
Prabhas's pic from his new film Fauji leaked, fans reminded of Mirchi look
An excited fan shared a throwback photo from 'Mirchi' and wrote, "#Prabhas's look in the leaked picture from the set of @PrabhasHanu (#Fauji) is similar to his look in the movie #Mirchi (sic)." Here are some reactions:
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Prabhas and director Hanu Raghavapudi have joined hands for a film titled 'Fauji'. The film also features Anupam Kher, Mithun Chakraborty and Jaya Prada in pivotal roles. The film's working title is 'Fauji', and an official announcement on the same is yet to be made.The film features social media influencer Imanvi Ismail in the lead role. After the April 22 Pahalgam terror attack, film association announced a ban on working with Pakistani actors. After the controversy, many claimed that Imanvi was a Pakistani and demanded her removal from the film.She shared a long note about her identity and wrote, "I also want to address rumours and lies that have been falsely spread about my identity and my family via fake new sources and online media in order to create division and spread hate. First, nobody in my family has ever been or is currently associated with the Pakistani military in any way (sic)."
She further added, "I am a proud Indian American who speaks Hindi, Telugu, Gujarati and English. I was born in Los Angeles, California, after my parents legally immigrated to the United States as youth. Soon after, they became American citizens."After the controversy erupted, the makers haven't issued any statement regarding her removal from the film.- EndsTrending Reel

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Mint
5 minutes ago
- Mint
'Saare Jahan Se Accha' review: Netflix spy series is a missed opportunity
Saare Jahan Se Accha spends most of its time listing differences between India and Pakistan. But Netflix's new spy series can't help draw attention to a common heritage: language. Characters switch naturally between Hindi, Urdu, Punjabi and English, as so many did in undivided Punjab. The Punjabi in particular—spoken by Pakistani and Indian characters—is mellifluous, flowing off the tongues of the actors, not the same intonations you'd hear in a modern Hindi film. It reminded me of Song of Lahore (2015), Sharmeen Obaid-Chinoy's musical documentary, with the Punjabi session players hitting the consonants in trumpeter Wynton Marsalis' name: 'Vin-ttun'. The show, created by Gaurav Shukla, opens with conspiracy theory (the CIA blowing up a plane with Indian nuclear physicist Homi Bhabha on board) and boilerplate spy drama truths (we operate in the shadows, our families don't know what we do). Both are delivered in a flat voiceover by Pratik Gandhi, who plays intelligence agent Vishnu Shankar. After the formation of RAW in 1968, its head, R.N. Kao (Rajat Kapoor), sends Vishnu on a top-secret mission: relocate to Islamabad and sabotage Pakistan's nuclear weapons programme. Vishnu's primary asset there is Sukhbir (Suhail Nayyar), alias Rafiq, an Indian posing as a Pakistani stockbroker. Rafiq, a capable but reluctant spy, helps corrupt lieutenant colonel Rizwan (Kapil Radha) with his investments, and is wooing his sister, Naseem (Diksha Juneja). Vishnu, tailed and intimidated by local agents despite ostensibly being a diplomat, carefully pulls strings too. He pushes Naushad (Anup Soni), a Pakistan army brigadier whom they've been blackmailing, and tries to win over Fatima (Kritika Kamra), an anti-bomb journalist who happens to be nuclear engineer Munir Khan's niece. Seemingly ahead at every step is Murtaza Malik (Sunny Hinduja)—'Pakistan's most capable officer', in the words of President Zulfikar Ali Bhutto. From the moment he's introduced, the show has a problem. Murtaza is simply more interesting than Vishnu. Hinduja plays him with a mixture of sardonic reserve and restless intelligence. It lends a tension to every scene he's in, even when the situation doesn't warrant it—we can't tell how closely he's reading into his close friend Naushad's behaviour, and it keeps us on edge. He's as formidable a spy as Vishnu, but happier in the spotlight, wittier and more commanding. Vishnu, on the other hand, never feel right at the centre of the show. Gandhi is a deft actor who was working steadily in the theatre and Gujarati cinema before Scam 1992 thrust him into lead roles in Hindi films. In Saare Jahan Se Accha, you can feel the tension between a character actor who'd relish the challenge of making a drab agent interesting and a star who's supposed to carry the production. Vishnu is a cypher, as spies must often be, but Gandhi can't find a way to make this shadowy figure compelling. He keeps losing scenes—to the confident Hinduja, to Tilottama Shome, rather wasted here as his confused, neglected wife, and to Nayyar, whose Sukhbir turns out to be the sad heart of the series. I couldn't help but imagine a richer, more complex show built around Sukhbir: a fascinating figure, resourceful, lonely, an Indian pretending to be Pakistani, a Sikh posing as Muslim, blackmailed by his country, with genuine attachments to the people he's spying on. There are recent shows that have gone all-out with period recreation (Jubilee) and those that managed it with a few smart touches (Rocket Boys). Saare Jahan Se Acha tries the latter, but, apart from a sequence at a screening of cult horror film Zinda Laash, the research and detailing are inadequate. The clothes, the hair, the speech, the cultural markers—little of it suggests a convincing 1970s Pakistan. 'Tumhare takes kya hain?' is something you wouldn't hear today, let alone 50 years ago. Rajat Kapoor may be styled to look like Alec Guinness' Smiley, but Saare Jahan Se Acha doesn't want to be John le Carré. In its better moments, it has some of the enjoyable pulpiness of the Yash Raj spy films. One of its episodes revolves around the capture of a minor antagonist named Bilal (Rajesh Khera), an arms dealer in London with a weakness for women. The multiple subplots—the race to extract information from Bilal, the kidnapping of his son back in Pakistan, Murtaza getting increasingly suspicious—are woven together nicely by editor Aarif Shaikh and Sumit Purohit, who directs all the episodes. I also appreciate that the Indian agents, till then less cutthroat than their Pakistani counterparts, are shown using torture, not on a particularly bad person, but one they need information from quickly. This and a messy kill in the previous episode go some way to dispelling the notion of a 'right' side. There are only six episodes, each between 30-45 minutes—a fairly slim offering. Surprisingly, there's no real attempt to tease a second season. Vishnu and Kao spend all season insisting India isn't working on a nuclear bomb (it's described as a 'moral line', one that a nation like Pakistan would cross but we wouldn't). The truth is, India's nuclear weapons programme was very much in swing by then, culminating in the Pokhran-I tests. I thought the show might be saving this as the A-plot for Season Two, but was less certain once the 1974 tests were mentioned at the end of the last episode. Espionage is a saturated genre in India right now, and Saare Jahan Se Accha doesn't do enough to stand out. If it does return, I hope it's at least with a more stirring, less shaken protagonist.


NDTV
37 minutes ago
- NDTV
On KBC 17 Special, Col Sofiya Qureshi Tells Amitabh Bachchan "Why Operation Sindoor Was Needed"
Kaun Banega Crorepati, hosted by Amitabh Bachchan, returned with season 17 on Monday, August 11. The show is now set to feature a special Independence Day episode with esteemed officers from the Indian Armed Forces who played a crucial role during media briefings on Operation Sindoor. In the promo released by channel Sony TV, host Amitabh Bachchan is seen welcoming Colonel Sofiya Qureshi of the Indian Army, Wing Commander Vyomika Singh of the Indian Air Force and Commander Prerna Deosthalee of the Indian Navy, on the show. On the special episode, which is set to air on August 15 at 9 pm on the channel, the officers shared insights about Operation Sindoor, a series of targeted strikes on nine Pakistani terror camps carried out by the Indian armed forces on the morning of May 7 in retaliation for the April 22 Pahalgam terror attack. Colonel Sofiya Qureshi spoke about why it was time for India to launch Operation Sindoor against Pakistan. " Pakistan yeh karta chala aa raha hai. Toh jawab dena banta tha, sir. Isiliye Operation Sindoor ko plan kiya gaya. (Pakistan has been doing this for years; it was important to answer back, which is why Operation Sindoor was planned)" she said. To which, Wing Commander Vyomika Singh added, " Raat ko ek baj kar paanch minute se lekar dedh baje tak, pachhis minute me khel khatam kar diya. (At night, between 1.05 am to 1.30 am, we ended their game in just 25 minutes)" "Targets were destroyed and koi bhi civilians ko koi harm nahi hua tha. (Targets were destroyed and no civilians were harmed)" said Commander Prerna Deosthalee. Colonel Sofiya then went on to say, "This is a new India, with a new mindset". See the full promo of the special episode here: View this post on Instagram A post shared by Sony Entertainment Television (@sonytvofficial) The clip ended with KBC host Amitabh Bachchan and the audience chanting " Bharat Mata Ki Jai" in unison. The special Independence Day episode will also available for streaming on Sony LIV.


Indian Express
an hour ago
- Indian Express
Saare Jahan Se Accha review: Sunny Hinduja and Suhail Nayyar steal the show, which peters off towards the end
It's not the fault of this series that it comes exactly a week after the one which had the same theme. Well, almost. Salaakar is about scotching Pakistan's nuclear ambitions with the help of canny footwork by Indian spies : this week's new show on Netflix, Saare Jahaan Se Accha, created by Gaurav Shukla and directed by Sumit Purohit, is exactly about the same thing. The intent may be the same but the treatment, thankfully, is vastly different: the beyond-terrible Salakaar, with Naveen Kasturia leading the charge, reminds you of a comic-book with none of the fun of the genre; this Pratik Gandhi starrer, on the other hand, takes things seriously, and that's a good thing, more or less. Counter-intelligence officer Vishnu Shankar (Gandhi) is tasked with the most important thing of his career by R&AW chief RN Kao (Rajat Kapoor). 'Intel', a word much thrown around in this series (the writing credits are shared between Abhijeet Khuman, Kunal Kushwah, Bhavesh Mandalia, Ishraq Shah, Shivam Shankar, Gaurav Shukla, Meghna Srivastava) suggest that Pakistan President Bhutto is obsessively going after building a n-bomb, and has roped in the fanatic ISI chief Murtaza Malik (Sunny Hinduja) to that end. The building of the time and place is one of the better things about the series, from clothes to cars to rotary phones and their distinctive rings, except all phones working all the time on both sides of the border is a stretch, given how much time they stayed dead: if the creators really are being true to the period, they would have included at least one instrument which refuses to work at a crucial juncture. Vishnu duly arrives in Islamabad, as an Embassy staffer (the classic route of spies, according to pop culture), along with his newly-acquired Bengali wife (Tillotama Shome). And begins, with the help of a trusty colleague (Ninad Kamat), casting his net wide, corralling double agents, newspaper columnists, and sundry others, to get to his objective. The details of the Pokhran blast, in 1974, with the active support of then PM Indira Gandhi, and the relentless pushing of the R&AW chief, are in public domain. What this five -episode series does is to give us the backstory, inspired enough by reality to have the courage to use actual names of both people and places, with lashes of creative license and filmi drama : a love-story between an India 'jasoos' ( pronounced 'jsoos', just the way a Punjabi would) and a pretty Pakistani girl, the sister of an officer ( Kapil Radha, leaving a mark) never feels more like a space-filler. There's mention of the Libyan dictator Gaddafi, Mossad chief Ben Adler, 'HGN reactors', the Gadani port where the deadly cargo would land, indicative of the research that's gone into the show. But while attempts have been made to keep everything as realistic as possible, we hear people saying things like, 'hamaare mulk mein mausam se jaldi PM badal jaate hain' by the lovely Pakistani journalist (Kritika Kamra) , or even 'sadly, yehi hamaari life hai'. Sadly? Really? And 'baby steps in the world of darkness'? These feel dialogue-y, not spoken-in-the-moment lines. Watch Saare Jahan Se Accha trailer here: In this solid ensemble, two actors– Sunny Hinduja and Suhail Nayyar– steal the show so comprehensively that everyone else has to struggle for our attention. Pratik Gandhi doesn't have a showy role; to operate within the shadows means that you have to underplay, and to his credit he does that well enough, whether he is trying to pour water over his troubled domestic life– he is more wedded to his job rather than his wife– or swirling vodka with a stunner. You wish there was more meat to that relationship; certainly Shome's character needed more to do than serve sondesh and act suspicious. Both Hinduja as the fearsome ISI chief Murtaza, and Nayyar, as the street-smart mover and shaker who knows how to keep everyone happy, add sass to the staid, but the bumps and contrivances keep distracting from the main act. The best thing about the handsomely-mounted show is that it steers clear of vicious jingoism while waving the flag. You wish it didn't peter off towards the end. Saare Jahan Se Accha cast: Pratik Gandhi, Rajat Kapoor, Tillotama Shome, Sunny Hinduja, Anup Soni, Kritika Kamra, Suhail Nayyar, Kapil Radha, Ninad Kamart, Atul Kumar, Hemant Kher, Avantika Akerkar, Rajesh Khera Saare Jahan Se Accha director: Sumit Purohit Saare Jahan Se Accha rating: 2.5 stars