Christina Applegate breaks down discussing death of her father
The 53-year-old American actress is the daughter of late record producer Robert Applegate - who passed away at the age of 90 this month. On the latest episode of her MeSsy podcast, which she co-hosts with fellow actress Jamie-Lynn Sigler, the Hollywood star said, 'You're probably wondering why I'm crying right now. I'm sorry. My dad just passed away a week ago. This is the first time I've really cried.' The Married... With Children star explained that she had been braced for her father's death…
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Perth Now
4 hours ago
- Perth Now
Atlantic Starr founding member Wayne Lewis dead aged 68
Wayne Lewis, founding member of the R B group Atlantic Starr, has died aged 68. The American singer and keyboardist was a pivotal force behind the group's success in the late 1980s and early 1990s, which included chart-topping hits such as Always, Secret Lovers and Masterpiece, and died on Thursday (05.06.25), though news of his passing only came to light on Saturday (07.06.25.) His cause of death has not been disclosed. The news was announced on the band's official Facebook page, with a post saying: 'It's with great sadness we have to post the passing of Wayne Lewis on June 5, 2025. Please keep the family in your prayers and respect their privacy.' Tributes from fans flooded the page, describing Wayne as a 'legend' and the 'voice of a generation'. One wrote: 'RIP BROTHER… The voice of a generation!!!! My condolences to the family.' Another commented: 'Rest in Peace! Talented and Gorgeous.' Further tributes included: 'RIP thanks for the music,' and 'Thank you for the legacy condolences to the family and friends.' Wayne, who co-founded Atlantic Starr in New York, remained a core member of the group throughout decades of changes in its line-up. Alongside his brother Jonathan Lewis, also a founding member, Wayne helped shape the band's smooth blend of R and B, soul and pop. The group released their debut album in 1978 but found mainstream success nearly a decade later. Their 1987 single Always reached number one on the Billboard Hot 100 and R B charts, securing the band's place in music history. Their 1992 track Masterpiece also became a major hit, peaking at number three on both the US Pop and R and B charts. In recent years, Wayne had continued touring the US with Jonathan, their nephew Shammah Carter, and vocalist Melessa Pierce under the name Atlantic Starr Band. Wayne's death comes just three months after the passing of another 1980s R ands B star, Stedman Pearson, frontman of British band Five Star. Stedman, who died aged 60 in March 2025, was known for his family group's slick performances and success with tracks such as Rain or Shine. He was described by family as an 'amazing son, brother and uncle' and 'a gentleman to the very end'.
Sky News AU
a day ago
- Sky News AU
The six major swipes Meghan Markle took at the royal family up until June
Meghan Markle stepped down as a working member of the British royal family more than five years ago, but she continues to take brutal swipes at the firm. In fact, the Duchess of Sussex has publicly made no less than six jabs at her husband Prince Harry's family this year, and it's only June. Meghan's return to Instagram on New Year's Day, her first time back on social media since 2018, provided the main platform for her many prods. The Duchess's Netflix lifestyle cooking show, With Love, Meghan, and her podcast, Confessions of a Female Founder, served as her accomplices. Here's a look back at ten times Meghan made a not-so-subtle stab at her estranged in-laws this year. Passionately parched In February, Meghan unveiled the launch of her lifestyle brand, As Ever, previously American Riveria Orchard, through an Instagram video. The Duchess suggested the firm previously prevented her from sharing her passions during her time as a working royal. "Cat's out of the bag," Meghan, who cut a casual figure in jeans, said in the clip. "I'm shocked we've been able to keep this a secret for so long." Meghan said those who followed her axed lifestyle blog The Tig in 2014 would know she has "always loved cooking and crafting and gardening". "This is what I do, and I haven't been able to share it in the same way for the past few years, but now, I can," she said. Cryptic contempt All eight episodes of Meghan's awaited lifestyle series With Love, Meghan debuted on Netflix on March 4 and appeared to be riddled with swipes. The Duchess's first reference to her exit from royal life came in the first episode as she introduced her first guest, makeup artist Daniel Martin. '(Daniel) has just been in my life for the before, during and after , shall we say,' Meghan said cryptically. Free from constraint While the ex-working royal appeared to steer clear from directly slamming the royal family in her show, viewers were quick to find small clues in the episodes about the Duchess's current feelings towards her in-laws. In one episode, the Duchess appeared to hint at her frustration towards the constraints of her former life and suggested she lacked 'creativity' during her brief stint as a working royal. 'I just want to raise a glass to you guys. This feels like a new chapter that I'm so excited that I'm able to share, and I've been able to learn from all of you," she said. 'And here we go, there's a business! All of that is part of that creativity that I've missed so much.' In the trenches In April, Meghan opened up about the early days of her relationship with Harry in her first-ever podcast appearance with friend Jamie Kern Lima. The Duchess used the moment to make a jab at the media intrusion the couple endured when they publicly confirmed their relationship in 2016. She claimed she and the Duke were "in the trenches" in those early days. "You have to imagine, at the beginning, it's all butterflies – but then we immediately went into the trenches together," she told Kern Lima on the The Jamie Kern Lima Show. "Right out of the gate, like six months into dating." Sky News presenter Gabriella Power discussed the moment with To Di For Podcast host Kinsey Schofield, who called the characterisation "absurd" and "over-the-top". Working woes In an interview with the New York Times in April, Meghan appeared to make another dig at the firm as she responded to a question about work. "I need to work, and I love to work," the Duchess said of why she continues to put herself in the public eye despite facing criticism. Prince Harry's wife said she had worked from the age of thirteen, only stopping when she became engaged to Prince Harry in 2016 and quit her job as an actress. Vexed over visions In the seventh episode of her Confessions of a Female Founder podcast, Prince Harry's wife was joined by Cassandra Morales Thurswell, founder of the beauty brand Kitsch, and the pair discussed all things business. They covered "how grit, intentional design, and a scrappy mindset were essential in transforming a humble start into a thriving global business". Speaking about balancing motherhood and business, Meghan appeared to take a swipe at the monarchy and her short stint as a working royal. 'Before I was a mum, I'm going to give a speech with a baby on my hip. I had a whole vision,' she said. 'Then you fast forward, granted I had a lot of external things happening by the time I had both pregnancies and (both) babies. 'But it was not the way (that) I envisioned it."
Sydney Morning Herald
a day ago
- Sydney Morning Herald
Major wing of New York's famed Met reopens with work by First Nations artists
New York: When an institution as large and prestigious as the Metropolitan Museum of Art embarks upon a major project, it takes time. The remaking of its Michael C. Rockefeller wing, which houses the Met's enviable collection of 650 works from Oceania, began 10 years ago at a planning retreat outside the city. Shuttered since the pandemic, the wing reopened last weekend, including new works by Aboriginal Australian artists at a time when Indigenous art is earning a growing following in the finely tuned and highly competitive New York art world. 'There's a lot of interest and patronage,' says Maia Nuku, the Met's curator for Oceanic art. 'There are particular collectors who have been really invested in making sure these works of art come to major US institutions … It's been ticking away.' Some of those people, including American actor Steve Martin and gallerist D'Lan Davidson, gathered at the Asia Society's head office in Manhattan last week for a conversation about the ethics and resonance of collecting Australian Indigenous art. But there are swings and roundabouts. A major Sotheby's auction of Indigenous Australian art on May 20 was a fizzer, with just 24 of 65 lots sold. It was the first such auction in New York since the prominent Indigenous art champion and consultant Tim Klingender died in a freak boating accident on Sydney Harbour in July 2023. There is a degree of macabre symmetry with Michael Rockefeller, the member of the storied Rockefeller family for whom the Met's wing is named. He was believed to have died when his boat capsized off the coast of then Dutch New Guinea in 1961 – although there has long been a sense of mystery hanging over his disappearance. Unlike Klingender, his body was never found. The Australian section of the Rockefeller wing is modest, but in a prominent location. It features two newly acquired bark cloth paintings by the late Yolŋu artist Nonggirrnga Marawili from her series Baratjala, including a bright work from late in her career when she began experimenting with vibrant pinks extracted from discarded magenta printer cartridges, mixed with natural clay and ochres. 'She didn't want to limit herself to the ochres and the browns,' says Nuku.
