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Ted Kotcheff death: Famed Weekend at Bernie's director dies aged 94

Ted Kotcheff death: Famed Weekend at Bernie's director dies aged 94

Yahoo12-04-2025

Canadian director Ted Kotcheff, best known for the 1989 cult classic Weekend at Bernie's, has died at the age of 94.
The filmmaker's death was confirmed by his family to the Canadian outlet Globe and Mail. A cause of death is unknown.
Born William Theodore Kotcheff in 1931 in Toronto, Ontario, he is also famed for having directed Sylvester Stallone in his first outing as Vietnam veteran John Rambo in 1982's action thriller First Blood.
An English literature graduate from University College, University of Toronto, Kotcheff started his 60-year career in television. At 24, he joined the staff of the Canadian Broadcasting Corporation, where he would later become the network's youngest director during his two years there, working on several shows, including Encounter and On Camera.
By 1958, he moved across the pond to pursue a life and career in the U.K. There, he worked as a director on ITV's anthology series Armchair Theatre before going on to work with the BBC.
In between working at the BBC and directing shows on the West End, Kotcheff somehow managed to make his feature directorial debut with the 1962 British comedy Tiara Tahiti. The film starred James Mason as high-class smooth operator Brett Aimsley.
It wasn't until two decades later that Kotcheff came out with First Blood, widely considered to be his breakout movie. While the film was a box office hit, having raked in $125 million worldwide at the time, Kotcheff turned down the offer to direct the film's first sequel, First Blood 2.
'They offered me the first sequel, and after I read the script I said, 'In the first film he doesn't kill anybody. In this film he kills 75 people,'' Kotcheff recalled in a 2016 interview with Filmmaker Magazine. 'It seemed to be celebrating the Vietnam War, which I thought was one of the stupidest wars in history.'
He added: 'Fifty-five-thousand young Americans died and so many veterans committed suicide. I couldn't turn myself inside out like that and make that kind of picture. Of course, I could have been a rich man today — that sequel made $300 million.'
Kotcheff instead went on to direct the late Gene Hackman in Uncommon Valor (1983), a war action about a retired Marine officer, who's holding out hope that his son, a prisoner of war, is still alive.
Other well-known movies of his include 1974's The Apprenticeship of Duddy Kravitz, starring Richard Dreyfuss; 1977's Fun With Dick and Jane, starring Jane Fonda and George Segal; and 1979's North Dallas Forty, starring Nick Nolte.
He eventually returned to the world of TV in the 1990s. He served as an executive producer on the long-running police procedural Law & Order: SVU for more than a decade and even directed seven episodes across the first seven seasons.
Kotcheff was preceded in death by his wife, actor Sylvia Kay, who died in January 2019 at the age of 82. She had previously starred in Kotcheff's 1971 psychological thriller Wake in Fright.
Currently, a documentary about his life — The Apprenticeship of Ted Kotcheff — is in production with Antonio Saillant directing. It will be narrated by Dreyfuss.

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Poets, politicians and TV personalities announced for Bradford Literature Festival
Poets, politicians and TV personalities announced for Bradford Literature Festival

Yahoo

timean hour ago

  • Yahoo

Poets, politicians and TV personalities announced for Bradford Literature Festival

LEGENDARY poet John Cooper Clarke, BBC broadcaster Mishal Hussain and food critic Grace Dent are among the acts announced for this year's Bradford Literature Festival. Politician Jeremy Corbyn, Gavin and Stacey Legend Larry Lamb, Islamic scholar Shaykh Hamza Yusuf and TV presenter Katie Piper will also be in the city for events during the ten day literary event which runs from June 27 to July 6. The event will take place at venues throughout Bradford city centre, and this year's festival will be the first since swathes of the centre were transformed by new pedestrian areas and green space. This year's programme builds on record-breaking momentum from 2024, when over 155,000 attendees from 24 countries took part in 699 events, a 34 per cent rise in attendance from the previous year. This year's festival will be particularly special – falling right in the middle of Bradford's year as City of Culture. Headliners for 2025 include: • John Cooper Clarke, the legendary punk poet, who will reflect on his extraordinary life before delivering a blistering live reading of his most iconic work. • Grace Dent, in conversation with Nisha Katona, launching the Big Tasty Read, a national celebration of food, literature and community. • Shaykh Hamza Yusuf, one of the world's leading Islamic scholars, appearing in a landmark event exploring compassion and sacred history. • Katie Piper, who shares her empowering new book on ageing, resilience, and redefining life's milestones. • Mishal Husain, BBC broadcaster and journalist, who will discuss her powerful new memoir Broken Threads, tracing her family's journey through empire, independence, and identity across India, Pakistan, and Britain. Other guests during the festival include broadcaster Steph McGovern, journalist and activist Ash Sarkar, politician Jeremy Corbyn, actor Larry Lamb, comedian Jessica Fostekew, poet, academic and musician Anthony Joseph, and comedian, actor and writer, Robin Ince. The crowd at Bradford Literature Festival (Image: Bradford Literature Festival) Issues being discussed at the festival include Gaza 2040: Imagining the Future, Freedom of Expression: Who Gets to Speak?, Islamophobia Now, and The Great Unravelling: Democracy & Development in the Age of Populism. Key themes include Art and Architecture, Faith, Mysticism and Philosophy, Poetry, Neurodiversity, History, Nature and Citizenship as well as programming around 250 Years of Jane Austen. Doha Debates returns to BLF for a second year with a town hall discussion on the future of national identity and the nation state, with Wael Hallaq, Shashi Tharoor, David Engels and moderated by Malika Bilal. Beyond the talks and panels there will be numerous events open to the public, from exhibitions and comedy nights to heritage walking tours and live performances and film screenings. These include four free family fun days in City Park, superhero storytelling and manga drawing workshops, behind-the-scenes TV writing masterclasses and a screening of David Attenborough's Ocean with a talk from co-creator Colin Butfield. This year's festival will also feature a selection of book launches, including Liz Mistry's Deadly Reckoning, the latest instalment in the Solanki and McQueen crime series, and Pauline Brown's Diego's Team, a tale of kindness, courage and alpacas. Founder and Artistic Director Syima Aslam said: 'Bradford Literature Festival was founded on the belief that culture is not a luxury—it's a necessity. 'At a moment rich with possibility for reimagining how we live, learn, and listen to one another, we remain committed to offering space for reflection, dialogue, and creativity. 'This year's programme is our most ambitious yet: a bold, joyful, and deeply thoughtful celebration of ideas, imagination, and identity. 'BLF continues to be shaped by the communities we serve—international in scope, proudly rooted in Bradford, and grounded in the principle that everyone deserves access to culture, no matter who they are or where they come from. This year, we are also especially proud to celebrate Bradford's designation as the UK City of Culture 2025—an accolade that reflects the vibrant cultural landscape and creative energy the festival has helped to nurture and shape over the years.' Over the past 11 years, BLF has hosted 3,484 events, welcomed 3,544 artists, and reached nearly 710,000 people. For more information on this year's event and to book tickets, visit

Matt Vautour: Fenway Franks and Moneyball - What a French sportswriter saw at his first Red Sox game
Matt Vautour: Fenway Franks and Moneyball - What a French sportswriter saw at his first Red Sox game

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time2 hours ago

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Matt Vautour: Fenway Franks and Moneyball - What a French sportswriter saw at his first Red Sox game

BOSTON — From his seat high in Fenway Park's right field bleachers, Azad Rosay leaned forward, focused on the action he was only beginning to understand as the ball sailed off Pete Alonso's bat in the top of the first inning. Jarren Duran barehanded the carom off the wall, whirled and threw a strike to David Hamilton at second, who slapped the tag on the runner. Advertisement Azad turned to me, looking excited. 'People said this was going to be boring,' he said. 'There's more going on than I thought there was going to be.' Coming to the park that night, we had related concerns. Azad had never seen a baseball game before. Not even on TV. He'd been warned that the game was going to be slow. I was worried he'd think that baseball was boring. We were both pleasantly surprised. Azad is a part-time basketball blogger and podcaster who lives in France. He writes about the Celtics in English for the CelticsBlog and podcasts about the entire NBA in French for The Dreamcast Show. The growing number of fans in both countries, who are interested in X-and-O breakdowns and analytics, like his work. Advertisement I'd never met him until April 23 when we were eating at the same table in the media room before Game 2 of the Celtics-Magic series. Sportswriters are usually curmudgeons, so his enthusiastic energy and his French accent stood out. A native of Grenoble in the French Alps, Azad was in Massachusetts, staying with relatives to cover the Celtics playoff run. Someone asked him what else he hoped to in Boston while he was here. He said he wanted to go to a Red Sox game at Fenway Park, but knew nothing about baseball. 'Since I'm a big sports fan, people said 'you should go watch a game.' The Red Sox are a historic franchise,' he said. 'It's a once-in-a-lifetime opportunity when you come from Europe. You never know when you could be back.' Advertisement I saw an opportunity, too. What would baseball and its unique and complicated rules look like to a sports fan who had never seen it? 'I'll take you to the game if you let me write about it,' I said. Azad liked the idea. We decided to pick a game based on how quickly the Celtics eliminated the Knicks (oops). The Celtics' collapse in six games meant Azad's trip was getting cut short. So with no Game 7 on Monday, May 19, we decided to go to Red Sox-Mets that night instead. You don't have to love baseball to enjoy a late spring night at Fenway Park when the weather is warm and the sun is setting behind third base. Those nights are like sitting at an outdoor bar. Advertisement But May 19 was cloudy, cold and windy, the type of night when the demand for hot chocolate at the Dunkin' under the right field grandstand is much greater than for the helmet sundaes just across the concourse. Baseball would have to sell itself, and that worried me a little. What if he hated it? What if he was bored? What if the popular criticisms of our former national pastime stood out? But as Azad walked up the ramp from the dark tunnel and was greeted by Fenway Park's sea of green, his pace slowed as his eyes surveyed the scene in front of him. He smiled, took out his phone and snapped a picture to capture the moment. Advertisement That was a good sign. I bought two standing room tickets. Anytime the game-time temperature is below 65 degrees, there are lots of open seats. My plan was to bounce around, sitting in different sections so he could see the game and Fenway Park from lots of different angles. If someone showed up for the seats we were sitting in, we'd find new ones. Azad was on board with the plan and we started with two seats in the loge boxes between home and first base during the pregame. The pregame plan was to discover if Azad had picked up anything about baseball in his first 29 years. American ex-pats brought the sport to France before even World War I, but it hasn't caught on. Advertisement I asked some basic questions. Azad knew what a home run was and that the MLB championship was decided by the World Series. He knew there was a pitcher, but wasn't sure who that was. 'I know there are some players who throw balls and some players who use a bat to tap the ball,' he said. 'I know you can do a home run and keep running.' The only current major leaguer he knew was Shohei Ohtani. His knowledge of former players was only slightly larger — Billy Beane, Jason Giambi, Scott Hatteberg and David Ortiz. That list gives away that Azad had seen 'Moneyball.' At first, it seemed odd that he'd intentionally picked a movie about the inner machinations of a sport he knew nothing about. But for a guy who sees basketball, at least partially, through an analytical lens, 'Moneyball' wasn't advanced baseball, but a starting point. Azad not only saw the movie but liked it enough to have watched it several times, including the day before his Fenway trip as preparation. Advertisement From the film, he knew the Red Sox had gone a long time between championships and that when they eventually won, they did so with a team that used their version of Moneyball philosophies. 'Billy Beane ended the curse,' Azad said matter-of-factly, oversimplifying the epilogue text at the end of the movie. We spent part of the pregame in those first base seats and the rest atop the Green Monster for Mets batting practice. Before going up to the right field roof for a beer, the national anthem and the first pitch, we stopped in the bar/museum tucked one flight up behind the right field bleachers. Azad studied the locker replications and then was immediately drawn to the Fenway Park replica in the back. The intricate model that's about 24-by-24 inches around and nine inches high has players on the field, making it perfect for asking baseball questions. Advertisement The game immediately made way more sense to Azad as soon as he realized the batter and pitcher were adversaries. 'I didn't expect that getting on first base would be so difficult,' he said. 'It's not just about a guy sending the ball and another guy trying to hit it with a stick. There's a matchup between the pitcher and the hitter.' Calling the officials 'umpires' was a source of amusement. 'Umpire? That sounds like Star Wars,' he said, chuckling and later referred to the guy calling balls and strikes as 'Darth Vader.' After we each grabbed an obligatory Fenway Frank (he opted for mustard/I'm a barbecue sauce guy) in the big concourse, we took the stairs up to the right field roof and bought beers. Advertisement We spent an inning in the bleachers, one on the right field roof, two in the pavilion boxes next to the press box and the rest of the game in the second row of loge boxes on the third baseline. Azad leaned in and paid attention from the first pitch and reacted when Francisco Lindor hit the game's fifth pitch in the air for a lazy fly out. Alonso's ill-advised attempt to stretch his single to a double came two plays later. The Red Sox scored twice in the bottom of the first. After Duran doubled, Azad, a novice Billy Beane disciple, appreciated Rafael Devers' ability to 'get on base' with a walk. The early action continued as both players moved up on a wild pitch and eventually scored. Azad asked smart questions and caught on quickly. Basketball and 'Moneyball' were the tentpoles for his questions and many of my explanations. Advertisement I explained to Azad that the game's devotion to analytics had evolved from and in some ways away from Beane's core Moneyball principles. Home runs and all the factors that contribute to them (launch angle, exit velocity, etc.) have changed the approach of many hitters. 'Trying for home runs is like shooting a lot of 3-pointers in basketball,' he said. He took new pictures at each new spot, admiring the park. 'It's beautiful. I love that you can see the city and the sky,' he said, motioning toward the Prudential Tower lit up beyond right field. 'There's a vibe that you know you're somewhere special.' Advertisement He was surprised to learn that ballparks didn't have uniform dimensions. 'Home runs are not always the same?' But his appreciation of the evening went beyond the venue. He liked the strategy. 'I like how much power the defense has,' he said, noting that it doesn't really happen in sports where the offense has the ball. He asked about defensive positioning when Trevor Story lined up directly behind second base and then was impressed when a ball was hit right to him. I explained the idea of a double play and why the second baseman and shortstop were playing back in the sixth. He spent the rest of the game looking for them. Advertisement When we moved to our seats off of third base for the final innings, it gave us a great look at the pitcher and batter up close. Azad got into a rhythm of watching the pitch, then looking for the velocity on the scoreboard. He was perplexed at why a camera or a computer didn't determine balls and strikes. 'It surprises me that it is just evaluated by the umpire guy behind the catcher, who says if it's good or not,' he said. 'It's based so much on human decisions.' In the bottom of the eighth, I pointed out Aroldis Chapman warming up in the bullpen and I explained the concept of a closer. 'What a great job,' he said, admiring the nature of a guy whose job it was to come in, shut down the opponent and end a game. 'I close.' Advertisement Chapman did his job, earning the save in the 3-1 win. He loved that the home team doesn't bat in the bottom of the ninth if they're winning. 'It's like a mic drop.' As the traffic-beating fans departed in the eighth, thinning the Monday night crowd, Azad was surprised to see them go. He was in for all nine innings. 'If I was watching on TV, I don't think I would have been hooked, but I can see why people love baseball,' he said. 'Like they said in Moneyball: 'How can you not be romantic about baseball?'' Read the original article on MassLive.

Corus touts new stars, returning hits to Global, while calling for loosened CanCon rules
Corus touts new stars, returning hits to Global, while calling for loosened CanCon rules

Hamilton Spectator

time3 hours ago

  • Hamilton Spectator

Corus touts new stars, returning hits to Global, while calling for loosened CanCon rules

TORONTO - Corus Entertainment touted new stars and returning hits set to roll out across Global and its specialty networks on Monday, while making the case for loosened CanCon spending rules that would let it lean further into unscripted content. The broadcaster's 2025/26 slate includes the first full season of programming for newly branded cooking channel Flavour and design and renovation channel Home. Both launched in December after Corus lost rights to carry Food Network Canada and HGTV Canada, now with Rogers. Among the previously announced shows on the Home lineup are 'Building Baeumler,' starring renovation stars Bryan and Sarah Baeumler, and 'Life is Messy,' a series from Scott Brothers Entertainment about overwhelmed homeowners. Over on Flavour, reality culinary contest 'Top Chef Canada' returns for a 12th season, a long-running success that Corus co-CEO Troy Reeb suggested can be as 'culturally relevant' as CRTC-mandated scripted fare. 'That show has helped to create celebrity chefs in almost every province and territory. It has featured celebrity chefs and the cuisine of this country in a way no other program has, and it's created not just an entertaining show but an entire ecosystem around it,' he said. Reeb appeared before a CRTC committee last month to call for reforms to spending requirements on so-called 'programs of national interest' — or PNI — which include scripted dramas and comedies. Last year, the CRTC granted Corus its request to reduce the amount the media giant spends on PNI, freeing up about $35 million it said would go towards news, lifestyle and reality fare. 'We want to have the flexibility to commission and air the kind of Canadian content that works best for our platforms and our audiences. What we're really talking about is getting rid of some of the most prescriptive regulations around PNI programming and allowing us to lean into our lifestyle and our factual reality slate,' Reeb said in an interview Monday. '(We want) to ensure that it is our programmers and our audiences who are in charge of what gets seen on our airwaves, and not bureaucrats in Ottawa.' Still, Reeb stressed that Corus isn't abandoning scripted content, noting that Global announced a second season of Canadian-made 'Murder in a Small Town' and 'Private Eyes West Coast,' a Vancouver-based spinoff of the drama 'Private Eyes' starring Jason Priestley. The fall schedule on Home includes two budget-friendly offerings from Canadians — Natalie Chong with 'Rentovation' and self-taught DIYer Kristen Coutts with 'Beer Budget Reno.' Flavour Network's Canadian shows include 'Halloween Bakeshop' and 'Holiday Bakeshop,' hosted by Canadian actress and comedian Lauren Ash. The Corus plans come as Rogers' detailed programming for HGTV Canada and Food Network Canada that it described as 'bigger and more impactful' than what came before. Last June, Rogers announced it had scored 'milestone' multi-year deals with Warner Bros. Discovery to secure rights to several lifestyle brands from Corus Entertainment and Bell Media, including HGTV, Food Network and Discovery. 'We're not really concerned with what our competition wants to do,' said Reeb, noting Corus' channels boast recognizable stars like the Baeumlers. 'We're going to do what we've always done, and that's win. And beat them.' In December, Corus launched Flavour Network and Home Network to replace the channel positions for Food Network Canada and HGTV Canada, which debuted under the Rogers banner in January. Corus said other returning Flavour shows include 'Morimoto's Sushi Master,' 'Adam Richman Eats Britain,' 'Kitchen Nightmares' and 'Wild Game Kitchen.' Over on Showcase, Corus' deal with NBCUniversal will bring the Greg Daniels mockumentary 'The Paper,' starring Domhnall Gleeson; the espionage thriller 'The Copenhagen Test' with Simu Liu; and the spy thriller 'PONIES' with Emilia Clarke and Haley Lu Richardson. High-profile U.S. imports are also headed to Global, including CBS' new hour-long crime drama 'CIA,' from executive producer Dick Wolf and starring Tom Ellis as a 'loose cannon CIA case officer. Also new is the ensemble comedy 'DMV' with Tim Meadows, the singing competition 'The Road,' in which country star Keith Urban tries to discover the next big artist and 'Sheriff Country,' starring Morena Baccarin in an expansion of CBS' 'Fire Country' universe. Reeb said that Corus was trying to 'lean into our Canadian identity' while also acknowledging that audiences still crave international fare. 'We know the kind of mood Canadian audiences are in: the elbows up movement is at an all-time high. At the same time, we know that Canadian audiences want the best of the world. They don't just want Canadian content,' he said. 'You can have an all-Canadian network that has nothing but Canadian on it and you would have to give it $1.3 billion because that's what we do to the CBC.' W Network highlights include the Peacock mystery 'All Her Fault,' with Sarah Snook as a mother whose son goes missing while on his first playdate, and the dark comedy, 'The 'Burbs' starring Keke Palmer, in which a young couple reluctantly move to the husband's childhood home. Celebrities anchor several new shows including the History Channel's 'WWII with Tom Hanks,' 'History's Deadliest with Ving Rhames,' and 'Hazardous History with Henry Winkler,' while Ryan Reynolds narrates the National Geographic animal series 'Underdogs,' and Slice adds the six-part docuseries 'Tiffany Haddish Goes Off,' which follows the star and her three girlfriends on a trip to Africa. This report by The Canadian Press was first published June 2, 2025.

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