
Scarlett Johansson sizzles in a black corseted gown as she leads her co-stars at Jurassic World Rebirth premiere in Berlin
Scarlett Johansson ensured all eyes were on her as she led her co-stars at the Jurassic World Rebirth premiere in Berlin on Wednesday.
The actress, 40, who stars as Zora Bennett in the upcoming science fiction film, turned up the heat in a strapless black corseted gown.
The striking ensemble featured a crocodile-textured fabric and was adorned with gold buttons running down the centre.
Scarlett was joined at Zoo Palast by her co-stars Jonathan Bailey, and Mahershala Ali.
It comes just the day after Scarlett stunned at the new movie's world premiere in London.
The actress sent temperatures soaring as she wowed in an elegant sequinned gown.
The pale pink number featured a corset top with a scooping neckline and a floor length straight skirt.
The new science fiction action film, which comes on the heels of Jurassic World Dominion (2022), is the seventh film in the Jurassic Park franchise and stars a whole new ensemble cast, with Scarlett in the lead role.
On a top-secret mission, the characters fight for their lives in a battle against much larger and dangerous foes.
The stunning Marvel star — who previously admitted it was her 'childhood dream' to star in a Jurassic Park movie — leads the charge as she protects her teammates on their life-threatening mission to obtain the DNA of the most ferocious beasts at the site of the now-destroyed research facility for the original Jurassic Park.
The movie is set half a decade after the 2022 Jurassic World Dominion movie, which starred Bryce Dallas Howard alongside Chris Pratt, Laura Dern, Jeff Goldblum and Sam Neill among many more in the all-star cast.
The synopsis of the movie reads: 'Five years after the events of Jurassic World Dominion, the planet's ecology has proven largely inhospitable to dinosaurs.
'Those remaining exist in isolated equatorial environments with climates resembling the one in which they once thrived,' the summary continues.
Last year Scarlett told ComicBook.com that the 'script is so incredible' and gushed how David Koepp wrote it.
Scarlett and Jonathan appeared in great spirits as they posed up a storm on the red carpet
'He returned after like 30 years to write the script. He's so passionate about it, which is so awesome,' she raved.
'I'm such an enormous fan of the franchise and huge nerd for it. I'm just like, I can't even, I'm pinching myself.'
Johansson added. 'I've been trying to get into this franchise in any possible way for over 10 years.'
Steven Spielberg is back as executive producer on the project, which is a joint-venture production between Amblin Entertainment and Universal.
Principal photography began in mid-June in Thailand and went on for about a month until the production moved to Kalkara in the island country of Malta in the Mediterranean Sea, located in Southern Europe for another month.
From there, the shoot went to Sky Studios Elstree in London, England in August for another round before moving on in late September to New York City
Jurassic World Rebirth is scheduled to hit theaters in the UK and US on July 2, 2025.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Daily Mail
an hour ago
- Daily Mail
What uncomfortable detail links the weddings of Prince Harry and Meghan Markle with Edward and Wallis Simpson? Royal biographer Robert Hardman reveals all on new Mail podcast
Podcast All episodes Play on Apple Spotify On the latest episode of Queens, Kings and Dastardly Things, Royal biographer Robert Hardman reveals a striking parallel between the weddings of Prince Harry and Meghan Markle and Edward and Wallis Simpson. The episode, the second instalment in a new podcast miniseries examining the 'objectionable' lives of the first celebrity Royal couple, focuses on how the British establishment turned its back on Edward and Mrs Simpson following the King's abdication. Edward abdicated under the mistaken belief that he and his twice-divorced bride would be permitted back into the Royal fold. The Duke of Windsor expected his new wife to receive the royal titles and privileges due to a former King's bride. During preparations for their June 1937 wedding, it became apparent that Mrs Simpson would never gain full Royal status and that the couple faced complete exile from the family. The Wedding of Edward and Wallis Simpson After failing to convince the government and Commonwealth to accept Mrs Simpson as Queen, Edward abdicated on December 11, 1936. Simpson was deemed unacceptable because she was an American divorcée with two living ex-husbands, which violated both the Church of England's stance on divorce and the constitutional requirement that the monarch be the head of that church. The crown passed to Edward's brother George VI, who made him Duke of Windsor. Edward then fled to Europe while Simpson's divorce from Ernest Simpson was finalised. The former King reportedly felt relieved, 'liberated' from the great burden of the crown. As Mail Columnist Robert Hardman explained: 'Winston Churchill was said to have been in tears when he listened to the announcement of the abdication on the radio. 'One man who was not in tears was the King himself. His view was that the crown had been a terrible burden and that now, he was, in a sense, liberated. 'Edward believed he could continue being much loved without any of the hassle of going about his Royal duty.' 'He was definitely deluded – Edward failed to understand that the nation moves on quite quickly. They were a serious threat to the institution they had left behind.' Planning his wedding to Mrs Simpson, any hopes Edward had of retaining some form of Royal power were dashed. George VI forbade his brother from returning to England, forcing the couple to celebrate their union in France. The Church of England also refused to sanction the marriage, leaving an obscure clergyman, Robert Anderson Jardine, to conduct the service. On top of this, the new King, on the advice of the government, pressured members of the Royal family and aristocracy not to attend the wedding. 'Edward hoped to have lots of members of his family there', Hardman began. 'But he's told – they are not coming at all. George VI and Queen Elizabeth send a telegram – but that's it. They told all the other Royals they were not to attend. 'Dickie Mountbatten, always trying to ride two horses at once, writes to Edward saying he does want to be there, but the King won't let him. 'Even members of the aristocracy are told they cannot turn up. For example, Ulik Alexander, keeper of the Privy Purse and a great friend of Edwards is told he will lose his position if he attends. 'There's a lot of establishment pressure to completely boycott and ostracise this event. In the end, only seven British guests are in attendance.' The government's opposition to senior British establishment figures attending was not solely born out of spite. Officials knew that within Britain and across the Empire, there would be outrage at the prospect of Simpson being honoured as a full Royal. If the wedding resembled a state occasion, there were fears it might embolden Mrs Simpson to use the title Her Royal Highness. Hardman told the podcast: 'There is very strong pressure, from the other realms and dominions – that people do not want Simpson given Royal status. 'If she's made Her Royal Highness, people would have to curtsy to her. That cannot happen.' The event was equally poorly attended on the bride's side, leading the Royal biographer to draw a comparison with Harry and Meghan's wedding some 80 years later. Hardman said: 'Wallis had one member of her family there, her aunt Bessie. This slightly echoes Harry and Meghan's wedding in 2018, where only Meghan's mother attended.' To hear more stories of historical Royal gossip and court intrigue, listen to Queens, Kings and Dastardly Things now, wherever you get your podcasts. New episodes are released every Thursday.


BBC News
3 hours ago
- BBC News
28 Years Later review: Zombie-apocalypse horror is a 'never-dull' monster mash-up
Alex Garland and Danny Boyle have reunited for a follow-up to their 2002 classic. It has visual flair, terrifying adversaries and a scene-stealing performance from Ralph Fiennes. 28 Years Later is part zombie-apocalypse horror, part medieval world-building, part sentimental family story and – most effectively – part Heart of Darkness in its journey toward a madman in the woods. That mashup is not necessarily a bad thing, since most of those parts work so well in this follow-up to the great 2002 film 28 Days Later, about a virus that decimates London. The new film is one of the year's most anticipated largely because it comes from the original's creators, director Danny Boyle and screenwriter Alex Garland. It glows with Boyle's visual flair, Garland's ambitious screenplay and a towering performance from Ralph Fiennes, whose character enters halfway through the film and unexpectedly becomes its fraught soul. But as with Frankenstein's monster, the seams are conspicuous, making for a patchwork that is never dull but not as fully engaging as it might have been. A lot has changed in the 23 years since the original, of course. Boyle, then known for smart indie films like Trainspotting, went on to win an Oscar for Slumdog Millionaire. Garland, then a novelist and screenwriter – 28 Days was his first – is now the director of politically pointed films including Civil War. In 28 Years Later, the central problem is that Garland's political bent and Boyle's commercial instincts don't entirely mesh. The world they have created is specific and impressive though, starting with an island where people have survived the decades since the outbreak by isolating themselves from the still-plague-ridden mainland of England, reached by a causeway that can only be walked across at low tide. It is a community that might have existed in the Middle Ages. Without 21st-Century resources, they make their own arrows for weapons and use wood for fuel. Aaron Taylor-Johnson is impressively solid as Jamie, a harried but responsible husband and father. Jodie Comer plays his wife, Isla, bedridden and occasionally delirious in this community which has no doctor to diagnose her. Mostly, Comer has to look woeful. Isla can barely remember why Jamie is about to take their son, Spike (Alfie Williams), on a ritualistic trip to the mainland. It is time for him to make his first kill of an infected creature, a survival tactic he will need to know. Boyle takes full advantage of his striking technical skills in the father-son hunting scenes, which are pure zombie action-horror, full of kinetic camera movements and quick cuts as Jamie and Spike race through the woods, shooting arrows and trying to outrun the infected. The creatures are officially not zombies, as much as they look and act that way, but victims of the same blood-borne virus that caused people to become full of rage in the original film, turning them into lumbering, mush-brained marauders. Decades later they have morphed. Some, called the Slow-Lows, look like hippos crawling on all fours. Others are faster and smarter than ever. All are naked, caked in dirt, and spout geysers of blood when an arrow hits them. The danger feels visceral. Some stylish flourishes briefly comment on this embattled world. A scratchy, ominous 1915 recording of the Rudyard Kipling poem Boots, about infantrymen, (the same used in the film's trailer) is heard over recurring images of war, from the Crusades to the 20th- Century World Wars. Text at the start of the film tells us that Europe managed to push the virus away, quarantining it in Britain, which has been abandoned by the rest of the world. French and Swedish boats patrol the waters to enforce the quarantine. But that politically acute theme, which might have been so resonant with the issue of isolationism today, goes nowhere. Spike, whose story is so central, is a bland character. A thread of the narrative about the boy and his mother strains for emotion and includes a twist about a pregnant infected woman that is ludicrous even for a horror film. And separated from the original in every way except its source story, for a long stretch the film lands as a more visually stunning, less emotionally rich variation on The Last of Us. But it takes on a quieter, more psychological tone and becomes infinitely better when Fiennes arrives. It's here that Boyle and Garland truly elevate and reimagine the genre. Fiennes's character, Kelton, lives on the mainland and was once a doctor. Spike believes he might be able to help his mother, although Jamie warns that everyone knows Kelton is insane. Fiennes plays him with a shaved head, a dash of wit, and skin that looks orange. "Excuse my appearance. I paint myself in iodine," he politely says when he first meets Spike and Isla. "The virus doesn't like iodine at all." (I did wonder how he got so much iodine after all those apocalyptic years, but let's not be pedantic about it.) And he shows them his lovingly designed temple, with tall columns made of bones elegantly laid out alongside a tower of skulls. It is, he explains, a Memento Mori, a reminder that we all die. Each skull reminds him that it was once part of a living person in the flesh, not a monster. Creepy, yes, but Fiennes also makes Kelton gentle, a man of deep compassion, who regrets that there are no longer hospitals where the sick like Isla can be treated. He is the most humane person on screen, which is largely down to Fiennes's vivid, layered performance. One of the film's strengths is that you can leave debating just how unhinged Kelton really is. 28 Years Later is the first in a projected new trilogy. The second part, written by Garland and directed by Nia DaCosta, has already been shot and is scheduled to be released in January. That one is called 28 Years Later: The Bone Temple, an excellent sign considering how Fiennes's character runs away with this imaginative but uneven film. ★★★★☆ 28 Years Later is released in cinemas in the UK and US on 20 June. -- If you liked this story sign up for The Essential List newsletter, a handpicked selection of features, videos and can't-miss news, delivered to your inbox twice a week. For more Culture stories from the BBC, follow us on Facebook, X, and Instagram.


The Sun
4 hours ago
- The Sun
Bay City Rollers star reveals ‘harrowing' sex abuse by band's ‘bully, predator' manager who ‘plied stars with drugs'
STUART 'Woody' Wood told how he hid the trauma of his abuse by paedo manager Tam Paton for 50 years, saying: 'I chose not to let it shape my life.' The Bay City Rollers icon, 68, said he was determined not to let the sicko 'win' as he opened up for the first time about how he too was a victim of the beast. 4 4 4 4 Burly Paton bossed the band during the height of their 70s fame, when they had No1 hits including Saturday Night, Bye Bye Baby and Shang-A-Lang. He was later fired by the group before being jailed for three years in 1982 for gross indecency with teenage boys. In his autobiography Mania, released on Thursday, former pop-pin up Stuart brands the late fiend a 'true monster' and explains why he kept his own suffering a secret for five decades. Stuart wrote: 'I met Tam when I was 16 years old. He was intimidating and a bully, and all the disgusting things said about him are accurate. 'He was a predator. He abused me as he did others. 'It was a horrific and harrowing time. The drugs he plied us with were part of that control. I met Tam when I was 16 years old. He was intimidating and a bully, and all the disgusting things said about him are accurate 'My take is that to have a healthy mind, you have to let some things go, as much as it might pain you to do so. 'So, when Tam's squalid little life came to an end in 2009, I stopped thinking about him. 'He was a terrible human being, but the way I see it, he doesn't get to define me. 'Tam f******g Paton doesn't get to win.' Original lead singer of The Bay City Rollers returns 50 years after fall out In 2003, Paton was accused of attempting to rape Rollers guitarist Pat McGlynn in a hotel room in 1977. Police investigated but concluded there was insufficient evidence to take it to court. Depraved Paton claimed he was being targeted because he was gay. After the flabby perv's death from a heart attack in 2019 singer Les McKeown claimed the former manager had also raped him while on tour in America after drugging him. Les — who died at 65 in 2021 — said: 'I was given Quaaludes, a drug for lowering your inhibitions and making you horny. 'Afterwards I felt really used and abused. I never told anybody about it, not even the other guys in the band, because I was ashamed.' Original Rollers singer Nobby Clarke has also claimed the boys were encouraged by Paton to sleep with radio DJ Chris Denning, who jailed for child sex abuse in 2016. Meanwhile, founder Alan Longmuir revealed in 2018 how Paton had 'friends in low places' and warned 'his depravity ran deeper than we know.' However, Stuart maintains he did not talk about Paton's abuse with either Les or Alan, even when they reformed the Rollers together 10 years ago. Speaking from his home in Edinburgh, the songwriter, guitarist and producer said: 'We never discussed it - any of us - it just happened. 'We were all survivors, but with Les it felt like it hit him harder. 'It's not like I locked all those experiences away, stuffed down the bad memories, pretending they didn't happen. BAND'S TROUBLED PAST 1974: Stuart 'Woody' Wood joins group to form classic line-up with Alan and Derek Longmuir, Eric Faulkner and Les McKeown. 1975: Bye, Bye, Baby reaches No1. 1978: Les quits soon after being booted off stage by Woody during a gig in Tokyo. 1979: Manager Tam Paton is fired before Rollers split. 1982: Paton is jailed for three years for sexually abusing ten boys over three years. 2003: Cops decide there is not enough evidence to prosecute Paton over accusations he tried to rape former Rollers guitarist Pat McGlynn. 2004: The sicko is fined £200,000 for drug dealing after cannabis stash find at home. 2007: Ex-band members sue Arista Records over claims they are owed millions of pounds in unpaid royalties. 2009: Paton dies after a heart attack on the same night £1.5million in drugs and cash are stolen from his Edinburgh pad. 2016: Les McKeown says he was raped by Paton. 2016: Woody sensationally quits the group after a bust-up at T in the Park. 2018: Alan Longmuir passes away aged 70. 2021: Les dies of heart attack at 65. 2023: TV documentary details how Paton controlled and abused band. 2025: Woody releases tell-all autobiography Mania. 'I just choose to not let them shape my life.' Stuart is now the last member of the 'classic' Rollers line-up still performing, with a new single Rollers Forever released next month. A musical of the same name opens at Glasgow's Pavilion Theatre in August. However, the star describes his relationship with Paton as 'complicated' as he even invited his abuser to his wedding to artist Denise in 1997. He added: 'There's an old expression, 'Keep your enemies close'. "I think that was the case with Tam. There was another side of Tam that was funny. 'He could be a lovable rogue.'