
Bollywood's first superstar dwarfed Shah Rukh, Amitabh Bachchan's feats; but ruined his career with alcohol, died at 42
Kundan Lal Saigal gained fame as KL Saigal in the 30s and 40s. Saigal was an extraordinary singer and a hugely popular actor, the original Hindi cinema superstar. Born in Jammu to the tehsildar at the court of the Maharaja of J&K, Saigal learnt singing from his mother, who used to take him to bhajans and kirtans as a kid. He began as a singer in Calcutta in the early 30s, and eventually made his acting debut with Mohabbat Ke Ansu in 1932. He used the stage name Saigal Kashmiri for his first few films, but they all flopped.
His breakthrough came with the 1933 film Puran Bhagat, where his bhajans became chartbusters. Films like Chandidas and Yahudi Ki Ladki followed. In 1935, he played the character that defined him - Devdas. PC Barua's adaptation was a golden jubilee hit, making Saigal a superstar. In the late 30s, Saigal continued to churn out hits like President, Dharti Mata, Street Singer, and Dushman. He even appeared in a few Bengali films during this period.
In 1941, Saigal moved to Bombay and appeared in more hits like Tansen and My Sister. But by now, alcohol had taken hold of him. Contemporary reports state that the star was unable to come to the sets unless drunk, and his dependence on alcohol was starting to affect his work. Despite this, he delivered hits like Shahjehan and Omar Khaiyyam in 1946 and Parwana in 1947. Parwana was to be his final film and was released after his death. Saigal went to his ancestral city of Jalandhar in early 1947, where he eventually died of liver failure. He was 42.
Easily the biggest star of the time, his death created a vacuum in Indian cinema filled only by youngsters like Dilip Kumar a few years later. Saigal acted in 26 films in his career, of which 28 were in Hindi. Over half of them were successful at the box office, a record no superstar has been able to achieve, not even Amitabh Bachchan or Shah Rukh Khan.
But not just actors, even singers idolised Saigal. Legends like Kishore Kumar, Mohammad Rafi, Lata Mangeshkar, and Mukesh have spoken of Saigal as their musical guru.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Indian Express
32 minutes ago
- Indian Express
Bollywood's infamous villain's henchman, body double to Amitabh Bachchan, met an untimely end at just 37
Long before stunt performers were credited or celebrated, Bollywood's high-octane action scenes were shaped by unsung heroes behind the camera. Among them was Manik Irani, a dedicated stuntman and character actor who spent much of his career doubling for Amitabh Bachchan and supporting villains in classic Hindi cinema. Born on October 23, 1953 into a Parsi family in Mumbai, Manik Irani was fascinated by physical strength from an early age. Inspired by wrestling icon Dara Singh, he was drawn more to bodybuilding and physical training than to academics. But unlike most young men dreaming of stardom, Manik had a different ambition: he wanted to be a stuntman. That dream began to take shape when he started boxing on the streets and came into contact with MB Shetty, a prominent action director and stunt coordinator of the time, and father of filmmaker Rohit Shetty. Impressed by Manik's skills and physique, Shetty invited him to join his stunt team. It was a turning point Irani had long waited for, and he joined without hesitation. It was as if his story was already being written by fate. Manik Irani entered the film industry at a time when romantic heroes were fading from the spotlight. Rajesh Khanna, Hindi cinema's first superstar, was losing his hold on audiences, while a new, brooding force named Amitabh Bachchan was rising rapidly with his portrayal of gritty, simmering anger. For years, Manik Irani's roles remained small, often uncredited. But that changed with Mr. Natwarlal (1979), where he played a mute villager secretly working for the villain, essayed by Amjad Khan. It was a modest role, but one that gave Manik visibility. From the 1980s onward, he began receiving roles with dialogues and distinct screen presence. Manik adopted a more fearsome look in the early '80s, growing a full beard, bulking up, and sporting an intimidating smile that left an impression. He then appeared in major big budget films of that decade, including Shaan (1980), Naseeb (1981), and Silsila (1981). After collaborating with Don filmmaker Chandra Barot, Manik Irani was set to appear in his next project, Boss, alongside Vinod Khanna. However, the film was eventually shelved. It was finally Subhash Ghai's Hero (1983) that gave Manik the screen identity that stuck for life. He played a menacing goon named Billa, and though Jackie Shroff was the film's breakout star, the name of Manik's character became so popular that it became his off-screen identity too. From then on, he was known as 'Billa' — both in the industry and among audiences. Among his notable roles in the 1980s were his portrayal of Zebisko in Manmohan Desai's Mard (1985) and the monster in the Ramsay Brothers' Purani Haveli (1989). Although Purani Haveli didn't make a major mark at the box office, it marked a departure for Manik Irani. Playing the monster in the horror film allowed him to break away from the stereotypical villainous characters he was known for. He had already begun moving away from his established image, exploring different shades on screen over the years, occasionally taking on positive roles, most notably in Vishwanath (1978) and Aamne Samne (1982). He also made a rare appearance in Marathi cinema with Maal Masala (1992), where he was credited as 'Black Belt Champion Manik Irani' in a comedic karate instructor role alongside Ashok Saraf. Also Read | Film and TV actor, who worked with Amitabh Bachchan and Sridevi, was not at peace with fame; left showbiz at the peak of his career and embraced spirituality Manik remained active in films well into the early '90s, starring in films such as Chor Pe Mor (1990), Baap Numbri Beta Dus Numbri (1990), Farishtay (1991), Saugandh (1991) and Deedar (1992), the latter two featuring a young Akshay Kumar. But fame brought with it a personal struggle. Manik reportedly became a heavy drinker, and despite being warned after a jaundice diagnosis, he continued to consume alcohol. His fitness declined, and he began to appear visibly heavier in his later roles. Tragically, he passed away on June 16, 1991, at the age of 37. News of his death remained relatively unknown at the time. Films featuring him continued to release posthumously, including Talaashi (1996) and Badla Aurat Ka (2001), leading some to mistakenly believe he was still alive. Though never a leading man, Manik Irani lived the life he aspired to. In an industry dominated by stars, he managed to carve out a unique space for himself.


Pink Villa
32 minutes ago
- Pink Villa
Why are Salman Khan, Anil Kapoor, and Fardeen Khan not in No Entry 2? Producer Boney Kapoor says, 'We waited for 8-10 years...'
No Entry is regarded as one of the most entertaining movies of Hindi cinema. Starring Salman Khan, Anil Kapoor, and Fardeen Khan, the 2005 comedy movie is now getting its sequel, No Entry 2. Wondering why Salman, Anil, and Fardeen are not a part of the upcoming movie? Producer Boney Kapoor tells it all. Boney Kapoor waited for 8-10 years to cast Salman Khan, Anil Kapoor, and Fardeen Khan in No Entry 2 In a recent interview with Instant Bollywood, Boney Kapoor got candid about the casting process of No Entry 2. Kapoor shared that the team had to change the whole star cast. Calling it a "loss", the producer expressed why he was not being able to retain the original stars, Salman Khan, Anil Kapoor, and Fardeen Khan in the No Entry sequel. The 69-year-old filmmaker, who also backed the original movie, No Entry, revealed that the makers waited for almost 8-10 years, however, things didn't materialize for the second installment of the franchise. Boney Kapoor cherishes the camaraderie of 'original three boys' in No Entry Boney Kapoor further spoke about how the No Entry makers are trying to give a fresh perspectivew by casting younger actors. Kapoor added that the team misses the "original three boys" (Salman, Anil, and Fardeen) and that they were "most loved". The No Entry 2 producer regrets the decision of how the opportunity to cast them again was slipped away. He praised the trio by saying that Salman and Anil are "fantastic" and Fardeen is one of the best guys in the film industry. Kapoor noted that the franchise has moved on and hoped that the decision to bring new actors is right. When Anil Kapoor got upset with Boney Kapoor for not casting him in No Entry 2 During an exclusive interview with Pinkvilla in 2022, Anil Kapoor had confirmed that he will be a part of No Entry 2. "It will be fantastic and I am looking forward to get back to the franchise. Anees (Bazmee) and Salman will decide on the timeline of shoot soon," he told us back then. However, later, Boney Kapoor told Zoom that his brother, actor Anil "got angry" after learning about the new star cast of No Entry 2. The producer added that the latter wanted to act in the sequel too, however, there was no space left for him. Directed by Anees Bazmee, No Entry 2 will star Varun Dhawan, Arjun Kapoor, and Diljit Dosanjh.


Time of India
44 minutes ago
- Time of India
Shruti Haasan says people in the South have higher awareness and consciousness compared to Hindi film industry: ‘I really don't know why my Bollywood career didn't work'
Shruti Haasan is currently enjoying the massive success of her latest release Coolie starring Rajinikanth , which has crossed Rs 200 crore at the domestic box office. While she has found her footing in the Tamil and Telugu industries, her Hindi film career was relatively short-lived. In a recent interview, Shruti opened up about her observations of the southern industries and how Bollywood feels very different in terms of its work culture and mindset. 'Saraswati ka haath sar se uth jayega' Speaking to The Hollywood Reporter, Shruti shared that humility plays a huge role in the South. She noted that senior actors in Tamil and Telugu industries strongly believe that if they don't remain grounded, 'Saraswati ka haath sar se uth jayega' (Goddess Saraswati will withdraw her blessings). Unlike Bollywood, she felt that southern industries instilled a strong sense of discipline, reverence, and awareness. Shruti Haasan's Back! Star Returns To Insta With A Heartfelt Note She explained, 'I noticed those small things, like having coconut in the morning or having a photo of a deity sitting in the corner. There were rules regarding what was and wasn't allowed on set, and the actor and their staff were always very aware of how they presented themselves. I found there to be a higher level of awareness and consciousness in the South, compared to when I worked in the Hindi film industry.' Humility and music shaped her perspective The actress credited her early grounding in music for teaching her humility. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Buy Resmed AirSense 11 with flat 20% off ResMed Buy Now Undo She added that in South India, wealth or fame often doesn't translate into flashy displays. 'Many people who have a lot of money won't dress up very flashy. They will still have that old Ambassador car for many years. It's just the psychology of the place, and it's very important to realise that we are merely vessels for the art,' Shruti shared. She further explained that learning music at a young age shaped her thinking. 'Working with people in close quarters for hours on end teaches you to just play your bits, to not try to surpass anyone else, and to be humble,' she said. Shruti Haasan Slays In Black Suit; Ethnic Elegance Reloaded 'I really don't know why it didn't work' in Hindi films Reflecting on her short stint in Bollywood, Shruti admitted she is still unsure about what went wrong. 'I really don't know why it didn't work. I went to the places where, whatever I wanted from a film, I got. But somehow the focus shifted, because I have always had enquiries from Hindi, and sometimes I didn't have the dates, or in some cases I made wrong decisions in films, which everybody suffers the price of,' she said. At the same time, Shruti acknowledged that the Hindi industry has changed significantly with the rise of OTT. She added that she is now being offered projects that align with her interests and confirmed she plans to take up more Hindi work in the future. Though brief, Shruti Haasan's Bollywood journey saw her feature in notable films. She made her Hindi debut with Luck (2009) alongside Imran Khan and Sanjay Dutt, later starred in Ramaiya Vastavaiya (2013), and was last seen in Behen Hogi Teri (2017) opposite Rajkummar Rao. "Get the latest updates on Times of India, including reviews of the movie Coolie and War 2 ."