logo
Ian McEwan's next novel, 'What We Can Know,' is science fiction 'without the science'

Ian McEwan's next novel, 'What We Can Know,' is science fiction 'without the science'

Independent07-02-2025

The next novel by Ian McEwan will be a post-apocalyptic story, set in part in the 22nd century and centered on a scholar's immersion into a poem written during happier times.
McEwan, the Booker Prize-winning British author, is calling 'What We Can Know' a work of science fiction 'without the science."
'I've written a novel about a quest, a crime, revenge, fame, a tangled love affair, mental illness, love of nature and poetry, and how, through all natural and self-inflicted catastrophes, we have the knack of surviving," McEwan said in a statement released Friday through Alfred A. Knopf, which announced the book will be published Sept. 16.
"In our times, we know more about the world than we ever did, and such knowledge will be hard to erase. My ambition in this novel was to let the past, present and future address each other across the barriers of time.'
The 76-year-old McEwan has previously imagined disasters and disruptions — and how we respond — whether the threat of climate change in 'Solar,' a radiation cloud in 'Lessons' or artificial intelligence in 'Machines Like Me.' Knopf publisher and editor-in-chief Jordan Pavlin said in a statement that 'What We Can Know' is an exploration of the 'limits of our knowledge," whether of other people or the arc of the past.
'As the title suggests, the book calls into question the limits of our knowledge about our most intimate companions, and about history itself,' Pavlin said. 'How many irrecoverable secrets and stories are lost to the past? McEwan's genius in this novel is to recover, in an exquisite feat of storytelling, a long-lost secret.'

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

‘Significant challenges' in use of AI within UK screen sector
‘Significant challenges' in use of AI within UK screen sector

Scotsman

time2 hours ago

  • Scotsman

‘Significant challenges' in use of AI within UK screen sector

Hans Lucas/AFP via Getty Images Scottish researchers were among those to create the report Sign up to our Arts and Culture newsletter, get the latest news and reviews from our specialist arts writers Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... The use of artificial intelligence (AI) within the UK screen sector raises 'significant legal, ethical, and practical challenges' such as the use of copyrighted material being used without the permission of the rights holders, a report has warned. Other issues highlighted by the British Film Institute (BFI) report include the safeguarding of human creative control, the fear of jobs being lost as positions are replaced through the use of AI, and investment in training in new skills. Advertisement Hide Ad Advertisement Hide Ad High energy consumption and carbon emissions, and the risks to creative content around biased data, are also described as being of concern. The report, which has been carried out in partnership with CoSTAR universities Goldsmiths, Loughborough and Edinburgh, analyses how the screen sector is using and experimenting with rapidly evolving generative AI technologies. It warned that the 'primary issue' was the use of copyrighted material – such as hundreds of thousands of film and TV scripts – in the training of generative AI models, without payment or the permission of rights-holders. 'This practice threatens the fundamental economics of the screen sector if it devalues intellectual property creation and squeezes out original creators,' the report said. Advertisement Hide Ad Advertisement Hide Ad But it added that the UK's strong foundation in creative technology – as it is home to more than 13,000 creative technology companies – means that the UK screen sector is well positioned to adapt to the technological shift. Getty Images The report – titled AI in the Screen Sector: Perspectives and Paths Forward – said generative AI promises to democratise and revolutionise the industry, with the BBC, for example, piloting AI initiatives. Meanwhile, projects such as the Charismatic consortium, which is backed by Channel 4 and Aardman Animations, aim to make AI tools accessible to creators regardless of their budget or experience. It said this could empower a new wave of British creators to produce high-quality content with modest resources, though concerns about copyright and ethical use remain significant barriers to full adoption. Advertisement Hide Ad Advertisement Hide Ad The report sets out nine key recommendations it suggests should be addressed within the next three years to enable the UK screen sector to thrive in using AI. These include establishing the UK as a world-leading market of IP licensing for AI training, and embedding sustainability standards to reduce AI's carbon footprint. It also calls for structures and interventions to pool knowledge, develop workforce skills and target investments in the UK's creative technology sector, while it urges support for independent creators through accessible tools, funding and ethical AI products. The BFI's director of research and innovation, Rishi Coupland, said: 'AI has long been an established part of the screen sector's creative toolkit, most recently seen in the post-production of the Oscar-winning The Brutalist, and its rapid advancement is attracting multimillion investments in technology innovator applications. Advertisement Hide Ad Advertisement Hide Ad 'However, our report comes at a critical time and shows how generative AI presents an inflection point for the sector and, as a sector, we need to act quickly on a number of key strategic fronts. 'Whilst it offers significant opportunities for the screen sector such as speeding up production workflows, democratising content creation and empowering new voices, it could also erode traditional business models, displace skilled workers, and undermine public trust in screen content. 'The report's recommendations provide a roadmap to how we can ensure that the UK's world-leading film, TV, video games and VFX industries continue to thrive by making best use of AI technologies to bring their creativity, innovations and storytelling to screens around the globe.' Professor Jonny Freeman, director of CoSTAR Foresight Lab, said: 'This latest CoSTAR Foresight Lab report, prepared by the BFI, navigates the complex landscape of AI in the screen sector by carefully weighing both its transformative opportunities and the significant challenges it presents. Advertisement Hide Ad Advertisement Hide Ad 'The report acknowledges that while AI offers powerful tools to enhance creativity, efficiency, and competitiveness across every stage of the production workflow – from script development and pre-production planning, through on-set production, to post-production and distribution – it also raises urgent questions around skills, workforce adaptation, ethics, and sector sustainability.' CoSTAR is a £75.6 million national network of laboratories that are developing new technology to maintain the UK's world-leading position in gaming, TV, film, performance, and digital entertainment.

Brit Awards to make drastic change after 48 years in 'end of era'
Brit Awards to make drastic change after 48 years in 'end of era'

Metro

time2 hours ago

  • Metro

Brit Awards to make drastic change after 48 years in 'end of era'

The Brit Awards are making a huge change to the ceremony for the first time in nearly 50 years by relocating the entire show. This year's biggest night in music lived up to usual dramatic expectations, with Charli XCX proving Brat is forever with five wins. Elsewhere, Sabrina Carpenter's racy performance got plenty of Ofcom complaints, and Jack Whitehall's joke failed to land with Becky Hill. Next year, on Saturday, February 28, the prestigious ceremony will take place in Manchester – the first time in the history of the Brits. London has played host for the past four decades but Manchester's Co-op Live arena has been chosen for the 2026 and 2027 ceremonies. 'For the Brit Awards to move out of London is a massive coup for Greater Manchester,' said Andy Burnham, Mayor of Greater Manchester. He continued: 'After 48 years, it is great that this prestigious global event is about to arrive in the UK capital of music and culture. 'Greater Manchester has an unparalleled music heritage known around the world, and this summer will play host to some of the biggest gigs on the planet.' The Co-op Live arena was opened last year — with some teething issues — but has quickly become a major gig location for the likes of Olivia Rodrigo, Robbie Williams, and Pulp. Of course, Manchester's Heaton Park will see one of the biggest shows of 2025 as Oasis reunite for the first time in 16 years in their hometown. 'That was only made possible by our strong commitment to new talent and giving emerging artists the opportunities to make their name,' the mayor added. 'We thank our friends at the BPI for choosing Manchester and we will pull out all the stops to show they made the right decision. 'Celebrating the Brit Awards right here in the home of 24 hour party people is the next chapter in its story and you can be sure that we will help them do it in style.' The British Phonographic Industry (BPI) is the trade body for the UK's music industry. The move isn't the only shake up for the biggest night in British music as the Brit Awards 2026 will be the first of three years under the stewardship of Sony Music UK. Jason Iley, chairman and chief executive of Sony Music UK & Ireland said: 'This is a very exciting time for The Brit Awards. 'Moving to Manchester, the home of some of the most iconic and defining artists of our lifetime, will invigorate the show and build on the Brits' legacy of celebrating and reinvesting in world-class music. 'Hosting the show in Manchester, with its vibrant cultural history, perfectly captures the spirit and energy of the Brit Awards. I can't wait to see the show at the amazing state-of-the art Co-op Live venue.' The 2026 ceremony on Saturday February 28 will be broadcast exclusively on ITV1, ITVX, STV and STV Player. Mastercard will continue its long-standing headline sponsorship, now in its 28th year. Charli XCX was the stand-out star at this year's Brit Awards at London's O2 Arena, taking home five awards including album of the year for her sixth studio release, Brat. More Trending US pop star Sabrina Carpenter was the recipient of the global success award, while former Little Mix star Jade Thirlwall collected the best pop act award. US pop star Chappell Roan won international song of the year for Good Luck, Babe! Co-op Live is currently Britain's biggest indoor arena and opened in May 2024 after several delays. British band Elbow opened the 23,500-capacity venue and since then acts including Sir Paul McCartney and Charli XCX have held gigs. Got a story? If you've got a celebrity story, video or pictures get in touch with the entertainment team by emailing us celebtips@ calling 020 3615 2145 or by visiting our Submit Stuff page – we'd love to hear from you.

Antarctica: A journey to the end of the earth to find answers about our planet's future
Antarctica: A journey to the end of the earth to find answers about our planet's future

ITV News

time3 hours ago

  • ITV News

Antarctica: A journey to the end of the earth to find answers about our planet's future

ITV News Science Correspondent Martin Stew reports from deep within the Antarctic Circle. I'm the only journalist on board the RRS Sir David Attenborough, deep within the Antarctic Circle. No British research ship has ventured this far south, this late in the winter, since Shackleton's ill-fated Endurance expedition. History buffs will know that story didn't end well. Shackleton's ship was crushed by ice in the Weddell Sea, leaving his crew stranded for nearly two years, surviving on the ice and living off seal meat. The fact that our journey south has been plain sailing through waters that, by rights, should be frozen solid is a stark warning of how rapidly our climate is changing. Staring out into this frozen wilderness feels a world away from the UK's summer, but the scientists I'm travelling with insist we're far more connected than you might think. The Southern Ocean captures vast quantities of carbon and heat, and it helps drive global currents, including the Gulf Stream. Meanwhile, the sea ice surrounding Antarctica acts like a giant mirror, reflecting the sun's heat. And then there's the very real issue of rising sea levels. Antarctica holds two-thirds of the world's fresh water. For years, it was considered relatively stable — a vast, ancient ice sheet that wouldn't melt for millennia. But in recent decades, both landscapes and scientific opinions have shifted dramatically. The Antarctic Peninsula, which stretches towards Chile, is now warming faster than anywhere else in the Southern Hemisphere. The fear is that this alarming trend will spread across the entire continent — a land mass nearly twice the size of Europe. You might know the RRS Sir David Attenborough better by its famously suggested nickname, Boaty McBoatface — the humorous moniker voted for by the public. But this £200 million icebreaker is no joke. It's a serious piece of engineering, carrying some of the world's leading scientists aboard the UK's largest floating research lab. Their mission: to better understand how Antarctica's climate is changing, and what it means for the rest of the planet. Six years ago, British Antarctic Survey scientists Professor Mike Meredith and Dr Rhiannon Jones watched as three million tonnes of ice broke away from a glacier before their eyes. Now, they've returned to study how underwater tidal waves — triggered by collapses on that scale — alter the ocean and accelerate warming. Incredibly, while monitoring the same glacier, it happens again. This time, the collapse isn't as massive, but the fact it's happening in the depths of winter is even more alarming. "To stand there and see it directly in front of us was incredible," said Dr Rhiannon Jones. "It was all really unexpected, it really hit home that we're seeing some rapid changes to the region and we don't know what the consequences will be." Professor Mike Meredith said humans are to blame. "The retreat in sea ice is linked to the warming of the ocean and that's something that we know us humans are doing," he said. "The implications of this are climatic in that it effects how reflective the surface of the planet is, so the planet's now absorbing more heat from the sun than it used to. "It also removes a protective barrier from around Antarctica that can actually contribute to the destabilisation of the ice sheets." Releasing vast quantities of ice into the ocean on this scale can directly impact global sea levels. The latest models from researchers at the University of Durham suggest the amount of ice lost from polar ice sheets has quadrupled since the 1990s. We're currently losing around 270 billion tonnes of ice every year. Even if we managed to limit global warming to 1.5°C — which, at present, we're not on track to do — sea levels will still be rising at a rate that will be difficult to manage by the end of the century. According to Professor Chris Stokes: 'People need to be aware that sea level rise is likely to accelerate to rates that will be very difficult to adapt to — rates of one centimetre per year are not out of the question within the lifetime of our young people.' Over the next fortnight, I'll be reporting live from Antarctica — bringing you not just the latest discoveries from the world of climate science, but also the personal stories of those who endure the cold, the darkness, and the isolation to study this remote, frozen continent. From the wildlife to the wilderness, I'll do my best to share with you the stark beauty of this extraordinary place. Please join me on the journey if you can.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store