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Here's How The Internet Responded To Dewayne Perkins Calling Out Josh O'Connor And Paul Mescal's New Gay Movie

Here's How The Internet Responded To Dewayne Perkins Calling Out Josh O'Connor And Paul Mescal's New Gay Movie

Yahoo15-02-2025

It looks like Hollywood still has a major representation problem.
In recent years, LGBTQ+ films have gained mainstream popularity, finding their place among the biggest award-winning movies. But comedian and writer Dewayne Perkins (The Blackening, One of Them Days) pointed out a huge problem, which got me thinking.
Oliver Hermanus' The History of Sound stars Paul Mescal and Josh O'Connor.
Taylor Hill / WireImage, Jason Mendez / WireImage
Paul has previously starred as an LGBTQ+ character in All of Us Strangers (2023).
Josh has previously starred as LGBTQ+ characters in Hide & Seek (2014), Peaky Blinders (2014), God's Own Country (2017), The Colour of His Hair (2017), and Challengers (2023).
MGM /Courtesy Everett Collection, Courtesy Everett Collection / ©Samuel Goldwyn Films/courtesy Everett C / Everett Collection
In response to The History of Sound, a romance based on the short story by Ben Shattuck being acquired by Mubi, Dewayne tweeted, "I'm so tired. Every queer Black writer I know since I started writing has been trying to get Black queer movies and tv shows off the ground and it just never happens. And yet, straight white men have been monopolizing the genre. It actually blows my fucking mind."
To Dewayne's point, the genre has felt dominated in recent years by white men who don't openly identify as LGBTQ+. Sure, plenty of indie films are created by and feature LGBTQ+ people, but they're not receiving the same attention as particular mainstream films.
Luca Guadagnino's Call Me by Your Name (2017), starring Timothée Chalamet and Armie Hammer, was nominated for four Oscars — including Best Picture — winning for its screenplay.
Tom Hooper's The Danish Girl (2015), starring Eddie Redmayne, earned an Academy Award for Alciia Vikander for Best Supporting Actress.
The Imitation Game (2014), starring Benedict Cumberbatch, won an award for Best Adapted Screenplay.
Dallas Buyers Club (2013) won three Oscars, including acting awards for its stars Matthew McConaughey and Jared Leto.
And, of course, there was Moonlight (2016), which won Best Adapted Screenplay, Best Supporting Actor for Mahershala Ali, and Best Picture.
Aside from Moonlight and maybe Green Book, which also starred Mahershala, earning him his second Best Supporting Actor award — there realistically aren't many mainstream LGBTQ+ films that include Black actors, let alone any actors of color.
Dewayne's been reasonably outspoken about this issue for some time. Last year, he sat down with BuzzFeed to explain how he was not here for the Black gay tropes in media and working toward changing the narrative.
"I want to see more queer Black stuff," he told BuzzFeed. "I felt like I wouldn't truly be a star of a movie unless I wrote it myself," and he did just that with The Blackening.
He continued, "As a queer Black person who is an actor, there weren't many parts that I felt were afforded to me. I felt like I would not be a star of a movie unless I wrote it. And so that was also why the character was named Dewayne. I wanted to make it very clear that I'm creating a [new] world because this is not a world that anyone else has allowed me to play in."
Dewayne has a point.
I'm happy more queer films are gaining mainstream attention, like Queer (2024), Red, White & Royal Blue (2023), and Love, Simon (2018), but I can't help but consider Dewayne's tweet. Are these films genuinely representative of all the LGBTQ+ voices out there?
Cheers to the brilliant work of actors and filmmakers like Colman Domingo, Niecy Nash-Betts, Keke Palmer, Lee Daniels, and Lena Waithe for their efforts, but I know many more voices haven't been given a chance. Not even the few people I named have been given the best opportunities to represent LGBTQ+ stories.
As the US government slowly chips away at the rights and visibility LGBTQ+ people were given in recent years, at least our art should depict the reality of all of us — not just people who look like the characters in a Luca Guadagnino movie.
A24/ Courtesy Everett Collection, / ©Sony Pictures/Everett Collection / Everett Collection
You better believe I'm going to take my ass to the movie theater to watch The History of Sound — but representation matters. That doesn't mean I'm going to let up that we can do better by including more Black LGBTQ+ stories, whether coming of age, romance, horror, comedy, etc.
Here's what the internet had to say about diversity in response to Dewayne's tweet:
"Not just even queer black material, but queer material featuring men of color in general. It's not for lack of available talent. And then to have these films feature str8 actors in the end?" one person wrote.
"we got Moonlight and they just said that's enough," another person wrote."
This person said, "the fact we haven't seen many black queer movies after the success of moonlight makes no sense.."
"It seems like the only one who give anything black is Tubi and just hoping we can see people have their stories told without always having to wait years," another person wrote.
Another person wrote, "We need ALL genre with queer black characters. Especially romance and horror. I mean my fucking god. Queer horror alone was having a movement especially with diversity but then everything became Caucasianlly Twink and Twunkified."
Hollywood, I think it's time we add a few more colors to the rainbow.
Tell me some of your favorite LGBTQ+ TV shows and movies that feature diverse characters (women, AAPI, Black, Latine). Share them in the comments so people can learn more about them.
Check out more Black-centered content by exploring how BuzzFeed is celebrating Black History Month this year! Of course, the content doesn't end after February. Follow BuzzFeed's Cocoa Butter on Instagram, TikTok, and YouTube to keep up with our latest Black culture content year-round.

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20 Famous Black Talk Show Hosts
20 Famous Black Talk Show Hosts

Black America Web

time35 minutes ago

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20 Famous Black Talk Show Hosts

Source: Michael Ochs Archives / Getty Talk shows have long been a staple of American television, offering a platform for entertainment, discussion, and cultural exchange. Over the years, numerous Black hosts have made indelible marks on the industry, bringing unique perspectives and voices to the forefront. From groundbreaking daytime programs to late-night innovations, these hosts have not only entertained but also educated and inspired audiences worldwide with their groundbreaking talent, opening doors for future generations. Meet Hazel Scott, the first Black woman to host a TV show. Hazel Scott, a trailblazing jazz pianist and vocalist, is widely recognized by historians as the first Black woman to host her own national television program in the United States. According to Women's History, more than just a performer, Scott was a fearless advocate for civil rights, standing up against the Hollywood studio system and testifying before the House Un-American Activities Committee during a time when doing so posed grave personal and professional risks. Her signature fusion of classical music with jazz rhythms captivated audiences across America and around the world. Born in Port of Spain, Trinidad, in 1920, Scott moved to New York City in 1924 with her mother and grandmother following her parents' separation. She was the only child of R. Thomas Scott, a West African scholar, and Alma Long Scott, a classically trained pianist and accomplished saxophonist. Hazel's musical aptitude emerged early—by age three, she could play piano by ear, and she was known to vocally protest when her mother's students hit incorrect notes. Thanks to her mother's deep ties to the music world, Hazel was given a rare opportunity to audition for the prestigious Juilliard School of Music. She was accepted on a special waiver at the age of eight—a testament to her extraordinary talent. By her teenage years, Scott was already a fixture in New York's music scene. At 13, she joined her mother's band, Alma Long Scott's American Creolians. Two years later, she made her solo debut performing alongside Count Basie's orchestra at the Roseland Ballroom. Around the same time, she won a contest that earned her a spot on local radio and soon after made her Broadway debut in the 1938 revue ' Sing Out the News .' Despite her growing fame, Scott graduated from high school with honors. Her breakthrough came in 1939 during a residency at Café Society, a groundbreaking integrated nightclub in Greenwich Village known for showcasing progressive talent. When Billie Holiday abruptly ended her engagement there, she personally recommended Scott as her successor. Scott quickly became the club's star attraction and was affectionately dubbed the 'Darling of Café Society.' In 1950, Scott broke new ground once again with ' The Hazel Scott Show,' a 15-minute television program aired three times a week. It initially broadcast in New York and later expanded nationally. On the show, Scott performed her unique blend of jazz, blues, and classical music, earning critical acclaim and strong viewership. However, her rising stardom was cut short when she was named in ' Red Channels ,' a publication that accused entertainers of Communist affiliations. The show was swiftly canceled, despite her refusal to back down under pressure. Scott's legacy is not only defined by her musical genius but also by her incredible commitment to justice and artistic integrity in the face of adversity. 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The Director of ‘Mission: Impossible — The Final Reckoning' Unpacks Key Moments
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New York Times

time4 hours ago

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The Director of ‘Mission: Impossible — The Final Reckoning' Unpacks Key Moments

Christopher McQuarrie was a 27-year-old former movie-theater security guard when he won the Oscar for best screenplay in 1996 for 'The Usual Suspects.' Things went a little pear-shaped from that early peak, as they tend to do in Hollywood, and the Princeton, N.J., native was looking to leave the industry altogether when he piqued Tom Cruise's interest for another script that became the 2008 Hitler-assassination drama 'Valkyrie.' It was the start of a professional relationship that has culminated in McQuarrie, now 56, directing and co-producing the past four films of the 'Mission Impossible' franchise, including 'Mission: Impossible — The Final Reckoning,' in which Cruise famously stars as the unsinkable (and seemingly unkillable) special agent Ethan Hunt. Recently, McQuarrie spoke with The Times in New York and later via video call from the back of an SUV in Mexico City about the choice to make A.I. the villain, the question of whether the franchise is coming to an end, and a 'gnarly' secret Tom Cruise movie in the works. Here are edited excerpts from those conversations. When did the decision come that 'Dead Reckoning' and 'Final Reckoning' would be the final two films in the franchise? Over the course of 'Rogue Nation' [2015], 'Fallout' [2018] and then 'Dead Reckoning' [2023], we were delving deeper and deeper into the emotions of the characters and their arcs. I said, 'Look, we know that it's going to be a long movie, let's just cut it in half.' I understand the irony of me saying we were going to make two two-hour movies and we ended up making these two much, much bigger ones. But we didn't really think of it as being the conclusion of anything until we were about halfway through 'Dead Reckoning.' Over time, we started to feel that this is a movie about the franchise more than just about the mission. Want all of The Times? Subscribe.

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