logo
Best seats in the house: Where to feast, toast and watch the NDP 2025 fireworks, Lifestyle News

Best seats in the house: Where to feast, toast and watch the NDP 2025 fireworks, Lifestyle News

AsiaOne20 hours ago
This year marks SG60, which means that everything National Day is bigger and better, including the fireworks. If you haven't already booked your spot, there is no time to waste. Many of the best vantage points have been bought out, so here are a handful of options where you can take in the splendour with a cool drink in hand and plenty of good food. Baia
At Baia, the sprawling rooftop bar on the fourth floor of the Esplanade, you can watch the fireworks unfold in style for a minimum spend of $78 per person.
Champagne lovers can ask for the special package that comes with a bottle of bubbly, a Majulah Food Platter with things like Hyogo oysters, hot salami pizza, pita chips, avocado hummus and chicken morsels for $218 (feeds up to three people). Lantern
At this high-spirited bar at Fullerton Bay Hotel Singapore, a table package starts from $888 for four people on Aug 2 and 9, from 5pm till 9pm. The experience comes with a bottle of Veuve Clicquot champagne, a bottle of house spirits, and a National Day snack platter.
Alternatively, pay the $138 cover charge that includes two glasses of champagne, wine, beer or non-alcoholic beverages, then sit back and take in the lights and action of the Parade's aerial display and fireworks. Level 33
On National Day, Level33 will team up with Singaporean pastry chef Janice Wong to present the SG60 National Day Cacao Experience ($328 per person). Graze across the restaurant's numerous live stations that make up a nine-course menu by LeVel33's executive chef Jake Kowaleski, laced with local flavours and cacao.
The spread includes dishes like spent grain spaghetti with laksa emulsion and grilled tiger prawns, raw tuna tostada, and chocolate-aged wagyu with cacao and chilli soy glaze.
Chef Wong will present a "live" dessert installation while you reach for sweet treats like chocolate bonbons with chilli padi and chendol, and jackfruit Snickers with burnt caramel parfait. The evening comes with a free flow of freshly brewed craft beers, house pour wines, 47 Anno Domini Prosecco, and Cacao Slings. Monti
Monti's waterfront location is the perfect spot from which to gawp at the fireworks. On Aug 9, the restaurant will be serving a three-course ($168 per person) or five-course ($288 per person) dinner, with the option of free-flow prosecco and house pours for an additional $60. Expect wood-fired wagyu tenderloin and Acquerello lobster risotto among its Italian-skewed offerings. ParkRoyal Collection Marina Bay Singapore
At this hotel's Skyline Bar, a front-row view of the fireworks and the Red Lions' aerial performance comes with a buffet of local delicacies ($138 per adult, $69 per child below 12 years old). Seriously, you don't get more patriotic than first schlepping it to City Hall to partake in the festivities before eating endless servings of Singaporean dishes, and tearing up to your favourite National Day songs.
ParkRoyal Collection Marina Bay's SG60 Celebration Package offers 10 per cent off all room rates on National Day, which is a great excuse to book a room so you can head back to its comforts and forget about jostling with the rest of Singapore for your precious place on the bus or MRT. Sospiri
Southern Italian cuisine is the order of the day at the immensely popular Sospiri, whose unbeatable location has turned it into a CBD darling. Tuck into a four-course set meal ($88) featuring dishes like insalata di granchio (jumbo lump crab salad) and grilled red snapper with Datterini tomato sauce and Sicilian caponata, before heading out to the bar to catch breathtaking views of the fireworks. The minimum spend for firework days (July 5, 12 and 26, Aug 2 and 9) is $100, which you'll rack up easily once you order a cocktail with your meal. The Whisper Room
Perched on the top floor of CapitaGreen, The Whisper Room has floor-to-ceiling windows and a trio of National Day Cocktails to fuel your evening.
For $60, you get three glasses of your choice between the Merlion Collins with fermented pineapple and roselle, the Glenfiddich-based SG60, and the refreshing Red Dot with elderflower citrus and raspberry. If you're in for a serious night out, ask for the bottle pairing package priced at $400 for two bottles of spirits like Hendrick's Original and Glenfiddich 12.
[[nid:720274]]
This article was first published in Wonderwall.sg .
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

More than 7,000 participants in last full rehearsal for NDP ahead of show
More than 7,000 participants in last full rehearsal for NDP ahead of show

CNA

time9 hours ago

  • CNA

More than 7,000 participants in last full rehearsal for NDP ahead of show

It's exactly one week to National Day, and more than 7,000 people, including performers and backstage crew members, have just completed their last full rehearsal for this year's National Day Parade (NDP). CNA's Nadirah Zaidi was at the Padang as 27,000 spectators filled the stands, and she has some tips for those attending the parade next week. She also spoke to local singer Shye, who is performing at the NDP for the second time.

Book review: Poet Wahidah Tambee's Eke is a mesmerising archipelago of letters
Book review: Poet Wahidah Tambee's Eke is a mesmerising archipelago of letters

Straits Times

time18 hours ago

  • Straits Times

Book review: Poet Wahidah Tambee's Eke is a mesmerising archipelago of letters

Eke By Wahidah Tambee Poetry/Gaudy Boy/Paperback/106 pages/$19 Each poem is an island – no, an islet – in Singaporean poet Wahidah Tambee's typographically dense Eke. Words, often just letters, cluster around a single patch of each page, such that thumbing through the collection feels like one is rifling through a folio of 40 old maps to a lost archipelago in a white sea. An excerpt from poet Wahidah Tambee's typographically dense Eke (2025). PHOTO: GAUDY BOY Where then do these 40 concrete poems in this mesmerising debut collection point the reader to? The poems' inability to speak in the genre's lingua franca – continents of stanzas, the latitude of the line – make visible the difficulty in articulating some themes that float throughout the book: grief, terror and erasure, among others. But not all the poems deal with such aphasia turned into visual stutters. A poem like 'sunrise' can read like a simple visual translation of the nature poem – austere in its execution, a few ambiguous brushstrokes conjuring the entire landscape. Each poem makes do with its scarce resources – alphabetically (10 letters in the opening poem) and typographically (sized like a thumb). With overlapping leading (that is, the space between lines of type), they invite multiple ways of reading – does this one say 'letter / let us tell her / she left us' or 'letters / terse / tell us she let us'? After all, the art of being an islet is the art of ekeing out an existence from not much. An islet's existence is improbable and ephemeral – two Indonesian islands vanished in 2020 and a chain of West African islands is on the brink of disappearing. These poems assert themselves on the page even as they appear like they are sinking or resemble eraser dust on the page (see the poem 'erasuredust'). Like islets, Wahidah's poems are places for the visitor to project his or her fantasies – they do not take their sovereignty for granted. In her poems, the word 'dismiss' is contiguous with 'missile', a stumble away from 'dismally' (which contains the word 'ally') and 'mull'. Thus, the poems in Eke are not so much texts as they are musical scores – inviting the reader to interpret and improvise. The poet's own performances of the poems at multiple readings this reviewer has attended are but one entry point into the poems, but they are by no means authoritative versions of these slippery creatures. In its stuttering and attempt to find a language for the inexpressible, Eke is reminiscent of prominent poetic antecedents. For example, Canadian poet M. NourbeSe Philip's Zong! (2008) erases legal documents from a 1781 massacre of around 150 enslaved Africans to stir up a voice from a voiceless people. The American modernist Gertrude Stein's playful and cubist deconstruction of syntax in poetry also countered the representational arts. In the book's afterword, Wahidah writes that her fragments 'recreate the mental interjections or the thought-flood of overthinking caused by polysemantic words, ambiguous situations, and hyperactive word-meaning activations'. But the poems in Eke are not quite backed by the conceptual heft and rigour that lend weight to the formal experimentation with language's deconstruction and erasure. Still, these are poems attuned to the minutiae of language – its sounds, constituent letters and polysemy. Each word, in Wahidah's hand, contains an excess of a dozen meanings and opens up pathways to a word's potential beyond etymology. Eke is a distinct debut and a fresh voice in Singapore poetry. Rating: ★★★★☆

The Straits Times Weekly Bestsellers August 2
The Straits Times Weekly Bestsellers August 2

Straits Times

time18 hours ago

  • Straits Times

The Straits Times Weekly Bestsellers August 2

Sign up now: Get ST's newsletters delivered to your inbox (From left) Singaporean writer Jemimah Wei's debut novel The Original Daughter, I Am Not Good Enough by Ismail Gafoor and Low Shi Ping, Jemma Dreams Of Sushi by Mark Chen, Ruo-Ting Goh, illustrated by Cynthia D. Suwito. Fiction: Singaporean writer Jemimah Wei's debut novel The Original Daughter. PHOTO: WEIDENFELD & NICOLSON 1. (1) The Passengers On The Hankyu Line by Hiro Arikawa; translated by Allison Markin Powell 2. (-) The Wealth We Surrendered by Eneida Alcalde 3. (2) The Original Daughter by Jemimah Wei 4. (3) Strange Pictures by Uketsu; translated by Jim Rion 5. (-) Eke by Wahidah Tambee 6. (5) Strange Houses by Uketsu; translated by Jim Rion 7. (-) The Mystical Mister Kay by Meihan Boey 8. (-) White Nights by Fyodor Dostoyevsky 9. (-) The Convenience Store By The Sea by Sonoko Machida, translated by Bruno Navasky 10. (4) What God Took Your Legs Away by Wahid Al Mamun Non-fiction: I Am Not Good Enough by Ismail Gafoor and Low Shi Ping. PHOTO: FOCUS PUBLISHING 1. (1) I Am Not Good Enough by Ismail Gafoor and Low Shi Ping 2. (4) The First Fools: B-Sides Of Lee Kuan Yew's A-Team edited by Peh Shing Huei 3. (-) Take Back Control Of Your Money by Dawn Cher 4. (2) Why Palestine? Reflections From Singapore by Walid Jumblatt Abdullah 5. (3) Elevate Your Assets, Elevate Your Wealth by Kelvin Fong 6. (-) Sabai by Pailin Chongchitnant 7. (-) I nk And Influence: An OB Markers Sequel by Cheong Yip Seng 8. (10) The Last Fools: The Eight Immortals Of Lee Kuan Yew edited by Peh Shing Huei 9. (-) The Let Them Theory by Mel Robbins 10. (-) Atomic Habits by James Clear Children's: Jemma Dreams Of Sushi by Mark Chen, Ruo-Ting Goh, illustrated by Cynthia D. Suwito PHOTO: EPIGRAM BOOKS 1. (-) Jemma Dreams Of Sushi by Mark Chen, Ruo-Ting Goh, illustrated by Cynthia D. Suwito 2. (-) Lottie Brooks Vs The Ultra Mean Girls by Katie Kirby 3. (3) The World's Worst Superheroes by David Walliams 4. (10) Powerless by Lauren Roberts 5. (-) Harry Potter And The Philosopher's Stone by J.K. Rowling 6. (-) The Gruffalo by Julia Donaldson 7. (7) A Good Girl's Guide To Murder by Holly Jackson 8. (1) The Day I Forgot My Flag by Neil Johnson, illustrated by Vincent Lee 9. (-) The Koala Who Could Board Book by Rachel Bright 10. (-) I Hope This Doesn't Find You by Ann Liang

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store