logo
I've found an incredible cheap UK holiday park that brings the best bits of Center Parcs, Butlin's and Haven to ONE site

I've found an incredible cheap UK holiday park that brings the best bits of Center Parcs, Butlin's and Haven to ONE site

Scottish Sun23-07-2025
Click to share on X/Twitter (Opens in new window)
Click to share on Facebook (Opens in new window)
IF you want the style of Center Parcs, the buzz of Butlin's and the hype of Haven, I've found one holiday park that has it all and it won;t cost a fortune.
When one child loves spending hours in the pool, another enjoys a boogie on the dance floor and the third wants to swing through the trees on the high ropes, it's hard to know which holiday park is best for your family break - but I've got you covered.
7
I took my three sons for a holiday at a Haven park in North Wales
Credit: Catherine Lofthouse
7
There's a climbing wall and plenty of other activities too
Credit: Haven
My family and I recently took a trip to Haven's Hafan y Mor park near Pwllheli in North Wales.
We loved it so much I had booked to return next summer before we'd even made it home.
The park is set on a little slice of the British coastline that's like stepping back in time to the holidays of your childhood.
The site's staycation secret is that it used to be a Butlin's before being turned into a Haven 25 years ago.
So it's still got all the best bits of Butlin's - from the flumes and slides of the Splashaway Bay adventure pool to the top-notch venue full of shows.
I even did a double take when I saw the stripy blue tops of the entertainment crew, instead of the Redcoats of Butlin's from days gone by.
Now one of the largest Haven parks, there's a stunning choice of outdoor activities you'd usually see at an upscale Center Parc resort.
It's the first Haven I've been to where the high ropes take you through the trees, just like at Center Parcs.
The Dragon Lakes Adventure Park even sees thrill-seekers zipping over the waters where fellow guests can take to pedalos.
The adrenaline-charged activities also include The Jump - a terrifying free-fall leap onto a huge inflatable cushion - as well as climbing wall, mini 4x4 off-roaders and even Segways.
There's all sorts of accommodation at Hafan y Mor, including Center-Parcs-style pine lodges surrounded by trees.
The perfect Haven holiday park for a kid-friendly break - with direct beach access, indoor waterpark and neighbouring seaside theme park
7
You can jump off the free-fall platform
Credit: Haven
7
One of my sons was a big fan of the giant trampolines
Credit: Catherine Lofthouse
There are even old-fashioned chalet blocks from back in the Butlin's days and mod-con caravans you'll see at all Haven resorts, so you can pick whatever works for you and your budget.
It's not often that my three boys all get their own bedroom when we go away on holiday, but our recently refurbished four-bed chalet was huge.
I loved the village vibe of everyone hanging out on their decking or balcony, so reminiscent of childhood holidays when the kids played together on the grass by your block.
I even spotted one family stringing up a badminton net.
The chalet accommodation is also one of the cheapest options - we paid less than £300 for our June weekend away and it's only £275 for four nights in the summer holidays next year, which is incredible value for money if you're bringing eight people.
We were just a stone's throw from Dragon Lakes Activity Village, which also offers up sports courts, a sandpit playground and even a bark park for furry family members.
Like Center Parcs, most of the activities aren't included in the price of your break, and you'll need to factor that in, but the cost is far less at Haven.
We paid £12 for Aquajets in the pool, £8 for the mini 4x4 off roaders and £7 for a go on the bungee trampoline.
7
We rented out aquajets which were cheaper than those at Center Parcs
Credit: Catherine Lofthouse
7
The holiday park is surrounded by beaches where you can relax or paddle
Credit: Haven
Aquajets at Center Parcs would set you back £18.50 to £22.50, while children's 4x4 off-road explorers are £24, so there's a hefty saving to be made here.
And you could easily just stick to the freebie fun if you prefer.
The pool was enough to keep everyone busy for hours and although you pre-book an entry time, there wasn't anyone asking us to leave at the end of our hour time slot on the weekend we were there.
The free shows and entertainment were great - my littlest loved the Jack and the Beanstalk pantomime and won a prize for his enthusiastic dancing at the kids' disco.
And no seaside staycation would be complete without a stroll to see the sandy shore, although you might need to venture a bit further afield if you want to find a beach to play on.
This is quite a spread-out site with a railway track splitting it in two, but there's a land train that takes you on a turn around the park if your little ones are worn out with all the activities and don't fancy walking.
This tucked-away spot is surrounded by dramatic mountains, picturesque beaches and unassuming tourist towns that only add to the magic of a trip here.
It's like going back in time to the heyday of the great British staycation.
Catching sight of Criccieth Castle overlooking the beach was a welcome signal that we had almost arrived after our long drive.
It's a bit of a trek to get there, but the direct train from Birmingham takes less than five hours, around the same time as travelling by train from London to Cornwall.
And Penychain station is on the edge of the park within walking distance of its entrance.
This haven by the sea could well become our new holiday hotspot as it ticks all the boxes for my boys.
Here's more about the Haven holiday from someone who visits every year - and has discovered secret areas that guests don't know about.
Plus, the beachfront Haven holiday park reveals plans for huge new adventure attraction and Wetherspoons pub.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Three cheers for the Three Choirs Festival
Three cheers for the Three Choirs Festival

Spectator

time34 minutes ago

  • Spectator

Three cheers for the Three Choirs Festival

The Welsh composer William Mathias died in 1992, aged 57. I was a teenager at the time, and the loss felt personal as well as premature. Not that I knew him; and nor was he regarded – in the era of Birtwistle and Tippett – as one of the A-list British composers (John Drummond, the Proms controller of the day, was particularly snobbish about Welsh music). But Mathias was a composer whose music I had played; whose music, indeed, me and my peers actually could play. His Serenade was a youth orchestra staple. It felt good to know that its creator was alive and well and working in Bangor, and when he wrote his Third Symphony I listened to the première in my bedroom, live on Radio Three. Like I say, it felt personal. The 2025 Three Choirs Festival devoted its opening concert to Mathias's 1974 choral symphony This Worlde's Joie, and it was satisfying to hear his voice again. If you haven't had the memo, the Three Choirs is now the premier festival for major British choral works that have slipped through the cracks of history. Stanford's Stabat Mater, Bliss's Morning Heroes, Elgar's King Olaf: I've heard them all in one of those three great cathedrals. This year the Festival is in Hereford, which is specially enjoyable because the performers sit at the west end of the nave, so the evening light streams in behind the chorus. The 2025 programme includes Bliss's Mary of Magdala, Howells's Hymnus Paradisi and Samuel Coleridge-Taylor's The Atonement. Intrigued? Watch this space. But Mathias was in pole position. A spray of bells and tuned percussion opens This Worlde's Joie, and the harmonies have the brisk, open sort of freshness you get after a thunderstorm. There's a full chorus, a children's choir (the Hereford choristers, nailing some particularly exposed writing) and a dark, jewelled orchestra (the Philharmonia). The opening gesture returns throughout the work's four movements, which trace the seasons of human life from spring to winter through the medium of medieval English poetry. You'd lose your Arts Council of Wales grant for that, these days. Regardless, Mathias has nothing to prove, and nor does his music. This Worlde's Joie wears its debt to Britten's Spring Symphony without apology, then throws it off just as blithely when Mathias finds he has something very different to say. The Festival went all-in, as it usually does with these rarities, and the soprano soloist Eleanor Dennis gave a mischievous smile as she pealed out a string of mildly suggestive verses by the Tudor poet Robert Greene (the Upstart Crow chap). By then we were in the 'Summer' section. Mathias flooded the orchestra and chorus with hopeful, sensuous harmonies – music that showed the Festival Chorus (amateur singers, like most large choruses in the UK) at its most radiant. In a tradition dating back to the 18th century, it was conducted by the Cathedral's own MD Geraint Bowen, who seemed well on top of things – as he had been before the interval, in Dvorak's Te Deum. Czech music at this tweediest of English festivals? Careful, your preconceptions are showing. Dvorak conducted at the Festival in the 19th century, Saint-Saëns and Kodaly were regulars and Sibelius's deeply weird Luonnotar was a Three Choirs commission. The Te Deum glowed, even if Dvorak's dancing cross-rhythms couldn't really survive the cathedral acoustic. That's the trade-off for performing in a venue like this, and perhaps it's a price worth paying for the sense of musical community that animates the whole Festival. Great beer tent, too. Over in Gloucestershire, another Midlands festival celebrated its 80th anniversary. For a decade or so after the second world war the Cheltenham Music Festival looked like the future of British music, lending its name to a whole sub-genre of bracing, sturdily-wrought symphonies by the likes of Rubbra and Alan Rawsthorne. Then the 1960s happened. According to anecdote, during the première of Malcolm Arnold's Fifth Symphony in 1961 critics started leaving the hall to phone in their slatings while the music was still in progress. Well, bully for them, because Arnold's Fifth – a hallucinatory, primary-coloured song of anguish and euphoria – is now the last 'Cheltenham Symphony' standing, and arguably the finest British symphony since Vaughan Williams. The Festival brought it back to its birthplace in a muscular performance from Gergely Madaras and the BBC National Orchestra of Wales, whose horn section sounded particularly ripped in the confined space of the Town Hall. The Cheltenham Festival has fallen on lean times of late; it's difficult to imagine them premièring a symphony again any time soon. But they did commission an anniversary fanfare from the young composer Anna Semple, which (unusually for this sort of commission) had something to say, and said it with imagination and assurance in exactly as many notes as it required.

One of the best productions of Giselle I have ever seen
One of the best productions of Giselle I have ever seen

Spectator

time34 minutes ago

  • Spectator

One of the best productions of Giselle I have ever seen

Giselle is my favourite among the 19th-century classics. Blessed with a charming score by the melodically fertile Adolphe Adam and a serviceable but resonant plot, the drama – loosely based on a story by Heine – holds water without being swollen by superfluous divertissements. Its principal characters – the village maiden Giselle and her nobleman-in-disguise seducer Albrecht – are complemented by strongly drawn subsidiary figures: Giselle's jealous swain Hilarion, her anxiously protective mother and the merciless Queen of the Wilis who presides over Giselle's afterlife. There's plenty for the corps to do, as well as a jolly pas de deux in which younger dancers get a chance to shine as merry peasants. And it's all done and dusted in two acts and less than two hours. In the absence of any detailed record, precisely what was danced in the first production in Paris in 1841 can't be reproduced: too many hands have tinkered and modified the text since then. Mary Skeaping's production for English National Ballet is generally considered to be as close to the intentions of the original choreographers Coralli and Perrot as the surviving evidence allows, restoring some mime sequences and showing Giselle dying of a broken or weak heart rather than violent suicide. Sir Peter Wright's version, however, has had the wider circulation. In the repertory of some 15 companies globally – including the Royal and Birmingham Royal Ballet – his editing irritates purists but has the advantage of narrative simplicity. It is Wright's model that the former Royal and Birmingham Royal Ballet star Miyako Yoshida has largely but not slavishly followed in a staging she has commissioned for the National Ballet of Japan, the company she now directs. Over more than half a century, I've witnessed many wonderful interpreters of the title role – Natalia Makarova, Lynn Seymour, Gelsey Kirkland, Evelyn Hart, Alina Cojocaru and Natalia Osipova spring to mind, as well as the sublime Galina Ulanova on film. Like so many challenges facing a great ballerina, it requires a switch between earthly and unearthly personas: in the first act she must appear shy, impulsive and vulnerable – a lively but naive rustic innocent; in the second 'white' act, she transforms into a serenely disembodied will-o'the-wisp, both human and not. Yoshida's Giselle, Yuri Kimura, may not be among the elite at this point – in the first act, she was too much the daintily simpering Miss Muffet, not enough the gauche wide-eyed peasant that Ulanova made so vivid. But she danced with sparkling feet and eloquent arms, transformed in the second act into an exquisite wraith, swathed in clouds of white tulle and gently forgiving sorrow for the faithless Albrecht. In all other respects, this ranks as one of the best productions of Giselle I have ever seen. With help from a British choreographer Alastair Marriott and designer Dick Bird, Yoshida has thoughtfully honoured tradition, not least by paying exceptional attention to the clarity of the mime through which the plot is delivered. The result is a performance of stylistic maturity and irresistible charm. The jibe that the Japanese follow instruction dutifully but don't convey emotion was squarely disproved here, with Takuro Watanabe presenting a fiercely choleric Hilarion, Yui Negishi a positively chilling Queen of the Wilis, and Takafumi Watanabe every inch the romantic nobleman as Albrecht. The corps was admirable – here, at least, the Japanese reputation for drilled discipline was justified – animated in the bucolic first act, seraphic in the second. In more peaceful times, July would bring either the Mariinsky or the Bolshoi to London. This year Yoshida's excellent troupe proved a welcome substitute: the fine impression it leaves means that the Royal Ballet has its work cut out when it revives its own production of Giselle next season.

Delays from radar blackout 'could affect flights for days' as 120 flights cancel
Delays from radar blackout 'could affect flights for days' as 120 flights cancel

Metro

timean hour ago

  • Metro

Delays from radar blackout 'could affect flights for days' as 120 flights cancel

Thousands of passengers could still be affected after air traffic control (ATC) provider Nats suffered another technical glitch. More than 120 flights were cancelled with 577,000 passengers affected – the highest number stuck at London's Heathrow Airport on Wednesday. The blackout lasted a mere 20 minutes but the knock-on effects could last for days at the peak period for families to escape the UK for summer holidays. Heidi Alexander, the Transport Secretary, warned 'continued disruption is expected' and urged travellers to 'check with individual airports for advice'. Nats [National Air Traffic Services], responsible for directing planes through British airspace skies, refused to rule out a cyber attack or hostile foreign interference as causing the chaos, according to The Telegraph. The 'technical issue' occurred at Nats' control centre in Swanwick, Hampshire, according to the company. It first announced problems at around 4pm on Wednesday, immediately grounding all flights about to take off. In an update an hour later, the public-private partnership company said systems were fully operational and that departures had resumed. An easyJet captain stuck on the tarmac at Gatwick for an hour joked to passengers: 'They've turned it off and turned it back on again.' But stranded families weren't laughing as they feared missing funerals, weddings and once-in-a-lifetime holidays. John Carr, a chiropodist from Stourbridge, was on his way to Norway with a group of friends to help set up his brother's wedding, for which he is best man, when he found out after checking in that his flight was cancelled. The 35-year-old said: 'I'm pretty gutted. We've got loads of stuff in the suitcases to set up the venue, because we're obviously flying to Norway. We've got the wedding rehearsal to do. It's quite stressful.' He said they did not receive any warning of the cancellation before it happened. 'We had no idea,' Mr Carr said. 'There was nothing that the airport had said out on the speaker phones, or anything like that. There was no warning from them or the airline that said it was cancelled. It's rubbish. There's nothing we can do. 'We don't know what we're going to do tonight in terms of accommodation. 'We have put our cars in special car compounds for the next six days.' Airlines were equally furious at the disruption after a similar 2023 failure cost carriers £100million. EasyJet's chief operating officer David Morgan said: 'It's extremely disappointing to see an ATC failure once again causing disruption to our customers at this busy and important time of year for travel. 'While our priority today is supporting our customers, we will want to understand from Nats what steps they are taking to ensure issues don't continue.' Ryanair called for Nats' chief executive Martin Rolfe to resign in the wake of the fault, claiming 'no lessons have been learnt' since the August 2023 system outage. The airline's chief operating officer Neal McMahon said: 'It is outrageous that passengers are once again being hit with delays and disruption due to Martin Rolfe's continued mismanagement of Nats. 'It is clear that no lessons have been learnt since the August 2023 Nats system outage, and passengers continue to suffer as a result of Martin Rolfe's incompetence.' More than 700,000 passengers suffered disruption when flights were grounded at UK airports on August 28 2023 when Nats suffered a technical glitch while processing a flight plan. Mr McMahon continued: 'If Nats CEO Martin Rolfe fails to resign on the back of this latest Nats system outage that has disrupted thousands of passengers yet again, then UK transport minister Heidi Alexander must act without delay to remove Martin Rolfe and deliver urgent reform of Nats' shambolic ATC service, so that airlines and passengers are no longer forced to endure these preventable delays caused by persistent Nats failures.' The Department for Transport (DfT) noted that the Transport Secretary does not have any direct control over Nats and has no powers on staffing decisions. The Liberal Democrats called for a full investigation into the glitch. The party's leader Sir Ed Davey, said: 'It is utterly unacceptable that after a major disruption just two years ago, air traffic control has once again been hit by a technical fault. 'The Government should launch an urgent investigation to ensure the system is fit for purpose, including ruling out hostile action as a cause.' A DfT spokesperson said the department is 'working closely' with Nats to understand the cause of the glitch and the 'implications for the resilience systems in place'. MORE: Brother guilty of attacking two female PCs at Manchester Airport MORE: London airspace closure: Your rights if your flight is delayed or cancelled MORE: Ryanair traveller 'can't believe' his £16.99 flight doesn't have this one basic thing

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store