The Rock & Roll Hall of Fame Foundation Unveils Electrifying Class of 2025 Inductees
2025 Induction Ceremony Set for Saturday, November 8 in Los Angeles, California and Airing Live on Disney+
NEW YORK, April 27, 2025 (GLOBE NEWSWIRE) — Tonight, the Rock & Roll Hall of Fame Foundation pulled back the curtain on its 2025 Inductees – a powerhouse lineup of trailblazers, icons, and music legends who have shaped the ever-evolving sounds of Rock & Roll. This year's announcement delivered live by Ryan Seacrest on tonight's Rock & Roll Hall of Fame episode of 'American Idol,' sets the stage for an unforgettable celebration of music's highest honor.
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Globe and Mail
a day ago
- Globe and Mail
‘Pretty' is back in fashion, and this time it's being weaponized
It's just a bow. A sweet, simple reef knot of ribbon encircling a ponytail or perched at the crown of the head. Satin, grosgrain or velvet, nothing says 'femininity' like a bow. And they're back. Not since the days of Hayley Mills have bows so dominated the fashion landscape. And not just bows – 'pretty' is back. It's back without apology. Without irony. And it's been weaponized. The question is why? And how? And who? And ... huh?! Before we untie the bow question, consider for a moment the basque waist, another ultrafeminine feature from the archive of the female wardrobe. What, you ask, is a basque waist? A basque waist is when the bodice of a dress dips over the abdomen in a V, thereby accentuating the torso while enhancing the hips. The design feature hails from Basque Country in northern Spain, but it most certainly has its apogee in the land known as Disney in Southern California. If you've ever had a fairy godmother or animated birds and mice whip up a dress for you, that dress will most likely have had a basque waist. From Cinderella to Sleeping Beauty, princesses-in-the-making all rock a frock with a basque waistline. So, the question expands: Why now for bows and basque waists? What's driving this princess-ification of fashion? Perhaps the answer lies with the 'dress that broke the internet.' Not the striped dress of 2015, but the 'raw milkmaid' dress recently offered by Evie, the magazine The New York Times calls the 'Conservative Cosmo.' (The 'raw' part is a nod to the politicization of unpasteurized dairy.) Imagine Kim Kardashian as a Wisconsin dairy farmer's daughter. The dress features a tavern wench's plunging neckline with breast-amplifying shirred fabric along with wayward puff sleeves. The skirt boasts an up-to-there slit intended for straddling ... a milking stool? The basque waist highlights the hip-to-waist ratio, which is further enhanced by a lace-up back for a torso-defining fit. At the bosom, a delicate bow beckons. Of the dress, the publisher of Evie warns, 'Side effects may include unplanned pregnancy.' (The publishers of Evie also market a fertility-tracking app that eschews contraceptives.) Across the fashion spectrum, a sea change seems to be taking place. Reports from recent runway shows remarked on Victorian flourishes. Perhaps sensing the change, the Cannes Film Festival put the kibosh on excess nudity on its red carpet this year. Even the local mall is suddenly festooned with basque waists and raw milkmaid and eyelet lace dresses. Girlishness rules. Where's it all coming from? Carlyn Shapiro is qualified to comment. She lives in Dallas and is a director at Alvarez and Marsal Consumer and Retail Group. She specializes in turnaround management and performance improvement for major retailers – essentially, putting out corporate fires or igniting corporate fires. She's all about the next big thing in retail. The biggest arbiter in fashion right now, she tells me, is TikTok. And right now TikTok is taking its cue from the new conservatism defined by the American Republican party. The Secret Lives of Mormon Housewives, Ballerina Farm, Nara Smith making bubble gum from scratch while wearing a couture gown – these are the current superstars of the internet. So-called 'tradlife,' which catapults well beyond the virtues of homemaking and matrimony, offers up a performance of domesticity lashed to ultratraditional gender roles. And let's not forget the push-up bras. It's sort of Tricia Nixon meets-Pamela Anderson (Baywatch years)-meets Oliva Walton, mother of seven children on the 1970s' The Waltons. Better yet, think of tradlife as a track meet for Stepford Wives wherein impossibly beautiful women compete to deliver impeccable wifely and motherly service. Shapiro says that, as the conservative values from influencers gain traction on TikTok, 'those values get translated into likes and views on outfits with bows and lace and longer hemlines. Fashion buyers take note of these trends and start buying and marketing more feminine clothing. For the consumer, no matter your political leanings, it's now hitting you from every angle: social media, merchandising, marketing, TV.' The slurry from whence this ethos emerged can be traced to Project 2025, the encyclopedic wish list produced by the Heritage Foundation, a Washington right-wing think tank founded in 1973 but most influential of late. It aims to expand presidential power and instate an ultraconservative, Bible-based social program for the United States. Central to its mandate is a nostalgic vision of the family as the centrepiece of American life, wherein reproductive rights are eliminated and gender equality is a non-starter. It's not enough for a woman to milk cows: She has to do it in a come-hither dress and acknowledge submission to God, country and her man. The Conservateur magazine – referred to as the 'Conservative Vogue magazine' – piles onto this aim, with the added objective to 'Make America Hot Again.' Alexandria Ocasio-Cortez is just so ugh! Both it and Evie are enraptured by images such as the one of Lara Trump, Donald Trump's daughter-in-law and former co-chair of the Republican National Committee, in a chiffon evening gown astride a horse that's wearing a diamond ... let's call it a tiara. This performative fashion sometimes goes by the name 'coquette aesthetic,' but you can cover off the trend's top notes by labelling it 'authoritarian Christian nationalist aesthetic.' Trump's insistence that he's going to 'protect the women of our country ... whether the women like it or not' gave many American women the shivers, but a surprisingly large percentage of them have embraced his vision. One needs only to look at Trump's appointees to find evidence of his narrow view of American womanhood - the crucifixes, the girlishness, as well as a general flag-ification of fashion. Love it or hate it, fashion is nothing if not organic. It speaks to us of ourselves. What we wear, or covet, evolves based on what's happening in our current moment. And what's happening right now is adherence to a rigid interpretation of traditional values demonstrated online as religious catechism. From the treacly postings of idealized rural life at Ballerina Farm, to the anthropomorphism of Old Glory explicit in the Republican dress code, conservative values are laying siege to the marketplace. Tradlife, which hinges on a woman being deeply submissive to an authority far greater than herself, is fed by a political manifesto intent on reshaping society along hypertraditional gender roles. Magazines for young Conservative women may offer beauty tips for all, but the sex tips are for married women only. All of this can be summed up in a baby-blue eyelet halter dress accessorized with Mason Cash mixing bowls and a crucifix. Yes, data mining is thriving and coming to a closet near you. Maybe it's not just a bow after all. Jane Macdougall is a writer based in Vancouver.
Winnipeg Free Press
a day ago
- Winnipeg Free Press
Harvey Fierstein, on eve of Tony honor, looks back on his career
NEW YORK (AP) — Last year, Broadway actor and playwright Harvey Fierstein handed director Jack O'Brien the Special Tony Award for Lifetime Achievement in the Theatre. This year, it's his turn. 'Following him is not an easy task. In fact, I spoke to him and he said, 'I just want to put my name in there as someone who would love to give you the award.' And I said, 'Well, I'd rather you didn't.' I said, 'I'd rather you wrote my speech,'' Fierstein says. Fierstein, the four-time Tony winner behind 'Torch Song Trilogy' and 'Kinky Boots,' will get the award Sunday at Radio City Music Hall. He connected by Zoom from his home in 'a small fictional town in Connecticut' to talk about his career and a Broadway season dominated by George Clooney in 'Good Night, and Good Luck' and Denzel Washington in 'Othello.' The conversation has been edited for clarity and brevity. AP: Do you know what you're going to say on Tony night? FIERSTEIN: I never know what I'm going to say. But I have been trying to gather thoughts, which I guess is a good idea. And I watched at least five or six lifetime achievements speeches by others. AP: Has the honor triggered any personal thoughts? FIERSTEIN: I did write a line that may or may not end up in my speech, saying that the most humbling thing is to think that my life meant something to the community. It's one thing to be enjoyed, but to have the kind of meaning that they turn around and say, 'We want to give you a lifetime achievement'? That's a very heady idea. AP: Was a lifetime in the theater inevitable? FIERSTEIN: No, no, no. I guess there are theatrical types, but art was always inevitable. I was sort of artistic, but I thought I'd maybe be a Disney animator. I don't think I ever believed I was good enough to create the Disney characters, but there were people that took the creation and then did the other drawings. I thought I could do that. Something in the arts. I had my BA in painting from Pratt. That's what I thought was going to do. AP: You arrived on Broadway just as AIDS was consuming the arts. What was Broadway like then? FIERSTEIN: There was no time to think about it. We had to go to war immediately. If you remember, Ronald Reagan never said the word 'AIDS' in eight years. There was no attack against the disease; there was only an attack against people. People wouldn't go to restaurants because there were gay waiters. There were people that wouldn't go to Broadway because there were gay people. They might be in the audience with gay people. AP: You work has always been about compassion. Why didn't you want to burn it all down? FIERSTEIN: My writing is telling stories that mean something to me. And certainly there's hatred and there's anger in my stories — and truth — as far as I can tell them. But the horrible truth is that no matter how badly we act as human beings, there's still a humanity under it all. AP: What are your thoughts about the current Broadway season? FIERSTEIN: Who would have guessed that we'd have a season where the plays were the big thing and the musicals are sort of ignored? Thanks to George and Denzel and these stars that return to Broadway — thankfully return to Broadway — and they've done these plays and it's wonderful. They're bringing an audience that maybe wouldn't go see a musical or a play. AP: Just get them to experience it, right? FIERSTEIN: Once you go to the theater, once you get in there and if you have a good time, if it does something, you're going to come back. I don't care why you came in the first place. Come back and see what else we have and open your mind and heart — and wallets. AP: What about the pipeline of playwrights — are you happy with it? Weekly A weekly look at what's happening in Winnipeg's arts and entertainment scene. FIERSTEIN: There are people that are in love with theater, certainly, but there are people that want to make a living. And those people seem to drift to television and movies. I have a nephew married to a wonderful woman who wants to be a writer, but what she wants to write is movies and TV. It wouldn't even interest her to write a play. I don't know why. It seems easier to write television. It seems easier to write a half-hour where you already are given the characters. AP: Congratulations again. You are beloved in this community and a lifetime achievement award seems appropriate. FIERSTEIN: I thought it was because they just wanted to give me something else to dust, because I ain't got enough stuff to dust here. ___ For more coverage of the 2025 Tony Awards, visit
Globe and Mail
2 days ago
- Globe and Mail
Disney Layoffs 2025: Should You Buy, Sell, or Hold DIS Stock Amid Entertainment Job Cuts?
Disney (DIS) is a household name thanks to its film and TV production, theme parks and resorts, and its cable and streaming arm. However, its giant size and global reach have not been enough to protect Disney from bumps in the road. DIS stock is up just under 2% in the year to date and just under 10% over the past 52 weeks. Most encouragingly, shares have gained nearly 23% in just the past month. Disney Prepares for Lay-Off Despite the relatively positive price action, Disney is bracing for turbulence. The entertainment giant is preparing to lay off 'several hundred' employees globally as per a Deadline report published on Monday, June 2. The move will focus on the company's Entertainment segment, including film and television publicity, development, and casting. Additionally, Disney's corporate financial operations are also reportedly bracing for impact. The move follows Disney's recent round of layoffs in March where the company cut nearly 200 employees, or 6% of its total workforce, at the ABC News Group and Disney Entertainment Networks. Disney Reported Solid Earnings Disney reported its fiscal second-quarter results on May 7, posting a profit of $3.28 billion. This figure can be translated to $1.45 per adjusted share, surpassing analysts' $1.18 per-share estimate. The company generated $23.62 billion in revenue in the quarter, again beating Wall Street's $23.14 billion estimate. Disney had previously anticipated a decline in Disney+ subscribers in the quarter but posted an increase of 1.4 million, taking its total to 126 million monthly subscribers. Wall Street had bet on 123.35 million subscribers. Revenue from the Entertainment segment rose 9% to $10.68 billion, while its Experiences segment saw revenue increase 6% to $8.89 billion. For FY25, Disney has raised its guidance with earnings now expected at $5.75 per share while operating cash flow is expected at $17 billion, up from the previous $15 billion guidance. Analyst Takes on Disney Stock Analysts have a positive take on the stock with a 'Strong Buy' consensus rating and a mean price target of $125.92, reflecting upside potential of roughly 10% from the current market price. The stock is covered by 29 analysts and has received 21 'Strong Buy' ratings, two 'Moderate Buy' ratings, and six 'Hold' ratings.
