More Money Was Supposed to Help Poor Kids. So Why Didn't It?
Featuring Jason DeParle
Produced by Olivia NattMary Wilson and Jessica Cheung
Edited by Marc Georges
With Lisa Chow and Lexie Diao
Original music by Pat McCusker and Rowan Niemisto
Engineered by Alyssa Moxley
For many, the logic seemed unassailable: Giving poor families money would measurably improve the lives of their children. And so, a few years ago, social scientists set out to test whether that assumption was right.
The results of the experiment have shocked them.
Jason DeParle, a Times reporter who covers poverty in the United States.
A rigorous experiment appears to show that monthly checks intended to help disadvantaged children did little for their well-being.
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The Daily is made by Rachel Quester, Lynsea Garrison, Clare Toeniskoetter, Paige Cowett, Michael Simon Johnson, Brad Fisher, Chris Wood, Jessica Cheung, Stella Tan, Alexandra Leigh Young, Lisa Chow, Eric Krupke, Marc Georges, M.J. Davis Lin, Dan Powell, Sydney Harper, Michael Benoist, Liz O. Baylen, Asthaa Chaturvedi, Rachelle Bonja, Diana Nguyen, Marion Lozano, Rob Szypko, Elisheba Ittoop, Mooj Zadie, Patricia Willens, Rowan Niemisto, Jody Becker, Rikki Novetsky, Nina Feldman, Carlos Prieto, Ben Calhoun, Susan Lee, Lexie Diao, Mary Wilson, Alex Stern, Sophia Lanman, Shannon M. Lin, Diane Wong, Devon Taylor, Alyssa Moxley, Olivia Natt, Daniel Ramirez, Brendan Klinkenberg, Chris Haxel, Maria Byrne, Anna Foley and Caitlin O'Keefe.
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Yahoo
15 minutes ago
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My boyfriend told me that he didn't want to get married again. Dealbreaker?
What a jerk, I thought, after Clark yelled at me again to pull faster on the sailboat's lines to keep pace with the changes of the wind as we headed to open water from Marina del Rey. 'I'm never going on another date with this guy again!' But what do I know about sailing? Although I grew up in the Great Lakes region, I'd never sailed before and didn't realize there are no passengers on a sailboat — only crew. I'd just moved to Los Angeles from Detroit after leaving a first-job stint in Switzerland. Both places were too cold for me, so no wonder L.A. was irresistible. Every January the nationally televised Rose Parade proved that even winters would reliably be 72 degrees and sunny. L.A. was the place where this Motown gal believed her dreams of new beginnings with happy endings could come true. I met Clark on Venice Beach. And, no, he wasn't a weightlifter, chainsaw juggler or a magician like the other familiar fixtures on the Venice boardwalk. When he emerged from the ocean surf with his boogie board under his arm and aimed his 1000-watt smile at me watching him from my towel on the sand, I mused, 'Oh, yeah, these West Coast boys are alright.' Read more: L.A. Affairs: I knew what I wanted to enrich and sweeten my life. I was seeking ethical nonmonogamy Our first date after that meet-cute was an afternoon of sailing the next week. Before the rendezvous with Clark at the boathouse, I'd treated myself to a manicure. Big mistake! I soon learned that it's impossible to tug on the 'ropes' of sails with just the tips of my fingers to vainly try to protect my fresh mani. Clark didn't appreciate the nails; he shouted maneuvering commands that clearly conveyed his priorities were solely pragmatic. After the debacle of our initial outing, Clark reactivated his charm, so I gave him another chance, and we dated again and again. A picnic and concert under the Hollywood Bowl stars. The Pantages Theatre for a Broadway show. Lobster dinner in Puerto Nuevo — a long drive to Mexico, but worth it. Clark continued to captivate me with his wry observations about the world, his inclination to be a jokester and even the goofy gifts intended to show he was a romantic at heart. I'm sorry to say that the six-pack Valentine's gift of engine oil for my hemorrhaging VW didn't quite make the cut. However, roses on my birthday, coinciding with the anniversary of our infamous sailing date and our exchanges of "I love you," did endear him to me. Two years into our monogamous dating, I wondered where we were headed. I'd never been in a steady relationship that lasted more than six months — until now. He'd been married before, for less than two years. And yet I was afraid to bring up the topic of marriage in case the answer precipitated one more casualty in my portfolio of failed romances. Until one Sunday night. After spending another consecutive weekend with Clark at his place, I was dreading my usual return drive home over the Sepulveda Pass and into the Valley. Somehow the burning need to just know what his intentions might be gave me the courage to pop the question: 'Do you think you'll ever get married again?' His reply crushed me. 'You know I was married once, but that didn't work out. It hurt to uncouple our lives from our dreams.' He paused. 'And now you are my special love. I couldn't be happier with our relationship, and everything is wonderful just as it is. But ... no, I don't want to marry again.' Read more: L.A. Affairs: He was kind and rich. His expensive gifts hinted at something darker I felt dizzy from the visceral ringing in my ears as all I heard over and over was 'no.' I don't remember exactly what either of us said after that, but I was clear about what I wanted: I wanted to be married to him, my best friend. Not now, but someday I wanted to introduce him as more than the man I dated. I couldn't detach my dreams from the day-to-day connections we had already built. And if I'd never be his wife, then it wasn't enough. It was over for me. I drove mindlessly toward home. I replayed the breakup again and again as West Los Angeles retreated farther and farther away. Somehow I made it safely to the little bungalow I shared with Heather, my rescue cat. I hugged her close, thinking now she would see more of me on the weekends because Clark had been too allergic to cats to stay at my place. Reality hit, hard: He would no longer be part of my life. Determined to put the weekend behind me, the next morning I prepared for another busy Monday of seeing patients. I walked briskly into the office, but the cheerful dentist I worked for took one look at my face with my eyes puffy from crying and asked, 'What happened to you?' Sniffling, I shared how and why I had broken up with Clark. 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Clark held me close and asked if I'd like to go sailing. I just grinned and answered, 'No, I don't think so. ... Everything is wonderful, just as it is.' The author, who lives in Culver City, is still married to the erstwhile sailor, but she now sculls at UCLA's Marina Aquatics Center. She returned to her alma mater as an executive coach for MBA students at the UCLA Anderson School of Management. She writes a weekly column for them about the ups and downs of careers and leadership. You can find her on LinkedIn at L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@ You can find submission guidelines here. You can find past columns here. Sign up for The Wild newsletter to get weekly insider tips on the best of our beaches, trails, parks, deserts, forests and mountains. This story originally appeared in Los Angeles Times. Solve the daily Crossword
Yahoo
15 minutes ago
- Yahoo
New movies to watch this weekend: See 'Weapons' in theaters, rent 'Jurassic World Rebirth', stream 'The Pickup' on Prime Video
Lindsay Lohan and Jamie Lee Curtis are back to body swapping in "Freakier Friday," this time with a new wrinkle. Hello, Yahoo readers! My name is Brett Arnold, film critic and longtime Yahoo editor, and I'm back with another edition of Trust Me, I Watch Everything. The best horror movie in ages and one of the best movies of the year, period, is here: Zach Cregger's Weapons hits theaters nationwide, including IMAX screens. It has company at the box office: The 22-year-later Disney legacy sequel Freakier Friday also opens wide, as does Sketch, an indie gem worth seeking out that kids and adults will both enjoy. At home, the blockbuster Jurassic World Rebirth is newly available, as is The Pickup, a new action-comedy with Eddie Murphy and Pete Davidson, which is streaming on Prime Video. The Stephen King adaptation The Monkey comes to Hulu, as well as a few more new options on streaming services you might already be paying for. Read on, because there's something here for everyone! What to watch in theaters Movies newly available to rent or buy Movies newly available on streaming services you may already have 🎥 What to watch in theaters My recommendation: Weapons Why you should watch it: Zach Cregger's highly anticipated follow-up to his sleeper hit debut, Barbarian, sparked such a bidding war that Deadline reported Jordan Peele fired his managers after Universal and Peele's Monkeypaw Productions failed to secure the film. The script ultimately sold to New Line for a whopping $38 million. Cut to years later, the finished product is here. Its creepy trailer went viral upon debut, and its aggressive marketing campaign turned it into the horror movie of the moment. Does it live up to the hype? It does and then some; the film exceeded my already lofty expectations. It's a stunningly confident sophomore effort from Cregger, the latest in a line of comedians-turned-horror-maestros. The premise is chilling: When all but one child from the same class mysteriously vanish on the same night at exactly the same time, 2:17 a.m., a community is left questioning who or what is behind their disappearance. The movie opens with the kids already missing. A child narrator prefaces the story, immediately setting the tone of a creepy campfire tale. The rest of the movie unfolds from the perspective of several different characters, each getting their own chapter. The movie had been described as a "horror epic" in the vein of Paul Thomas Anderson's Magnolia, and that billing sets the stage well for what it is in terms of its form, without giving too much away. Its structure allows for Cregger to show off his skills as a director, constantly building up suspense and ratcheting up tension only to pull the rug out and reset, just as the audience is catching their breath. It's masterful and assured work; he's got us in the palm of his hands. Every jump scare in this movie made me leap out of my seat, a rare feat for a seasoned genre vet, but the biggest surprise is how funny it is too, with all the laughs stemming naturally out of the horrors. To say this film has a crowd-pleasing final act is an understatement — the audience I saw it with was hooting and hollering, myself included. In addition to delivering as a purely satisfying and entertaining horror movie, it's also got a lot of subtext to parse. The haunting imagery, the missing children and the focus on a community's varying responses to the tragedy can't help but evoke school shootings, and there's a single dreamlike image in the film that makes it clear that these parallels are intentional. Maybe it's because I'm a recent father of an almost 2-year-old, but I found it surprisingly affecting and thought-provoking by the end, when it becomes a different kind of tragic and haunting story. It feels like a movie that's channeling modern anxieties through horror the old-fashioned way and eschewing the more modern mode of letting the subtext become the text. Barbarian's commentary on the #MeToo movement felt hard to miss, for example, but someone could watch Weapons, solely focus on the horror elements, and maybe never even pick up on the real-life terror it mirrors. I haven't stopped thinking about Weapons since the credits rolled, and I can't wait to catch it again. Zach Cregger just made an instant horror classic. What other critics are saying: It's got a rare 100% on Rotten Tomatoes, as of this writing. Variety's Peter Debruge nails it, writing, "Cregger has achieved something remarkable here, crafting a cruel and twisted bedtime story of the sort the Brothers Grimm might have spun." Mark Kennedy at the Associated Press says, "It will, at the very least, make you feel a little dread when the clock hits 2:17 a.m." How to watch: Weapons is now playing in theaters nationwide. Get tickets Bonus recommendation: Sketch Why you should watch it: This live-action fantasy adventure movie for kids is a breath of fresh air as far as family-friendly flicks are concerned. It's an original idea, though it sports a premise that's essentially "what if Harold and the Purple Crayon was Jumanji?" When a young girl's sketchbook falls into a strange pond, her drawings come to life — chaotic, real and on the loose. As the town descends into chaos, her family must reunite and stop the monsters they never meant to unleash. Staples of comedy television D'Arcy Carden and Tony Hale star as the adults, but the kids steal the show. Young lead Bianca Berry is terrific in a tough role, and the other young actors surrounding her are hilarious. The movie is at its best when the kids are just being kids. It's honest about how children would behave around one another, and there are tons of great gags mined from that. Sketch gets the little details just as right as it does its high-concept sci-fi "drawings come to life" stuff. The emotional beats work too, as the "dead mom" storyline that normally serves as background fodder in a Pixar movie is actually woven deftly into the concept and narrative. Sketch harkens back to an era of children's movies that actually starred kids instead of animated blobs — think The Goonies — and the kids being so charming and laugh-out-loud funny takes it far. It's a real gem the whole family can enjoy. What other critics are saying: It's beloved! Kristy Puchko at Mashable calls it "terrific" and writes that it's a "fantastically fun and heartwarming movie with a slathering of weird that makes it a real treat." The Daily Beast's Nick Schager calls it the family film of the summer and says "it's a full-bodied triumph bursting with humor, tenderness, and imagination." How to watch: Sketch is now in theaters nationwide. Get tickets 🤔 But that's not all! If you are in any way nostalgic for 2003's Freaky Friday starring Lindsay Lohan and Jamie Lee Curtis, you will find a lot to love about Freakier Friday, the legacy sequel that reunites that duo and throws even more body swaps into the mix. While the movie is definitely messier and clunkier than the original — when it gets bogged down by plot details, it feels endless — it's much funnier than its predecessor. Jamie Lee Curtis more than lives up to her terrific performance from the first film. Vanessa Bayer of Saturday Night Live fame absolutely steals the show any time she's onscreen, earning big laughs with every line. It's also nice to see Lohan in a real movie again that's not debuting on a streaming service. Millennial superfans should keep an eye out for Mean Girls and The Parent Trap references. Get tickets. 💸 Movies newly available to rent or buy My recommendation: Jurassic World Rebirth Why you should watch it: The latest entry in the long-running franchise was another box-office smash, and it's now available to watch without leaving the comfort of your couch (that's hopefully equipped with some killer surround sound). Scarlett Johansson, Jonathan Bailey and Mahershala Ali replace previous Jurassic World stars Chris Pratt and Bryce Dallas Howard, playing a group of mercenaries hired by a pharmaceutical company to infiltrate an island full of dinosaurs and obtain DNA that could lead to medical breakthroughs. If that all sounds very familiar, that's because it is, and the movie makes no bones (pun intended) about the fact that there's a formula being followed here. Filmmaker Gareth Edwards knows he's making a dinosaur set piece delivery vehicle and colors within those lines expertly. Edwards is a great fit for the material since he's a visual effects maestro, and the CGI dinos look better here than they ever have, even if that practical animatronic touch is largely missed. You can also see and feel inspiration from a bunch of other non-Jurassic films, from Spielberg classics like Jaws and Indiana Jones to other genre staples like King Kong. Jurassic World Rebirth doesn't reinvent the wheel, but it doesn't have to. If you're looking for a fresh helping of dinosaur-based mayhem, it hits the spot. What other critics are saying: It's an even split! Kennedy from the AP praises it as "superb," writing that the filmmakers, like the film's mercenaries, have the same mission: "Going back to the source code to recapture the magic of Steven Spielberg's 1993 blockbuster original. They've thrillingly succeeded." Amy Nicholson at the Los Angeles Times, however, was not a fan, writing, "The series itself has gotten so bored with the beasties that it continues to invent new ugly mutants." How to watch: Jurassic World Rebirth is now available to rent or buy on Amazon, Apple TV and other VOD platforms. Rent or buy 'Jurrasic World Rebirth' But that's not all! This debut feature from Eva Victor was beloved at the Sundance Film Festival earlier this year and is now available to all. In it, something bad happened to Agnes. But life goes on … for everyone around her, at least. It's a very personal and emotional film, using comedy to make a tough subject go down easier. What could be more honest than that? It's a heartfelt and surprisingly funny watch that announces the arrival of Victor as a new voice. Rent or buy. 📺 Movies newly available on streaming services you may have My sort-of recommendation: The Pickup Why you should watch it: The Pickup is an action-comedy that's way more focused on the action than mining as many laughs as possible out of its trio of comic leads, which is a real shame considering how funny we know these performers can be. In the film, a routine cash pickup takes a wild turn when mismatched armored truck drivers Russell (Eddie Murphy) and Travis (Pete Davidson) are ambushed by ruthless criminals led by savvy mastermind Zoe (Keke Palmer). In this straight-to-streaming heist, the main takeaway is that it should be illegal to put Murphy in your movie and force him to be the straight man. It's a better-than-average action flick as far as streaming-era fare goes — you can tell they actually did real stunts with real people vs. doing it digitally, which can go a long way — but when you factor in that it pretty much wastes a terrific cast, it's hard to muster much excitement for it. Somebody must spring Murphy from his streaming-era prison, and they could break out Adam Sandler too if they're already doing the crime. Comedies deserve to be seen in theaters with others, laughing in a room full of strangers, not alone on your couch! But they should also strive to be better than this. What other critics are saying: Sadly, most agree it's a dud. Andrew Lawrence, writing for the Guardian, eviscerated it, writing that it's "worse than Norbit." Though Lovia Gyarkye at the Hollywood Reporter liked it well enough, arguing that the chemistry between Murphy and Davidson works. How to watch: The Pickup is now streaming on Prime Video. Stream 'The Pickup' Bonus recommendation: The Monkey Why you should watch it: If Final Destination: Bloodlines left you craving more disgusting bodily destruction that hits in a horrific yet silly manner, The Monkey also scratches that very specific itch. It's based on a Stephen King short story and written and directed by Osgood Perkins, the man behind Longlegs and son of horror legend Anthony Perkins of Psycho fame. When twin brothers find a mysterious wind-up monkey, a series of outrageous deaths tear their family apart. Twenty-five years later, the monkey begins a new killing spree, forcing the estranged brothers to confront the cursed toy. When I recommended it previously, I wrote that despite its comic tone, The Monkey is poignant. The filmmaker's own history of personal tragedies, including that his mother died in the 9/11 attacks, makes him the ideal candidate for a movie about how one deals with the randomness of death. It's equal parts a send-up of the 'this horror movie is actually about grief' trend and an earnest take on one. What is there left to do in the face of death but laugh? What other critics are saying: Reviews are mostly positive, like William Bibbiani's take from TheWrap, which calls it "a sick and twisted work of comic genius where the punchlines punch so hard you'll explode." Frank Scheck at the Hollywood Reporter, however, called it "aggravating," writing that "the problem is that the deaths are so cartoonish that they become neither horrific nor funny." How to watch: The Monkey is now streaming on Hulu. Stream 'The Monkey' But that's not all! : This endearing crowd-pleaser is about the unexpectedly moving relationship between characters played by John Leguizamo and Euphoria star Barbie Ferreira. It's a true story about a young woman with a father who neglects her. She connects with a stranger on Facebook who just so happens to have the same name, first and last, as her dad. As I wrote when it hit VOD, there's plenty of sadness here, but it's a tearjerker more in an inspiring way rather than a tragic one. Also, there's a reveal in the credits likely to make you well up all over again. Now streaming on Hulu. This movie depicts four interconnected stories taking place at real locations and during real historical events in Oakland, Calif., in 1987. It plays like an inside joke that maybe you'll be privy to, but I personally was not. It sports an impressive cast, including Pedro Pascal. Freaky Tales is now streaming on HBO Max. This beautifully shot folk horror film starring Caleb Landry Jones is set in Scotland during the Middle Ages. In a time of economic turmoil, local villagers scapegoat three strangers. It functions as a parable for the modern world, as this genre is wont to do. Harvest is now streaming on Mubi. That's all for this week — we'll see you next week at the movies!
Yahoo
15 minutes ago
- Yahoo
Is Khamzat Chimaev one of the UFC's biggest stars, or one of the biggest asterisks? (The answer: Yes)
If the UFC is still in the business of creating stars, Khamzat Chimaev qualifies on his own terms. He should be a star, but he comes with this little knapsack of asterisks and uncertainties. With his visa issues, we weren't even sure he'd be able to compete in the United States up until the minute the UFC booked him into a title fight with 185-pound champion Dricus du Plessis at UFC 319 in Chicago on Aug. 16. Even then it felt hypothetical until Khamzat popped up in California to train. By every measure, Chimaev should be among the top UFC draws as he gets set for his ninth overall fight in the organization next weekend. He's undefeated in his pro career, which is a loud enough detail to market a contender. That he broke into the UFC during the pandemic — starching two dudes in 10 days on 'Fight Island,' just as the fight game's libido for gambling was ramping up — is fodder for a future '30 for 30.' Watching him turn Kevin Holland into human origami is something that'll stick with a man. And honestly, the X-ray of Robert Whittaker's mouth after his encounter with Chimaev — one that ended with a row of Whittaker's lower teeth dislodged — doubled as a warning to stay the hell away. The trouble with Chimaev is that he's a mysterious enough figure that you can't trust him. Not him specifically, but the complex nature of all that he is, and the many lunatic things surrounding him. He has the look of a hitman. The hard Caucasus beard, the cleft lip, the leathery features — it's an aura, all right. Caspian chic. Terrifying. Yet he has associations, too. His dealings with the Chechen dictator Ramzan Kadyrov darkened his appeal in America, even for those who try to keep their politics separate from their sports. In Chimaev's case, that's become next to impossible. His visa issues stemmed from that very association in the first place, and it took no less a figure than President Donald Trump — UFC CEO Dana White's good friend and fixer — to make things right. As Chimaev said in his media day in Los Angeles, he doesn't love the political associations. But then again neither did the Ford Theater. He's stuck with them, especially because the UFC has become a celebratory arm of the very Trump administration that has opened up his prospects. Yet it's not just that. It's that Chimaev has been somewhat unreliable in general. There was a discourse over the last week on that very topic, started by former fighter Din Thomas, who said that if Chimaev won the middleweight title it would be a nightmare for the UFC. Why? Because he doesn't fight enough. Since 2022, he has fought just once a year. Getting him into the Octagon is matchmaker algebra. It's geography, religion, politics and the element of surprise all bound into one. Chimaev had multiple fights with Leon Edwards nixed due to a long, reportedly life-threatening bout from COVID, a stretch during which he contemplated retirement. Even when he's booked things have a way of going sideways. The Holland fight wasn't supposed to include Holland at all. Chimaev was supposed to play the role of executioner against Nate Diaz in the latter's final UFC fight at UFC 279. But Chimaev couldn't make weight for that welterweight showdown and ended up in a Las Vegas emergency room. The UFC was left to scramble, and Chimaev was redirected to middleweight to face Holland, all just to keep him on the card. That meant Holland was the only one who suffered the consequences of Chimaev's botched cut. He was supposed to fight Whittaker in the UFC's first foray to Riyadh, Saudi Arabia — which was a big deal, given the money being spent — but was forced out with an illness. Again, the UFC was forced to figure out a Plan B, which ended up being the relatively unknown Ikram Aliskerov standing in against Whittaker in the main event. As far as consolation prizes go, that one was particularly underwhelming. Factor in the blackout dates for Ramadan, and Chimaev is fully capable of holding the middleweight division hostage for long periods of time, something that has perhaps kept him away from a title shot to begin with. The truth is, he comes with a lot of fuss. Yet through all this there's been a feeling that he's inevitable. He's been like a wrecking ball that crashes through the strongest delusions, as he did with Whittaker his last time out. Even as we've squinted to identity his weaknesses — his cardio faltering in the makeshift fight against Kamaru Usman, the vulnerable moments against Gilbert Burns — we suspect a tyrant is in our midst. Usually that kind of thing translates to stardom, especially five years into a dominant UFC career. And Chimaev is a star. Mostly. He's a star shaped like an asterisk, so much so that it's hard to tell the difference. What we've been waiting for is the declarative moment when he becomes everything we thought he was. It's been a lot of noise to cut through, but that's where we are. For better or worse, Khamzat Chimaev — the UFC's great monster in pending — will get his chance at that belt. And maybe it is just as simple as that.
