logo
Award-Winning Kiwi Doco Trails Women Scientists On The Ice

Award-Winning Kiwi Doco Trails Women Scientists On The Ice

Scoop09-07-2025
A UC tutor's mighty new documentary filmed in Antarctica has already won two awards and is the opening night feature for Christchurch's Doc Edge Festival.
Vanessa Wells, filmmaker and part-time tutor at Te Whare Wānanga o Waitaha | University of Canterbury (UC), is the director of Mighty Indeed, a documentary about three women scientists studying microalgae hidden beneath Antarctic sea ice.
UC's Kōawa Studios is a sponsor of the Ōtautahi Christchurch Doc Edge Festival (16 - 27 July) which is celebrating its 20th anniversary this year.
Wells' film, which was six years in the making, scooped Best Director and Best New Zealand Feature prizes at Doc Edge's recent awards night, success that Wells describes as 'thrilling'.
Mighty Indeed follows Dr Natalie Robinson on a world-first expedition to McMurdo Sound; microbiologist Jacqui Stuart on her first trip south; and their mentor back in Aotearoa New Zealand, veteran sea ice physicist Professor Pat Langhorne.
Wells, who has made three trips to Antarctica, met Dr Robinson in 2018 on her first visit to the Ice. She says the oceanographer quickly smashed all her pre-conceptions about scientists. 'Natalie was so down to earth and real – she too was juggling kids and a career, but in the most incredibly adventurous way. I found her so inspiring, and we have become firm friends.'
She says Stuart, a PhD student, 'lit up the screen' with her enthusiasm for studying microalgae. 'Jacqui is ridiculously talented, in so many ways – and we get to share a few of those on screen.'
Wells met Professor Langhorne in Antarctica New Zealand workshops as part of training before her first trip south. 'Pat immediately draws you in and you can't help but fall in love with both her and sea ice. Her legacy to global science cannot be understated, yet so few know her story.'
Wells' documentary, made with support from Antarctica New Zealand, weaves together these personal stories with new and archival footage from the icy continent. Filmed in brutal, isolated conditions, Wells says the story is about communicating science in a compelling way and challenging viewers' perceptions.
'It's definitely a film that shows Antarctica in a different way. We really step inside these scientists' lives and show their inner thoughts. I would love to shift the way people look at the world and shift their perspective and connection to these wild places. If we can shift beliefs, then we might be able to change our behaviour and take better care of the climate.'
Wells, who also made the 2019 documentary East to East about a group of Aranui High School students competing in the iconic Coast to Coast race, enjoys making films that drive social change.
She says it made sense as a Christchurch local to make a film exploring the city's 'gateway to Antarctica' status.
While the title of the new film comes from the name of a song Stuart wrote about plankton, which features in the documentary, Wells says it's also a hopeful title for what is ultimately – despite some gritty moments - a positive and uplifting film.
Mighty Indeed is also likely to become a teaching tool for UC Bachelor of Digital Screen with Honours students, she says. 'I'm a doco-lover and there's nothing like real-world experience, so this is definitely something I'll be sharing with students to help them prepare for working in the industry.'
Wells' fellow UC film tutor Ollie Dawe was a development editor on Mighty Indeed and also produced and directed the short film, I Know I'm Going to Paint about artist Philip Trusttum which features in the Shorts 2 Collection of Doc Edge.
UC Bachelor of Digital Screen with Honours student Evienne Jones has won a Doc Edge Best Tertiary Film award for her film Ally, exploring queer identity in Aotearoa.
The Christchurch premiere screening of Mighty Indeed is at 7pm on Wednesday 16 July at Hoyts EntX Cinema followed by a Q&A session with director Vanessa WellsandProfessor Pat Langhorne, Jacqui Stuart, and Dr Natalie Robinson.
An extra screening of Mighty Indeed has been added to the Doc Edge festival programme at Lumiere Cinemas, 6.15pm on Friday 18 July.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Festival captures heart of Antarctic
Festival captures heart of Antarctic

Otago Daily Times

timean hour ago

  • Otago Daily Times

Festival captures heart of Antarctic

A pair of Emperor penguins in Antarctica. Photo: Anthony Powell/Antzworks Stunning documentary footage from the heart of Antarctica, highlighting its stark beauty, inhabitants and the effects of climate change will feature in the upcoming Antarctic Film Festival. Presented by the New Zealand Antarctic Society, the selection of short films curated by award-winning filmmaker Anthony Powell, will be screened in Dunedin on Sunday, August 17, from 6.30pm at Te Whare o Rukutia, 20 Princes St. The event will include introductions and a Q&A session. New Zealand Antarctic Society president Hubertien Wichers said the engaging programme brought together stunning images of the frozen continent captured by entrants in the Winter International Film Festival of Antarctica 48-Hour Challenge — an annual showcase of creativity and resilience from those who "winter-over" on the ice. Before the screening, Emeritus Professor Pat Langhorne of the University of Otago will speak about her journey from Scotland to New Zealand and her passion for sea ice, which is key to understanding how the world works. Prof Langhorne is one of three women featured in the recently released documentary Mighty Indeed by Vanessa Wells. Ms Wichers said the Antarctic Film Festival aimed to bring Antarctica "to the people of New Zealand, through science, art, humour and personal connection". "The tour has been very successful, inspiring audiences and connecting the local community through Antarctica. "But the serious aspect is to raise awareness about the role Antarctica plays in our climate. "Antarctica tells us about the history of the planet, the changes that are going on and what the future may hold for us and the next generations," she said. Founded in 1933, the New Zealand Antarctic Society connects people with a shared passion for Antarctica through education, outreach, events and its publication Antarctic. For more information, visit the website

Why is sleep sometimes not restful?
Why is sleep sometimes not restful?

RNZ News

time20 hours ago

  • RNZ News

Why is sleep sometimes not restful?

Photo: Unsplash Sleep should be restful, but sometimes it is not. So why is that? New research from the University of Otago has found that stress-controlling brain cells - called corticotropin-releasing hormone neurons - switch on and off in a steady rhythm about once every hour while we are asleep - even when nothing stressful is happening. It is world-first research that could reveal how these patterns affect health, mood, and sleep. Senior author Associate Professor Karl Iremonger, of Otago's Department of Physiology and Centre for Neuroendocrinology, told Saturday Morning that these bursts of brain cell activity seem to act like a natural 'wake-up' signal, and often lead to a rise in stress hormones, or cortisol. He said there were a lot of things that can disrupt the circuitry in our brain that controls the release and response of stress hormones - such as chronic stress, which is associated with negative health consequences. "So now we're really interested in trying to come up with treatments and drugs that can dampen down the activity of these stress neurons in these states where they're too active," Iremonger said. The study was conducted with rates and mice, as the stress-controlling brain cells are too deep down in humans to be recorded, Iremonger added. It was found that these brain cells were not only controlling our stress, but also our arousal or wakefulness state too, which can both affect the quality of our sleep as well as cause disorders like insomnia. "Knowing how these brain signals work will help us understand the links between stress hormone levels, alertness, and mental health." Sign up for Ngā Pitopito Kōrero , a daily newsletter curated by our editors and delivered straight to your inbox every weekday.

Drawing From Memory: Auckland-Based Tongan Artist Brings Pacific Nostalgia To Life
Drawing From Memory: Auckland-Based Tongan Artist Brings Pacific Nostalgia To Life

Scoop

timea day ago

  • Scoop

Drawing From Memory: Auckland-Based Tongan Artist Brings Pacific Nostalgia To Life

Coco Lance, RNZ Pacific digital journalist Auckland-based artist and animator Luca Tu'avao Walton is an emerging voice in the Pacific creative landscape, with a distinctive style rooted in memory, identity, and the 'nostalgia' of island life. In fact, his work resonated so strongly that one woman messaged him directly, saying his portrayal of Pacific women inspired her to cancel a plastic surgery appointment she had made to change her "wide-set nose". Now, Walton's work is making its way to the big screen as part of an upcoming, yet anonymous New Zealand-Pacific feature film. From Tonga to Aotearoa Born in Lautoka in Fiji to a Tongan mother and a palagi father, Walton spent his early years in Mata'ika, a lagoon-side village in Tonga where his imagination bloomed. "We used to live right on a lagoon, which was just the best upbringing, among my cousins and family, swimming and kayaking all the time." It was there that Walton began to dream up the wondrous worlds that now define his art. "I would sit lagoon-side and just imagine all the mermaids that lived there, so I would draw mermaids a lot growing up. "My drawings bring to life a lot of what I imagined as a kid, growing up in Tonga, and a lot of my work is born from this idea of, what did I want to see as a kid? Then filling that gap." At age 10, Walton moved to Aotearoa for school. "Moving there was definitely a switch-up in my pace of life," he said. "I went from island life, which is slow and thoughtful, to being in the city and taking 40-minute buses each way to school." Despite the change in pace and lifestyle, Walton stuck with what he had always been good at - creating. His trajectory began early, nurtured by a supportive whānau. "My family likes to pretend I sprung up out of nowhere, because I draw and illustrate. But all my Tongan family are creative, they're singers, dancers. They make traditional toi (art). I'm the black sheep in that I am the only working creative, but they've all nurtured and rooted for me." Walton's memory is central to the creative process. Drawing on nostalgia, he said, is central to the Pacific island experience. "A lot of my work is about memory…belonging, nostalgia, feminism, recontextualising the past and imagining a new future. When I go into making a piece, I trawl through my memories. I don't try to be relatable, and yet I think when I tap into my realities, our people engage in that art." Family, especially the wāhine in his life, have inspired much of Walton's style. "My mum never put any expectation to be anything other than an I'm just drawing what I know at the end of the day. I think that's what a lot of artists do. "If I were to draw cool race cars, it would be a falsehood, because I was raised with my mum in front of the mirror, doing her makeup, her bangles clunking together, her GHD straightener sizzling her hair." "I was raised in a very feminine environment, I'm a feminine person myself, so my art is an expression of that femininity for me, which happens to be through a Pacific lens." Walton wasn't prepared for the response to his work, but it has been motivating nonethless. "It's always beautiful when you have kids, aunties, other creatives coming and saying, your work reminds me of home, makes me think of my Nana, or 'this looks like my mum back in the day. "Our people are such yearners, such sentimental people, and we're all family orientated. I feel there is a real hunger for work that feels familiar and is made with alofa and 'ofa. People can tell when it's made from within the culture, not just about it. People are craving more than just tokenism as well; we want the depth, the humour, the mamae, a bit of the sadness that comes with, you know, balancing our identities." Now, Walton's vision has led to his involvement in an upcoming film. The project is being spearheaded by Sāmoan-Māori creative Jessica "Coco" Hansell in collaboration with local animation Studio Ki'i'Pili (a Pacific take on Studio Ghibli), and is based out of Ōnehunga's creative hub, Wheke Fortress. Although it is still in its final stages and many details are yet to be revealed, Walton said it involves a collective of talented Pacific creatives, with the kaupapa being a Pacific-centric animated short film. "It has been a dream kaupapa, not just in what we are making, but how we are making it. It's an active experiment in the decolonisation process, working at a pace that honours the people involved. "I've been able to fully lean into my strengths without leaving anyone behind, a communal way of creating," Walton said. Looking forward, Walton emphasised animation as an accessible and important tool for equity in storytelling. "The government's putting big funding into animation right now. Pacific people need to take a big slice. "Individualism isn't natural to our people…being able to make myself useful to something bigger…turned my practice into a life path."

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store