
Lebanon mourns iconic composer Ziad Rahbani as mother Fayrouz makes rare appearance
Rahbani, also known as a political provocateur, died Saturday at age 69. The cause of death was not immediately known.
His passing shocked much of the Arab world, which appreciated his satire, unapologetic political critique and avante-garde, jazz-inspired compositions that mirrored the chaos and contradictions of Lebanon throughout its civil war from 1975 until 1990. He also composed some of his mother's most famous songs.
The Rahbani family was a cornerstone in Lebanon's golden era of music theater that today is steeped in idealism and nostalgia in a troubled country.
Top Lebanese political officials and artists paid tribute after the death was announced. Rahbani, a leftist Greek Orthodox, often mocked Lebanon's sectarian divisions in his work.
Hundreds of people holding roses and photos gathered by Khoury Hospital near Beirut's busy Hamra district, solemnly singing some of his most famous songs and applauding as a vehicle carrying his body left its garage.
Reem Haidar, who grew up during the civil war, said Rahbani's songs and their messages were what she and others associated with at a time when there was 'no nation to belong to.'
The vehicle made its way to a church in the mountainous town of Bikfaya before burial in the family cemetery.
Fayrouz, 90, had spent many years away from the public eye. Wearing black sunglasses and a black veil, she greeted visitors who came to pay respects. She had not been seen publicly since photos surfaced of her meeting with French President Emmanuel Macron, who visited her residence in 2020 to award her France's highest medal of honor.
In recent years, Rahbani also appeared less in the public eye, yet his influence never waned. Younger generations rediscovered his plays online and sampled his music in protest movements. He continued to compose and write, speaking often of his frustration with Lebanon's political stagnation and decaying public life.
Rahbani is survived by his mother and his sister Reema and brother Hali.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


CBS News
an hour ago
- CBS News
36th annual Long Beach Jazz Festival postponed until 2026
The 36th annual Long Beach Jazz Festival has been postponed until 2026, according to the promoter. Rainbow Promotions said customers can either receive a refund for the event or have their payments rolled over to the new date. "We appreciate your understanding during this time, and we look forward to welcoming you in 2026 for what will be a truly spectacular celebration of music and community," Rainbow Promotions wrote on their website. "Thank you for your continued support." The Long Beach Jazz Festival was originally scheduled for Aug. 9 to Aug. 10 in the Marina Green Park. On its website, Rainbow Promotions that hte postponement was "due to circumstances beyond our control." "While we are incredibly excited about bringing the festival to its new home at the beautiful Long Beach Amphitheater by the sea, we feel this is the necessary step to ensure the best possible experience for everyone involved," promoters wrote. The event began in 1978 as the Queen Mary Jazz Festival. Visit Long Beach said the event typically brings a record number of attendees every year. KCAL News and CBS Los Angeles sponsored the event.


Vogue
an hour ago
- Vogue
With a New Pop Record—and New California Lifestyle—Indigo De Souza Finds Clarity
Vogue: Has writing always been a salve for you? Or can it be the opposite, where writing becomes difficult because it's how you process things, and…sometimes you don't want to process things. Indigo De Souza: Oh, both, absolutely. Sometimes it feels really easy to process emotions through music, and it's flowing out of me. And then I can be quite stubborn about writing, because of how much it makes me face what I'm feeling. I don't really know how to write from anywhere that isn't a deeply emotional space. Sometimes I can feel hesitant to pick up the guitar. I force myself to do it. I'll be very, very emotional about something and I'll know that it would help to play guitar and write. With what you've been through, I wonder how you relate to your previous body of work now? All of my past albums are really special to me in different ways, and the music is very close to my heart. Every album that I make feels very different from the last one, and it feels like I'm always moving through different modalities of writing. So when I listen to past music, sometimes it's almost mystifying to me how it even happened. Sometimes I can't even remember writing a song, or how I was trying to present the emotions within that song. I was thinking about 'Always': It's so intense, and the way that we play it live is really specific—there's a lot of screaming. How I wrote it and what I wanted to do with it is a blur. I'm very present with the songs I'm making, but the ones I've made in the past are like ghosts. 'Not Afraid' was the first song that was written for Precipice. What were those emotions you were using? Honestly, I was just trying to connect with Elliot and impress him. Within the first hour, I knew he was special. I liked his energy and way of working. I'd never done a blind session before, but we just clicked in every way. I wanted to put my best foot forward, with my boldest lyrics and way of being. He made me feel comfortable enough to do that too.
Yahoo
2 hours ago
- Yahoo
Beyoncé's COWBOY CARTER TOUR Breaks the Bank as Highest-Grossing Country Tour in History
Last Saturday night in Las Vegas, Beyoncé did not just end a tour. She ended an era. With a final, thunderous performance at Allegiant Stadium, Beyoncé officially closed the curtain on her history-making COWBOY CARTER TOUR, a 32-date spectacle that has now gone down as the highest-grossing country tour of all time. In true Beyoncé fashion, the final night was no ordinary closing show. The Queen Bey pulled every conceivable stop, inviting JAY-Z, Destiny's Child, and Shaboozey to join her for a celebration that will be studied in music history books and worshipped in pop culture archives for decades to come. And the crowd? Electrified. Allegiant Stadium's sold-out capacity let out a roar so deafening during the surprise guest appearances that it practically lifted the roof off the Las Vegas Strip. Crowning Glory: The Tour by the Numbers Produced by Parkwood Entertainment and promoted by Live Nation, the COWBOY CARTER TOUR wasn't just a concert. It was a global movement. In just nine cities across three continents, Beyoncé shattered records that have stood for years and in some cases, decades. According to Billboard, the tour: Grossed over $400 million, making Beyoncé the first woman and first American act with two separate tours to break that benchmark Extended her reign as the highest-grossing Black artist and the highest-grossing R&B artist of all time Broke 30+ stadium records across North America and Europe, including SoFi Stadium (Los Angeles), MetLife Stadium (New Jersey), Tottenham Hotspur Stadium (London), and Stade de France (Paris) A staggering 1.5 million+ fans attended across 32 sold-out shows. Each performance unfolded as a multi-sensory experience, nearly 3 hours long, featuring 42 songs, three flying stage props (including a mechanical golden horse and a convertible lowrider), and a custom star-shaped stage design outfitted with robots, pyrotechnics, and immersive lighting. The Final Rodeo: Las Vegas Lights Up Beyoncé's Las Vegas finale on July 26 was a cinematic climax to an already-unforgettable tour. The Beyhive had been speculating for weeks, and Beyoncé delivered on every rumor and dream. JAY-Z joined her for a steamy, soul-shaking performance of 'Drunk in Love.' Destiny's Child (yes, all of them—Kelly Rowland, Michelle Williams, and Queen Bey herself) took us back with a pitch-perfect medley of 'Say My Name,' 'Survivor,' and 'Lose My Breath.' Shaboozey, the genre-defying artist who featured on Beyoncé's Grammy-winning COWBOY CARTER album, tore the stage apart with his hit 'Spaghetti.' Las Vegas didn't just get a concert. It got a coronation. COWBOY CARTER: An Era-Defining Spectacle If Renaissance was a celebration of Black futurism and disco-drenched liberation, COWBOY CARTER was Beyoncé's rebellious reclamation of American music history. Fusing country, soul, rock, folk, and hip-hop into a fearless reimagination of Americana, Beyoncé crafted a show that critics and fans agree was one of the most ambitious live undertakings in pop history. GQ called the tour '(Once Again) A Reassertion of Beyoncé as Our Greatest Living Performer.' The Telegraph gave her Tottenham Hotspur Stadium show a rare five stars: 'Nobody in pop can touch her…Armed with monster hits and a veritable war zone of pyrotechnics, Queen Bey reigns supreme in London.' And she did it all while dressed in the most elaborate, expressive, and downright explosive fashion seen on a stage since McQueen's heyday. Fashion as Statement, Spectacle, and Soul Across the tour, Beyoncé wore custom looks by a museum-worthy roster of over 25 designers, curated by wardrobe leads Shiona Turini, Karen Langley, Ty Hunter, and Timothy White. The lineup included: Anrealage, Balmain, Burberry, Calvin Klein, Coperni, Diesel, Dolce & Gabbana, Ferragamo, Ferrari, Gucci, Loewe, Moschino, Mugler, Off-White (Ibrahim Kamara), Poster Girl, Ralph Lauren, Roberto Cavalli, Sacai, Schiaparelli, Stella McCartney, TELFAR, Versace, Vivienne Westwood, and more. Jewelry was sourced from rising talents like Shola Branson, and hair and makeup were a Cécred-fueled masterclass in Black excellence, executed by Neal Farinah and Rokael Lizama. The Hive, the Family, the Crew Beyoncé didn't go it alone. A 350+ member crew including her daughters Blue Ivy and Rumi Carter brought the show to life. Blue Ivy returned for limited appearances in 'BLACKBIIRD,' while Rumi took her stage bow for the first time, holding her mother's hand during the final show. Sixty-four fans were crowned 'Rodeo Royalty' for their show-stopping Western-inspired outfits. And the BeyGOOD Foundation committed over $3 million to local communities, including wildfire relief in California. The Business Behind the Magic Beyoncé's tour was also a masterclass in branding and partnership. Official sponsors and collaborators included: Marriott Bonvoy, offering VIP hotel packages across tour cities SirDavis, Beyoncé's award-winning whiskey, and the official spirit of the tour Cécred, Beyoncé's own prestige haircare line, activated via a chrome-wrapped Roadshow trailer and Ulta Beauty pop-ups Ulta Beauty, the tour's official beauty retail partner Vibee, curating deluxe concert experiences through hotel-ticket bundles and exclusive merch A Tour for the Ages. A Queen Untouchable. What Beyoncé accomplished with the COWBOY CARTER TOUR is not just statistical. It's spiritual. She reframed country music through the lens of Black womanhood, told stories that the genre has long excluded, and did it with elegance, fire, and a sky-high boot on the gas pedal. In an industry where superlatives often get diluted, Beyoncé once again proved she deserves every single one. History didn't just happen. She wrote it. The post Beyoncé's COWBOY CARTER TOUR Breaks the Bank as Highest-Grossing Country Tour in History appeared first on Where Is The Buzz | Breaking News, Entertainment, Exclusive Interviews & More. Solve the daily Crossword