logo
Marie Ann Davis, Youngstown, Ohio

Marie Ann Davis, Youngstown, Ohio

Yahoo23-05-2025
YOUNGSTOWN, Ohio (MyValleyTributes) – Marie Ann (Matovich) Davis, 74, passed away in the early hours of Wednesday, May 21, 2025, at Continuing Healthcare at The Ridge.
She was born in Youngstown, Ohio, on August 12, 1950, to the late, Mike Matovich and Frances (Modarelli) Matovich.
Find obituaries from your high school
Marie was a graduate of Niles McKinley High School.
She went on to work for Packard/Delphi for 33 years.
Marie had the biggest heart and was the most thoughtful and caring person. She was a reality TV junkie and enjoyed watching the bachelor, bachelorette and farmer wants a wife. She never missed a day of Wordle and enjoyed playing games with her friends and family (her Wordle streak is actively in dispute by her oldest son). She was a fantastic cook and she cherished cookbooks as she felt they helped her remain connected with her mother. Marie adored her family, friends and dogs. She spent hours each day talking with her friends and family on the phone.
Marie's greatest joy came from showering her grandchildren, Amber, Noah and Norah, with affection and care. Marie was affectionately known as 'grammarie' by her granddaughter, Norah. Norah made sure to teach grammarie everything she could about puzzles and the last few days of Marie's life were spent reading Wacky Wednesday to Norah, which brought cheer, laughter and happiness as Norah ensured to correct grammarie if she made a mistake or skipped a page.
Marie married James Davis on May 22, 1971, with whom she raised three children, Rebecca, Matthew and Christopher.
Marie was a bright light in this world and leaves behind to carry on her memory in their hearts forever, James Davis; her children, Rebecca (partner, Christine) Davis, Matthew (Kyrsti) Davis, and Christopher Davis; her siblings, Michael (Mary Hagan) Matovich and David Matovich; as well as her grandchildren, Amber Davis, Noah Davis and Norah Davis. Though she is no longer with us, her love and lessons will continue to guide each of us.
Marie is preceded in death by a brother, James Matovich and her parents.
Family and friends may call from 5:00 – 7:00 p.m., on Wednesday May 28, 2025, at Lane Family Funeral Homes, Austintown Chapel, located at 5797 Mahoning Avenue in Austintown.
In lieu of flowers, the family suggests making a donation to the ASPCA in Marie's name.
To send flowers to the family or plant a tree in memory of Marie, please visit our floral store.Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

New vines bring hope to Israeli monastery scorched by wildfire
New vines bring hope to Israeli monastery scorched by wildfire

Yahoo

time22-07-2025

  • Yahoo

New vines bring hope to Israeli monastery scorched by wildfire

Swapping his monk's habit for overalls and a sun hat, Father Christian-Marie knelt alongside volunteers in the freshly dug earth, planting grape vines to replace those damaged by wildfires that swept through central Israel earlier this year. Wine production at Latrun monastery dates back 135 years, when the French monks first arrived. Cultivating fruit is central to both their spiritual practice and livelihood. The monks say the wildfires that broke out in late April damaged about five hectares (12 acres) of vineyard -- roughly a third of their crop. Undeterred, the monks called for help, drawing dozens of volunteers who busied themselves digging holes and planting stakes under the blazing sun. Father Christian-Marie, who has spent almost 28 years at the monastery, said planting fresh vines symbolised optimism for the future. "For me, it's quite important when I live here in this monastery to pray for peace," he told AFP. "To plant a vineyard is a sign of hope, because if we thought that tomorrow the land will be bombed and will not exist, we wouldn't do this work," he added. Working in a pensive hush, volunteers carried trays of sapling vines to be planted in long rows in a patch of the monastery's land untouched by the flames. Robed monks handed out stakes and delicately pressed the plants into the earth. "Planting is something exciting, you plant and it will grow. It will give fruit, and the fruit will give wine. And wine will make the heart of the human happy," said Noga Eshed, 74, a volunteer from Tel Aviv. For her, the exercise signified a reconnection with nature. "I see people touching the ground, the earth. And it's not very common. We are very disconnected these days," she added, trowel in hand. Eshed, who has volunteered at the monastery on previous occasions, said the brothers there were "good friends". Latrun's monks are Trappists, a Roman Catholic order centred on contemplation and simplicity. - 'In God's hands' - Fanned by high temperatures and strong winds, wildfires spread rapidly through wooded areas along the main Jerusalem–Tel Aviv highway on April 30. The flames travelled right up to the edge of Latrun monastery, prompting the evacuation of the 20 or so brothers who live there. "It was very hard because we are not used to getting out of our monastery and we have some very old brothers," Brother Athanase told AFP. The monks initially feared it had burned down, he added, but the monastery was spared although swathes of its agricultural land were destroyed. As well as vineyards, Latrun has around 5,000 olive trees, of which roughly 1,000 were entirely burnt down to the root in the blaze. Brother Athanase estimated that around 70 percent of the olive trees were in some way damaged and would take around four years to recover. Last year the monastery produced three tonnes of olive oil, but "there'll be no production this year", he said. "It's difficult for us because we are living off our production... but we are not afraid because life is always growing up," he added with a slight smile, surrounded by scorched earth. He was grateful for the assistance provided by the volunteers and said it was important "to know that people like monks in the Holy Land". Climate change is driving up temperatures, decreasing precipitation and increasing the frequency of extreme weather events in Israel. Standing in the newly planted vineyard, Father Alois said he hoped the monastery would not face a blaze as devastating in the future but that the monks were now better prepared after installing a new water system. Ultimately, he said, "we are in God's hands". acc/phz/dv

On Its Centennial: The Occasion of Replacing the Kiswa of the Noble Kaaba Embodies the Kingdom of Saudi Arabia's Enduring Care for the Two Holy Mosques
On Its Centennial: The Occasion of Replacing the Kiswa of the Noble Kaaba Embodies the Kingdom of Saudi Arabia's Enduring Care for the Two Holy Mosques

Miami Herald

time26-06-2025

  • Miami Herald

On Its Centennial: The Occasion of Replacing the Kiswa of the Noble Kaaba Embodies the Kingdom of Saudi Arabia's Enduring Care for the Two Holy Mosques

MAKKAH, SAUDI ARABIA, SA / ACCESS Newswire / June 26, 2025 / The General Authority for the Care of the Two Holy Mosques, represented by the King Abdulaziz Complex for the Holy Kaaba Kiswa, presided over the occasion of the replacing of the Kiswa on the first day of the month of Muharram (Hijri). This took place within an integrated operational system that reflects the Kingdom of Saudi Arabia's willingness and dedication to serving the Two Holy Mosques-continuing a legacy of over 100 years of care in producing the Kiswa for the Ancient House. The occasion was conducted with meticulous organisation. As the previous Kiswa was carefully prepared for removal, the new Kiswa was raised and securely fastened to all sides of the Kaaba. Additionally, the door curtain embroidered with golden embellishments, lantern-shaped pieces, the belt, and samadiyah pieces were affixed-a scene embodying high craftsmanship and precision. The King Abdulaziz Complex for the Holy Kaaba Kiswa is the sole specialist entity responsible for the production of the Kiswa. The production stages are carried out within the complex through a precise production process that begins with the purification of water designated for dyeing, followed by automated weaving, printing, embroidery, and assembly. It concludes with quality assurance measures undertaken by 154 skilled Saudi specialists and technicians. During the production of the Kiswa-which weighs up to 1,415 kilograms-high-quality raw materials are utilised, including 825 kilograms of black-dyed natural silk and 410 kilograms of cotton. The Kiswa is embroidered with 120 kilograms of gold thread and 60 kilograms of silver thread. Additionally, it features 54 gold-coated pieces, comprising the belt, Quranic verses, the door curtain, lantern-shaped pieces, and embellishments surrounding the Mizab and corners. The Kiswa is adorned with 68 Quranic verses from 11 surahs, while the door curtain contains 763 words from the Quran. It is secured using 100 precisely positioned ropes, evenly distributed across all four sides of the Noble Kaaba. The Kiswa stands over 14 metres tall and is made up of five main parts-four of which cover each side of the Kaaba, while the fifth forms the door curtain, embroidered with Quranic verses in gold and silver threads, crafted using precise techniques and profound expertise. The occasion of replacing the Kiswa represents a continuation of the legacy established by the Kingdom of Saudi Arabia since the time of its founder, King Abdulaziz bin Abdulrahman Al Saud-may Allah have mercy upon him. It reaffirms the continuation of this blessed legacy under the direct care of the Custodian of the Two Holy Mosques, King Salman bin Abdulaziz Al Saud, and his Deputy, His Royal Highness Crown Prince Muhammad bin Salman bin Abdulaziz-may Allah preserve them both. This initiative aligns with the national vision that emphasises excellence in the services provided to the visitors of the Sacred House of Allah. Source: About the Authority:An independent body overseeing the Grand Mosque and the Prophet's Mosque. Contact:(+966) 8254241 - (+966) 0148233610Unified Contact Centre: 1966 Contact Information The General Authority for the Care of the Two Holy Mosques Makkah(+966) 0148233610 SOURCE: The General Authority for the Care of The Two Holy Mosques press release

Lost L.A. comes to life in reissued book about the city before freeways
Lost L.A. comes to life in reissued book about the city before freeways

Los Angeles Times

time03-06-2025

  • Los Angeles Times

Lost L.A. comes to life in reissued book about the city before freeways

Not long after his arrival in Los Angeles three decades ago, Nathan Marsak bought a 1949 Packard, the kind of car best suited for old-timey gangsters and detectives, not an architectural historian who left Wisconsin to move to the city of his dreams. But he wanted to live 'the L.A. noir life,' he says, and no other vehicle seemed more appropriate. 'The L.A. bug just bit me. I wanted to look for the world of James M. Cain and Raymond Chandler, and I did,' he says. 'I drove my Packard around, looking for signs of the old, decrepit, dissolute Los Angeles, and I found it in spades. I had lots of adventures.' From the old suits he wears to the big Highland Park house where he lives with his family, Marsak has a deep affection for vintage things. (He does have an iPhone, though, and his wife did talk him into a microwave — but the design had to be retro.) Marsak's affection for the past extends to Arnold Hylen, a solitary, mild-mannered Swedish émigré, whose book of mid-20th century photos and an essay about old Los Angeles, 'Los Angeles Before the Freeways 1850-1950: Images of an Era,' was recently reissued by Angel City Press in a new edition curated and expanded by Marsak. Not merely a facsimile, the new edition has been augmented with additional text, notes, fresh layouts and more Hylen photos of an old city on the verge of being swallowed up by the new — a process of cultural erasure that crops up in many criticisms of Los Angeles as a superficial place with no deep sense of itself. Marsak disagrees — sort of. 'It's deserved, and it's undeserved,' he says. 'I've been all over, and it's unfair to pick on Los Angeles alone. But I think the city's been an easy target just because we've had so many high-profile losses of distinctive architecture here. That stands out in people's minds. Hylen was certainly aware of those losses and they worried him. If they hadn't, I don't think he would've felt an obsessive drive to chronicle the old city.' Hylen lived a quiet bachelor life, Marsak says, and never imagined his photos would one day be among those by William Reagh, Leonard Nadel, Theodore Seymour Hall and Virgil Mirano. He was born in 1908 and arrived in Vermont from Sweden when he was still a baby, relocating to Southern California with his family in 1917. As a teen he studied art at the Chouinard Art Institute in L.A.'s Westlake neighborhood and found work in World War II as a photographer and designer of sales materials and trade show exhibits for Fluor Corp., an oil and gas engineering and construction firm. As he photographed refineries, his eyes opened to the surrounding city. As Marsak describes in the book's introduction, he'd 'spend the day walking the streets, camera in hand, which fed his interest in the fast-disappearing downtown area, Bunker Hill in particular.' 'I think he knew the value absolutely of what he was doing for himself and other like-minded spirits,' Marsak says, 'but I don't think he knew what to do with the photos.' Thankfully, Glen Dawson did. An iconic figure in L.A.'s literary landscape, Dawson used his small press to publish two books of Hylen's photos. Marsak learned about them (thanks to an enthusiastic barfly he encountered in an L.A. dive) and found both in the used bookstores once existing on 6th Street: 'Bunker Hill: A Los Angeles Landmark' (1976) and 'Los Angeles Before the Freeways,' the latter published not long before Hylen's 1987 death. Marsak spent many years persuading the photographer's relatives to sell him the rights to republish Hylen's work — selling his beloved Packard to fund that purchase. Marsak's dedication has paid off: 'Los Angeles Before the Freeways' is an engrossing collection of black-and-white images of a city in which old adobe structures sit between Italianate office buildings or peek out from behind old signs, elegant homes teeter on the edge of steep hillsides, and routes long used by locals would soon be demolished to make room for freeways. These images are accompanied by Hylen's book-length essay, which runs like a documentarian's voice-over throughout the collection. Two notable changes for this edition: More photos and the decision to use Hylen's uncropped photos, which provide a richer sense of locale and more photos. There were 116 photos in the original book; Marsak went through Hylen's negatives and found more photos, resulting in 143 images in the new edition. Marsak supplies an introductory essay and an invaluable guide to the many architectural styles belonging to L.A.'s past. His footnotes and captions also enhance our understanding of the photos: In some cases, he uses them to correct some false claims that Hylen makes in his essay (for instance, that a long stone trough on Olvera Street was a Gabrielino relic when in fact it was actually created by a local rancher). There are no special effects or gimmicks to Hylen's photos, no staging or posed imagery — he lets these forgotten edifices speak for themselves. They range from the magnificent, Romanesque detailing of the Stimson Block (the city's first large steel-frame skyscraper on Figueroa Street) to the multi-gabled, Queen Anne charm of the Melrose, a home built on Bunker Hill by a retired oilman. Occasionally, though, Hylen's lens does give us something a bit more impressionistic and emblematic of his thesis about L.A.'s vanishing history. Take, for example, a photo of the Paris Inn on East Market Street. The little French-style inn, which opened in 1930, stands in sharp relief in the foreground while City Hall hovers like a faint ghost in the background, suggesting that a more modern version of L.A. is on the verge of materializing out of thin air. For Marsak, who spends his time researching old L.A., giving lectures, serving as an Angels Flight operator and working with local preservationist groups, Hylen's work fills an important gap in L.A.'s past. He hopes readers, especially Angelenos, will come away with a deeper appreciation for their city. 'There's a saying that when something's gone, it's gone for good, and 98% of the stuff in this book is gone,' he said. 'Anyone who looks at this book probably already has a preservationist impulse, but if they don't, if I can light the preservation fire under at least one of them, all the hard work will have been worth it. I really hope seeing this work will make Angelenos think more about their own neighborhoods. I think Hylen would appreciate that.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store