
5 Minutes That Will Make You Love Sonny Rollins
For Rollins, bebop's emphasis on physical tenacity and fast-paced intellect became a personal religion. Many of the tunes he wrote have become jazz standards — including some on the list below, like 'St. Thomas,' 'Oleo' and 'Airegin' — but as soon as he composed them, he invariably set about tearing them apart, recasting them, allowing the substance to push against the limits of its own form until it burst, and then to see how that bursting could be multiplied.
Sonny Rollins's sound is as uncapturable as it is memorable, so you're left with nothing to do except to keep on listening. In the same way that, over his seven-decade career and across more than 60 albums, Rollins wanted nothing more than to simply keep playing. Rollins, who will turn 95 this summer, has not performed publicly since 2012, for health reasons. But he remains indefatigable as a listener. Interviews with him are still liable to veer toward his favorite contemporary saxophonists — some of whom weigh in on the list below.
Read on for a ride through Rollins's catalog, guided by a team of musicians, scholars and critics. Find playlists embedded below, and don't forget to leave your own favorites in the comments.
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Fox News
28 minutes ago
- Fox News
Paramount controlling shareholder Shari Redstone diagnosed with thyroid cancer
Media mogul Shari Redstone, CBS parent Paramount's controlling shareholder, has been diagnosed with thyroid cancer. "Shari Redstone was diagnosed with thyroid cancer earlier this spring. While it has been a challenging period, she is maintaining all professional and philanthropic activities throughout her treatment, which is ongoing. She and her family are grateful that her prognosis is excellent," Redstone's spokesperson told Fox News Digital. The 71-year-old has frequently been in the news this year as she seeks the Trump administration's approval of a multibillion-dollar planned merger with Skydance Media and has given lawyers the green light to settle President Donald Trump's election interference lawsuit against CBS News, although no deal has been reached. Redstone wanted the opinion of doctors "about two months ago after experiencing fatigue and other symptoms," according to The New York Times, which first reported the diagnosis. She underwent surgery in May. The Times noted that she was quickly diagnosed and surgeons removed her thyroid gland but were unable to remove all the cancer cells because they'd spread to her vocal cords. Redstone controls more than three-quarters of Paramount's Class A voting shares through National Amusements, the company she took control of in 2016 when her media mogul father, Sumner Redstone, was deemed too incapacitated to run the company. He died in 2020. Redstone, who recused herself from settlement discussions related to the Trump lawsuit in February, isn't thrilled with being tied up in litigation with the sitting president and wants to get things resolved. Fox News Digital confirmed last week that Trump rejected a $15 million offer to settle his lawsuit. The talks are ongoing, but the president's legal team is demanding at least $25 million and an apology from CBS News. Many industry insiders believe the Federal Communications Commission (FCC) will wait until the lawsuit is in the rearview mirror before deciding if the planned merger with Skydance Media will be approved. Redstone is set for a significant windfall if she's able to flip Paramount to Skydance. Bloomberg reported last year that she would receive $180 million in severance on top of the roughly $350 million she would pocket from the merger. Skydance Media CEO David Ellison, who would take control of CBS as head of the newly formed Paramount Skydance Corp. if the merger is finalized, was aware of Redstone's cancer diagnosis, according to the Times.


The Verge
36 minutes ago
- The Verge
Mission to Zyxx's creators are laughing their way through the sci-fi spinoff boom
Charles Pulliam-Moore is a reporter focusing on film, TV, and pop culture. Before The Verge, he wrote about comic books, labor, race, and more at io9 and Gizmodo for almost five years. When Mission to Zyxx debuted in 2017, the podcasting space was very different. There were fewer shows, and more money was being spent as companies rushed to figure out how to capitalize on the growing medium. At a time when many big podcasts were focused on news and investigative reporting, Zyxx — an improvised comedy about a group of alien diplomats journeying across the galaxy in search of adventure — felt like an oddity that was channeling the spirit of classic radio dramas. The show was a loving sendup of Star Wars and Star Trek 's most iconic (and ridiculous) narrative beats. And while nostalgia was a big part of Zyxx 's appeal, meticulous sound design and inspired, on-the-spot performances made each episode sound like something from podcasting's future. 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Looking back, how has the Zyxx fandom evolved, would you say, and how has fan engagement impacted the show? Alden Ford: When we started in season 2, we started a Patreon to help fund some of the more ambitious aspects of the show and pay [sound designer] Shane [O'Connell] for the work that he was increasingly putting into every episode to make them bigger and crazier. That really connected us to our listeners in a way that I don't think we really would have expected in season 1 when it was just a show that was out there and people liked it. Seth Lind: Something that surprised us was just how deeply so many of the fans care about the show. When we set out to make it, we wanted it to be funny, we wanted people to like it, and we wanted it to be popular. But we didn't really dare to hope that it would become so important and meaningful to people. 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AF: As fans of sci-fi, we all know very, very intimately how disappointing it can be when you're a fan of something that doesn't land the plane or gets canceled too soon. And so for us, once we got a few seasons in we got invested in making it as good as possible. Especially in the back half of season 5, we were like, 'What are the ways to wrap up this show so that everyone who listens and cares about it is going to be satisfied by it?' Of course, that's an impossible task because you're never going to do something that makes everybody happy. But I think we ended it on our own terms, which is more than a lot of shows can say. Why Derf? AF: There's a couple different reasons. The fun reason is that we all know how much Star Wars there is now. I'm not complaining, but I do think it has become its own kind of cliché that no character, no matter how silly or tertiary, deserves their own fully fledged miniseries where you explain every possible aspect of their backstory. You're not hype for a Glup Shitto series? AF: [ Laughs ] I mean, yes, I'm looking forward to the Salacious B. Crumb trilogy and the show chronicling Max Rebo's rise to stardom. But yeah, we thought that if we were going to do something else in the Zyxx universe, it'd be fun to do exactly the things Star Wars would do — something like an Obi-Wan, or a Mandalorian, or a Boba Fett series. Parodying the genre and the tropes around it felt very true to us generally. But the other reason is that Justin [Tyler] is a guy we all love and he's a fan favorite. SL: Derf is the closest thing to being the Obi-Wan of this universe, and just being able to call him 'Young Old Derf' completely sold me on the idea of doing a show about him. Because, like, that's so stupid, and 'the story of Derf when he was slightly less old' is a spinoff no one asked for. But I also remember Justin very early on in the first couple episodes, he gave Alden some feedback about the show, saying that, like, 'Pleck has to be important.' Especially in the early seasons, Pleck — who's the audience surrogate — was kind of a punching bag, and it was kind of a joke that he was important. But Justin was like, 'As silly as this all is, this guy actually has to be someone who ends up being significant and he has to have an arc to follow.' I think that really helped the show find its voice, and is a big part of what helped us last so many seasons. Did Andor inform your approach to crafting The Young Old Derf Chronicles? AF: One of the challenges we gave ourselves is making a new kind of show. Not that we wanted to reinvent the wheel or anything, but we wanted to make Derf distinctly different in substance and structure from the original show. With the new show, it's essentially a first-person narrative where pretty much everything is pretty being told from Derf's perspective. And from an improv standpoint, we approached it way less from the typical Zyxx format where we start on the ship, we get a mission, and then we're on the planet of the week. With Derf, we thought, what if we treated it more just like a 'fuck around' where we're just having fun with Derf in these new settings with a lot more walk-ons, digressions, and longer scenes where weirder stuff happens and we're not as worried about the propulsion of the plot or a strict three-act structure? It's been way harder to make and way harder to edit and produce, but it's really fulfilling for us especially because we're not just palette-swapping Mission to Zyxx. I don't know if Andor was trying to do that by mixing up the structure and the style, but I do think that's been the key for getting us creatively excited about making this thing. Would you be open to more Zyxx beyond The Young Old Derf Chronicles? AF: Absolutely. I think doing this show as a limited series has really felt like a good and sustainable way to keep things going. We've all talked about doing this new show, you know, seeing how listeners respond, and then reassessing our workload to see if doing more in the future makes sense with our lives now. If we continue to make shows in the Zyxx world, it will probably be in ways like this where we'll come up with something, we can produce 10 episodes, work for a year to actually make the thing, and then regroup to see what the next thing is. The Young Old Derf Chronicles does not yet have a firm release date. But if you're interested in seeing the Mission to Zyxx crew perform and produce an episode live, tickets are still available for their upcoming live show at Caveat in New York City, which will also be livestreamed. 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Forbes
38 minutes ago
- Forbes
Fortnite's Leaked Chapter 6, Season 3 Battle Pass Skins Have Yet Another Superhero Ad
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