Netflix drops first look at new political thriller series — and it already sounds like a compelling binge-watch
When you buy through links on our articles, Future and its syndication partners may earn a commission.
Right on schedule, Netflix is dropping its latest political thriller just in time to shake up your late‑summer streaming lineup. The streaming service recently dropped some first‑look images and confirmed a August 21, 2025 release date for 'Hostage,' a five‑part limited series led by Suranne Jones .
As a sucker for juicy drama (with a dash of political chess and personal peril), I've already added 'Hostage' to my summer watchlist.
Jones stars as Prime Minister Abigail Dalton, whose world is flipped upside down when her husband is kidnapped during an international summit. Standing across the table is French President Vivienne Toussaint, played by Julie Delpy, who herself is being blackmailed.
From the Netflix Tudum reveal (which revealed this series was originally titled 'The Choice'), we also got a peek at Dalton delivering a speech outside 10 Downing Street, Delpy in contemplative poses, and the two leaders caught in uneasy alliance.
Netflix hasn't dropped a trailer yet, but judging by the premise and the cast, this one sounds like a tense treat. And I'm sure anyone who enjoys a good summer binge-watch will want to tune in when 'Hostage' lands in August.
So, if this thriller has piqued your interest as well, here's everything to know about 'Hostage' before it premieres on Netflix this August.
Along with the release date and first-look images, Netflix also revealed the official synopsis: 'When the British Prime Minister's husband is kidnapped and the visiting French President is blackmailed, the two political leaders both face unimaginable choices.
'Forced into a fierce rivalry where their political futures, and lives, might hang in the balance, can they work together to uncover the plot that threatens them both?'
The five-episode series marks Suranne Jones' Netflix debut, where she not only takes the lead role but also serves as an executive producer. The show is penned by Matt Charman, known for his work on 'Bridge of Spies' and 'Treason.'
Jones told Netflix: 'I'm thrilled to be on Netflix, in something I'm really proud of. It's been something I've wanted to do for a long time. We'd talked about projects previously, but for me, it was about finding the right thing. Hostage was perfect — me and Matt together, backed up by this brilliant, supportive team. I loved it.'
Charman also added: 'I've been dying to find the right story to tell with Suranne and I honestly believe what she's done with this character is going to blow the Netflix audience away. An embattled British PM in the middle of a fight for her country and her family — she's fierce, ruthless, and you can't take your eyes off of her.'
The cast also includes Julie Delpy, Corey Mylchreest, Lucian Msamati, Ashley Thomas, James Cosmo, Martin McCann, and Jehnny Beth.
Netflix describes this series as 'a political thriller with a captivating performance from Jones at its center.' Diplomatic visits are complicated enough under normal circumstances, but in 'Hostage,' it seems like the stakes are sky-high and nothing goes according to plan.
Political thrillers aren't always my go-to, but I'm definitely intrigued by 'Hostage.' And that mainly comes down to its cast and the fact that the story leans just as much into personal stakes as it does global ones. Either way, I'm already invested, and I haven't even seen a trailer yet.
Plus, a limited series is easy to binge-watch, especially when there's only five episodes. If Netflix sticks the landing with this one, 'Hostage' could easily be one of the standout thriller shows of the year.
As a reminder, 'Hostage' lands on Netflix on August 21. In the meantime, see what's new on Netflix in June 2025 or check out these gripping thriller movies now.
Netflix added an intense psychological thriller with Sigourney Weaver
Netflix's next mystery thriller series drops first trailer
Netflix unveils 'Sandman' season 2 trailer teasing Dream's return to Hell
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
32 minutes ago
- Yahoo
Petersburg councilor shifts independent lieutenant governor bid to write-in campaign
His name will not be pre-printed on the November ballot under "Lieutenant Governor," but Petersburg Councilor Marlow Jones is hoping voters will print his name on the Nov. 4 ballot under "Write-In" with their pens. Jones, known for his outspokenness and candor while representing Petersburg's Ward 1 the past two years, announced June 20 he is launching a write-in campaign for Virginia's No. 2 elected post. Earlier in the year, Jones began circulating petitions to be on the ballot as an independent candidate, but he failed to meet the minimum requirements for his name to appear. So, Jones is going to Plan B with the write-in campaign. 'This race should be about the people—our youth, our seniors, and working families who are too often ignored by the political elite,' Jones said in a statement released by his campaign. 'I'm not here for backroom deals or partyloyalty. I'm here to fight for the voiceless.' Jones, a former Petersburg Fire official, told The Progress-Index last March that he toyed with the idea of seeking the Republican lieutenant governor nod but changed his mind. Virginia's lieutenant governor presides over the state Senate and votes to break ties when senators deadlock on an issue. In most cases, that person votes with their party, but Jones said he was not keen on that prospect. 'I believe that if I am the deciding vote in the Senate, I should be nonpartisan,' Jones said then. On the ballot for lieutenant governor are Democrat Ghazala Hashmi, a Chesterfield County state senator, and Republican John Reid, a former Richmond newscaster and radio talk-show host. More: Democrats select nominees for lieutenant governor, attorney general in down-to-wire races In the announcement, Jones acknowledged the tough road ahead of him. No candidates without party backing or who run write-in campaigns have been successful in winning major political office in Virginia. That is why he is announcing his candidacy five months before the November election −to garner grassroots support. Jones also said he had been told that his candidacy might make Hashmi or Reid uncomfortable, and he is fine with that. 'If you're tired of politics as usual, and ready to see someone hold statewide candidates accountable, then I'm your choice,' Jones stated in the announcement. 'This is a voter-conscious campaign, and every nickel and dime helps us carry this message across the commonwealth.' More: Dougherty wins Democratic nod in House race; Flowers cruises in Petersburg local primary Bill Atkinson (he/him/his) is an award-winning journalist who covers breaking news, government and politics. Reach him at batkinson@ or on X (formerly known as Twitter) at @BAtkinson_PI. This article originally appeared on The Progress-Index: Petersburg councilor Jones launches write-in bid for lieutenant governor


Fast Company
37 minutes ago
- Fast Company
Astroworld is back in the spotlight and survivors are sharing haunting stories on TikTok
Astroworld is back in the news, and social media has some thoughts. In November 2021, a deadly crowd surge at Travis Scott's Astroworld music festival claimed the lives of 10 people. The then-annual event, held in the rapper's hometown of Houston, became one of the worst concert tragedies in U.S. history. It is now the subject of the new Netflix documentary Trainwreck: The Astroworld Tragedy. With renewed interest in the incident, survivors have taken to social media to share their own footage from the event. 'Only if I knew bro,' one attendee posted on TikTok over footage of himself in the crowd. The audio accompanying the clip is taken from the documentary: 'It started getting pretty hectic,' one survivor says. 'I'm like 'Oh my god I can't take a deep breath,'' adds another. 'Since everyone else is sharing their Astroworld experience,' another TikTok user wrote in the caption of a clip, which shows him tightly packed in the crowd as Scott performs. 'Not too long after this I got bumped into due to the crowd swaying and ended up falling on top of someone in the fetal position,' he wrote. 'We ended up getting out but man it was a struggle.' In other horrifying footage, the panicking audience can be heard calling for help. 'I've never posted this video before, rest in peace to all innocent lives lost,' the closed captions read over the video. Even before Scott took the stage, the crowd seemed to sense something was wrong. 'We are gonna die,' one attendee 'jokes' in a clip, now with 10.3 million views, filming the unsafe conditions. 'Saying this as a joke but on the inside this was a real feeling,' she wrote in the closed captions. 'This about to be bad when it starts,' another can be heard saying. 'Bro literally called it,' the captions add. 'I believe Astroworld 2021 was not an accident,' crowd safety expert Scott Davidson says in the documentary. 'It was an inevitability due to the lack of foresight and the abandonment of basic safety protocols.' Nearly 5,000 people were injured as a result of the crush. The Netflix documentary, which premiered on June 10, features interviews with several survivors. In total, 10 people lost their lives: Axel Acosta, Danish Baig, Rudy Peña, Madison Dubiski, Franco Patiño, Jacob Jurinek, John Hilgert, Bharti Shahani, Brianna Rodriguez, and Ezra Blount, who was just nine years old.
Yahoo
41 minutes ago
- Yahoo
Caroline Jones Etches a Roadmap to Personal Freedom on ‘No Tellin': ‘I Think There's a Big Cultural Shift Around This Conversation'
'The truth,' according to the New Testament, 'will set you free.' As it turns out, Jesus wasn't just a spiritual leader; he was also a good psychologist. Withholding the truth can prevent people from fully developing emotionally, particularly because it leads to guilt, anxiety and the fear of being found out. More from Billboard Young Singer Wins Over 'AGT' Judges With Ed Sheeran Cover Ozzy Osbourne's DNA Will Be Sold in Limited Edition Liquid Death Cans Kneecap Launch London Billboard Takeover Ahead of 'Witch-Hunt' Court Appearance In that context, Zac Brown Band member Caroline Jones' first single for Nashville Harbor, 'No Tellin',' highlights the personal damage that hiding secrets can inflict, and the catharsis that comes once the truth is revealed. Not that the process of putting it out there is easy. Current or recent legal cases involving Sean 'Diddy' Combs, Stormy Daniels and Harvey Weinstein have demonstrated how difficult it is for victims to come forward with the most egregious abuse. 'I do think that there's a big cultural shift around this conversation, and people are starting to understand that it's a cultural, social problem,' Jones says. 'It's existed forever, really, but now, I think, there's more consciousness around it, and more compassion and more understanding around it.' Jones wasn't making a social statement when she wrote 'No Tellin'' in November. She was actually working through her own experience with emotional abuse from a relationship around the time she turned 20. 'It was something that I hadn't really ever written about and had only recently processed in therapy and in my life with the people who are close to me,' she says. 'I feel like I had been unconsciously, or subconsciously, writing it for a long time. Most of the song came out really fast, and it was just a matter of organizing it and structuring it.' The initial thread of 'No Tellin'' had been around for years. Jones created an ascendant acoustic riff with a bluegrass flavor and would play it instinctively while noodling on her guitar. She'd already written another song with that riff, but she recycled it while prepping at her Nashville home for a co-write. She was ready to explore the emotional abuse from her past, and it emerged in a classic country twist in 'No Tellin'' – 'There ain't no tellin',' she sings in the first line of the chorus, recognizing the attitude she'd been taught about secrets; 'But I'm still tellin' on you,' she concludes at the end of that stanza. She pulled together a bundle of thoughts about holding negative stuff inside, made a rough recording and brought it the next day – Nov. 18 – to the appointment at SMACKSongs on Music Row, along with her notes, hand-written in a spiral notebook. 'She's like, 'I have this idea that I've been working on. It's just a little something. I don't know what it is yet,'' co-writer Lauren McLamb recalls. 'And she just proceeds to play us half the song,'But Jones was missing some lines, and a second verse, and she didn't know how to sequence what she had. 'She had lyrical paragraphs just kind of pasted, and she was like, 'I don't know where each line goes,'' says co-writer Clara Park. 'We read through them all and talked through the idea, and then we pieced it all together.' The three bonded over the topic, sharing stories about abusive relationships from their past – either their own entanglements, or their friends'. The conversation helped both the song and their souls. 'She had a line about 'hiding skeletons,'' Park says, 'and I think I added the 'just ain't in my bones' line. And I remember thinking that hiding skeletons actually is in my bones. I feel like being a sugar-coater – you know, a people-pleaser from Charleston – I don't really speak up too much. I got to wear this different hat that day, and it reminded me that I should live more like this song.' One of the keys came in organizing the story. With verse one, the singer admits she's been hiding secrets. In the chorus, she announces the truth is coming out, and in verse two, she begins to show how burdensome it was to stay silent. In perhaps their most significant decision, the three women built a bridge, acknowledging the risk that came with revealing the past, but noting that exposing that information might benefit the next potential victim: 'The truth will set her free.' 'This isn't a takedown song,' McLamb says. 'It's an empowering song, and it's all about morality. It's not about a vindictive situation on [the singer's] part, and I think that was something that was important to get in there lyrically. We were clarifying why we were telling this truth.' To heighten the drama, they fashioned that bridge over an a cappella breakdown section with claps and bass drum. 'I wanted it to sound like the old prison songs,' Jones says. Her team got excited about it once she began sharing the demo, a mostly acoustic effort that includes a haunting 'woo hoo' counter-melody; that element helps 'No Tellin'' walk a difficult emotional line.'It's a heavy subject, but it turns out to be a celebration in the end,' says Jones' manager, producer Ric Wake (Mariah Carey, Taylor Dayne). Big Machine Label Group senior vp of A&R/staff producer Julian Raymond (Glen Campbell, Justin Moore) co-produced 'No Tellin'' with Jones and Wake, booking a session at Blackbird Studios before the year ended. Jones sat in on guitar and vocal with the studio band, and they built a track that used a series of scene changes to enhance the storyline's evolution. It started with a swampy feel, took on a driving beat in verse 2, then broke into a New Orleans funk after the breakdown in the bridge, finally relaxing into a ghostly finale. Keyboardist Tim Lauer wrote a string arrangement that included a heat-inducing, descending glissando. Lauer contrasted that with an ascending glissando on his Wurlitzer in the middle of the bridge. 'We kind of lifted that [string sound] a little bit off my loving history of Bobbie Gentry,' Raymond says. 'It's got a little bit of bluegrass vibe in there. It's a roarin' track, and it's just a lot of fun.' Jones sang all the vocal parts herself, including the lead and a load of harmonies, extra melodies and ad libs. She manages to sound like someone else – even like a gospel singer – on some of those extra parts.'She's a chameleon,' Raymond says. 'She can change her voice easily when she needs to.' 'No Tellin'' immediately became the frontrunner for Jones' first Nashville Harbor single, released to radio via PlayMPE on May 13. 'When [BMLG president/CEO] Scott Borchetta and the guys over at the label all heard it, they said, 'This is the one,' and we all agreed,' Wake notes. 'We had a couple other ones that were really close, though. I'm happy to say we definitely have some follow ups.' While Jones worked out some of her internal issues around holding back the truth with 'No Tellin',' she hopes it provides healing – or a warning – for others who hear it and take its message to heart. 'In the end, it's not about one person, whether it's the villain or the victim,' she says. 'It's about the fact that when you tell the truth, then it takes the power out of shame and isolation, and it helps other people who are going through the same thing. Or helps people, hopefully, not have to go through it at all.' Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart