
This year's Emmys are on CBS. A Stephen Colbert win would be sweet revenge
'The Late Show With Stephen Colbert' had gotten off to a bumpy start as Colbert struggled to adapt to a new form and find his own voice after playing a 'well-intentioned, poorly informed, high-status idiot' for a decade on Comedy Central's late-night news satire 'The Colbert Report.'
'I was not indulging my own instincts,' Colbert told me of his tentative early days at CBS, adding later that he had 'stepped away from politics to a fault.'
When we spoke, Colbert's program was the No. 1 late-night talk show on the air by a wide margin.
Now, eight years later, déjà vu: Donald Trump is in Year 1 of his second term, and 'The Late Show With Stephen Colbert' still reigns as the late-night ratings champ.
But there's one difference. As of next May, Colbert will no longer have a job with CBS, the network having canceled his show last month.
That abrupt move has led to all manner of anger (CBS' statement saying it was 'purely a financial decision' seems dubious) and hand-wringing (RIP late night). Colbert was the first to mock his newfound sainthood status. Noting that Trump had posted on social media that he absolutely loved that Colbert was fired, Colbert read Trump's follow-up post: 'I hear Jimmy Kimmel's next.'
'Absolutely not, Kimmel,' Colbert said. 'I am the martyr. There's only room for one on this cross and I gotta tell you, the view is fantastic. From up here, I can see your house.'
'The Late Show With Stephen Colbert' has never won a series Emmy, routinely bested in its early years by 'Last Week Tonight With John Oliver' until Oliver's wins became so routine that the Television Academy created an entirely new category, outstanding scripted variety series. Shuttling Oliver's show accomplished two things: It allowed some other program to take talk series (so far it's only been 'The Daily Show') and gave voters an easy out to finally stop voting for 'Saturday Night Live.'
But even if Colbert was competing this year against his fellow 'Daily Show' alum and old friend Oliver, you'd have to think that Emmy voters would be seizing the moment and giving Colbert's show its first Emmy, an award that would be well earned — and also make for a delicious piece of theater.
The 77th Primetime Emmy Awards will be held Sept. 14 at the Peacock Theater. The ceremony rotates among the four broadcast networks, and this year that broadcast partner happens to be CBS, whose parent company, Paramount Global, just landed Federal Communications Commission approval for its $8-billion merger with Skydance Media. That FCC thumbs-up came less than a month after Paramount paid $16 million to settle Trump's lawsuit against CBS News and a few days after CBS canceled Colbert (again, 'purely a financial decision').
This means that when (not if) 'The Late Show With Stephen Colbert' wins the talk series Emmy, Colbert will take the stage with his team and, one would presume, have something interesting to say.
I'm curious where he'll go. Colbert is gracious and polite, keeping a quote from the French Jesuit priest Pierre Teilhard de Chardin — 'Joy is the most infallible sign of the presence of God' — affixed to his computer and remembering the quote his parents would often invoke from French philosopher Léon Bloy, who said that the only sadness is not to be a saint.
'That's the great sadness, not to be perfect, meaning not to be a saint, not to see the world the way God does,' Colbert says. 'Which is that everyone is going through a battle you know nothing about.'
But Colbert also relishes a good fight and can't resist a verbal poke-in-the-eye when he feels it's warranted.
'How dare you, sir,' Colbert responded on air to Trump celebrating his show's demise. 'Could an untalented man be able to compose the following satirical witticism?' Pause. 'Go f— yourself.'
When Trump was first elected, Colbert told viewers, 'We drank too much of the poison' and that Americans needed to focus on what we have in common. Arguably, you could say that he has done just that in the ensuing years. Shouldn't we all share a common distaste for ever-widening income inequality, masked federal agents snatching people off our streets with no criminal convictions and rewriting history in the name of patriotism? (I could go on.)
But Colbert has also fallen short of his ideals.
'That poison cup, man,' he told me. 'It's very hard not to drink from. It's very tasty.'
Some say if Colbert didn't indulge so often in a taste (or, let's be real, a chug-a-lug) from that poison cup, his ratings would be better.
'Why shoot for just half an audience all the time? You know, why not try to get the whole?' former 'Tonight Show' host Jay Leno recently told Ronald Reagan Presidential Foundation Chief Executive David Trulio. 'I don't understand why you would alienate one particular group. I'm not saying you have to throw your support or whatever, but just do what's funny.'
Was Leno ever funny on 'The Tonight Show'? That's a question for another time. But, yes, the politicization of late-night shows hasn't helped their ratings, though the dominance of the internet and social media have played more of a role in the format's decline, a fact Colbert acknowledged after the cancellation.
'Some people see this show going away as a sign of something truly dire,' he said. 'And while I am a big fan of me, I don't necessarily agree with that statement. Because we here at 'The Late Show' never saw our job as changing anything other than how you felt at the end of the day, which I think is a worthy goal — or, rather, changing how you felt the next morning when you watched on your phone, which is why broadcast TV is dying.'
And, yes, I watched that clip not on my television in real time, but on my phone the next day.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


New York Post
3 hours ago
- New York Post
Eugenie Bouchard fights back tears after last tennis match of career
Eugenie Bouchard couldn't contain her emotions on Wednesday night as the tennis star said goodbye to the sport she loves for one final time after falling in the National Bank Open in Montreal. Bouchard, 31, addressed the crowd after she fell to No. 17 seed Belinda Bencic, 6-2, 3-6, 6-4 in the final singles match of her professional tennis career. She confirmed earlier in July that she planned to play her final tournament in her hometown and struggled to compose herself as she spoke to the crowd. 'Tennis has given me so much. I am filled with so much gratitude for this sport and the people that helped me along the way,' she said before pausing momentarily to collect herself. 'I want to thank my mom, dad, sisters, & brother for their sacrifice and support. I want you to know, when this crowd cheers for me, they're cheering for you too. I wouldn't be here without you. 'Also to all the coaches, physios, trainers, everyone I've worked with. You all know who you are. Because of your hard work I was able to live out my dreams, thank you!' Bouchard had a memorable career, becoming the first Canadian-born player representing Canada to reach a Grand Slam singles final and the first Canadian to rank in the WTA's top 5. She reached the semifinals in the 2014 Australian Open and the French Open and made it to the final at Wimbledon that year, where she lost to Petra Kvitova. 'With her standout achievements on court and engagement with fans, Genie has inspired a generation of young Canadians and helped grow the popularity of tennis around the world. On behalf of the WTA, I wish her every happiness and success as she sets out to conquer fresh challenges,' WTA CEO Portia Archer said in a statement on Wednesday night. An emotional Eugenie Bouchard waves to the crowd during her retirement ceremony after she fell in the final singles match of her professional tennis career on July 30, 2025. David Kirouac-Imagn Images Before her final match on Wednesday, actor and star of the hit CBS sitcom 'Big Bang Theory' Jim Parsons wrote a heartfelt tribute to Bouchard, recalling the wild ride he experienced following her run at Wimbledon in 2014. Parsons recalled how he and his husband, Todd Spiewak, were invited to watch Bouchard play after they were introduced to each other by their managers. After schedules were sorted, Parsons and Spiewak flew to London to watch the Canadian star make it all the way to the final round. Eugenie Bouchard gets emotional during her retirement ceremony on July 30, 2025. Getty Images 'I will be rooting for her, this time on TV again… Whatever the result of the match and this tournament, if Genie is really hanging up the racket, at least as a professional, I wanted to write this congratulations/thank you/ode to her, in case,' he wrote. 'Genie, I will never forget the steely focus and icy resolve you had as a player, something I may not have understood had you not invited me into your world to witness up close… 'Congratulations on all you've accomplished. Thank you — and your whole family—for being so inclusive to us groupies for two weeks in Wimbledon.'
Yahoo
3 hours ago
- Yahoo
Jensen Ackles Confirms ‘Tracker' Season 3 Return as Russell
Welcome back to Tracker, Jensen Ackles. The Countdown star promoted the latest episode of his Prime Video series with a video from a TV show set, revealed to be Tracker's, with the name of his recurring character on the CBS drama on the trailer door on Wednesday, July 30. 'Good to be back in action,' he captioned the video. He reminded fans of the new episode of Countdown (read what he had to say about it here), encouraged them to check it out, 'then eventually, down the road,' with the camera panning to Justin Hartley's character's name, Colter, 'you can see those guys doing other things.' See the video below. Ackles has played Russell Shaw, Colter's brother, in two episodes (one per season) so far of Tracker. The drama follows Colter, a rewardist who travels the country helping find missing people. The through line of the series so far involves the mysterious death of their father when they were younger. The brothers were estranged at the start of the series, with Colter even thinking that Russell may have had something to do with their father's death. Once they talked, however, Russell shared what he knew about that night, and in the Season 2 finale, Colter started getting answers about what happened to their father. Ackles' return isn't much of a surprise, given that earlier this month, he told TV Insider there was 'probably a good chance' he'd be back. He also spoke with us about the similarities between his Tracker and Supernatural characters. 'I'm playing the older brother of somebody that I know very well, and I get along with very well. I mean, Justin and I have known each other for over 20 years, and we've been buds and we've never gotten to work together. So it was really fun for us to get on set,' Ackles said. 'But it was also very easy because it's just hanging out with your buddy and we get to have fun and we get to mix it up. And it's nice that he's an executive producer on it so he can be like, 'Do you like that word? Do you like that line?' Just change it, whatever you want.' So it kind gives us a little freedom.' He also had history with showrunner Elwood Reid from his time on Big Sky. 'When he trusts his actors, he encourages that,' he shared. 'He's like, 'Make it your own.' He knows me well. He's obviously Justin's guy, and it's made it very easy. So it's not just Justin that I get to go and work and play with. I get Elwood as well. And there's some familiar faces in the crew because obviously it shoots up in Vancouver, which I've spent some time there, so I know that town very well, and I know a lot of crew members and a lot of crew faces, so it is a little bit kind of stepping back into an old coat.' With Ackles filming early on in Season 3's production schedule, might Russell be part of the conversation that Colter needs to have with their mother (Wendy Crewson) about just why she asked Otto (Alex Fernandez), who pushed their father off the cliff, for help? What are you hoping to see when Jensen Ackles returns to Tracker? Let us know in the comments section below. , Season 3 Premiere, Sunday, October 19, 8/7c, CBS Solve the daily Crossword


Tom's Guide
3 hours ago
- Tom's Guide
I've watched 43 shows in 2025 so far — here's the 7 worth watching right now on Netflix, Hulu and more
After seeing 43 shows over seven months, my list of the best shows of 2025 so far is starting to solidify. I did this exercise back in March when I had only watched a mere 24 shows this year. Now, I've nearly doubled that figure, and that's not even counting my rewatch of "Call My Agent." Full disclosure: Just because I've seen 43 shows doesn't mean I've seen everything. I still have yet to see "Squid Game" season 3, for example. But still, 43 is a good sample size, especially given that more than a few of these recently earned Emmy nominations. I feel particularly vindicated in a few of my selections after seeing them secure dozens of nominations. As usual, these shows are all available on the best streaming services, including Netflix, Hulu, HBO Max and more. In fact, all but one of them are streaming originals. So, without further ado, here are the seven best shows of 2025 so far that you need to stream right now. Spoiler alert: it's largely changed from my previous list, so you definitely want to read to see what's changed. A quick peek behind the curtain: As I maintain my list of best shows (I do this for movies, too), I create tiers, in addition to ranking the shows in order. If a show is within a given tier, I could probably be convinced to reconsider its ranking, relative to the other shows in the same tier. I say this because "The Bear" season 4 is the only show in my top outside of my top two tiers. It's simply not as good as the next six shows. This season was a significant improvement from last year's season 3, though, which barely cracked my top 25 shows last year. Yes, it still felt a bit thin on story, but examining Carmy's (Jeremy Allen White) personal journey as a chef and as a person, and then bringing it to a close, was a worthwhile experience. I also particularly enjoyed the episodes "Worms," "Bears" and "Goodbye," even though I felt they never quite hit the heights of some of the episodes of a show like "The Last of Us" season 2, which "The Bear" season 4 just beats out in my rankings. Stream now on Hulu I loved "The Studio." In our Emmy nominations coverage, I declared it my top comedy series of the year ... and up until a few days ago, it was (more on that later). But regardless of what has moved ahead of it, that doesn't diminish how good this show is. The show's two-episode premiere was excellent, with the first episode establishing the world in which Matt Remick's (Seth Rogen) fictional Continental Studios exists. It never really dips in quality from there. The second episode, "The Oner," is a masterpiece and remains one of the best episodes of television I've watched all year. Its Emmy nomination for Outstanding Directing for a Comedy Series is well deserved. I just hope that if it wins, somebody thanks Sal Saperstein. Stream now on Apple TV Plus "Paradise" was briefly my show of the year so far. It's been pushed down to fifth on the list, which just goes to show you what a great year of television 2025 has quietly been. The Hulu political drama stars Sterling K. Brown as a Secret Service agent to an assassinated president, and it's a masterclass in story building. It expertly layers twist after twist and manages to pay them all off by the season's end, while still propelling us into season 2. While it's ultimately dropped into a tier just below the final four shows on this list, it still has incredible moments. "Paradise" episode 7, "The Day," hits you like a nuclear bomb and will leave you feeling genuinely unsettled. I'm still shook by it, and that's no small feat. Stream now on Hulu I only just started watching "The Rehearsal" season 2 around the time it was wrapping up its run on HBO. I never watched the first season, and while I think show star/director/creator Nathan Fielder can be brilliant, I find some of his stuff can miss the mark. I couldn't even finish "The Curse." But wow, am I glad I watched this show. It's brilliant, expertly blending the genres of reality TV and scripted comedy in a way that constantly messes with your mind. You can never tell what's an act, what's real, and honestly, it doesn't even matter if it's all an act — because it's just so compelling. I can't tell you exactly where this season goes without spoiling it, and I don't want to do that. But the show starts with Fielder crafting a role-play simulation to examine why pilot communication failures lead to fatal airplane crashes. Ultimately, to fully construct his rehearsal, he creates a flight simulator, recreates a terminal of George Bush Intercontinental Airport and even stages a fake reality music competition within the show. He also crafts the episodes "Pilot's Code" and "My Controls," which are two of the five best episodes of TV I've watched all year. Stream now on HBO Max "Andor" season 2 started rough. A three-episode partial binge drop release schedule over just four weeks dumped 12 hours of episodes within a month. After the first three episodes underwhelmed me, I was ready to take a break and just come back to it eventually. But I'm glad I stuck with it, because the final nine episodes of this series were excellent, and if season 2 had maintained that level of quality across 12 episodes, it might be my No. 1 show of the year. Unlike last season, this season is covering four years within the "Star Wars" universe, with each three-episode arc covering essentially a weekend in one of those four years. The show hits its high watermark at episode 8, "Who Are You?", which is the best episode of TV I've seen all year and brings us the legendary Ghorman Massacre to life, a pivotal moment in "Star Wars" history. Stream now on Disney Plus "Adolescence" is not for the faint of heart. Consisting of just four episodes, each is an emotional gut punch, particularly the finale. The show revolves around the arrest of Jamie Miller (Owen Cooper), a 13-year-old boy who is suspected of murdering his classmate Katie Leonard (Emilia Holliday). Over four hours, we watch this tear apart his family and learn what may have contributed to the alleged killing, particularly the toxic online environment known as the manosphere. It's a compelling story that presents more like a play over four acts than a standard scripted drama. But "Adolescence" is also a technical marvel. The story takes place over months, but each episode is an hour of real time and is comprised of just a single shot. This choice forces the show to take us away from certain characters and moments when other dramas would cut back and forth, but in "Adolescence," it's a choice that pays off. Despite the impressive technique on display, though, this show lives and dies on its performances, and it holds the No. 2 spot on my list because of two specific performances, one of which is Stephen Graham's emotional scene to close out the show. The other is the entirety of "Episode 3," which is almost entirely a dialogue between Jamie and forensic psychologist Briony Ariston (Erin Doherty). Both are incredible, but Cooper's performance as Jamie in this episode should be enough to win him an Emmy. It already earned the show a Tom's Guide Award for Best Streaming Original Show. Stream now on Netflix Last time I did this list, I started this blurb with a simple line: "'The Pitt' is incredible." Spoiler alert: It's still incredible, and now the Television Academy has recognized how incredible this medical drama is, nominating it for 13 Emmys, including Outstanding Drama Series and several acting nominations. For those who haven't seen it yet, "The Pitt" is part "E.R." and part "24." It stars "E.R." vet Noah Wyle as Dr. Robby Robinavitch and follows him and his colleagues at the fictional Pittsburgh Trauma Medical Hospital throughout a 15-hour shift. That means, like "Adolescence," each episode takes place in real time. But despite the first season covering just mere hours in the lives of the characters, it accomplishes incredible world-building and character development. The show also excels at being realistic and navigating ongoing storylines. In the first part of the season, storylines can run throughout episodes, sometimes taking an episode off only to come back and make you cry, as episode 8, "2:00 P.M.," does to me every time. But then in episode 12, suddenly everything compresses into a single storyline, and it's executed perfectly. Stream now on Max Malcolm has been with Tom's Guide since 2022, and has been covering the latest in streaming shows and movies since 2023. He's not one to shy away from a hot take, including that "John Wick" is one of the four greatest films ever made. Here's what he's been watching lately: