Bad Bunny makes a ‘political statement' as Puerto Rico residency begins
A sense of excitement has permeated Puerto Rico as homegrown artist Bad Bunny, one of the world's biggest music stars, begins his long-awaited residency on Friday.
Stores are selling out memorabilia, restaurants are creating themed menu items and local news stations are devoting special coverage to what residents are calling 'Bad Bunny mania.'
Bad Bunny, born Benito Antonio Martinez Ocasio, is performing a series of 30 concerts that fans say are meant to galvanize Puerto Rico's unique sense of pride and resilience against the backdrop of economic uncertainty, gentrification, and the long-lasting impact of colonialism.
The first nine shows of his residency will be performed exclusively for Puerto Rican residents, while the rest will invite fans from around the world in a larger effort to promote the island's rich culture. All 30 shows, which will take place at the 18,500-seat arena Coliseo de Puerto Rico, have been sold out.
Prioritizing Puerto Ricans for the residency 'signals that Benito is speaking personally to Puerto Ricans first and foremost,' said Jorell Meléndez-Badillo, historian of Puerto Rico.
The shows are also considered a powerful symbol of Puerto Rican self-reliance and the belief that the U.S. territory can stand tall on its own, says Javier J. Hernández Acosta, dean of the School of Arts, Design and Creative Industries at the Universidad del Sagrado Corazón in San Juan.
He views the concerts as a chance to show off the island's creative arts, which he says are Puerto Rico's 'best resource to build a future of economic, social and political development.'
Ahead of the first show on Friday, the atmosphere outside the arena was festive, with music blaring and vendors selling food and merchandise as fans lined up to enter the arena.
'(I'm) excited, super excited, super happy to see Bad Bunny live here in Puerto Rico, which is a unique experience that can only be had in Puerto Rico. Seeing Bad Bunny in Puerto Rico isn't the same as seeing him in another part of the world,' said Gilda Santos.
'Bad Bunny has been unique, unique, in carrying the name of Puerto Rico high. And now with this residency, we are here, so that they know that Puerto Rico is the island of enchantment,' said Jackeline Carrasquillo, a fan from Río Grande.
Affirming Puerto Rican culture
As a U.S. territory, Puerto Rico does not have statehood status, although its residents are American citizens. As residents of a territory rather than a state, Puerto Ricans can't vote for president in the U.S. general election. The territory has a nonvoting delegate in Congress, called a resident commissioner.
The King of Latin Trap has often sought to amplify the often-marginalized voices of the U.S. territory and to highlight the struggles his fellow Boricuas and other Latinos have faced and overcome.
The concerts will feature songs from his latest album, 'Debí Tirar Más Fotos' (I Should Have Taken More Photos), which explores themes of injustice, including displacement, gentrification and American colonialism.
The track 'Lo Que Le Pasó a Hawaii' (What Happened to Hawaii), for example, expresses concern that displacement could cause Puerto Rico to lose its identity.
In a melancholy tone, he sings, 'They want to take away the river and the beach. They want my neighborhood and Grandma to leave. No, don't let go of the flag or forget the lelolai. I don't want them to do to you what happened to Hawaii.' Hawaii only became the 50th U.S. state in 1959, more than 60 years after the U.S. government overthrew its monarchy.
The song 'Nuevayol,' meanwhile, celebrates the Puerto Rican diaspora in New York and the contributions Latinos have made to the United States.
More than 5 million Puerto Ricans are estimated to be living in the U.S. mainland, according to the Pew Research Center. Many have left the island in recent years due to rising living costs, natural disasters, an energy crisis and other hardships.
'The theme and the ethos of this record is sort of affirming that Puerto Rican culture in the face of cultural and physical displacement of Puerto Ricans,' said Meléndez-Badillo, who teaches at the University of Wisconsin-Madison and is attending one of the concerts this weekend.
Some of those topics are also amplified in the music visualizers that accompany the songs. They display informative text about Puerto Rico's history and were written by Meléndez-Badillo himself at the request of Bad Bunny's team.
A world tour without the U.S.
The Puerto Rico residency will be followed by a larger world tour that notably leaves out the biggest market for musicians: the United States mainland – a choice that Meléndez-Badillo says is likely a 'political statement.'
Fans have speculated that his decision to skip the U.S. could be connected to Bad Bunny's recent criticism of U.S. policies, such as the mass immigration crackdown under U.S. President Donald Trump, which has largely targeted Latinos.
Earlier this year, he posted an Instagram story of what appeared to be a U.S. Immigration and Customs Enforcement raid, where he reportedly called agents 'sons of b*tches' for targeting people trying to work.
Asked by Variety magazine why he wouldn't be performing in the U.S., Bad Bunny simply replied: 'It's unnecessary,' pointing out that fans in the U.S. have had many opportunities to see him perform.
The star is essentially telling the U.S., 'You are not the center of the world,' according to Hernández Acosta, and that Puerto Ricans 'are the ones who set the priorities here.'
Above everything else, he continued, the performances are also a chance for Puerto Ricans to celebrate and have fun after years of hardship, including recovering from the devastating Hurricane Maria in 2017.
'We have to celebrate things,' he said. 'That's what life is for.'
By Michael Rios.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Cision Canada
5 hours ago
- Cision Canada
Sabio Announces Launch of Creator Television® on Amazon Fire TV Channels
TORONTO, July 29, 2025 /CNW/ -- Sabio Holdings (TSXV: SBIO) (OTCQB: SABOF) (the " Company" or " Sabio"), a Los Angeles-based ad-tech company specializing in helping top global brands reach, engage, and validate (R.E.V.) streaming TV audiences, today announced that its Creator Television ® (Creator TV) free ad-supported television (FAST) channel is now available on Amazon Fire TV Channels. Fire TV Channels, an ad-supported TV experience free to customers on all Fire TV, Fire Tablet, and Echo Show devices in the US, consolidates access to news, sports, music videos, lifestyle, and entertainment channels. Fire TV Channels provides live, on-demand, and short-form content, accessible on the Fire TV home screen and under the "Free" tab. "Fire TV Channels has built a distinctive experience that showcases high-quality content across many genres," said Joe Ochoa, Co-Founder and General Manager of Creator TV. "We are delighted to bring Creator TV's unique content to the Fire TV audience—and to attract young and diverse audiences to the Fire TV experience." Creator TV is the first creator-led streaming network and content studio dedicated to bringing the authenticity and energy of social media storytelling to TV. By collaborating with Creator TV, social media content creators can amplify their global presence, diversify their content monetization, and join a TV network, delivering a fresh, dynamic viewing experience. "Social media creators are the content innovators of our time, and their unique vision and approach will fuel the next wave of programming on TV," said Charlie Ibarra, Co-Founder and Head of Content at Creator TV. "Creator-led shows blend the authenticity and deep resonance of user-generated content with traditional TV narrative techniques, expanding the boundaries of storytelling and reshaping how audiences experience entertainment." Visit to learn more. About Sabio Sabio Holdings (TSXV: SBIO, OTCQB: SABOF) is a technology and services leader in the fast-growing ad-supported streaming space. Its cloud-based, end-to-end technology stack works with top blue-chip, global brands and the agencies that represent them to reach, engage, and validate (R.E.V.) streaming audiences. Sabio consists of a proprietary ad-serving technology platform that partners with the top ad-supported streaming platforms and apps in the world and App Science™, a non-cookie-based software as a service (SAAS) analytics and insights platform with AI natural language capabilities, and Creator Television® (Creator TV), the first creator-led streaming network and content studio dedicated to bringing the authenticity and energy of social media storytelling to TV. For more information, visit:


CTV News
a day ago
- CTV News
Wallis Annenberg, billionaire philanthropist who backed arts, science and other causes, dies at 86
Wallis Annenberg, right, presents Elizabeth Taylor, center, and Sylvester Stallone with Devereux Foundation Awards at a ceremony, Thursday, July 12, 1984, Beverly Hills, Calif. (AP Photo/Nick Ut, file) LOS ANGELES — Wallis Annenberg, the billionaire philanthropist who supported the arts, science, education and animal welfare causes over decades in Los Angeles, died Monday, her family said. She was 86. Annenberg died at home from complications related to lung cancer, the family said in a statement to the Los Angeles Times. 'Wallis transitioned peacefully and comfortable this morning to her new adventure,' the statement said. 'Cancer may have beaten her body but it never got her spirit. We will hold her and her wisdom in our hearts forever.' Her name adorns institutions across the Los Angeles area, including the Wallis Annenberg Building at the California Science Center, the Wallis Annenberg GenSpace senior center and the Wallis Annenberg Center for the Performing Arts. The Wallis Annenberg Wildlife Crossing, the world's largest bridge for animals on the move, will open next year over an LA freeway. During her 16-year tenure as president and chief executive of the Annenberg Foundation, the nonprofit organization has donated about $1.5 billion to thousands of organizations in Southern California, the Times reported. Under Wallis Annenberg's leadership, the foundation expanded its philanthropic scope beyond media, arts and education to include animal welfare, environmental conservation and healthcare. Her father, Walter Annenberg, started the foundation after selling his publishing empire, including TV Guide and other publications, in 1989 to Rupert Murdoch's News Corp. Walter Annenberg died in 2002. Wallis Annenberg was a longtime board member of LA's Museum of Contemporary Art and the Los Angeles County Museum of Art, or LACMA. In 2002, she gave $10 million to endow LACMA's director position. 'Wallis Annenberg blessed the Los Angeles community not only with her philanthropy, but also with her guidance about how to improve our community,' said LACMA Chief Executive Michael Govan, who filled that endowed position in 2006. Born in Philadelphia, she moved to Los Angeles in the early 1970s after marrying neurosurgeon Seth Weingarten. The couple divorced in 1975. Wallis Annenberg received the 2022 National Humanities Medal from President Joe Biden for her life in philanthropy. She is survived by four children and five grandchildren. The Associated Press


CTV News
2 days ago
- CTV News
‘Fantastic Four: First Steps' scores Marvel's first $100 million box office opening of 2025
This image released by Disney shows Pedro Pascal in a scene from "The Fantastic Four: First Steps." (Marvel/Disney via AP) LOS ANGELES — Marvel's first family has finally found box office gold. 'The Fantastic Four: First Steps,' the first film about the superheroes made under the guidance of Kevin Feige and the Walt Disney Co., earned $118 million in its first weekend in 4,125 North American theaters, according to studio estimates Sunday. That makes it the fourth biggest opening of the year, behind 'A Minecraft Movie,' 'Lilo & Stitch' and 'Superman,' and the biggest Marvel opening since 'Deadpool & Wolverine' grossed $211 million out of the gate last summer. Internationally, 'Fantastic Four' made $100 million from 52 territories, adding up to a $218 million worldwide debut. The numbers were within the range the studio was expecting. The film arrived in the wake of another big superhero reboot, James Gunn's 'Superman,' which opened three weekends ago and has already crossed $500 million globally. That film, from the other main player in comic book films, DC Studios, took second place with $24.9 million domestically. 'First Steps' is the latest attempt at bringing the superhuman family to the big screen, following lackluster performances for other versions. The film, based on the original Marvel comics, is set during the 1960s in a retro-futuristic world led by the Fantastic Four, a family of astronauts-turned-superhuman from exposure to cosmic rays during a space mission. The family is made up of Reed Richards (Pedro Pascal), who can stretch his body to incredible lengths; Sue Storm (Vanessa Kirby), who can render herself invisible; Johnny Storm (Joseph Quinn), who transforms into a fiery human torch; and Ben Grimm (Ebon Moss-Bachrach), who possesses tremendous superhuman strength with his stone-like flesh. The movie takes place four years after the family gained powers, during which Reed's inventions have transformed technology, and Sue's diplomacy has led to global peace. Both audiences and critics responded positively to the film, which currently has an 88% on Rotten Tomatoes and promising exit poll responses from opening weekend ticket buyers. An estimated 46 per cent of audiences chose to see it on premium screens, including IMAX and other large formats. The once towering Marvel is working to rebuild audience enthusiasm for its films and characters. Its two previous offerings this year did not reach the cosmic box office heights of 'Deadpool & Wolverine,' which made over $1.3 billion, or those of the 'Avengers'-era. But critically, the films have been on an upswing since the poorly reviewed 'Captain America: Brave New World,' which ultimately grossed $415 million worldwide. 'Thunderbolts,' which jumpstarted the summer movie season, was better received critically but financially is capping out at just over $382 million globally. Like Deadpool and Wolverine, the Fantastic Four characters had been under the banner of 20th Century Fox for years. The studio produced two critically loathed, but decently profitable attempts in the mid-2000s with future Captain America Chris Evans as the Human Torch. In 2015, it tried again (unsuccessfully) with Michael B. Jordan and Miles Teller. They got another chance after Disney's $71 billion acquisition of Fox's entertainment assets in 2019. Top 10 movies by domestic box office With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore: 1. 'The Fantastic Four: First Steps,' $118 million. 2. 'Superman,' $24.9 million. 3. 'Jurassic World Rebirth,' $13 million. 4. 'F1: The Movie,' $6.2 million. 5. 'Smurfs,' $5.4 million. 6. 'I Know What You Did Last Summer,' $5.1 million. 7. 'How to Train Your Dragon,' $2.8 million. 8. 'Eddington,' $1.7 million. 9. 'Saiyaara,' $1.3 million. 10. 'Oh, Hi!,' $1.1 million. Lindsey Bahr And Itzel Luna, The Associated Press