
Yoichi Shibuya, key figure in Japan's rock culture, dies at 74
Shibuya launched the magazine "Rockin'On" in 1972 to cover Western rock music, followed by "Rockin'On Japan" in 1986, which spotlighted the domestic scene. The place of his death was not disclosed, and the funeral was held privately by close relatives, the company said.
He was also known for producing one of Japan's largest and most iconic outdoor music events, the Rock in Japan Festival, which began in 2000. He held multiple roles throughout his career, including radio disc jockey and editor.
Shibuya, who died on July 14 while undergoing rehabilitation following a cerebral hemorrhage in 2023, published interview collections with Japanese filmmaker and comedian Takeshi Kitano and acclaimed anime director Hayao Miyazaki.
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SoraNews24
2 hours ago
- SoraNews24
3 Coins sells Electric Cotton Candy Maker as part of its newly released summer festival series
Celebrate the season by making the popular carnival food right in the comfort and convenience of your home. Last week, Japanese budget chain 3 Coins started selling a lineup of household goods themed around summer festivals, known as natsu matsuri in Japanese. The goods have a distinctively retro-looking design with mostly blue and white patterns, plus feature kanji that you'd likely see on lanterns and banners at a real summer festival such as 祭 ('festival') and 氷 ('ice;' usually found near stands selling kakigori shaved ice). A special part of the lineup includes two kitchen appliances for making some sweet treats. Now, we had already bought the Fruit Candy Maker (3,080 yen [US$20.80]) earlier in the week, but sadly, it wasn't all that it was cracked up to be and we promptly retired it. At the same time, we couldn't help but wonder whether we should have chosen the Electric Cotton Candy Maker (3,520 yen) to bring home instead. The thought kept haunting us, so we inevitably made a return visit to our local store. Most cotton candy makers online usually cost in the range of about 5,000 yen. Therefore, 3 Coin's version was a relative bargain–but that was still a decent enough amount of money that we'd be irked if it didn't work well. Therefore, we promptly set about assembling all of the parts according to the instructions booklet. First, we removed the granulated sugar dish from its storage location on the base of the appliance. Next, we placed the dish on top. It was a little tricky to get the alignment just right on top of the grill, so if you plan to make cotton candy with kids, this is a step that's probably best done by adults. Finally, we snapped the surrounding tray and side shield into place, and voila! It was ready to go. We plugged the appliance in and flipped on the switch. You need to let it warm up for about five minutes before use. While waiting, you can enjoy watching the sugar dish in the center rotate at a high speed. When it was heated, we flipped the switch off momentarily to pour one spoonful of sugar (using the included measuring spoon) into the center of the dish… …and watched as threads of sugar began to appear out of nowhere in the next few minutes. It was really working! We held one of the included wooden skewers over the device and began to spin it, watching as the cotton candy quickly took shape in real time. The finished product was like a fully formed cloud. Kids and adults alike would definitely get a kick out of making this at home. We learned through trial and error that since the appliance is small, you have to be careful not to touch the spun cotton candy to the hot center dish or else it will melt instantly. Thankfully, clean-up was also simple. Every part of the maker that the sugar touched could be easily removed and washed. In other words, the Fruit Candy Maker couldn't hold a skewer to its cousin the Electric Cotton Candy Maker. By the way, on our second time using the device, we were able to make an even rounder, more cloud-like cotton candy. Other items in 3 Coin's summer festival series would make for fun and cheap Japanese souvenirs, so you may want to pick some up if you'll be traveling there soon. If you want to experience the real deal of a Japanese summer festival as well, consider traveling to see some of the best fireworks in the whole country coming up in about two weeks. Reference: 3 Coins All images © SoraNews24 ● Want to hear about SoraNews24's latest articles as soon as they're published? Follow us on Facebook and Twitter! [ Read in Japanese ]


Kyodo News
4 hours ago
- Kyodo News
Japan publisher sorry for column targeting people with foreign roots
TOKYO - A Japanese publisher apologized Monday for running a column in its weekly magazine last month that was criticized as discriminatory toward people with foreign roots and for promoting xenophobia. In the column in the July 31 issue of "Shukan Shincho," published by Shinchosha, journalist Masayuki Takayama discussed naturalization and attacked author Ushio Fukazawa -- who is of Korean descent -- for speaking out against discriminatory attitudes in Japan. Shinchosha said in a statement, "We offer our sincerest apologies. We are acutely aware of, and take responsibility for, our shortcomings as a publisher." "We recognize that while 'freedom of speech and expression' is extremely important, the scope of that freedom varies depending on the subject matter and social context, and changes over time," the publisher added. At a press conference the same day, Fukazawa said, "I wonder how frightened people with foreign roots must feel." She added, "I hope Japan remains a country where people from diverse backgrounds can live with pride." Comments condemning the column from around 40 individuals, including novelist Natsuo Kirino and manga artist Akiko Higashimura, were also presented. In the column, Takayama also bashed model Kiko Mizuhara for accusing a producer in the Japanese film industry of sexual harassment, saying, "She was born to an American and a Korean, and has absolutely no connection or ties to a Japanese." "It's hard to accept someone using a Japanese name while sounding as if they are exposing Japan from the inside. Shouldn't they speak openly under a foreign name instead?" he wrote. Shinchosha previously suspended publication of its monthly magazine "Shincho 45" after it was lambasted in 2018 for running a contributing piece that used a derogatory term to describe the LGBT community.
!["Demon Slayer: Kimetsu no Yaiba Infinity Castle" - Natsuki Hanae, the voice of Tanjiro Kamado, discusses his mindset for the final battle [Interview]](/_next/image?url=https%3A%2F%2Fenglish-kyodo.ismcdn.jp%2Fmwimgs%2Fe%2F8%2F1200x%2Fimg_e8367b71933d252ea0b1bc1f96474bc7106482.jpg&w=3840&q=100)
!["Demon Slayer: Kimetsu no Yaiba Infinity Castle" - Natsuki Hanae, the voice of Tanjiro Kamado, discusses his mindset for the final battle [Interview]](/_next/image?url=https%3A%2F%2Fall-logos-bucket.s3.amazonaws.com%2Fkyodonews.net.png&w=48&q=75)
Kyodo News
8 hours ago
- Kyodo News
"Demon Slayer: Kimetsu no Yaiba Infinity Castle" - Natsuki Hanae, the voice of Tanjiro Kamado, discusses his mindset for the final battle [Interview]
The first chapter of the "Demon Slayer: Kimetsu no Yaiba Infinity Castle Arc" movie trilogy has premiered in Japanese theaters. Tanjiro Kamado, voiced by Natsuki Hanae, and his allies finally confront Muzan Kibutsuji, the demon progenitor, in a decisive battle within the Infinity Castle, the demons' stronghold. To celebrate the movie's release, animate Times is featuring a series of cast interviews. In this installment, Natsuki Hanae discusses the series' highlights, his character, behind-the-scenes recording anecdotes, and the franchise's global popularity. The Mindset for Portraying Tanjiro Kamado in the Final Battle ーー"Demon Slayer: Kimetsu no Yaiba Infinity Castle" is currently showing in Japanese theaters, with the global release coming in a month. This also marks the sixth year since the anime "Demon Slayer" first aired in April 2019. What are your thoughts on reaching the "Infinity Castle Arc"? Hanae: It's a truly profound feeling to have come this far. We've tackled each element progressively, and as they've built up and the series has continued, we've arrived at this point. Personally, I've been eagerly anticipating the visual adaptation of the "Infinity Castle Arc." ーーIn the "Infinity Castle Arc," it appears Tanjiro was thrown into the final battle with little time for mental preparation. How did you approach this situation? Hanae: The final battle was imminent, and Tanjiro, as a member of the Demon Slayer Corps, had been training and fighting with the sole objective of defeating Muzan Kibutsuji. Therefore, I believe Tanjiro was always mentally prepared for combat. In the concluding moments of the "Hashira Training" arc, Tanjiro had already encountered Muzan once in Asakusa and recognized his scent. So, the instant he saw Muzan's form, he recognized him immediately, and I imagine his adrenaline surged. Tanjiro is resolute in his determination to defeat Muzan, but he also fights with the conviction that even if he cannot succeed alone, his comrades will. This belief fuels his resolve. Regarding my acting approach, rather than overthinking it, I concentrated on portraying Tanjiro as if all his past experiences came rushing back the moment he saw Muzan. It was like a switch had flipped inside him at that very instant. ーーHow did you feel approaching the voice recording sessions? Hanae: Personally, I eagerly anticipated the anime's release. Upon reading the script, I realized what scenes would be included in Chapter One, and I noted how certain sections had been expanded. I was simply thrilled to finally commence the recording sessions. The Infinity Castle arc features decisive battles, leading to heightened intensity and palpable tension during the recording sessions. This part of the story contains numerous powerful lines and scenes. As an actor, I continually pondered, "What's the optimal way for Tanjiro to deliver this?" ーーFrom your perspective, Hanae-san, what do you appreciate about "Demon Slayer" and what makes it so captivating? Hanae: "Demon Slayer" is a narrative centered on the bonds between family and loved ones. I believe it powerfully conveys universal human emotions and desires, such as "the wish to safeguard happiness" and "the hope for the well-being of those alive today." Koyoharu Gotouge-sensei, the original author, has a distinctive approach to crafting dialogue. Despite their unique expressions, they readily resonate with the audience. Each time I read it, I feel that only Gotouge-sensei could create something of this caliber, which is undeniably part of its appeal. And for children, it's fun to mimic the characters' techniques or shout their names. Every character's design is also unique and unforgettable. Reflecting on it now, I'm reminded of its overall impressiveness. ーーHanae-san, have you noticed any personal changes while portraying Tanjiro Kamado? Hanae: Tanjiro's words and actions often inspire me; his demeanor truly motivates me. Even when I'm tired from work, I find myself thinking, "If Tanjiro can work that hard, I should push myself more too." The series, and Tanjiro in particular, strongly emphasize kindness towards others and love for family. While I've always felt gratitude and love, this role has heightened my awareness of these emotions. This series has undoubtedly had a significant personal impact on me. ーーYou've had opportunities to engage with people globally through world tour screenings and international events. What was your experience like traveling abroad? Hanae: I truly sensed the global reach, acceptance, and affection for Japanese anime. Overseas fans exhibit such strong reactions! It initially surprised me, but then I felt immense joy and thought, "This is incredible!" Many seem to prefer watching the show in Japanese, rather than dubbed versions. I believe the message conveyed by this series resonates universally. Tanjiro's Unprecedented Growth and New Sides Revealed ーーHanae-san, could you share the highlights of this film and any scenes that particularly impressed you? Hanae: The moving Infinity Castle scenes are truly breathtaking. Even when reading the manga, I wondered how they would animate it. The Infinity Castle first appeared in the "Tanjiro Kamado, Unwavering Resolve Arc" when Muzan Kibutsuji summoned the Lower Rank demons. It was already great during the scene of Enmu's appearance, but now, seeing the moving Infinity Castle on the big screen was so overwhelming that I felt immense gratitude to the staff. This film features several climactic moments, including Akaza's scenes, as well as the moments with Zenitsu and Shinobu. The battle scenes are also remarkable; I can't imagine the effort required to create such fluid animation. The visual effort throughout the film is palpable. ーーLastly, do you have a message for the fans eagerly awaiting this film? Hanae: I believe viewers will once again experience a rollercoaster of emotions. I hope they feel the "power of emotions" that Demon Slayer embodies, and leave the theater with a slightly warmer heart! [Interview by Song Risuku / Photography by Inoue Shinzo] About "Demon Slayer: Kimetsu no Yaiba Infinity Castle" Synopsis Tanjiro Kamado – a boy who joined an organization dedicated to hunting down demons called the Demon Slayer Corps after his younger sister Nezuko was turned into a demon. While growing stronger and deepening his friendships and bonds with fellow corps members, Tanjiro has battled many demons with his comrades, Zenitsu Agatsuma and Inosuke Hashibira. Along the way, his journey has led him to fight alongside the Demon Slayer Corps' highest-ranking swordsmen, the Hashira, including Flame Hashira Kyojuro Rengoku aboard the Mugen Train, Sound Hashira Tengen Uzui within the Entertainment District, as well as Mist Hashira Muichiro Tokito and Love Hashira Mitsuri Kanroji at the Swordsmith Village. As the Demon Slayer Corps members and Hashira engaged in a group strength training program, the Hashira Training, in preparation for the forthcoming battle against the demons, Muzan Kibutsuji appears at the Ubuyashiki Mansion. With the head of the Demon Corps in danger, Tanjiro and the Hashira rush to the headquarters but are plunged into a deep descent to a mysterious space by the hands of Muzan Kibutsuji. The destination of where Tanjiro and Demon Slayer Corps have fallen is the demons' stronghold – the Infinity Castle. And so, the battleground is set as the final battle between the Demon Slayer Corps and the Demons ignites. Cast Tanjiro Kamado: Natsuki Hanae Nezuko Kamado: Akari Kito Zenitsu Agatsuma: Hiro Shimono Inosuke Hashibira: Yoshitsugu Matsuoka Kanao Tsuyuri: Reina Ueda Genya Shinazugawa: Nobuhiko Okamoto Giyu Tomioka: Takahiro Sakurai Tengen Uzui: Katsuyuki Konishi Muichiro Tokito: Kengo Kawanishi Shinobu Kocho: Saori Hayami Mitsuri Kanroji: Kana Hanazawa Obanai Iguro: Kenichi Suzumura Sanemi Shinazugawa: Tomokazu Seki Gyomei Himejima: Tomokazu Sugita Akaza (Upper Rank Three): Akira Ishida ©Koyoharu Gotoge / SHUEISHA, Aniplex, ufotable *Some parts of this text have been translated using machine translation