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First Look at the Ja Morant x Nike Air Force 1 Low "Sundial"

First Look at the Ja Morant x Nike Air Force 1 Low "Sundial"

Hypebeast16 hours ago

Name:Ja Morant x Nike Air Force 1 Low 'Sundial'Colorway:Sundial/Black-Cobalt BlissSKU:IQ2713-700Retail Price:$150 USDRelease Date:Holiday 2025Where to Buy:Nike
Ja Morantis bringing his signature flair to an iconic silhouette with the upcomingNike Air Force 1 Low'Sundial.' This vibrant release is set to brighten up the Holiday 2025 season, following Morant's tradition of teasing his highly anticipated Player Exclusive (PE) colorways on social media before their wider launch.
The 'Sundial' Air Force 1 Low features a cheerful color palette of Sundial (a bright yellow), Black, and Cobalt Bliss. This combination creates a striking and energetic look, embodying a sunny vibe that is sure to stand out. While specific material details are yet to be fully revealed, typical Air Force 1 Low construction often involves leather, offering durability and a classic feel. Expect co-branded elements that subtly tie in Morant's personal touch.
This release follows a preview earlier in the year where Morant himself gave fans a sneak peek, sparking immediate excitement. This collaboration marks another significant step in Morant's partnership withNike, expanding his influence beyond his signature Ja line to reimagine a classic.

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Natasha Rothwell and Sterling K. Brown Get Honest About ‘White Lotus' Rewrites, Doomsday and Being No. 1 on the Call Sheet: ‘For the Longest Time I Thought It Meant Something'
Natasha Rothwell and Sterling K. Brown Get Honest About ‘White Lotus' Rewrites, Doomsday and Being No. 1 on the Call Sheet: ‘For the Longest Time I Thought It Meant Something'

Yahoo

time37 minutes ago

  • Yahoo

Natasha Rothwell and Sterling K. Brown Get Honest About ‘White Lotus' Rewrites, Doomsday and Being No. 1 on the Call Sheet: ‘For the Longest Time I Thought It Meant Something'

Natasha Rothwell is seeking a friend for the end of the world. A beloved and fiery social media presence, the writer-actor-producer-showrunner hit a professional high this year with a triumphant return to HBO's 'The White Lotus.' She reprises her role as Belinda Lindsey, a masseuse trying to move on from the broken Season 1 promises of Jennifer Coolidge's flaky heiress. But in real life, she confesses to Sterling K. Brown that she's been researching underground doomsday vaults, given the state of global politics. More from Variety Sam Nivola and Cooper Koch Confront Nepo Baby Criticism and Being Accused of Playing Sexual Deviant Brothers: 'You Still Have to Love Your Character' Parker Posey Tells Lisa Kudrow to Star in 'The White Lotus' Season 4 as They Bond Over Sitcom Struggles and Why Phoebe on 'Friends' Was 'A Lot of Work' Seth Rogen and Jason Segel Relive 27 Years of Friendship: Smoking Before 'The Matrix,' Peeing Next to Scorsese and Harrison Ford Watching Segel Naked It's the perfect topic for Brown, a three-time Emmy winner for projects like 'The People v. O.J. Simpson: American Crime Story' and 'This Is Us.' Teaming again with creator Dan Fogelman on Hulu's streaming hit 'Paradise,' Brown plays a Secret Service agent living in a city-sized bunker beneath a mountain in Colorado after a catastrophe on Earth. He's investigating the murder of the U.S. president and trying to find signs of his missing wife aboveground. Survival is a common thread between the pair, as they've navigated a business full of inequities and unstable opportunities for work on-screen and behind the camera. There's plenty of joy to be had, however, as the two unpack their first time meeting on Issa Rae's seminal HBO comedy 'Insecure.' They also set some healthy boundaries, as Rothwell notes that Brown's appeal to mature women can sometimes lead to friction — even between her own mother and father. Sterling K. Brown: You're so demure and refined. I was [shocked] by the way that you dropped into your wild character on 'Insecure' when we first met. You started on that show as a writer? Natasha Rothwell: Yes. I was called into the office one day, and I thought I was getting in trouble for making too many dick jokes. I remember texting [Issa Rae], 'I think I just fucked up.' But they told me they wanted me to play my character Kelli, and I burst into tears. But you — you're so charismatic and easy to watch. You almost broke up my parents' marriage. [My mother] loved 'Army Wives.' Brown: Give me the story. Rothwell: I thought, 'If [Sterling] comes up here and ruins 47 years of marriage, I'm going to be upset.' Brown: I'm big with a certain set. The older Black women and me, we got a thing. But let's talk about 'The White Lotus.' It's white; we're Black. It's all good. Rothwell: I was in the HBO family because of 'Insecure,' but it was 2020 — peak COVID, pre-vaccination. They were just like, 'Who is dumb enough to leave their house right now?' I had a meeting with Mike White, and I'd been a fan of his from 'Chuck & Buck' and 'Freaks and Geeks.' But I want to talk about 'Paradise.' Are you as scared for the fate of humanity as I am? If you look at my Google search history, you might see a bunker company or two. Brown: My wife and I have a bunker in our home. I think a lot of midcentury-modern homes have them, because they were built right after World War II. We sealed it up so the kids wouldn't be playing down there. It can hold about 30 people. Rothwell: You have my number, right? Brown: I got you. Rothwell: It's wild how your show flirts with what's happening now. How close it seems we are to an extinction-level event that is a consequence of humanity. Brown: Dan Fogelman created it, as he did 'This Is Us.' He told me he was writing something with my voice in mind, and said, 'Take a look.' If I responded to it, great; if not, no big deal. I wrote him back saying, 'Amen.' He thought I said 'Amen' because Black people just randomly say 'Amen.' He asked what that meant, and I said, 'I'm in, dumbass.' Rothwell: Did he loosely pitch this to you or did you get eyes on the page? Brown: This is a Fogelman thing, and he's explained [his process] to me on a podcast that we do for 'This Is Us': He always writes the first one, and then he shows it to the studio. Either they like it or they don't. His feeling is 'I don't want notes. This is the thing that I've conceived. Do you like it or do you not like it? If you don't, then I can move on.' Rothwell: 'Paradise' is so tonally different from 'This Is Us.' To have that kind of artistry expressed by the same man, were you kind of caught off guard by that? Or did you know he had the capacity? Brown: I knew he had the capacity for anything; he can write his ass off. He's done 'Crazy, Stupid, Love.,' 'Life Itself' — dude is all over the place. He, like me, is eager to have opportunities to show the diversity of what he can do. Rothwell: I was texting with Mr. James Marsden this morning. I asked him about his experience with you, or even for something innocuous that feels like it says a lot about your character. He told me a little anecdote about how you've passed up being No. 1 on the call sheet many times because for you it's not about the numbers but about the work. And so I'll just reflect that back to you. I think for me, for the longest time, I thought it meant something. After Season 1 of 'The White Lotus' wrapped, I pulled Mike White aside and I got emotional. I went to school for acting like you did — we contain multitudes — but my entry point into the industry was comedy writing for 'Saturday Night Live.' It's been so hard to get the industry to see all of me. And they can be really entrenched in 'She's the funny, fat Black lady. We're going to put her in this corner, and that's the box she's in.' For Mike to give me Belinda, it was like he opened a cage that I felt the edges of. Now I can imagine the freedom of being able to show all of yourself when you see a role that can unlock something in you. And as [a writer], I feel authorship I didn't have for a long time. I had relegated myself as No. 12 on the call sheet in my real life. Do you know what I mean? Brown: I do. I look at this acting thing as sort of controlled schizophrenia, in that there's so many people inside of me, and each character gives me an opportunity to let one aspect of myself out. Rothwell: I feel that when I write. The best quote is 'Writing is awful, but it's wonderful to have written.' The process can be painful — it feels like an exorcism of sorts, for me to be able to put pen to paper and to allow aspects of my personality to bleed in all the characters. It's also such an exercise in control, because you have to be restrained and not just be indulgent and make it all about you — it has to be about the subtext of what you're exploring. Brown: Is there joy in just acting, because you wear so many hats? And being on location so far removed from everybody? Rothwell: I was in post for [my Hulu series] 'How to Die Alone' when I went to Thailand. I felt like, 'I don't got to worry about nothing. Something wrong with catering? Don't care.' For Season 3 of 'Lotus,' I'm just protecting Belinda; I'm holding her safe. Brown: We are blessed. What is it like for you to be working? Because we all have friends that are in this business and not as blessed right now. There's been a contraction. How is your community reflecting that contraction back to you? Rothwell: The contraction is not just being observed, it's felt. 'How to Die Alone' only had one season. I see my friends who are caterers, costumers, makeup artists. I want to make sure they're going to survive this great contraction. I just got back from the TED conference in Vancouver, and it's terrifying about what we're up against as artists to protect our work and to make sure that AI isn't just generating versions of talents that have been curated over years and years of study and apprenticeship. Brown: I think we're made of strong stuff. I also remind myself that the industry is just 100 years old. When I first started, there was a thing called pilot season. There was many a network drama. There was many a serialized. There were 22 to 24 episodes. Now we're doing six or eight. And so much has left Los Angeles. Rothwell: There was a game show shooting near us in Thailand. Brown: I was just working in Australia, and there were seven other productions living in my hotel. Rothwell: There's a little bit of 'Molly, you in danger, girl' about it all. Brown: Speaking of Belinda and the last 'White Lotus,' she's in a moral conundrum because she's [avoiding] a man she knows by another name who was not good to his wife. You ultimately wind up approaching him, and he hits you with an indecent proposal. What would Natasha do in Belinda's situation? Take the money and run? Rothwell: I think that Belinda saw an opportunity to get something she fundamentally believed she deserved. She's a moral center for the show. I'm scared for her, because I do think karma is real and the money is blood money. That storyline was my pitch. Brown: Was it really? Rothwell: It was my pitch. Listen, this is why I love Mike White. Originally it was Belinda's son, Zion, running the show. I told Mike I really wanted to see Belinda have agency in this moment. Can she take over the negotiation in some way? What is an authentic way for her to show that she's pushing her chips in along with her son? Being able to show that turn, she sees that she has power over a white man — the kind of man that she's been rubbing the backs of for a long time. Brown: Is she breaking bad? Rothwell: I don't know that she's breaking bad, but I think she feels that there's an opportunity here. I also come from a place of great empathy. I remember when I was first able to not think about money 24/7. I used to carry around a check in my wallet when I was fucking broke. I wrote it for the amount of my student loans just to say, 'Someday I'm going to be able to [pay this].' Brown: Did the money Belinda got also quell her on the idea of going into partnership with Pornchai [played by Dom Hetrakul]? Rothwell: That pisses me off. People are just like, 'Oh, you just left Pornchai on the side of the road.' She fucked the dude one night. She had a one-night stand. She owed him nothing. Belinda had an opportunity to betray herself again, but no. Circumstances changed. For you, your performance contains so much vulnerability and selflessness in moments. How do you find that, when I think so often the really human default is fear and 'I got to save me'? Brown: My character is someone who's been without his best friend and partner for three years. He's incomplete. And he's raising two children by himself, knowing that this wasn't how it was supposed to be. When he's introduced to the idea that his family could be reunited — Rothwell: He paused when he was in that shower with your co-star Sarah Shahi. I really need to let you know … [Rothwell shows her leg suggestively] Brown: Peloton. I'm 49 years old, and the fact that anybody wants to see 49-year-old booty, it makes me happy. Best of Variety 25 Hollywood Legends Who Deserve an Honorary Oscar New Movies Out Now in Theaters: What to See This Week Emmy Predictions: Animated Program — Can Netflix Score Big With 'Arcane,' 'Devil May Cry' and the Final Season of 'Big Mouth?'

BET Awards 2025 highlights: Jamie Foxx delivers emotional speech, Doechii criticizes Trump's use of 'military force' to stop L.A. protests, Mariah Carey performs and more
BET Awards 2025 highlights: Jamie Foxx delivers emotional speech, Doechii criticizes Trump's use of 'military force' to stop L.A. protests, Mariah Carey performs and more

Yahoo

time2 hours ago

  • Yahoo

BET Awards 2025 highlights: Jamie Foxx delivers emotional speech, Doechii criticizes Trump's use of 'military force' to stop L.A. protests, Mariah Carey performs and more

Honoring Black excellence across the entertainment industry, the 2025 BET Awards saw several artists win big, hit the stage for noteworthy performances and give moving acceptance speeches. Here are some highlights from this year's celebration. Jamie Foxx gave an emotional speech while accepting the Ultimate Icon Award. The actor-comedian expressed gratitude for the 'second chance' he was given after suffering a brain bleed, which led to a stroke, in 2023. 'I gotta be honest, when I saw the 'In Memoriam,' I was like, 'Man, that could have been me,'' Foxx told the audience. 'But I don't know why I went through what I went through, but I know my second chance, I'm not going to turn down. I'm not going to turn down. I have so much love to give. I told Him, I said, 'Man, bro. Just give me one more crack at this. And I promise,' I said, 'Whatever reason you put this on me, I promise, I'ma do right.' The Ray star went on to thank his two daughters. 'My beautiful daughter Corinne, I cannot say enough about you,' he said of his eldest. 'You've always taken the back seat to everything, but when you needed to drive it, you drove. And you made sure I was here. And I ain't going to turn down. And I'm not going to stop crying. At a certain point, I'm going to stop crying, but I ain't going to stop just yet.' Foxx then spoke of Anelise, his younger daughter. 'Anelise Estelle Fox. My baby with the big hair,' he continued. 'She hides under that hair because she's got something special. You're so beautiful, man. When I was fighting for my life in there, I got to say this, they said, 'We're going to lose him because his vitals are bad.' And I didn't want my 14-year-old to see me like that. But Anelise overheard the conversation, and she snuck into my hospital room with her guitar and said, 'I know what my Daddy needs.'' While accepting the award for Best Female Hip-Hop Artist, Doechii took the opportunity to address what was 'happening right now, outside of the building.' The awards show was held at the Peacock Theater, located in downtown Los Angeles, where protesters have been demonstrating against the Trump administration's recent immigration raids. 'There are ruthless attacks that are creating fear and chaos in our communities in the name of law and order,' the Alligator Bites Never Heal rapper said. '[President] Trump is using military forces to stop a protest. And I want y'all to consider what kind of government it appears to be, when every time we exercise our democratic right to protest, the military is deployed against us.' The first-time BET winner urged audiences to speak up against hate. 'People are being swept up and torn from their families, and I feel it's my responsibility as an artist to use this moment to speak up for all oppressed people,' she said. 'For Black people, for Latino people, for trans people, for the people in Gaza. We all deserve to live in hope and not in fear. And I hope we stand together, my brothers and my sisters, against hate, and we protest against it.' Though she did not walk the red carpet, Mariah Carey hit the stage for an unforgettable performance of 'Type Dangerous,' the leading single off her forthcoming 16th studio album. She then launched into her 2005, Grammy-nominated track 'It's Like That.' Carey, who received the Ultimate Icon Award alongside Foxx, Snoop Dogg and Kirk Franklin, wore a metallic gold minidress with a structured bodice and ruffled skirt during her performance. Leon Thomas was honored with the Best New Artist award. The 31-year-old singer-songwriter, who previously starred on Nickelodeon's Victorious, released his second studio album Mutt in 2024. 'My grandfather always used to tell me, 'Music is a team sport,' and I want to thank God first and foremost for coaching my life,' Thomas said, before thanking his mother. 'We've been in this together my entire life, and I wouldn't be here without you, Mom.' Also accepting the Ultimate Icon Award was Snoop Dogg, who took the opportunity to honor his wife, Shante Broadus, whom he married in 1997. 'Now, you see, this is why I'm so rock solid,' he said of Broadus. 'This is why I'm able to deal with all the things that I'm able to deal with. I got God in my life, and I got a queen in my life, right. And no matter what, she held me down, she holds me down. She's been there for me. She's always been my everything.'

Here's why Malia Obama changed her name
Here's why Malia Obama changed her name

USA Today

time3 hours ago

  • USA Today

Here's why Malia Obama changed her name

Here's why Malia Obama changed her name Former First Daughter Malia Obama is trying to make her way in the world of film, but you might not know it right away thanks to a slight name change. Malia, the eldest daughter of former president Barack Obama and First Lady Michelle, is now 26 years old and has had some success directing with a 2024 short film Heart and a 2025 Nike ad featuring WNBA star A'ja Wilson. On her professional projects, the aspiring filmmaker has dropped her famous last name, instead going by Malia Ann, her first and middle name. Michelle Obama recently addressed the name change on Kate Hudson's "Sibling Revelry" podcast: "Malia, who started in film, I mean, her first project — she took off her last name, and we were like, 'They're still going to know it's you, Malia,'" the former First Lady told Hudson and co-host Oliver (Hudson's brother). "But we respected the fact that, you know, she's trying to make her way." With her films showing at festivals like Sundance, it is understandable that Malia would want first impressions of the project to be based on merit, not the connection with the name Obama. "Her first film went to Sundance and all these fancy film festivals, and she didn't use Obama as a director on the credits," the 44th president said in 2024 on "The Pivot Podcast" with Kara Swisher and Scott Galloway. "I was all like, 'You do know they'll know who you are.' And she was like, 'You know what? I want them to watch it that first time and not in any way have that association.'"

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