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L.A. Times Receives Multiple Honors in NLGJA Excellence in Journalism Awards Contest

L.A. Times Receives Multiple Honors in NLGJA Excellence in Journalism Awards Contest

The Los Angeles Times has earned six honors in the NLGJA: The Association of LGBTQ+ Journalists' annual Excellence in Journalism Awards contest. The awards, which recognize and reward excellence in journalism on issues related to the LGBTQ+ community, were announced on July 23 and will be presented in person at a ceremony next month.
Among the top honors, Times staff writer Kevin Rector was named Journalist of the Year, which honors an LGBTQ+ journalist whose exceptional abilities, integrity and distinctive work brought honor to the profession within the last year. Rector joined The Times in 2020, first covering the LAPD, then legal affairs and is currently on the politics beat. In 2024, he wrote extensively on the presidential election, California's Senate race and President Trump's return to power, as well as covered breaking LGBTQ+ news and unique queer stories, including a piece on a San Francisco bookstore's efforts to ship banned queer books to conservative states for free.
Rector also spearheaded a major Times project he conceptualized called Our Queerest Century, which highlighted the vast and indelible contributions of LGBTQ+ people since the 1924 founding of the nation's first gay rights organization. Informed by a groundbreaking national poll, the package featured personal essays from queer writers, news analysis, original illustrations, a curated timeline of queer history, a portrait series and more. Times staff won several NLGJA awards for select stories and essays featured in the project, including columnist LZ Granderson's personal essay on the heroes of the AIDs epidemic.
'It was an honor and a privilege to work on Our Queerest Century with Kevin, LZ and our amazing team of writers, artists, editors, photographers, designers and others, all LGBTQ+ staff members and allies,' said Maria L. La Ganga, deputy managing editor for California and Metro. 'The project would never have happened without Kevin, who brings such talent, insight and passion to his work at the Los Angeles Times.'
Below is a complete list of The Times' winners and finalists:
Journalist of the YearWinner: Kevin Rector
Excellence in HIV/AIDS CoverageWinner: LZ Granderson, for his essay about the brave role LGBTQ+ people played in fighting the AIDS epidemic.
Excellence in NewswritingWinner: Kevin Rector, Hailey Branson-Potts, Matt Hamilton and Jaweed Kaleem, for a series of stories based on a national poll on LGBTQ+ issues, conducted for The Times by NORC at the University of Chicago with funding from the California Endowment.
Excellence in QPOC Coverage Winner: Erika D. Smith, contributor and former Times columnist, for her essay highlighting how queer people of color have led in many important political movements.
Excellence in Transgender Coverage AwardWinner: Former Times fellow Jireh Deng for their feature story 'T-Boy Wrestling is a sizzling showcase of trans masculinity — sweat, twerking and all.'
Best Packaging, Print or OnlineWinner: Current and former staffers Patrick Hruby, Mary Kate Metivier, Ross May, Allison Hong, Jim Cooke and Taylor Le for the design of the project – both the print special section and online presentation.
To learn more about the NLGJA: The Association of LGBTQ+ Journalists and see the full list of award recipients, visit nlgja.org.
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Why ‘Rez Dogs' creator Sterlin Harjo made a love letter to Tulsa and its contradictions
Why ‘Rez Dogs' creator Sterlin Harjo made a love letter to Tulsa and its contradictions

Los Angeles Times

time3 hours ago

  • Los Angeles Times

Why ‘Rez Dogs' creator Sterlin Harjo made a love letter to Tulsa and its contradictions

Sterlin Harjo perfected the 'art of the hang' with the co-creation of his first television series, 'Reservation Dogs.' The FX drama followed a group of Indigenous teens living on a fictional Oklahoma reservation, turning their everyday routine into high art — and is one of the best television shows of the 2020s. Now, Harjo, 45, is tackling another type of genre: crime. His forthcoming series 'The Lowdown,' premiering Sept. 23 with two episodes on FX, follows self-proclaimed 'truthstorian' Lee Raybon (Ethan Hawke) on a mission to unearth buried truths about Tulsa's problematic history while exposing present-day corruption. He's a disheveled figure who drives around town in a tattered van and lives above the rare bookstore that he also happens to own. But when his latest exposé for a local publication calls into question a prominent Tulsa family, his investigation takes him on a dangerous road from the city's seedy underbelly to its highest corridors of power. ''Rez Dogs' was my love letter to rural Oklahoma and where I grew up. 'The Lowdown' is my love letter to Tulsa, where I currently live,' says Harjo, who produces, writes and directs on the new series. 'You see the beauty and the darkness. You see everything.' The eight-episode drama, best described as Tulsa noir, also stars Oklahoma expats Tim Blake Nelson, Jeanne Tripplehorn and Tracy Letts as well as Keith David. Appearances by 'Rez Dog' alumni include Kaniehtiio Horn (a.k.a. the Deer Lady). Harjo, who is a citizen of the Seminole Nation of Oklahoma and is of Muscogee descent, spoke with The Times about his love for Oklahoma, the challenges of following a celebrated show like 'Reservation Dogs' and how 'The Lowdown' is loosely based on his own experience working with a guerrilla journalist. 'Rez Dogs' was such an exceptional series that garnered critical acclaim across all four seasons. With 'The Lowdown,' was it hard to not compete with that previous success? 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The story is fictional, but the character was inspired by someone I worked with named Lee Roy Chapman at This Land Press magazine. He was very much a soldier for truth and I would ride shotgun and make these videos about the underground, unknown histories of Tulsa. The series was called 'Tulsa Public Secrets.' We were this startup, full of piss and vinegar, trying to tell the truth and write about our community and make documentaries about our community. It was about a pent-up need for truth in this city. That push to tell the truth and find truth and tell our story and create a narrative around us. It gave us and the city an identity, something to hold on to. 'The Lowdown' unfolds at a really brisk pace, yet it also has the kick-back vibe of 'Rez Dogs.' There's the art of the hang, where the genre is people hanging out. Look at 'Rez Dogs' or 'Dazed and Confused.' There's an art to hanging and being with characters, and it feels OK to just sit there with them. 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Can you talk a little about that journey to series TV? I've always felt like an outsider. I'm a small-town Native kid from rural Oklahoma. I never felt like I had a foot in this industry. I was an independent filmmaker forever. I sometimes felt like everything was against me, like there's no money, and I was in Tulsa, Oklahoma, so it felt like the industry at large didn't care about the work I was doing. Before 'Rez Dogs,' I never worked in TV and I never worked for anyone else doing films. I only had the education I got with the Sundance Directors Lab, which is the most freedom any filmmaker is ever going to have. Then I was lucky enough to make films that were so low-budget. It meant the stakes weren't high because no one saw them. So if they hated them, I wasn't destroyed. Your films and previous series were rooted in Indigenous viewpoints and experiences. Those cultures have been so misrepresented across all aspects of American entertainment. 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Jim Rinnert, longtime art director for In These Times magazine and a theater enthusiast, dies
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Jim Rinnert, longtime art director for In These Times magazine and a theater enthusiast, dies

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A former West Town resident who had moved to New Carlisle, Indiana, in 2022, Rinnert recently had been hospitalized for heart problems, Fisher said. Born and raised in the southern Illinois town of Flora, James Hubert Rinnert attended Flora High School and then served in the Army at the Pentagon during the Vietnam War as a personnel specialist. He then earned a bachelor's degree in English from Eastern Illinois University. After college, Rinnert taught for a year in Australia, and had several jobs in Chicago, including working for the Kelley Girls employment service and cataloguing Hugh Hefner's personal movie collection at Chicago's Playboy Mansion, Fisher said. In 1976, Rinnert joined In These Times, then a progressive startup publication, as a typesetter. He eventually became the publication's art director and he also contributed articles to the publication. 'I was really impressed with his creativity,' said longtime In These Times senior editor Salim Muwakkil. 'A lot of times you get the feeling that what a progressive publication is doing is kind of a freelance or less-technical orientation, and Jim was progressive-friendly but very competent, and that was welcome.' Fisher said Rinnert loved to promote his view that art is 90% contemplation and 10% creativity when asked how long it took him to finish a piece of artwork. 'His artwork was often a creative reaction to something that personally and deeply affected him,' Fisher said. Rinnert's interest in theater dated to his time in college, and upon arriving in Chicago, he found himself drawn to the city's grassroots, off-Loop theater scene. Rinnert's partner at the time, Tommy Biscotto, had been a stage manager at the Organic and Goodman theaters. In the late 1970s, Rinnert joined forces with Biscotto and a onetime college classmate, J. Pat Miller, to create 'The Artaud Project,' a show based on the writings of French actor, writer, poet, playwright and visionary Artaud, who died in 1948. Artaud called his vision of theater the Theatre of Cruelty, which he described in essays as not sadism, but rather 'a theater that wakes us up: nerves and heart.' Rinnert wrote and directed the show, which starred Miller and was staged at the Victory Gardens Theater, then located at 3730 N. Clark St. in the Lakeview neighborhood. The Tribune's theater critic in 1980, Richard Christiansen, in a review, gave Rinnert and several colleagues credit for the 'technically sophisticated' show and called it 'a compulsively watchable work that offers interested theater audiences the opportunity to experience a genuinely experimental piece.' 'The Artaud Project' won a Joseph Jefferson Award, Chicago's top theater prize, in 1980. Rinnert had a really inquisitive mind, said Mary Griswold, the production's set designer. 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'He was probably the best writer of all of us, so a lot of times he would blend together what others of us had written and do an editing job,' Griswold said. Biscotto, Rinnert's partner in the 1970s and '80s, was diagnosed with Kaposi's sarcoma in 1982, at the start of a mysterious and growing health crisis largely affecting the gay community. Biscotto's diagnosis preceded the creation of the term AIDS, and after Biscotto's death from AIDS-related complications in 1984 and Miller's death from an AIDS-related illness the following year, Rinnert helped form the Biscotto-Miller Fund, which was aimed at providing financial support to those in Chicago's theater community affected by AIDS. In 1987, Rinnert helped create Season of Concern Chicago, a nonprofit group that now provides financial assistance to the Chicago theater community. Season of Concern took over managing the Biscotto-Miller Fund. Rinnert retired from In These Times around 2007. Rinnert also is survived by a brother, Max. A celebration of his life will take place 2-5 p.m., Saturday, Sept. 27 at the Vault Gallery, 2015 S. Laflin St., Chicago.

Ex-Paramount chief feared CBS interview of 'drowsy' Biden would be exposed in Trump lawsuit: Report
Ex-Paramount chief feared CBS interview of 'drowsy' Biden would be exposed in Trump lawsuit: Report

Fox News

time4 hours ago

  • Fox News

Ex-Paramount chief feared CBS interview of 'drowsy' Biden would be exposed in Trump lawsuit: Report

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