Springfield Park celebrates renovation with new patio
Italian Feast returns to Springfield's South End with reopening of historic social club
The Jaime Ulloa Park is a stomping ground for many residents in the north end of Springfield. Some issues with the pavilion in the park made it hard for retired groups like the Domino Club to enjoy.
'The water was leaking from the roof, you couldn't play when it was raining, and it was uncomfortable,' said Jose Riveria, a Domino Club member.
City Councilor Maria Perez brought the concerns to Mayor Domenic Sarno once she learned of the current conditions, and in a joint effort along with park management, it was time for a change.
'I came here every afternoon and I check how they are doing, what is needed,' said Perez.
This t$225,000 project helped renovate new tables, posts, but a few benches were kept to keep the nostalgic feel of the area. It was all made official in a ribbon-cutting ceremony.
The Morgan Street Domino Club has been playing in the same spot for over 30 years, it's their home, and they're glad that they were heard. Playing dominoes isn't just an activity for the Latino community here; it's essential to embracing their culture.
'This is the beautiful things that happen to us. And we appreciate it from the bottom of our hearts,' said Tony, another Domino Club member.
A new mural is possibly in the works as an addition to the new pavilion, and it might even honor the local legacy of the Domino Club.
WWLP-22News, an NBC affiliate, began broadcasting in March 1953 to provide local news, network, syndicated, and local programming to western Massachusetts. Watch the 22News Digital Edition weekdays at 4 p.m. on WWLP.com.
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Vox
9 hours ago
- Vox
The Joe Rogan Experience is a mirror for America
is a correspondent at Vox, where he covers the Democratic Party. He joined Vox in 2022 after reporting on national and international politics for the Atlantic's politics, global, and ideas teams, including the role of Latino voters in the 2020 election. Joe Rogan is many things — a comedian, a commentator, and a contrarian; a reality TV star and martial artist-turned-host of the most listened to podcast in America: The Joe Rogan Experience. His fans say he's just asking questions, calling out liberal hypocrisy, and defending free speech. His critics use other terms: a conspiracy theorist and peddler of misinformation and anti-trans rhetoric, who platforms not just off-the-wall ideas, but dangerous narratives that cause real-world harm. There's truth in all these labels. There's another way to think of Rogan that may help put him in his rightful context for this decade: 'Joe Rogan is the Walter Cronkite of Our Era,' declared British satirist Konstantin Kisin for Quilette in 2019. 'Not one established newspaper or broadcaster can now compete with a popular YouTube host conducting a conversation from his self-funded studio,' he wrote at the time, reflecting on Rogan's three-hour interrogation of Twitter executives. Vox Culture Culture reflects society. Get our best explainers on everything from money to entertainment to what everyone is talking about online. Email (required) Sign Up By submitting your email, you agree to our Terms and Privacy Notice . This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply. Kisin's declaration — before the global Covid-19 pandemic, before the 2020 election of Joe Biden or the 2024 reelection of Donald Trump — might have been a bit premature. But he effectively predicted what Rogan would yet become: not just one of the most influential voices in politics, popular culture, and social commentary, but also a harbinger for a new form of media, communications, trust, and truth in a post-pandemic world. There is no monoculture in 2025; but for a huge part of America, the realm Rogan pioneered and steers is as close as we might get. Related The Gen Z divide that could decide the next election He and his show have been at the crossroads of just about every major moment and societal change that defines the 2020s, from Covid misinformation and vaccine fearmongering to the expansion of the 'manosphere' universe. His show is a mirror for a country that has grown more anxious, distrustful, and paranoid in the last decade. Like a lot of America, the pandemic changed Rogan When Kisin made his Cronkite comparison in 2019, Rogan's mainstream crossover was just getting started. Back then, The Joe Rogan Experience was well on its way to being the most popular podcast show in America — the second most downloaded Apple podcast in 2017 and 2018, before topping the list the next year. His YouTube uploads regularly attracted a million views each (racking up more than 2 billion by mid-2020), and the show had become a must-stop destination for both traditional celebrities and a realm of alternative and conspiratorially minded pseudointellectuals (think: Alex Jones, Kanye West, Elon Musk). There is no monoculture in 2025; but for a huge part of America, the realm Rogan pioneered and steers is as close as we might get. He had achieved that by developing a space for curious-minded average joes and those folks Slate once described as ''freethinkers' who hate the left' to listen to his two-to-three-hourlong, anarchic episodes. In trying to understand what made Rogan's show work, the writer Devin Gordon summarized his roster as being roughly divided into three categories: fellow comedians, fellow athletes and fighters, and ''thinkers.'' The latter label, Gordon wrote in The Atlantic, 'requires air quotes because it encompasses everyone from Oxford scholars…all the way across the known intellectual galaxy to conspiracy theorists like Rogan's longtime buddy and Sandy Hook denier Alex Jones.' And gobbling up this content were millions of, primarily, American men, across every demographic. Through it all, a handful of principles anchored the show. While he wasn't overtly political, he described himself as having essentially libertarian views with strong socially liberal leanings. Free speech, and the platforming of those who had been canceled in the mainstream, were a foundational goal of the show. Skepticism of government, big tech, and corporate media were a corollary. And a pseudo-Socratic line of curiosity and skepticism were his modus operandi. That led him to take traditionally liberal positions on social issues and civil rights, to criticize interventionist foreign policy, and to embrace the policies of political figures like Andrew Yang, Tulsi Gabbard, Robert F. Kennedy Jr., as well as populist movement headed by Sen. Bernie Sanders, who Rogan backed during the 2020 Democratic primaries. Yet with the dawn of the pandemic, a few things changed. While originally critical of Trump, the tone of his shows, and his guests, began to move in a rightward direction after Trump's 2020 defeat. Rogan had been critical of pandemic shutdowns and mitigation efforts, questioned the efficacy of vaccines, and railed against what he called censorship and speech suppression on social media platforms. And once the 'left,' and 'woke' liberals became the establishment in the Biden administration, media, pop culture, and business, Rogan and his show had an easy foil to criticize and ask questions. This post-2020 period was a time of growth and challenge for Rogan. He inked a reported $200 million multiyear deal with Spotify for the platform to exclusively host his podcast, but both he and Spotify faced intense calls by artists, liberal activists, journalists, and science communicators to either censor, deplatform or moderate his show to prevent the spread of conspiracy theories and misinformation. He has previously described this era between 2020 and 2022 as 'terrifying' — for the threats to free speech he felt were being emboldened by the Biden administration, by popular culture, and by mainstream media. This period contextualizes his feuds during that time with Facebook and Twitter for allegedly suppressing right-wing opinions and speech, with the Biden White House for pressuring social media companies to regulate speech, and with the mainstream media. Yet he survived this controversy, and his show only grew bigger since then, aligning with his eventual drift to not only interviewing but endorsing Trump in 2024. His format, and style, has changed America and its relation to truth Rogan and his show are now perfect avatars of America's political and cultural revolution in the Trump era: The Joe Rogan Experience is now one of the key arbiters of truth and reality for scores of Americans who get informed from nontraditional and alternative media sources. His YouTube channel now boasts over 6 billion views across the episodes uploaded there; his episodes are rarely not the top shows across Apple, Spotify, and other podcast apps. He's become the mainstream, popular enough to cause strife during the 2024 election when he declined to interview Kamala Harris but hosted Trump and Vice President JD Vance. He also interviews the likes of Mark Zuckerberg, Elon Musk, various politicians and entrepreneurs, and many more celebrities, actors, and comedians. His format has been imitated or adapted across the internet — yielding a web of right-wing, testosterone-driven, trash-talking shows collectively known as the manosphere. In this realm, pioneered by Rogan, inquiry and curiosity can easily give way to conspiratorial thinking and paranoia. There's a sense that there are greater forces and powers trying to influence American minds, and thus requires radical skepticism. In this realm, pioneered by Rogan, inquiry and curiosity can easily give way to conspiratorial thinking and paranoia. In that way, Rogan's show encompasses the crossroads of three defining forces of the 2020s: the anti-incumbent, change-the-status-quo energy that permeated American politics in the last years of the Biden administration; the silo-fication of news, media, and truth into echo chambers and algorithmically powered feeds; and the political awakening and radicalization of low-information, low-political engagement, and low-trust Americans. Rogan has successfully helped to yoke together a particularly reactive, ill-informed, and even paranoid group; a group that is now accustomed to having their beliefs confirmed by increasingly powerful people. Yet now that he's the mainstream, Rogan finds his show in a potentially tenuous position: holding together a vast audience that could eventually come to question their loyalties and question him. His Trump endorsement, in particular, came with risks — opening him up to accusations of hypocrisy, flip-flopping, or misplaced trust should Trump end up walking back the policies and stance he promised. Those tensions are already playing out across the manosphere, as other hosts who endorsed Trump claim they were duped or regret their support.


Los Angeles Times
2 days ago
- Los Angeles Times
The Chicano artist melting ice blocks in Riverside has a bigger story to tell
Some SoCal residents spent their summer at the beach, or at their local rooftop pool; others spent it indoors, hiding from ICE agents. It's why Riverside artist Perry Picasshoe spent his summer documenting the melting of 36 ice blocks on sidewalks across the Inland Empire. He traveled to nine locations, a mix of parks, storefronts and gas stations, where immigration enforcement raids have taken place in the past few weeks. In each spot, he placed four 25-pound ice blocks on the ground and took photos of them as they melted. He would periodically check on the progress, he explained, and found that some were smashed into pieces or completely disappeared. 'I took it as a metaphor of what's happening,' Picasshoe said, referencing the recent ICE raids taking place across Southern California. 'I was also thinking a lot about having these blocks of ice as almost a stand-in for people.' This latest art piece is just one of the many other Chicano-focused projects that Picasshoe has created in his hometown in the past three years. His goal, among all of the artworks, is to push its residents to reflect on the complexity of the Inland Empire's Latino identity. Juan Carlos Hernandez Marquez is an emerging Mexican American multidisciplinary artist from Riverside who goes by the stage name Perry Picasshoe. The moniker, which he created as a teenager, is a play on Pablo Picasso's name mixed with an early 2010s social media term 'art hoe.' Under this pseudonym, Picasshoe first gained recognition for creating art that explored the complexities of his dueling identities of being an LGBTQ+ artist while surrounded by traditional Latino ideals. While studying visual arts at UCLA, he reimagined Sandro Botticelli's painting 'The Birth of Venus' with LGBTQ+ imagery, created a 9-foot-tall Christmas cactus in honor of the time he spent with his father during the holidays and hosted a solo exhibition called 'Mystic Garden,' which showcased pieces inspired by flowers given to him by an ex-partner. It's also where he developed his signature red-dominant style in both his fashion and art. 'Red is my comfort color,' Picasshoe said. He suffered from occasional panic attacks while studying at UCLA, he explained, which discouraged him from going to school. It continued for months — until he found himself wearing a bright red outfit, which brought him a sense of peace. 'It just kind of grew from there,' he added. 'It just followed me everywhere that I went.' Picasshoe also posted videos showcasing his pieces on social media. Like his artwork, his posts were intricately filmed and edited with bright red accents. They were also accompanied by narration detailing the work's inspiration, creation process and meaning. His efforts amassed him almost 200,000 followers between TikTok and Instagram. This rapid growth, both on social media and within his network, brought new opportunities to grow professionally in Los Angeles. Yet after graduating in 2022, he decided to continue his career in his hometown instead. 'It was just a different pace that I was not ready for,' he said. 'The art scene out here is much more [based in] community, as opposed to [money] or clout. It's more of making work that people here will get to enjoy.' It's a decision that's worked in his favor. This year, he's been honored by the city at the Mayor's Ball for the Arts with the Emerging Artist award and recognized as one of UCLA's top 100 alumni entrepreneurs for 2025. Picasshoe's decision to be a professional artist within the Inland Empire also came at a time when opportunities for Latino artists in the region have grown in recent years. Cosme Cordova, long-time Riverside Chicano artist and Division 9 Gallery founder, explained that for decades, Latino artists considered Riverside a 'boot camp' instead of a city where they could make a living. They would earn some money in their hometown, then travel to other prominent locations, like Los Angeles or Palm Springs, where artists felt their work was more respected. As the years went on, he said, the local community began to understand the value in supporting its artists. 'Then when the Cheech came, it's got international attention, so it's just gotten even better,' Cordova said. 'I'm starting to see a lot of artists now more genuinely focused on just trying to showcase their work here in Riverside.' The most prominent addition within the region has been the Cheech Marin Center for Chicano Art and Culture — known colloquially as 'the Cheech.' The museum is widely considered the only space in the country that exclusively showcases Latino-made exhibitions, including some of Picasshoe's work. Since returning to the Inland Empire, Picasshoe's artistic vision caught the attention of both community leaders and larger institutions. While hosting one of his first solo exhibitions, called 'Red Thoughts,' at the Eastside Arthouse in Riverside, the directors of the Cheech took notice of his unique style. 'They approach their work with abandon, with any medium,' said María Esther Fernández, the center's artistic director. 'They had an installation and it was very interactive and immersive. I think pushing the boundaries of that is really fun and innovative.' It would lead Picasshoe to work on a wide range of projects in collaboration with the Chicano art center for the next three years. Last year, Picasshoe teamed up with Inland Empire-based artist Emmanuel Camacho Larios to curate an exhibition for the Cheech's community gallery called 'Desde los Cielos.' 'It was a group show that explored what the term 'alien' meant in the context of Chicanxs, and alien in the political, the social and the queerness of it all,' Picasshoe said. 'I also made a huge painting for that one, the largest that I've ever done so far.' The seven-foot-tall painting, called 'Simulacra of Guillermo Hernandez, Beethoven, y los Guachimontones,' depicts his late grandfather sitting on the bed of a pickup truck alongside a small chihuahua. In the background, looming over his abuelo, is a giant circular pyramid built by the Teuchitlán people. A golden pyramid, made from Abuelita Mexican Chocolate bricks, was placed in front of the painting; the bricks were free for the taking during the exhibition's debut. After the time for his co-curated exhibition ended, another installation named 'Queer Wishes' was featured in the Cheech for an exhibition co-curated by the Eastside Arthouse's founder and resident artist. The piece is a three-dimensional black box with a white dress made from bath towels and bedazzled gems displayed on a dress form mannequin inside. Next to the mannequin is a small black vanity desk and mirror with makeup and porcelain wishbones filling the table's surface. 'The first time I was really able to express myself was when I would get out of the bathroom, put my bath towel on and pretend it was a dress,' Picasshoe said. 'I know I'm not the only one with that experience of being in the bathroom and having that be the only time you have to yourself.' Since debuting the installation at the Cheech, Picasshoe had hoped to take a step back from creating larger community-focused pieces and spend time finalizing some personal projects. However, as immigration enforcement raids ramped up in Southern California, Picasshoe felt the need to create artwork to express his frustration. Picasshoe and his father drove the family truck to Fontana on July 3 to pick up three translucent ice slabs, each about 40 inches tall and weighing around 300 pounds, and brought them back to downtown Riverside. They arrived 45 minutes before the start of the city's monthly arts walk, an event where dozens of local vendors set up booths to sell their artwork to hundreds of residents. Picasshoe and his father slowly unloaded the slabs from the truck's bed onto a dolly and wheeled the installations out into the three chosen locations: the front of the Cheech Marin Center for Chicano Art and Culture, the epicenter of the city's monthly arts walk event and the front of the Riverside County Superior Court. A wooden platform was placed under each slab, with the words 'life,' 'liberty' and 'the pursuit of happiness,' written upside down and divided between the three art pieces, along with a QR code explaining its meaning. He chose this day, he said, because of its high foot traffic. It was the best opportunity to help some passersby feel represented while confronting others with a hard truth. 'Art should be lived in,' Picasshoe said. 'It's prevalent in a lot of my work, and especially this one, since it's meant to be commenting on something regarding the public.'


New York Post
5 days ago
- New York Post
Husband of Telemundo host and ex-beauty queen stole $1.6M from fitness influencer, lawsuit alleges
Telemundo star and former Puerto Rico beauty queen Aleyda Ortiz's husband was accused of stealing $1.6 million from a popular Latino fitness influencer, according to a lawsuit. Ricardo Casanova, a financial advisor who has been married to the TV host for eight years, allegedly siphoned corporate funds from Alejandro Chabán, a Venezuelan-born entrepreneur, wellness advocate and television personality, the $4.8 million civil theft lawsuit claims. Casanova worked as Chabán's financial consultant beginning in 2017, with access to corporate bank accounts and financial records, according to the filing in Miami federal court on July 30. Chabán filed suit against Ricardo Casanova (right), the husband of Telemundo host and former beauty queen Aleyda Ortiz (left). WireImage Alejandro Chabán, a Venezuelan-born entrepreneur, wellness advocate and television personality, filed a lawsuit against the husband of a former Puerto Rican beauty queen. Getty Images The complaint alleges that from 2017 until his removal in 2024, Casanova transferred and withdrew company money without permission, channeling it to himself under the guise of compensation far beyond what had been agreed upon. Chabán's attorney, Miranda Soto, said the claim is being brought under Florida's Civil Theft Statute, which allows for triple damages in cases of proven theft. 'Mr. Casanova systematically took funds to which he was not entitled from 2017 until he was discovered in 2024,' Soto said in a statement posted to social media. 'He violated the trust placed in him and his fiduciary duty to Mr. Chabán and his companies. This lawsuit not only seeks to protect Mr. Chabán's businesses, but also his employees, partners, and investors.' The Post has sought comment from Chabán, Ortiz and attorneys for Casanova. The case has attracted attention in Spanish-language media in the US and Latin America thanks to Chabán's reputation as a trusted wellness figure and Ortiz's status as a prominent television host. Ortiz, 36, won a reality beauty competition in 2014 and finished as first runner up in Miss Universe Puerto Rico competion that same year. She has appeared on Telemundo programs, including the morning lifestyle show 'En casa con Telemundo' as well as the celebrity dance competition 'Mira Quién Baila.' Ortiz has not publicly commented on the lawsuit. Chabán, 43, is widely recognized in the Hispanic community for his transformation from an overweight child into a prominent advocate for health and fitness. He has hosted television programs, written best-selling books such as 'Think Skinny, Feel Fit: 7 Steps to Transform Your Emotional Weight and Have an Awesome Life.' He also founded 'Yes You Can!,' a Miami-based nutrition and wellness brand. His public image blends his entertainment career with a focus on physical and emotional wellbeing, and his companies market products and lifestyle plans aimed at Latino consumers in the US and abroad.