
TV chef read first book at 33 despite becoming best-selling author
Jamie Oliver is the second best-selling British author behind J.K. Rowling - but he's never been much of a reader due to his dyslexia. In fact, he didn't read his first book until his early thirties.
In his latest documentary, Jamie's Dyslexia Revolution, the celebrity chef, author and outspoken advocate is taking his lifelong fight with dyslexia public in a bold new way.
With raw honesty and righteous anger, Jamie Oliver lifts the lid on how deeply the system is failing neurodivergent children - and confronts Secretary of State for Education Bridget Phillipson in a fierce campaign.
'Our young people deserve better,' he says in his compelling feature, 'We want truly inclusive schools where every child can thrive. That change is a long time overdue.'
For Jamie, the fight is personal. Though now a bestselling author of over 20 cookbooks and a household name, his own school experience was shaped by struggles, shame and silence.
As a child, Jamie was placed in special needs classes for five years. 'I really struggled to read in primary school,' he says, 'I read my first [book] when I was about 33.' Leaving education behind was a relief. 'When I left school, it was, 'good riddance to you,'' he admits.
'The memories of no books, spelling errors, crosses repeated. I expected very little of myself because success in school is built on things a dyslexic brain isn't good at.'
READ MORE: 'I made one change to my meals and lost weight, felt fuller and cut down my caffeine'
Now 50, Jamie still grapples with challenges most take for granted. 'My inner voice isn't as confident when I'm reading,' he says. 'My eyes aren't really tracking well. I'm used to it. Some days are better than others. I'm better when I'm less tired.'
Despite the hurdles, Jamie has built a wildly successful career and a happy personal haven. Married to former model and writer Juliette Norton, he's a proud father of five.
But fatherhood brought some uncomfortable reckonings. 'I knew things were bad when my own children were reading better than me,' he says. He also realised he wasn't alone in feeling out of place in school.
'School was tough because I didn't get it, now seeing kids and families go through that same pain in 2025 makes me angry. I didn't realise how big this was and how upsetting it is.'
That anger became fuel for Jamie's Dyslexia Revolution, a hard-hitting, eye-opening journey through the lived experiences of neurodivergent people across the UK. He's not alone in the crusade.
Celebrity friends join him to share their own painful experiences. Holly Willoughby recalls how her self-worth was chipped away by red-inked spelling tests.
'I was terrible at spelling,' Holly says, 'I knew that because I'd always get really poor results at spelling tests. When I'd get my homework back, there'd be red pen all over it where there would be 'silly' mistakes.''
Reality star and entrepreneur Jamie Laing echoes the frustration and daily challenges dyslexic individuals face. 'I don't understand how people can write down a word they've heard,' he says.
'I don't understand how the words go, to the point where some of them look upside down and backwards.' At school, his struggles often led to punishment rather than support. 'I would get in trouble a lot,' he says, 'I would be in detention because I was frustrated.'
Dyslexia, as defined by the NHS, is a common learning difficulty that primarily affects reading, writing and spelling. But its impact is far more widespread - touching memory, processing, self-esteem and even long-term outcomes in life.
It's estimated that up to one in every ten people in the UK has dyslexia, though many go undiagnosed for years, if at all. And while it has nothing to do with intelligence, the stigma and misunderstandings persist.
Jamie Oliver knows that first-hand. 'It didn't feel like (dyslexia doesn't affect intelligence) when I was in school,' he says, 'A lot of dyslexic kids don't feel that. Those feelings can affect your start in life.'
Cooking became a lifeline for Jamie. 'Cooking really saved me. I felt free to create in the kitchen. Cooking gave me the confidence to not go too dark with dyslexia,' he says.
'Being extracted out of class for a special needs class isn't cool. It came with a bit of a tag, a dunce's hat. Before long, the feelings of not being enough or being dumb, even in primary school, were in my psyche.'

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Wales Online
20 minutes ago
- Wales Online
MasterChef winner defends John Torode and admits 'I feel awful'
MasterChef winner defends John Torode and admits 'I feel awful' Thomasina Miers became the first winner of a new look MasterChef when it launched in 2005, but now she has spoken out on what she thinks of the recent allegation against John Torode John Torode has been axed from MasterChef (Image: BBC) Former MasterChef winner Thomasina Miers has said that she "feels awful" after John Torode sacked from his role on the BBC show. After the pair were chosen to co-host the rebooted MasterChef in 2005, John Torode and Gregg Wallace formed what quickly became one of the most iconic duos in British TV. But their partnership was torn apart in recent weeks after 45 complaints were upheld against Wallace, which included one for "unwelcome physical contact" and three involving a state of undress. Meanwhile, soon after Wallace's demise his co-host Torode saw one allegation of racism upheld against him, leading to his dismissal. Torode has passionately denied the allegation of racism and has expressed his shock and sadness. Thomasina Miers won MasterChef in 2005 (Image:for Pen) Thomasina shared a look back to her time on the show during a chat on the Spooning with Mark Wogan podcast. She disclosed what she thought about the news of Torode's upheld allegation: "I felt awful for John. I mean, and also the elegance of his response to it, how he conducted himself." She added: "I think, yeah, I was kind of gobsmacked by John (the news of the allegation being upheld), who was so caring and intent on the people under his watch, under his care." Thomasina was crowned winner of MasterChef in the first of the rebooted series of the show in 2005. A year after winning the competition, she co-founded her own restaurant chain, the popular Mexican-style street food brand Wahaca, which now has 14 sites in the UK. John Torode saw an allegation of racism upheld against him (Image: Dave) Thomasina is not the only celebrity to show their support for Torode following the racism allegation. Amanda Holden and McFly star Danny Jones liked the former MasterChef star's post on Instagram from July 14 where he confirmed that he was the individual who was alleged to have used "racial language". A BBC spokesperson released a statement saying: "John Torode has identified himself as having an upheld allegation of using racist language against him. "This allegation – which involves an extremely offensive racist term being used in the workplace – was investigated and substantiated by the independent investigation led by the law firm Lewis Silkin. John Torode denies the allegation. She was the first winner of the rebooted MasterChef in 2005 (Image: Getty Images for Freuds) "He has stated he has no recollection of the alleged incident and does not believe that it happened. He also says that any racial language is wholly unacceptable in any environment. "The BBC takes this upheld finding extremely seriously. We will not tolerate racist language of any kind and, as we have already said, we told Banijay UK, the makers of MasterChef, that action must be taken. John Torode's contract on MasterChef will not be renewed." Article continues below The first three episodes of the latest series of MasterChef - featuring Torode and Wallace before they were axed - dropped on iPlayer yesterday morning (Wednesday, August 6). The episodes appear to have been edited to include fewer jokes between the pair and less chat between them and the amateur chefs than usual.


Metro
20 minutes ago
- Metro
Terry's Chocolate is launching a ‘top secret flavour'
The Terry's Chocolate Orange is a British staple. While they're often reserved for stockings at Christmas, the treat is available all year round. And though many fans insist you 'can't beat' the original flavour, that hasn't stopped Terry's from trying. From mint chocolate balls to chocolate orange truffles and white chocolate treats, the chocolate brand has tested a range of new flavours over the years. And now it's teasing a 'top secret' new recipe – but fans are convinced they already know what it is. Terry's shared the news on its Instagram account with a picture of a golden envelope. 'Sealed, secret, and seriously delicious. Not long now…' the caption read. Naturally, chocolate lovers flooded the comments with guesses – the majority seemed to agree on one possibility. Pistachio. User @welliesandwaffles asked: 'It's going to be pistachio, isn't it?' While @ wrote: 'I feel like it's pistachio.' 'Don't tell me Pistachios,' @charlottejade_ added. Some were on board with the potential new flavour. User @amy_f_wills said that while the original chocolate orange 'cannot be beaten', the 'only other flavour worth doing is pistachio.' It's not a wild guess. Pistachio chocolate has been everywhere this year – largely thanks to the Dubai chocolate trend that exploded on TikTok. Dubai chocolate, which is filled with crispy knafeh, pistachio cream and tahini spread, was first launched by Dubai-based firm Fix Dessrt Chocolatier in 2021. But the sweet treat really took off after influencer Maria Vehera shared a TikTok video of herself trying it, racking up over 120 million views. Suddenly, everyone wanted a bite. The trend sparked a global demand and has even been blamed for contributing to a global pistachio shortage, as brands rushed to create their own pistachio-inspired treats. Lindt launched its own Dubai chocolate-style bar while Aldi launched pistachio creme jars, while plenty of other pistachio products filled supermarket aisles. Still, not everyone is thrilled with another pistachio product. 'As long as it's not based on Dubai chocolate. Sick of hearing of it now,' @polly_199131 wrote under Terry's Chocolate Instagram post. Others suggested the secret flavour could be Caramel, which some fans were quick to point out is already in stores. User @Uknewestfoods commented: 'This can not be the caramel Terry's, which is literally already out in shops? More Trending 'Is it caramel that is already out?', asked @woofidin. The flavour was spotted on the Snack News & Reviews Facebook page last week. It doesn't contain any orange flavour at all. The Caramel treat is only available at Co-op and doesn't seem to be available online yet. Fans said it was 'delicious'. View More » Metro contacted Terry's to see what the potential new flavour could be, but so far they've remained tight-lipped. Still, that isn't stopping fans from speculating in the comments. Do you have a story to share? Get in touch by emailing MetroLifestyleTeam@ MORE: KFC and Greggs are teaming up for the 'crossover of the century' — and it's not chicken MORE: I tried Tesco's £3 birthday cake sandwich and needed a glass of water MORE: Cadbury unveils new treat with 'best ever' biscuit — but it'll cost you £7.79 to try it Your free newsletter guide to the best London has on offer, from drinks deals to restaurant reviews.


Time Out
2 hours ago
- Time Out
Good Night, Oscar
This new play by American writer Doug Wright comes to the Barbican from Broadway heralded by a 2023 Tony Award for star Sean Hayes (Will & Grace) and is about someone you've likely never heard of. Oscar Levant was a pianist – best known for playing George Gershwin's music – and a humourist, who popped up in a handful of films including An American in Paris. This play re-imagines the events surrounding his chaotic appearance as a guest on The Late Show in 1958. He arrives at the NBC studio, whose boss is already jittery because of Levant's erratic past behaviour, from a mental institution. His wife, June (Rosalie Craig), has secured a release under false pretences. Talk-show host Jack Parr (Ben Rappaport) wants to capitalise on his penchant for making controversial jokes live on air. His accompanying nurse, Alvin (Daniel Adeosun), is trying to stop him from popping pills. And Levant himself is hallucinating Gershwin. Focused so tightly on the early days of American TV, this could potentially sound niche for a British audience. But in Wright's assured hands, the collision of Levant's private and public life down the barrel of a camera lens becomes a play about the beginning of so many things we now recognise as staples of celebrity culture. He's famous for all the reasons he doesn't want to be – as a performer of someone else's music rather than a composer. He's wheeled onto chat shows for controversy by people for whom his mental health is something to be exploited. Rappaport's well-pitched and era-appropriate jocular slickness as Parr deliberately pushes Levant's every button is queasy. The play touches on the still-fierce debate about the relationship between comedy and freedom of expression – who gets to say what about whom – and the currency of outrage. But as it transitions from the dressing room to the studio, this is really scaffolding for the damage wreaked by fame. Hayes is extraordinary as Levant, crumpling into himself even as he makes the one-liners prompted by Parr sing off the stage. His well-honed way with comedy is the play's secret weapon. Our laughter is complicit in the implosion we know is happening. As his wife, June, Craig stretches thinner material a long way, conveying her character's frustrated, weary love. Their relationship is sketchily drawn, but they give it weight. Director Lisa Peterson's production is sturdily reliably in the early expositional scenes, but really takes flight when the dividing line between reality and Levant's worsening mental state begins to dissolve. There's a grippingly feverish quality to how Rachel Huack's dressing room and studio sets end up sharing stage space. Privacy no longer exists with cameras turned on couches. It's fragmentary and frantic – culminating in a truly virtuosic piano performance by a spotlit Hayes, who looks agonisingly at his own hands as if they belong to a stranger. It's hauntingly powerful and the apex of this funny and devastating play.