
U.S.-brand car sales lag in Japan, highlighting lack of demand
Only 9,517 U.S.-branded vehicles were sold in Japan in the period, undercutting U.S. President Donald Trump's claim that more Japanese should be buying American imports to address his nation's trade deficit.
Of the 121,243 units sold in the six-month period, Jeep -- owned by Netherlands-based multinational Stellantis NV -- was the best-selling U.S.-brand at 4,333 units, followed by General Motors Co's Chevrolet and Cadillac at 283 and 185, respectively, the Japan Automobile Importers Association said.
In contrast, German brand Mercedes-Benz alone sold 25,015 vehicles in the period, with 90.4 percent of the cars imported to Japan coming from European manufacturers.
Tesla Inc of the United States does not disclose sales by country, but takes up almost all of the "others" category at 4,589 units, an association official said. The EV maker's imports were included in the U.S. figure.
Despite their dire position, demand for American brands is growing, rising 17.2 percent from a year earlier, reflecting the popularity of new Cadillac and Jeep EVs, the association official said.
Japan's imports of U.S. cars have been a focus in the ongoing negotiations over Trump's tariffs, with the president expressing dissatisfaction that so few U.S. cars are seen on Japanese roads. He has blamed Japanese nontariff barriers, such as differences in safety tests, for the situation.
Japan, which does not impose tariffs on imported cars, says its rules and standards are in line with United Nations regulations, and that it does not implement particularly strict rules on such vehicles.
Auto analysts say Japanese buyers are not attracted to the types of vehicle typically offered by American automakers, such as large pick-up trucks, with domestic consumers preferring smaller vehicles due to Japan's narrow roads.
Prime Minister Shigeru Ishiba also said in parliament earlier this year that foreign automakers need to be mindful of Japanese consumers' preference for right-hand drive, fuel-efficient vehicles.
"Foreign automakers have to produce cars that suit Japanese consumers and that is up to American companies," Ishiba said, adding that limited dealer networks are also a crucial factor contributing to aversion to U.S. brands.
Foreign carmaker officials in Japan agree with Ishiba's assessment, with some stressing the key to expansion is to study and respond to domestic preferences and also to engage continuously with buyers through dealerships.
"Our strength is accessibility with a network of 200 stores nationwide, allowing people in Japan to casually visit and experience (our cars) hands-on," said Takeshi Sawamura, senior manager at Volkswagen Group Japan K.K.
"Japan's regulations are sometimes noted as nontariff barriers but the rules are moving toward" the global standard, Sawamura said. "What matters is whether we can produce cars that suit the Japanese market."
Jin Narita, head of Stellantis Japan Ltd -- which owns Italian, French and U.S. brands including Jeep, Alfa Romeo, Peugeot and Citroen -- said the company prioritizes having a wide range of products that are attractive to many Japanese drivers.
"Stellantis cars are positioned between domestic makers' models and premium models. We offer unique models, such as Jeep that appeal" to consumers' adventurous side, Narita said.
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Japan Times
25 minutes ago
- Japan Times
Beijing braces for U.S. trade deals that aim to shut out China
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Kyodo News
42 minutes ago
- Kyodo News
70% of shops hit by massive Noto quake see no prospects of rebuilding
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Yomiuri Shimbun
an hour ago
- Yomiuri Shimbun
Heirs to Kyoto Talent: Wooden Tub Craftsman Ensures Graceful, Flawless Curves; Charms Shared with Next Generation
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Once the staves are finished, they are joined with rice glue and bamboo nails. All that is left to do seems to be fit the bottom panel in place for it to become a sturdy container, but it is not that easy. 'The upper edges of the staves need to be thin, while the bottom edges need to retain more thickness to maintain strength,' Kondo said about his self-set oke tub does not have a simple cylindrical shape. It has varying curvatures in different areas, requiring the use of planes of different shapes. He occasionally runs his hand over the surface to verify that it is smooth as he continues to give it a graceful curve. 'Oke are simple tools, but here in Kyoto, rough and rugged products won't be accepted,' he said. According to Kondo, elegant shapes and delicate styles are preferred in ryotei, Japanese restaurants, and ochaya, teahouse facilities providing entertainment by geiko and maiko. Kondo uses 300 different planes depending on the sizes of the products, which range from guinomi drinking cups to bathtubs. However, there are almost no metalwork craftspeople capable of manufacturing the planes he uses, so Kondo spent about 10 years collecting the tools from such places as an antique market at Toji temple in Minami Ward. The walls of his workshop are lined with planes of all sizes. Love at first sight Born in Osaka Prefecture, Kondo studied art and design at Kyoto Seika University. After completing his graduate studies there, he worked as an assistant at Osaka University of Arts and was involved in sculpture. A turning point came shortly after the end of his four-year term. Kondo was invited by an older graduate of Kyoto Seika University to work part-time at his family business. The person was Shuji Nakagawa, whose family runs an oke tub shop in Sakyo Ward, and whose father Kiyotsugu Nakagawa was designated as a living national treasure in the time, Kondo had thought that plastic buckets and bowls were the norm and was not familiar with wooden tubs. However, when he saw a wooden bath bucket crafted by a woodworker, he was struck by its beauty. It was love at first sight. The woodworker was known as the most skilled in Kyoto and would later become his teacher and mentor. Kondo gradually learned the craft while helping at the shop. He trained for about seven years from 2002. In 2009, at the age of 36, he opened his own workshop in the Murasakino district and became independent. In the past, wooden tubs were used as cooked rice containers, laundry tubs and other essential everyday items. In Kyoto, each local community had one oke tub shop, and in the 1960s there were 300 in the city. Today, only a few remain. Nevertheless, as an oke specialist, Kondo chooses wood and other materials that are appropriate for the tub's intended use. Kiso sawara cypress, which is used for sushi containers, absorbs excess moisture to help the cooked rice maintain its proper luster. Yoshino cedar, which is used for guinomi sake cups, has a fragrance that complements Japanese sake. He accepts various custom orders, ranging from Shinto shrine utensils to ladles for scooping sauce for grilled eel. Unique products Kondo buys wood in Nara and Nagano prefectures. He then exposes it to rain, wind and sunlight for several months, which causes the water-soluble resin contained in the wood to dissolve. As it dries, the wood expands and contracts repeatedly. 'As oke are used continuously under harsh conditions, they must be finished in a way that minimizes warping during use,' Kondo for his technical expertise and dedication, Kondo was selected as an up-and-coming craftsperson with particularly high skills by Kyoto Prefecture in 2012. He became a master of traditional crafts in 2017, certified by the Tokyo-based Association for the Promotion of Traditional Craft Industries to those with exceptional skills. Believing in the potential of wooden tubs, Kondo also creates unique products such as wine coolers and 'oke mugs,' the latter of which can be used as both a cup and a small bowl. These products are popular, as they are more likely to keep their contents hot or cold due to the insulating properties of the wood. To allow people to experience the charm of wooden tubs, Kondo demonstrates his craftsmanship at department stores and other venues. 'Many young people take the time to pick up and look closely at my products,' Kondo said. 'Without people using the tubs, I cannot continue making them. I want to do my best to pass on my tub-making skills.' ***If you are interested in the original Japanese version of this story, click here. 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