logo
Want to make your ricotta tart better? Add tangy cherries

Want to make your ricotta tart better? Add tangy cherries

Hindustan Times29-05-2025

At Armando al Pantheon, a trattoria in Rome, meals often are punctuated with a slice of torta antica roma— a rustic tart inspired by the traditional Roman combination of ricotta and cherries. Also read | Welcome summer this year with mango custard tart. Recipe inside
It's exceptionally light, with milky-sweet ricotta balanced by tangy, brightly hued fruit preserves. The base is a tender, buttery, almost cake-like crust, and the topping is a crumby mixture of the same composition. Sandwiched between is a layer of jam on a bed of ricotta dotted with poppy and sesame seeds.
In this recipe from our cookbook ' Milk Street Backroads Italy,' we devised a dough that gets flavor and texture from almonds that are ground in the food processor, plus a small measure of semolina (or cornmeal). Lemon zest brings brightness, and baking powder adds a little lift and lightness.
Sour cherry jam, with its balance of sweet and sour, is best in this tart; some brands might specify Morello cherries on the label. If sour cherry jam is not available, good-quality strawberry jam is a better option than sweet cherry jam.
Don't use part-skim ricotta, as it lacks richness and has a grainy texture. Also, after making the crust mixture and transferring half to the pan, be sure to refrigerate the remainder, which will become the crumb topping.If it's kept at room temperature, it won't hold its shape during baking and will melt into the filling.
Lastly, don't spread the ricotta and jam layers all the way to the edges or the filling will caramelize against and stick to the pan, making it tricky to remove the tart for serving. Covered tightly, leftovers will keep in the refrigerator for up to three days; bring to room temperature before serving. Also read | Almond cinnamon tart or badam milk mousse with almond biscuit? Pick your dessert
Start to finish: 2 hours (50 minutes active), plus cooling
Servings: Makes one 9-inch tart
1 large egg
2 teaspoons vanilla extract
65 grams (½ cup) slivered almonds
71 grams (⅓ cup) white sugar
2 teaspoons grated lemon zest
163 grams (1¼ cups) all-purpose flour
57 grams (⅓ cup) semolina flour or 48 grams (⅓ cup) fine yellow cornmeal
½ teaspoon baking powder
½ teaspoon table salt
85 grams (6 tablespoons) salted butter, cut into ½-inch cubes, room temperature
15- or 16-ounce container whole-milk ricotta
1 large egg yolk
1 tablespoon poppy seeds
1 teaspoon vanilla extract
¼ teaspoon almond extract (optional)
320 grams (1 cup) sour cherry jam (see headnote)
1 teaspoon grated lemon zest
Powdered sugar, to serve
Heat the oven to 350°F with a rack in the middle position. Mist a 9-inch springform pan with cooking spray.
To make the crust and topping, in a small bowl, whisk together the egg and vanilla. In a food processor, combine the almonds, white sugar and lemon zest. Process until the nuts are roughly chopped, about 15 seconds. Add both flours, the baking powder and salt; pulse to combine, about 5 pulses. Scatter the butter over the top, then pulse until the butter has been reduced to pea-sized bits, about 10 pulses. Drizzle the egg mixture over the top, then pulse until the mixture is evenly moistened and resembles damp sand; it will not form a cohesive dough.
Transfer half of the mixture to the prepared springform pan, then distribute in an even layer and lightly press it; do not firmly compact the mixture. Transfer the remainder to a medium bowl and refrigerate uncovered until needed. Bake the crust until golden brown, 25 to 30 minutes.
Meanwhile, make the filling. In a medium bowl, combine the ricotta, egg yolk, poppy seeds, vanilla and almond extracts (if using); fold with a silicone spatula until well combined. Cover and refrigerate until ready to use. In a small bowl, stir together the jam and lemon zest; set aside.
When the crust is done, transfer to a wire rack and cool for about 15 minutes; leave the oven on. Also read | Recipe: Chocoholics dig in to this Chocolate Truffle Tart on Valentine's Day
Scrape the ricotta mixture onto the still-warm crust and spread in an even layer, leaving a ¼-inch border at the edge. Dollop the jam onto the ricotta and gently spread in an even layer to cover the ricotta layer; try not to mix the jam into the cheese. Remove the topping mixture from the refrigerator. Scoop up a handful, firmly squeeze it until it forms a cohesive clump, then crumble and break the clump into bits, scattering them over the tart; aim for a mixture of fine crumbles and pebbly, pistachio-sized pieces. Continue adding the remaining topping in the same way, distributing it in an even layer; it will not fully cover the tart. Bake until the jam is bubbling at the edges and the crumb topping is light golden brown, 35 to 40 minutes.
Transfer to a wire rack and cool for about 30 minutes. Remove the pan sides and cool completely. Just before serving, dust with powdered sugar.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

This country has no hospital, no child is born since..., the country is...
This country has no hospital, no child is born since..., the country is...

India.com

time3 days ago

  • India.com

This country has no hospital, no child is born since..., the country is...

This country has no hospital, no child is born since..., the country is... No hospital in a country? Is it even real? But there is a country which has no hospitals, but not for the reasons you might think. The country we are talking about is the Vatican City, the epicenter of Christianity and the world's smallest country. This country came into existence in the year 1929. The home of the Roman Catholic Church, and the proverbial Mecca of Catholicism, Vatican City does not have a single hospital within its national boundaries, and more surprisingly, no child has reportedly been born in this tiny city state for almost 96 years. This country is the main home of the Roman Catholic Church and is considered as the smallest country in the world. When someone falls ill in this country, people here go to Rome for treatment. Shockingly, not a single child has been born in the last 96 years due to the lack of a maternity ward. According to reports, the Vatican City, which was officially carved out as an independent sovereign nation February 11, 1929, has not had a single childbirth since the country was formed. Why Vatican City has no hospitals? The Vatican City is the home of the Pope, as well as other major religious leaders and priests of the Roman Catholic Church, and while multiple requests for building a hospital in the city state were raised since its formation, they were all turned down. Luckily though, Vatican City lies in middle of Rome, the capital city of Italy, and whenever there is a situation where someone needs hospital care, they are taken to the Italian capital.

Meet 44-Year-Old ‘Typing Man' Of India Who Broke Guinness Record For Typing With His Nose—Now Wants To Break Sachin Tendulkar's Records
Meet 44-Year-Old ‘Typing Man' Of India Who Broke Guinness Record For Typing With His Nose—Now Wants To Break Sachin Tendulkar's Records

India.com

time4 days ago

  • India.com

Meet 44-Year-Old ‘Typing Man' Of India Who Broke Guinness Record For Typing With His Nose—Now Wants To Break Sachin Tendulkar's Records

photoDetails english 2910713 Have you ever tried typing with your nose? While it may seem impossible for most of us, an Indian man has broken his own world record by becoming the fastest person to type the alphabet with his nose. Updated:Jun 03, 2025, 06:20 PM IST Who is this man? 1 / 7 In this feature, we are talking about Vinod Kumar Chaudhary, a 44-year-old who worked as a computer operator at Jawaharlal Nehru University (JNU). He is also known as the 'Typing Man of India.' Three-Time Record Breaker 2 / 7 Vinod Kumar Chaudhary has now won the title of the fastest time to type the alphabet with the nose for the third time. He first bagged the title in 2023 with a time of 27.80 seconds, improved it to 26.73 seconds later that year, and in 2024, broke his own record again by completing it in just 25.66 seconds. Rules of the Record 3 / 7 According to Guinness World Records, the challenge required Chaudhary to type all 26 letters of the Roman alphabet on a standard QWERTY keyboard with a space between each letter, and with his hands tied behind his back. Earlier Records 4 / 7 Chaudhary has previously made records for: Fastest time to type the alphabet backward (single hand) Fastest time to type the alphabet with hands behind the back Fastest time to type using the nose (2024) Practiced for Hours 5 / 7 Despite being from a typing profession, breaking a world record wasn't easy. Vinod revealed that he practiced for hours, often pushing himself to the limit. He admitted that typing with his nose sometimes made him so dizzy he'd see stars. Secret to Breaking Records 6 / 7 According to Guinness World Records, Chaudhary credits daily meditation and a positive mindset as the secret behind his record-breaking streak. He says he always looks for unusual records that can be broken. Dreams to Break Sachin Tendulkar's Record 7 / 7 Vinod's next ambition? Breaking one of Sachin Tendulkar's records. He dreams of surpassing the cricket legend, who holds several titles- including the most Player-of-the-Match awards (62) and the most international centuries (100). (All images: Guiness World Record/ Instagram)

Jayalakshmi Vilas Mansion: Where the traditions of the Deccan come alive
Jayalakshmi Vilas Mansion: Where the traditions of the Deccan come alive

The Hindu

time30-05-2025

  • The Hindu

Jayalakshmi Vilas Mansion: Where the traditions of the Deccan come alive

A tepid drizzle falls on the Jayalakshmi Vilas Mansion (JVM) in Mysuru, leaving behind silvery dribblets on piles of rubble, scaffolding and blue construction sheets covering vast sections of the lemon-hued edifice, currently under restoration. As soon as one enters the mansion, what strikes one almost immediately is the many years of neglect writ large across it. Yet vestiges of past glory still linger in this 120-year-old, former royal residence with its Roman columns, stained glass dome, ornate balconies, pressed-metal ceiling tiles, elaborately carved wooden pillars and Italian marble flooring, a testament to the eclectic architectural style so typical of Mysuru's Wadiyar dynasty. Layered cultures 'Historically, Mysuru was one of the most prosperous regions in the Deccan, reflecting the rich, layered cultures of southern India — from early historic times to the modern era. The Jayalakshmi Vilas Mansion itself, with its four wings, is an architectural testament to transcultural and transhistorical influences,' says Dr. Helen Philon, co-founder of the Deccan Heritage Foundation India (DHFI), which is currently in the process of restoring this architecturally diverse building. The restoration, which is being supported by the Harish and Bina Shah Foundation (HBSF) and the U.S. Ambassador's Fund for Cultural Preservation (AFCP), doesn't just stop at restoring the structural integrity and former glory of this building, which has served multiple purposes over its lifetime, including royal family residence, academic hub and finally a folklore museum housing thousands of anthropological and ethnographic artefacts sourced from across Karnataka. It also seeks to transform it into a cultural landmark of sorts that 'will attract not only Mysoreans but also Bangaloreans, Deccanis, visitors from across India, and an international audience eager to attend its musical, dance, and other performance events, exhibitions, and culinary experiences celebrating the harmonious co-existence of its Deccani cultures,' says Dr. Philon. From house to museum In 1897, Maharajakumari Jayalakshammanni, the eldest daughter of Chamaraja Wadiyar X and Maharani Vani Vilasa Sannidhana, was married to her mother's brother, Sir Kantharaj Urs. But during the wedding, the old wooden Mysore palace was destroyed in a fire, and so, her mother (who became the regent queen following the untimely death of her husband in 1894) commissioned British architect Henry Irwin to build a new palace that very same year, the oft-visited Amba Vilas Palace. While the new Mysuru palace was being constructed, another palace, the JVM, was also built as a wedding gift to the princess. Pointing to one of the many wooden pillars inside the north wing of the mansion, Malavika Murthy, Project Coordinator, JVM Project, says, 'Very interestingly, a lot of elements of construction you see here in JVM are patterns developed for the Mysore palace. The column design here is the same design you see on the cast iron columns in the marriage pavilion of the Mysore palace.' Work on the JVM started around 1900, and the completed building was inaugurated a few years later. 'Some records say 1905, some say 1907,' says Malavika. Archival research points to Sir Kantharaj and his family dividing their time between Mysuru and Bengaluru – he was appointed as the Dewan in 1918. 'So what we understand is that the building was not used a lot during the initial years of its construction,' she explains. 'It was mainly used by their daughter and her family afterwards.' The family lived here until the death of Princess Leelavathi in 1954, after which, in 1959, the Mansion, along with 300 acres, was sold to the University of Mysore at a 'nominal rate' when 'Kuvempu (K.V. Puttappa) was its vice-chancellor.' Back then, the university was mainly functioning at the Maharaja's College, so once they bought the land and the building, they suddenly had much more space to expand. 'He started the Manasagangotri from this building,' she says. 'This was the genesis of many master's programmes in Mysore University.' Folklore museum Right from the beginning, the Departments of Anthropology, Ancient History, and the administration blocks were at the JVM, which is also why it began to house so many interesting objects. Some of these included Mysore Ganjifa cards, leather and string puppets, musical instruments, paintings and even a collection of everyday objects, including several shavige manés, the kitchen tools used to make stringhoppers, explains Akhila Udayashankar, a senior conservation architect who is heading this ongoing conservation project for DHFI. Other notable objects found here are a collection of documents and artefacts of some of the doyens of Kannada literature, including Kuvempu, Javaregowda, Bendre, Triveni and Lankesh and a giant statue of Mariamman, 'a traditional vernacular deity who is often found at the edge of villages, a symbol of protection,' she says, describing it as 'an object of great impact once you look at it.' Over time, as the university received more funding and grew, new department blocks began to be constructed outside the building, and people started moving to the new buildings. 'Until 2000, there were a lot of departments still functioning here,' says Malavika. Around this time, a partial restoration of the building, with a grant from the Infosys Foundation, was done, which also led to many of these departments moving out to other new buildings on the campus. 'But the collection was still here, so they decided to make it a complete museum complex.' During this period, however, the upkeep of the mansion was neglected. 'Things as basic as going to the terrace and cleaning out the leaves, seeing that the drains are functioning properly, and removing a tree growing on the building ensure its longevity,' feels Malavika. And then, tragedy struck when the ceiling of the west wing collapsed some 12-odd years after this restoration. A better future But there was a silver lining to the incident – it kick-started the journey towards another attempt to restore it. 'Repeated attention to the west wing roof collapse set the ball rolling,' recalls Akhila, expanding on the series of events which made this grand restoration possible. According to her, the University of Mysore approached Heritage Matters, a Bengaluru-based heritage conservation firm, which has had a long association with DHFI, for help with restoration. At around the same time, the U.S. consulate was seeking grantees for AFCP, a 'grant programme (that) draws on U.S. resources to support the preservation of historic buildings and monuments, archeological sites, museum collections, ethnographic objects, paintings, manuscripts and indigenous languages and other forms of traditional cultural expression,' as the consulate's website puts it. So, the U.S. Consulate approached DHFI, which nominated JVM's west wing for structural restoration, and after a long process, a grant of $300,000 was awarded to the University for the project. 'Soon after, Mr. Harish Shah of HBSF visited the JVM and was immediately convinced about the project,' adds Akhila, who thinks of this entire chain of events as 'serendipitous.' The foundation got on board as a donor, giving DHFI a 'very generous' grant of ₹ 30 crore towards the restoration of the JVM in January 2024. Currently, four separate teams are working on different aspects of the project simultaneously: an architectural restoration team, a collections team, a digital imaging team, and an object conservation team. There is also a local architectural firm contributing to the interiors and design of new interventions. Akhila says that the architectural restoration of the building is occurring in parallel with experts studying the collections carefully, 'looking at each object, giving it a new accession number, recording its details and setting up a system where the object is technically imaged. 'For this, DHFI and HBSF commissioned Nefos, a custom-built platform, to enable comprehensive documentation and tracking of each object.' The conservation team then examines each object, assesses its condition, and identifies the critical areas requiring treatment. 'We are working towards making these objects more accessible in fun ways for people to understand, interact with, and learn from them.' Cultural centre The long-term plan for JVM, however, goes far beyond restoring the building and the collection, with the team also hoping to start a cultural and educational centre here that will ensure a degree of financial sustainability. 'DHFI is passionate about coming up with ways to see how it can sustain itself financially in the long run to ensure that we are not handing over a white elephant to the authorities,' says Akhila. In a country where heritage conservation is not a priority, heritage buildings like this can survive only if they can pay for themselves, she believes, an opinion echoed by Dr. Philon. 'Jayalakshmi Vilas Museum will be a centre for diverse activities that provide the means to maintain its buildings and collections,' she says, offering examples of some planned activities, which include restaurants, a museum shop, and a range of educational programmes. 'The Deccan Heritage Foundation has consistently prioritised sustainability in its restoration projects by cultivating the necessary local skills.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store