Achyut Potdar, veteran actor and 3 Idiots professor, dies at 91
Potdar's contribution, however, extended far beyond the big screen. He made his mark on Indian television with shows like 'Wagle Ki Duniya' and 'Bharat Ki Khoj', earning admiration for his effortless versatility. Moving seamlessly between stage, television, and cinema, he carved a niche as a performer who could lend authenticity to every role he undertook. View this post on Instagram A post shared by Star Pravah (@star_pravah)News of his death has led to an outpouring of tributes, with colleagues and fans remembering him as a humble, dedicated artist whose presence left a quiet yet lasting impact. His ability to command attention, even in the briefest of roles, was a quality celebrated by generations of film lovers.- Ends
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Here are actress Mrunal Thakur's best ethnic looks that prove her perfection in fashion and style
Mrunal donned a black pantsuit and layered it with an embellished net to add that extra style to her appearance Mrunal Thakur knows her fashion flavour, and she does not miss a beat to serve unmissable style statements. Be it ethnic ensembles or chic outfits, Mrunal has a wardrobe that deserves your attention and a pin on your moodboard! Take a look: Shimmer and Shine: STORY CONTINUES BELOW THIS AD Mrunal donned a black pantsuit and layered it with an embellished net to add that extra style to her appearance. She levelled up the drama with glitter makeup and gave her hair a sleek, wet look. Ivory Drape: Mrunal blended modernity and tradition by donning an embellished ivory saree, and paired it with an embroidered blouse with a modest V neck. Keeping it simple and glamorous, she simply accessorised her look with minimal earrings. Checked Suit: STORY CONTINUES BELOW THIS AD Mrunal channelled the Peaky Blinders energy by donning a full professional suit in earthy tones, adding a distinct shade to her chic Western closet. She styled her hair in a neat bun and topped her ensemble with heeled boots. Blooming in Floral: Mrunal served traditional fashion goals by donning a floral pink dress with minimal mirror work. Letting the outfit take the center stage, she simply completed her ensemble with heavy earrings. Bossing in Beige: STORY CONTINUES BELOW THIS AD Mrunal stunned in beige pants and an oversized trenchcoat with a wide collar and a belt to accentuate her physique. Keeping it contrasting and urban, Mrunal paired her look with chunky heeled boots and opted for glitter makeup. Anarkali Royalty: Mrunal Thakur dived deep into her traditional wardrobe by donning a deep peach coloured anarkali with fine embellishments. Adding a slight effect of being a 'Marathi mulgi', Mrunal accessorised her look with a traditional nath, green glass bangles, floral hair accessories, and traditional jewellery. STORY CONTINUES BELOW THIS AD Striping it up: Mrunal pulled off a chic striped pantsuit with sleeveless shoulders and flared bottoms. She paired the outfit with attractive silver stilettos. Creating a powerful yet statement fashion affair, she accessorised her ensemble with minimal jewellery and showed how to slay a professional look with glam. White Anarkali: STORY CONTINUES BELOW THIS AD Mrunal Thakur looked as elegant as ever in a white anarkali with simple yet attractive embellishments. She let the outfit have its moment by accessorizing her look with chandbaalis and rings. Structured Mini Dress: Mrunal pulled off a black mini dress, featuring a pleated skirt effect and a coat effect with a tie. Keeping it sassy, Mrunal paired the look with black stilettos and wide-framed shades.
The Hindu
2 hours ago
- The Hindu
Literature festivals are windows to democracy, says Satchidanandan
The International Literature Festival of Kerala hosted by the Kerala Sahitya Akademi came to a close on Thursday with a vibrant ceremony that blended reflection, honour, and cultural pride. Akademi president Satchidanandan inaugurated the valedictory session, while secretary C.P. Abubacker lowered the festival flag. In a historic moment, the akademi library was renamed 'Kerala Sahitya Akademi Lalithambika Antharjanam Memorial Library,' paying tribute to the pioneering writer and social reformer. 'It is an honour to dedicate the akademi's library to Lalithambika Antharjanam, a name that represents courage, compassion, and progressive thought,' Mr. Satchidanandan said. 'Literature festivals are windows opening into democracy at a time when it feels increasingly closed. They are spaces for free conversations between diverse ideas, and Kerala's effort to step in rhythm with the world's progress,' he said. The session featured a keynote address by quiz master and writer G.S. Pradeep and a special address by Praseetha Chalakudy. Poets from Nepal, including Bhuvan Thapaliya and Amar Akash, attended as special guests along with members of Lalithambika Antharjanam's family, Rajendran Namboothiri and Tanuja Bhattathiri. The meeting was chaired by akademi vice-president Ashokan Charuvil. The festival, which began on August 17, brought together writers, poets, and thinkers from across the globe, fostering open dialogue and cultural exchange. Earlier, while addressing a session titled 'Indian literature – singular or plural,' panellists said language unity and literary harmony were under threat. The present political climate in India posed a serious threat to linguistic unity and literary harmony, said speakers at a session under the chairmanship of writer and poet Chandrakant Patil. Panelists observed that Indian literature was deeply interconnected, yet regional languages today were struggling to thrive under the growing dominance of Hindi and English. 'Regional languages are finding it difficult to sustain themselves in the face of Hindi and English hegemony,' said writer Sachin Ketkar. Highlighting India's unique plurality, literary critic Prafull Shiledar noted: 'A single story takes countless forms in this land. For instance, the Ramayana alone has over 900 versions, which is a testament to the complex polyphony of Indian literature.' Adding to the discussion, scholar Manu Chakravarti said literary diversity flourished through cultural and linguistic exchanges. 'We are living in a time when literature is expanding and evolving more than ever before,' he said. The session stressed that while India's multilingual traditions have historically enriched its literary fabric, the present tilt towards privileging a few languages risks narrowing this diversity and undermining centuries of cultural integration. Writer N.S. Madhavan said the country was passing through an undeclared emergency. In a conversation with V. Musafar Ahmad, he warned that the denial of voting rights, as witnessed in Bihar, could be repeated anywhere in the country. 'The danger of disenfranchisement is real and cannot be ignored,' he cautioned. Turning to literature, Mr. Madhavan observed that while world literature was becoming increasingly symbolic and layered in meaning, Malayalam novels were growing more visual in their narrative style. He also noted a worrying trend in translations. 'Most translations today are from Malayalam to English. But what we need urgently are translations between Indian languages,' he said, stressing that such exchanges are vital for enriching literary traditions across the country.
News18
2 hours ago
- News18
Sanya Malhotra On Men Rights Group Slamming Mrs: 'Jaha Story Pahunchni Thi, Pahunch Gayi'
Sanya Malhotra has been widely praised for her performance in Mrs., where she portrays a woman quietly standing up against domestic patriarchy. Critics raved about her nuanced acting and how the film turns everyday household struggles into a powerful story of oppression. The film, a Hindi remake of The Great Indian Kitchen, also sparked backlash from certain men's groups, particularly the Save Indian Family Foundation (SIFF), which accused it of pushing a one-sided feminist narrative. Critics argued that the movie wrongly portrays household chores such as cooking, cleaning, and laundry as a form of oppression, suggesting that the protagonist's revolt was simply because she did not want to cook for her family after marriage. However, many viewers pushed back against this interpretation, clarifying that the film was never about rejecting domestic work itself but about the lack of freedom and choice given to women. Opening up on it at CNN-News18 SheShakti 2025, Sanya reacted to that backlash. 'Problem yeh nahi hai ke khana nahin bana chahti hai. Woh khana bana rahi thi. Woh to saja ke bhi de rahi hai, with zero appreciation from the family. The problem arose when she wanted to do something, and she showed that family that I am capable of doing ghar ka kaam, and I want to go out and do something that I love to do. Aur woh usko karne nahin diya jaa raha, woh freedom nahin diya jaa rahi. Jinke paas story pahunchni thi wahan pahunch chuki hai (The problem isn't that she didn't want to cook. She was cooking, even serving it nicely, but getting zero appreciation from the family. The problem started when she wanted to do something else and showed the family that she is capable of managing the household and also wants to go out and pursue something she loves. But she wasn't allowed to do that — she wasn't given the freedom. The story has reached the people it needed to reach). Before Mrs., Sanya had already enjoyed a great run with three back-to-back successes in Kathal: A Jackfruit Mystery (2023), the blockbuster action drama Jawan (2023), and the war biopic Sam Bahadur (2023). Looking ahead, she has a packed slate of projects. She will next be seen in Dharma Productions' romantic comedy Sunny Sanskari Ki Tulsi Kumari, releasing on October 2, 2025, and in the quirky Netflix comedy Toaster opposite Rajkummar Rao. She has also reportedly signed on for an ambitious international action-comedy produced by Aagaaz Entertainment, directed by Kapil Sharma, as well as an intense thriller alongside Anurag Kashyap and Bobby Deol. Her upcoming film Bandar, directed by Anurag Kashyap, is set to premiere at the Toronto International Film Festival (TIFF) in September 2025.
