logo
Flamenco Jazz Gala Dinner at The Westin Yokohama

Flamenco Jazz Gala Dinner at The Westin Yokohama

Experience a one-night-only fusion of passion, rhythm, and fine dining at The Westin Yokohama on Thursday, May 29, 2025. In collaboration with Flamenco Jazz Festival Japan (presented by Oh! Jazz), this glamorous evening brings together Grammy-winning flamenco jazz artists and Andalusian haute cuisine by Chef Israel Ramos of the Michelin-starred Mantúa restaurant in Spain.
Held in the hotel's elegant 4th floor Grand Ballroom, the evening begins with a cocktail reception, followed by a five-course dinner paired with premium wines. Each dish draws inspiration from Andalusia's rich culinary heritage—think seafood, sherry infusions, and Iberico pork—blended with modern Japanese finesse.
The highlight of the night is a live flamenco jazz performance, a powerful fusion of flamenco's emotive rhythms and the improvisational soul of jazz. The lineup includes internationally acclaimed artists such as Niño de los Reyes, Sandra Carrasco, and Josemi Carmona, offering an unforgettable musical experience straight from Spain.
Event Details:
🗓 Thursday, May 29, 2025
🕠 Doors Open: 5:30pm / Event: 6:30pm–9:45pm
📍 The Westin Yokohama, 4F Grand Ballroom
🎟 ¥55,000 per person (incl. tax & service)
Age 18+ only. Advance reservation and prepayment required.
🔗 Reserve here
📞 045-577-0828 (Weekdays 10am–7pm)
Bonus Event: Flamenco Afternoon Tea
On Saturday, May 31, enjoy a one-day-only flamenco-themed afternoon tea at the 23rd-floor lobby lounge. With red-and-black themed sweets, savory Spanish bites, and a sangria welcome drink, the experience includes a live mini performance during the 11:30am and 1:45pm sittings.
🕛 Time slots: 11:30am (with live music), 1:45pm (with live music), 16:00 (no performance)
🎟 ¥11,000 (early sessions), ¥9,000 (late session)
🔗 Book here
The Westin Yokohama 6-2-13 Minatomirai, Nishi-ku, Yokohama
¥55,000

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Austrian daily under fire after Clint Eastwood slams 'phony' interview
Austrian daily under fire after Clint Eastwood slams 'phony' interview

Japan Today

time8 hours ago

  • Japan Today

Austrian daily under fire after Clint Eastwood slams 'phony' interview

An Austrian newspaper came under fire Tuesday after Hollywood star Clint Eastwood said an alleged interview with him published by the paper to mark his 95th birthday was "entirely phony". The row was sparked by a purported interview with the Oscar-winning actor and director carried by the German-language Kurier newspaper Friday. In the interview, which was picked up widely by American media over the weekend, Eastwood criticizes a lack of fresh ideas in the current film industry as "we live in an era of remakes and franchises". "I long for the good old days when screenwriters wrote films like 'Casablanca' in small bungalows on the studio lot. When everyone had a new idea," he was quoted as saying. "My philosophy is, do something new or stay at home," it adds. In a statement to Deadline magazine published Monday, Eastwood said "I thought I would set the record straight". "I can confirm I've turned 95. I can also confirm that I never gave an interview to an Austrian publication called Kurier, or any other writer in recent weeks, and that the interview is entirely phony," he added. On Tuesday evening, the editorial team of the Vienna-based Kurier said its freelancer Elisabeth Sereda had compiled the interview by citing from "a total of 18" round table conversations with Eastwood. But since the article was published as an interview and not as a profile, the daily said it would cut ties with the author. "Even though no quotes have been fabricated, the interviews are documented and the allegations of falsification can be refuted, we will not be working with the author in the future because transparency and our strict editorial standards are paramount to us," Kurier said in a statement published on its website. The newspaper had recently published interviews by Sereda with celebrities such as Jude Law and Elton John. © 2025 AFP

Japanese people demand that Gackt taste the government's old old old rice
Japanese people demand that Gackt taste the government's old old old rice

SoraNews24

timea day ago

  • SoraNews24

Japanese people demand that Gackt taste the government's old old old rice

That's where they want Gackt to go-oh-oh… Way down to kokokomai. With rising rice prices reaching critical mass, newly appointed agriculture minister Shinjiro Koizumi has made it his personal mission to bring the prices down. To do this, he has authorized the release of stockpiled rice which will be sold through select retailers. However, this stockpile includes rice harvested from the past four years. Rice classification dictates that rice harvested last year is known as ' shinmai ' or 'new rice' and rice from the year before that is ' komai ' or 'old rice' and with each preceding year, a ' ko / old' is added. So, in this case, the oldest stockpiled rice is 'old old old rice' ( kokokomai ) from 2021. Japanese people by and large are deadly serious about their rice since it's generally eaten multiple times a day, every day. So, the prospect of eating old, old, old rice is not very appealing and some in the industry have even scoffed at it, saying that it's meant for livestock feed rather than human consumption. To dispel these criticisms, Koizumi held a press conference on 30 May, during which new rice, old rice, old old rice, and old old old rice were all cooked the same way and given out for a taste test to see if people could tell the difference. Koizumi himself ate them all and remarked, 'Frankly, they were all delicious.' Judging by the reaction online, however, many people were still not convinced. It's understandable since no one really has a sense of Koizumi's gourmet sensibilities to trust his judgment. Instead, people are demanding that musician and actor Gackt be the arbiter of taste. The reason is that, aside from being a major entertainer in Japan, Gackt's other claim to fame is as a juggernaut on the television show Geinojin Kakuzuke Check! , a game show where celebrities must distinguish between high-class and low-class art, music, craftsmanship, dance, and cuisine. Despite the wide range of arts and culture, Gackt has maintained a perfect individual record over several years and cemented his position as an indisputable man of taste long ago. ▼ Gackt has lost in team competitions though, because of his partners Daigo and Golden Bomber's Sho Kiryuin. Here they both are simultaneously guessing kangaroo meat was Michelin-grade sukiyaki and eliminating Gackt from competition. Hardcore Gackt heads might point out that Gackt stopped eating rice decades ago, but that doesn't seem to matter because in an episode of Geinojin Kakuzuke Check! just last year he was able to correctly identify a seafood rice dish made by a Michelin-starred chef because of the texture in the grains. And so, because of his superhuman powers of taste, Gackt is perhaps the only person in Japan no one would dispute if he said old old old rice tasted just as good as new rice if online comments are anything to go by. 'Why didn't they invite Gackt to the tasting event?' 'I remember Gackt said he preferred chilled old old rice, and he's right because it has more nutritional value. He really knows his stuff.' 'If they could fool Gackt with old old old rice, then everyone would buy it.' 'Gackt would be able to tell right away.' 'I would believe whatever Gackt said about it, good or bad.' 'Gackt would probably spit it out after one bite.' 'But most people aren't Gackt anyway, and probably wouldn't notice the difference.' That last comment brings up a good point. If Gackt says a certain food is great or not, I'd believe him but it doesn't mean I'd be able to tell the difference myself. It also kind of makes you wonder if his unique ability is more of a curse than a gift if he can tell so easily when something is disappointingly not up to par. I guess I'll just be happy in my blissfully ignorant world of only being able to distinguish premium Black Thunder chocolate bars and Garigari-kun ice pops. Source: Daily Sports, Twitter/ 古古古米 Gackt Featured image: ©SoraNews24 ● Want to hear about SoraNews24's latest articles as soon as they're published? Follow us on Facebook and Twitter!

'The Matrix is everywhere': Cinema bets on immersion
'The Matrix is everywhere': Cinema bets on immersion

Japan Today

time2 days ago

  • Japan Today

'The Matrix is everywhere': Cinema bets on immersion

The LA-based Cosm theater has worked to create an environment in which the viewer feels like they are inside the film By Paula RAMON In a Los Angeles theater, a trench coat-wearing Neo bends backwards to dodge bullets that spiral over the viewer's head, as the sound of gunfire erupts from everywhere. This new immersive experience is designed to be a red pill moment that will get film fans off their couches at a time when the movie industry is desperate to bring back audiences. Cosm, which has venues in Los Angeles and Dallas, is launching its dome-style screen and 3D sets in June with a "shared reality" version of "The Matrix," the cult 1999 film starring Keanu Reeves as a man who suddenly learns his world is a fiction. "We believe the future will be more immersive and more experiential," said Cosm president Jeb Terry at a recent preview screening. "It's trying to create an additive, a new experience, ideally non-cannibalistic, so that the industry can continue to thrive across all formats." Cinema audiences were already dwindling when the COVID-19 pandemic broke out, shuttering theaters at a time when streaming was exploding. With ever bigger and better TVs available for the home, the challenge for theater owners is to offer something that movie buffs cannot get in their living room. Prestige projects like Tom Cruise's "Mission: Impossible -- The Final Reckoning" or Christopher Nolan's Oscar-winning "Oppenheimer" increasingly opt for the huge screens and superior film quality of IMAX. But Cosm and other projects like it want to go one step further, collaborating with designers who have worked with Cirque du Soleil to create an environment in which the viewer feels like they are inside the film. For filmmakers, it's all about how you place the cameras and where you capture the sound, said Jay Rinsky, founder of Little Cinema, a creative studio specializing in immersive experiences. "We create sets like the Parisian opera, let the movie be the singer, follow the tone, highlight the emotions... through light, through production design, through 3D environments," he said. The approach, he said, felt particularly well suited to "The Matrix," which he called "a masterpiece of cinema, but done as a rectangle." For the uninitiated: Reeves's Neo is a computer hacker who starts poking around in a life that doesn't quite seem to fit. A mysterious Laurence Fishburne offers him a blue pill that will leave him where he is, or a red pill that will show him he is a slave whose body is being farmed by AI machines while his conscious lives in a computer simulation. There follows much gunfire, lots of martial arts and some mysticism, along with a romance between Neo and Trinity, played by the leather-clad Carrie-Anne Moss. "The Matrix" in shared reality kicks off with a choice of cocktails -- blue or red, of course -- which are consumed as the audience sits surrounded by high-definition screens. Shifting perspectives place the viewer inside Neo's office cubicle, or seemingly in peril. "They're sometimes inside the character's head," said Rinsky. "The world changes as you look up and down for trucks coming at you." The result impressed those who were at the preview screening. "It just did feel like an experience," influencer Vince Rossi told AFP. "It felt like you're at a theme park for a movie almost." © 2025 AFP

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store