
‘Heart Lamp' by Banu Mushtaq wins the International Booker Prize
Banu Mushtaq's 'Heart Lamp' has won the International Booker Prize, the first collection of short fiction to do so. Translated by Deepa Bhasthi, it is also the first book originally published in Kannada — the official language of the author's home state of Karnataka, in India — to win the award.
'Heart Lamp' explores the lives of Muslim and Dalit women in southern India, and its dozen stories were written and originally published over a period of more than 30 years. Mushtaq has said that many of its stories were inspired by individuals who sought her help as an activist and lawyer. 'I do not engage in extensive research; my heart itself is my field of study,' she said in an interview for the Booker Prize Foundation's website, later adding, 'My direct engagement with the lives of marginalized communities, women, and the neglected, along with their expressions, gave me the strength to write.'
Accepting the prize in London at a ceremony Tuesday, Mushtaq expressed her hope that it might 'light the way for more stories from unheard corners, more translations that defy borders.'
In her acceptance speech, Bhasthi, the translator, quoted a song in Kannada, which calls the language 'a river of honey, a rain of milk and compares it to sweet ambrosia.'
'Kannada is one of the oldest languages on earth, and I'm ecstatic that this will hopefully lead to a greater interest in reading and writing and translating more from and into the language, and by extension, from and into the magical languages we have in South Asia,' Bhasthi said in her acceptance speech.
The collection has been lauded for its empathy and wry sense of humor. 'Mushtaq's compassion and dark humor give texture to her stories,' said a review published last month in the Financial Times. 'These deceptively simple tales decry the subjugation of women while celebrating their resilience.'
This year's judging panel was chaired by writer Max Porter, who said in a news conference Tuesday that they deliberated over the finalists for six hours — approximately one hour per title — before voting on their top three. Though Porter declined to name the other two titles, he said that the judges unanimously chose 'Heart Lamp' as the winner: 'This is the book that — I don't think I'm betraying anyone's confidences or the energy in the room — this is a book that most of the judges used the word 'love' for, from very early on in the process, right through until our decision last night.'
Porter, praising Bhasthi's translation as 'brilliant,' added that, 'Unlike many translations that seek to appear completely natural in the new language — an invisible translation so to speak — this is something different. This is a translation that celebrates moving from one language into another. It contains a multiplicity of Englishes. It is a translation with a texture. It is a vibrant, radical, extraordinary book.'
'Heart Lamp' was published by And Other Stories, a small press based in Sheffield, in northern England. (In the United States, one of the stories in 'Heart Lamp' was published in the Paris Review and another in the Baffler.) This is the publisher's first time winning the prize but its sixth nomination since 2019. Another of its titles, 'The Book of Disappearance' by Ibtisam Azem, translated from Arabic by Sinan Antoon, was also was longlisted this year.
The International Booker Prize is awarded annually to a book of fiction, translated into English and published in Britain and Ireland. It comes with a purse of 50,000 pounds (about $67,000), split between the author and translator.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
9 hours ago
- Yahoo
How India's 'biggest art deal' buried MF Husain masterpieces in a bank vault
Nearly two dozen paintings by one of the world's most celebrated modern artists - once part of a record-breaking art deal - are set to hit the auction block for the first time next week. On 12 June, 25 rare MF Husain paintings will go under the hammer at an art gallery in Mumbai city, more than two decades after he painted them. This will be the first public glimpse of the paintings, locked away in bank vaults since 2008 after authorities seized them from a prominent businessman over an alleged loan default. "It's like the paintings have come full circle," says Dadiba Pundole, director of Pundole Art Gallery, where the auction is set to be held. Husain used the gallery as his studio for many of these works, part of an ambitious 100-painting series he never finished. Often called the "Picasso of India," he was one of the country's most celebrated - and controversial - artists. His works have fetched millions, but his bold themes often drew criticism. He died in 2011, aged 95. Titled MF Husain: An Artist's Vision of the XX Century, the 25 paintings at Pundole'a gallery offer a glimpse into his take on a transformative century shaped by leaps in technology, politics, and culture. Pundole has estimated that the auction could fetch up to $29m (£21m). This comes months after another Husain painting, Untitled (Gram Yatra), sold for an unprecedented $13.8m at a Christie's auction in New York, becoming the most expensive Indian artwork to be auctioned. The oil-on-canvas masterpiece had adorned the walls of a Norwegian hospital for almost five decades, forgotten by the art world, until the auction house was alerted about its presence in 2013. The latest paintings to be auctioned seem to follow a similar trajectory. Husain began working on them in the early 2000s, with great excitement and vigour, recalls Pundole. "When he was painting, nothing could disturb him. It didn't matter what was happening around him," he adds. In 2004, Husain sold 25 paintings to a Mumbai businessman as the first instalment of a billion-rupee deal. Kishore Singh, author of MF Husain: The Journey of a Legend, wrote about this agreement in the Indian Express newspaper. "He [Husain] wasn't jealous of fellow artists, but he was competitive," Singh writes, noting that Husain struck the deal soon after Tyeb Mehta's Kali [an Indian goddess] set a new record for India's most expensive painting in 2002, selling for 15 million rupees. Husain struck a billion rupees deal with businessman Guru Swarup Srivastava for this series of paintings. Media dubbed it "India's biggest art deal," catapulting the little-known Srivastava into overnight fame as a celebrity collector. But two years later, India's top crime agency, Central Bureau of Investigation (CBI), began investigating Srivastava's business, alleging he and associates had misused a loan from a government-backed agricultural body. The CBI alleged Srivastava diverted the funds into real estate, mutual funds, and Husain paintings. He and his company deny all charges; the case remains in court. In 2008, a tribunal allowed the government-backed agricultural body to seize one billion rupees in assets from Srivastava, including the 25 Husain paintings. In February this year, a court cleared the way for the paintings to be auctioned to recover part of the loan. And so, after years locked away in bank vaults, the 25 paintings are finally stepping into the spotlight. In a 2018 interview to author and journalist Tara Kaushal, Srivastava spoke about his stalled deal with the artist. "I had planned to pay Husain for the rest of the paintings by selling the first 25. But legal complications meant that, when Husain called me in 2008 saying the paintings were ready in London and Paris, and to pick them up at the agreed price, my funds were not ready. He understood," he said. Asked why Husain had chosen to sell his paintings to a person who almost nobody knew in India's elite art circles, Pundole says, "He didn't care. As long as his paintings were sold." There's no way to know how Husain felt about the failed deal or his unfinished 20th Century series - but the episode remains a striking footnote in his bold, eventful career. The 25 paintings in this series, vibrant acrylics on canvas, showcase Husain's bold style while reflecting key 20th-century events and social attitudes. One painting shows an unlikely group chatting on a bench, symbolising Husain's call for peaceful dialogue and coexistence among global powers. Another painting honours Charlie Chaplin while juxtaposing a rocket launch to highlight the contrast between social and economic disparities and massive state spending. Other paintings depict a world battling poverty, soldiers in trenches, and humanity confronting tragedies like World War Two, the Partition, and the Holocaust.
Yahoo
10 hours ago
- Yahoo
How India's 'biggest art deal' buried MF Husain masterpieces in a bank vault
Nearly two dozen paintings by one of the world's most celebrated modern artists - once part of a record-breaking art deal - are set to hit the auction block for the first time next week. On 12 June, 25 rare MF Husain paintings will go under the hammer at an art gallery in Mumbai city, more than two decades after he painted them. This will be the first public glimpse of the paintings, locked away in bank vaults since 2008 after authorities seized them from a prominent businessman over an alleged loan default. "It's like the paintings have come full circle," says Dadiba Pundole, director of Pundole Art Gallery, where the auction is set to be held. Husain used the gallery as his studio for many of these works, part of an ambitious 100-painting series he never finished. Often called the "Picasso of India," he was one of the country's most celebrated - and controversial - artists. His works have fetched millions, but his bold themes often drew criticism. He died in 2011, aged 95. Titled MF Husain: An Artist's Vision of the XX Century, the 25 paintings at Pundole'a gallery offer a glimpse into his take on a transformative century shaped by leaps in technology, politics, and culture. Pundole has estimated that the auction could fetch up to $29m (£21m). This comes months after another Husain painting, Untitled (Gram Yatra), sold for an unprecedented $13.8m at a Christie's auction in New York, becoming the most expensive Indian artwork to be auctioned. The oil-on-canvas masterpiece had adorned the walls of a Norwegian hospital for almost five decades, forgotten by the art world, until the auction house was alerted about its presence in 2013. The latest paintings to be auctioned seem to follow a similar trajectory. Husain began working on them in the early 2000s, with great excitement and vigour, recalls Pundole. "When he was painting, nothing could disturb him. It didn't matter what was happening around him," he adds. In 2004, Husain sold 25 paintings to a Mumbai businessman as the first instalment of a billion-rupee deal. Kishore Singh, author of MF Husain: The Journey of a Legend, wrote about this agreement in the Indian Express newspaper. "He [Husain] wasn't jealous of fellow artists, but he was competitive," Singh writes, noting that Husain struck the deal soon after Tyeb Mehta's Kali [an Indian goddess] set a new record for India's most expensive painting in 2002, selling for 15 million rupees. Husain struck a billion rupees deal with businessman Guru Swarup Srivastava for this series of paintings. Media dubbed it "India's biggest art deal," catapulting the little-known Srivastava into overnight fame as a celebrity collector. But two years later, India's top crime agency, Central Bureau of Investigation (CBI), began investigating Srivastava's business, alleging he and associates had misused a loan from a government-backed agricultural body. The CBI alleged Srivastava diverted the funds into real estate, mutual funds, and Husain paintings. He and his company deny all charges; the case remains in court. In 2008, a tribunal allowed the government-backed agricultural body to seize one billion rupees in assets from Srivastava, including the 25 Husain paintings. In February this year, a court cleared the way for the paintings to be auctioned to recover part of the loan. And so, after years locked away in bank vaults, the 25 paintings are finally stepping into the spotlight. In a 2018 interview to author and journalist Tara Kaushal, Srivastava spoke about his stalled deal with the artist. "I had planned to pay Husain for the rest of the paintings by selling the first 25. But legal complications meant that, when Husain called me in 2008 saying the paintings were ready in London and Paris, and to pick them up at the agreed price, my funds were not ready. He understood," he said. Asked why Husain had chosen to sell his paintings to a person who almost nobody knew in India's elite art circles, Pundole says, "He didn't care. As long as his paintings were sold." There's no way to know how Husain felt about the failed deal or his unfinished 20th Century series - but the episode remains a striking footnote in his bold, eventful career. The 25 paintings in this series, vibrant acrylics on canvas, showcase Husain's bold style while reflecting key 20th-century events and social attitudes. One painting shows an unlikely group chatting on a bench, symbolising Husain's call for peaceful dialogue and coexistence among global powers. Another painting honours Charlie Chaplin while juxtaposing a rocket launch to highlight the contrast between social and economic disparities and massive state spending. Other paintings depict a world battling poverty, soldiers in trenches, and humanity confronting tragedies like World War Two, the Partition, and the Holocaust.


Washington Post
a day ago
- Washington Post
Diary of a mad Mumbai housewife
Startling, dreamlike, frustrating, funny — Karan Kandhari's debut feature, 'Sister Midnight,' is an absolute original. Which doesn't mean this diary of a mad Mumbai newlywed doesn't have its antecedents and influences. In interviews, the British Indian director has spoken of his love for Buster Keaton and Jacques Tati, and the film's careful framing of explosively reactive slapstick evokes both classic film comedy and the deadpan precision of Wes Anderson. Yet there are darker sources that take 'Sister Midnight' in disturbing, elliptical directions reminiscent of Roman Polanski's 'Repulsion' and Ana Lily Amirpour's 'A Girl Walks Home Alone at Night.'