woman who's been to more than 1000 funerals opens Dying Matters Week in Hawke's Bay

It's called Tangihanga, and opens Hawke's Bay first-ever Dying Matters Week, an international initiative encouraging open conversations about death, grief and end-of-life planning. Neho's 75-minute one-woman show, blending comedy, drama and moments of cultural connection, will be staged in the Bay on August 31 and September 1 at Taikura Rudolf Steiner school. 'I play all 30 characters, and it's basically about a girl whose father passes away, and he asked her to make a promise that she will make sure that it's a happy and joyful farewell,' she said. 'The family come all around to come back to his funeral at the marae, and you see the different way that people respond to hearing about his passing and how people deal with loss.' Kristyl Neho performing Tangihanga, a 75-minute, one-woman show exploring the "chaos, beauty and heartbreak" of one whānau saying goodbye. Photo / Sarah Marshall Neho, who wrote the show, says it's based on the 'chaos, beauty, and heartbreak of one whānau preparing for a funeral', inspired in part by her own father's farewell. As a child, Neho helped prepare bodies and assumed everyone grew up around death. 'I just was raised thinking that was what everybody experienced,' she said. That assumption ended when, at age 11, she casually told classmates she'd seen 'three or four hundred dead bodies'. 'The room went silent,' she recalls. 'I remember looking up and everybody was staring at me, and then the teacher was like, did you say 400 bodies? I was like, 'Yeah, isn't that normal?' And that's when I realised it wasn't normal.' Those formative years taught her empathy, the value of services for people saying goodbye, and a belief she carries to this day. 'Don't wait until it's too late to tell people you love them,' Neho says. While her Tangihanga performance is rooted in Māori experiences, it has resonated with audiences of all backgrounds. 'We've had about 65% non-Māori in the audience. 'Everyone recognises their own Auntie Margaret or the cousin who organises everything. Grief is universal.' The production has been staged before, with Neho winning the best overall performer at Whangārei Fringe Festival 2024. The polished version launching in Hawke's Bay will mark the start of a tour to 14 locations around New Zealand, before heading to Australia. The show in Hawke's Bay will mark the start of a tour to 14 locations around New Zealand, before heading to Australia. Photo / Sarah Marshall Hawke's Bay's Dying Matters Week runs from September 1 to 7 and is in its second year in New Zealand. The national initiative is led by Go with Grace, which invited local end-of-life doula Alysha Macaulay to prepare a team of Hawke's Bay professionals to bring the event to the region. The programme includes free counselling drop-in sessions, youth workshops, a crematorium open day and a 'cocktails and conversations about death' event at a local pub. The only ticketed events are Tangihanga and a screening of the documentary The Last Ecstatic Days. Macaulay says starting conversations before a crisis is key. 'It's about giving people the confidence to know what services exist, how to talk about it, and how to plan,' she says. 'If people write it down and have that conversation, they can ensure their loved one is honoured.' End-of-life doula Alysha Macaulay is helping bring Dying Matters Week to Hawke's Bay for the first time, aiming to open up conversations around death. Macaulay, who lost her husband to oesophageal cancer in 2022, now works with people with life-limiting diagnoses and their families to plan medical care, bucket lists, and funerals. 'It changed my perspective on life and made me determined to create better pathways for others.' More information on the event is available at

Full circle moment for Polyfest performer
Full circle moment for Polyfest performer

Otago Daily Times

time19 hours ago

  • Otago Daily Times

Full circle moment for Polyfest performer

Mīharo Murihiku Trust programme and events lead Kheejay Thompson-Tonga is looking forward to putting on the 2025 Murihiku Polyfest event. PHOTO: NINA TAPU When rangatahi bring the best of Māori and Pasifika culture to the Murihiku Polyfest stage next week, one Southland veteran performer will be cheering them on from backstage. It has been 16 years since Kheejay Thompson-Tonga first performed as a 5-year-old at the cultural show. She has appeared on stage as a performer and as an MC every year since the festival started in 2010. This time the 21-year-old, of Māori and Cook Islands descent, will lend her services to the event through her role with the Mīharo Murihiku Trust. Thompson-Tonga said it was a full circle moment for her to now be one of the people organising the show. "Mīharo are dedicated to providing full circle moments . . . by encouraging young people and giving them opportunities through the rangatahi workshops," Ms Thompson-Tonga said. "I was fortunate to be involved in that, and once I was old enough, they [Mīharo] gave me the chance to get a job with them." She hoped this year's show would not just be about performing for the audience, but creating lasting connections with the community. "We encourage the rangatahi to embrace the Māori and Pasifika cultures through cultural expression, but it is also about making whanaungatanga (family connection) with their community, which is important," she said. The festival organisers believed that bringing different cultures together in one space helped bring the community together. The Murihiku Polyfest is in its 16th year and over 8000 performers are expected to take the stage for a week-long celebration of Māori and Pasifika performing arts at ILT Stadium Southland. Southland early childhood education centres to secondary schools will take part in the event. An extra rangatahi night for secondary school performances has been added, due to the increase of high school entries in the festival. Murihiku Polyfest will run from August 14-18, from 9am-3pm daily. Entry is by gold coin donation.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store