
At 41, ‘City Step' still pairs Cambridge kids with Harvard dancers
On Friday evening, students from Graham and Parks School, Fletcher Maynard Academy, King Open School took part in a 90-minute production titled 'Out of the Box,' held in the Lowell Lecture Hall.
CityStep parent Peter Kirby's daughter, Miyuki, who has Down' syndrome, has danced in the program for three years.
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'Being able to move and express herself to music has been great for her development,' he said. 'The idea of giving kids that outlet for artistic and physical movement is important.'
'You're setting that long term goal and giving them something to think about and aim at,' he said. 'You really want to show them the direction 10 or five years earlier.'
Since its inception, the program has expanded to University of Pennsylvania, Yale University, Columbia University and University of Chicago.
Founder Sabrina Peck has stayed involved with CityStep as its executive director and described this year's show as 'unconformity.'
'We want to encourage children to be thinking to understand they can be who they are, and be themselves,' she said. 'We want them to know they can take risks and be creative.'
This year's production was titled 'Out of the Box,'
to encourage young dancers to bring aspects of their personal lives and into their dancing.
They incorporated ballet influences, rock moves, abstract lighting and live music. A drumming performance used old paint buckets. Students used clown clothes, boxes and other props
in their displays.
The show's message was for students to their individual authenticity to combat social media consumption, anxiety and depression, Peck said in a news release.
CityStep leadership is looking to grow the program to newer cities and continue planning a retreat to bring together teachers from across the country to New York for a two day training.
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Producers announced the students will be taken to an Alvin Ailey performance in April to culminate this round of the CityStep cycle.
Auzzy Byrdsell can be reached at

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She served Batsheva in various capacities through 1975, including as an artistic director one year. But by 1974, she was assisting Ms. Graham again, shuttling between Israel and the United States. After Mr. Ben-David died in a car accident in 1976, Ms. Graham sent her a plane ticket to return to New York. Ms. Hodes rejoined the Graham company full time in 1977 and remained until 1991, serving variously as rehearsal director, associate artistic director and co-artistic director. Ms. Graham fought and fell out with many of her dancers, but not with Ms. Hodes. The two became close, shopping together and spending hours on the phone gossiping. 'Martha didn't have a lot of friends,' Ms. Hodes told Mr. Tracy. 'I filled the role of 'girlfriend.'' Before Ms. Graham died at 96 in 1991, she chose Ms. Hodes to run her company after her death, along with Ron Protas, a photographer who had become Ms. Graham's manager and close companion. 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She joined as rehearsal director and as artistic director of a newly formed junior troupe, Taylor 2 Dance Company, staying until 1998. She is survived by two daughters from her first marriage, Catherine Hodes and Martha Hodes, a historian who published the 2023 book 'My Hijacking,' about how she and her sister were held hostage by the Popular Front for the Liberation of Palestine, which hijacked a flight to New York from Israel in 1970; a daughter from her second marriage, Tal Ben-David, who had a small role in Ms. Graham's 'Andromache's Lament' (1981) when she was 11; and a brother, Stephen. But Martha Graham, Ms. Hodes said in an unpublished video interview in 1982, was 'the person who is closest to me outside of my children.' 'She is the most important person in my life,' she said in the 1976 oral history. 'I have learned more from Martha than I have learned from any single person.'