
Young talent gives ballet culture a ‘bad wrap'
The intense demands and 'toxic culture' surrounding ballet forced Charley-Marie Travia to quit the sport she loved from age 3 to 17.
The Iona Presentation College graduate turned her experience into Stored Away, a series of photorealistic oil paintings of her ballet possessions covered in plastic.
One of canvases, a representation of her favourite ballet dress, features as part of this year's The West Australian Pulse exhibition at the Art Gallery of WA.
The 18-year-old also created eye-catching images of her trophies and pointe shoes, all wrapped in plastic to be stored away.
While she dreamt of joining one of the great European or New York ballet schools, Ms Travia left the demanding sport to focus on her high school studies. Iona Presentation College graduate Charley-Marie Travia, with her artwork Stored Away at The West Australian Pulse exhibition. Credit: Danella Bevis / The West Australian
'If you want to take it seriously, you have to leave (school) at 15 and go to a different country and start a new life,' she said, 'and then your career is done by 25, at the oldest.'
Now studying architecture at Curtin University, Ms Travia said the 'ballet industry is very toxic' with potentially detrimental impacts on the mental and physical health of young dancers.
'Whatever you do, it's never good enough,' she added.
'When you're in a ballet studio, you're surrounded by mirrors, so it's very hard on your body image.
'Mentally, it's a very tough sport, as well as physically.' Charley-Marie Travia and fellow Pulse artist Ben Ioannou at the Pulse exhibition opening night. Credit: Alan Chau / The West Australian
Partly inspired by American collage artist Barbara Kruger's use of slogans, Stored Away features the phrase 'I was once your favourite' emblazoned on her ballet dress.
Ms Travia said the Pulse artwork closed a chapter in her life.
'I can now move on to bigger and better things,' she said.
Can she see herself ever dancing again?
'No, I don't,' Ms Travia laughed. 'It's a very traumatising career — I don't think I'd ever go back.'
Mentored by Iona teacher Lisa Corbett, Ms Travia enjoyed the process of painting Stored Away but said she never thought her work would end up on a wall in WA's most prestigious art gallery.
'The standard in Perth, especially for Year 12 students, is crazy,' she said.
The West Australian Pulse exhibition is free and runs until August 31.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Perth Now
an hour ago
- Perth Now
James Blunt is 'happy' being a 'one-hit wonder'
James Blunt insists being a "one-hit wonder" is "healthy" for his ego. The 'You're Beautiful' hitmaker became an overnight star following the release of the 2005 single from his debut album 'Back To Bedlam', and the 51-year-old pop veteran admits he is "happy" to be called a "one-hit wonder" as it means he doesn't get too big for his boots. He told US publication PEOPLE: 'In the States, I am [a one-hit wonder]. You have to understand — I am so happy with that because, as I put on my social media profiles, one hit is all you need. 'I've been called a one-hit wonder by people who are none-hit wonders. And so I'm thrilled with that.' Blunt continued: 'The moment I think I might be a big shot in any way, you, as an American, can tell me, 'No. You're just a little one-hit wonder, James. Get back in your box.' And that's healthy." The 'Goodbye My Lover' singer also recalled how he was rejected by all the UK record labels because of his posh speaking voice and classism in his homeland. On being signed to Linda Perry's Custard Records, he said: 'I hadn't really understood how this was the very last chance I was probably ever going to have. 'I'd been rejected by every UK label based on my speaking voice and the kind of class issues that we have here, and the basis that they would think that just no one would relate to me. They might've been right to a degree. It's taken a long time after 'You're Beautiful' and the backlash for the public to know that, 'Okay. I might speak with a stupid voice, but I am a normal, grounded human being.' So maybe the UK labels were right. [But] for some reason Linda was there. She came in with a hard sell, and we went out that night and got drunk.' Although the song was a huge hit, he did face - and continues to face - his fair share of criticism and is known to hilariously retaliate on social media. He said: 'I think I've always been silly. 'I think I probably did set out in interviews when we were talking about music because it was the one thing I was serious about. "I probably then spoke quite earnestly in my interviews about the music, and now I've learned that that's probably not the best thing to do. So now, I still take my music seriously. I don't speak earnestly about it.'

Sydney Morning Herald
2 hours ago
- Sydney Morning Herald
Meet the Americans obsessed with Australia's mushroom murder trial
Harvel typically uploads videos in the morning to his YouTube channel, Reporting Live From My Sofa. At night, viewers will jump on a live chat to 'gather around the old campfire' and gossip about the latest developments in court and share their theories. The mushroom lunch trial is not the only case Harvel is juggling: he is covering multiple trials of Lori Vallow Daybell, a doomsday religious cultist who was convicted in April of murdering her estranged husband. But many of his videos about the mushroom case have outrated those about Daybell, a success that has surprised him. 'Usually if something's not here in our faces, on TV, the interest will wane pretty quickly,' he says. 'It's held pretty steadily with a strong viewership.' Putting aside the eccentric circumstances of the fatal luncheon, Harvel believes Patterson's ordinary, country demeanour also elicits fascination from viewers. 'Erin is so regular. We see Erins all day long. I see this lady at the grocery store,' he says. 'The mushroom case has been the strongest interest of an international case that I've covered in this way.' Loading Harvel, 47, started dabbling in crime videos a little over six years ago, giving commentary on Netflix's Murder Mountain in clips recorded on a phone by his then-partner, who would tease him about the quirky content. A creative writing major who worked in education, Harvel says he always had a keen interest in true crime and criminal psychology. For the past three years, the videos have been his day job. And as the viewership has grown, so has his set-up. This week he moved into a new studio office just outside Raleigh, and has just notched up his 1000th video. Loading For Harvel, covering the Patterson trial is a unique challenge: unlike many American court cases, it is not livestreamed. He depends on local media coverage, mostly Guardian Australia and the ABC, including the public broadcaster's Mushroom Case Daily podcast. He has additional Australian cases on his radar, including the forthcoming trial of former police officer Beau Lamarre-Condon, who is accused of murdering Sydney men Jesse Baird and Luke Davies. 'I've really enjoyed learning about the [legal] system there and how it works,' Harvel says.

The Age
2 hours ago
- The Age
Meet the Americans obsessed with Australia's mushroom murder trial
Harvel typically uploads videos in the morning to his YouTube channel, Reporting Live From My Sofa. At night, viewers will jump on a live chat to 'gather around the old campfire' and gossip about the latest developments in court and share their theories. The mushroom lunch trial is not the only case Harvel is juggling: he is covering multiple trials of Lori Vallow Daybell, a doomsday religious cultist who was convicted in April of murdering her estranged husband. But many of his videos about the mushroom case have outrated those about Daybell, a success that has surprised him. 'Usually if something's not here in our faces, on TV, the interest will wane pretty quickly,' he says. 'It's held pretty steadily with a strong viewership.' Putting aside the eccentric circumstances of the fatal luncheon, Harvel believes Patterson's ordinary, country demeanour also elicits fascination from viewers. 'Erin is so regular. We see Erins all day long. I see this lady at the grocery store,' he says. 'The mushroom case has been the strongest interest of an international case that I've covered in this way.' Loading Harvel, 47, started dabbling in crime videos a little over six years ago, giving commentary on Netflix's Murder Mountain in clips recorded on a phone by his then-partner, who would tease him about the quirky content. A creative writing major who worked in education, Harvel says he always had a keen interest in true crime and criminal psychology. For the past three years, the videos have been his day job. And as the viewership has grown, so has his set-up. This week he moved into a new studio office just outside Raleigh, and has just notched up his 1000th video. Loading For Harvel, covering the Patterson trial is a unique challenge: unlike many American court cases, it is not livestreamed. He depends on local media coverage, mostly Guardian Australia and the ABC, including the public broadcaster's Mushroom Case Daily podcast. He has additional Australian cases on his radar, including the forthcoming trial of former police officer Beau Lamarre-Condon, who is accused of murdering Sydney men Jesse Baird and Luke Davies. 'I've really enjoyed learning about the [legal] system there and how it works,' Harvel says.