The New York designer redefining ‘sexy librarian'
There's a scene in Michael Haneke's film The Piano Teacher where Isabelle Huppert confronts her illicit young lover and piano student, Benoît Magimel, in the lobby of the Vienna Conservatory. After he blows her off, she pulls a knife from her bag and stabs herself, thick crimson blood being sopped up by her buttoned-to-the-neck pale peach blouse with matching covered buttons.
The 2001 film is about the fine line between sex and violence, erupting from a woman who is dressed in a long yet erotic blouse and floor-length skirt. And that is where the Irish designer Maria McManus comes in. Over Zoom, I tell her that her designs remind one of a 'sexy librarian', much like Huppert's film character. McManus, 46, with skin that looks like a porcelain doll's, chuckles. 'She's in there somewhere; that's not necessarily what I would think straight away, but it makes total sense when somebody is seeing [my clothes] from the outside, you know.'

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Perth Now
a day ago
- Perth Now
James Stewart's ex-wife seen out with new man
Former Home and Away star Sarah Roberts appears to have moved on from ex-husband James Stewart after being spotted in Sydney clutching the hand of a new flame. The former soap star is reportedly dating Sydney cinematographer Jake Iesu, who describes himself as an 'Australian based Steadicam operator and occasional pilot' on social media. Roberts confirmed her divorce from former co-star Stewart in an interview with Stellar in April 2024. Jake Iesu operates a camera on set. Credit: Jake Iesu/IG / IG 'I've been really afraid of talking about this because of what I've felt to be the stigma and shame around it,' she told the publication. 'But I just want to say that I'm divorced.' The 40-year-old admitted the pair had become less connected over time. 'I'll never speak on anyone else's behalf, but my belief in marriage is that two people grow and learn from each other together,' she said. 'Sometimes people just grow apart, and that's okay.' The former couple met in 2017 when Roberts was introduced as Willow Harris on Home and Away. They became engaged a year later, and married in 2019 in a lavish Irish wedding at Luttrellstown Castle on the outskirts of Dublin. According to Woman's Day, Roberts and her new beau were spotted on June 13 at an art show, and again a few days later as attendees at the Sydney Film Festival. Ada Nicodemou and James Stewart celebrated one year of dating in April. Credit: Supplied In a recent interview with Stellar's podcast Something To Talks About, she admitted to being 'so in love' in her new relationship. 'I love two people now: I've finally found a love for myself, which I know now in retrospect I didn't have for so long,' she said. 'I am still finding myself, but I have beaten myself up for a long time because I stayed in something that wasn't healthy. But now I have found this love for myself – and also fallen in love with a man. I'm so in love.' Roberts said having her relationship breakdown play out in the public eye made an already difficult situation much trickier to navigate. 'I imagine dealing with a divorce is hard enough,' she said. 'Dealing with it all in the spotlight – and then everything that came out in the media after – absolutely ripped my heart in a million little pieces.' While enjoying a career as a DJ when not acting, Roberts' latest role sees her appear in the documentary Make It Look Real which dissects the job of intimacy coordinators on TV and film sets. Stewart has famously moved on with long-time co-star and show veteran Ada Nicodemou, announcing their relationship in July 2024 after months of dating. He also shares daughter Scout with former actress Jessica Marais, whom he met on the set of Packed to the Rafters in 2009.

Sky News AU
5 days ago
- Sky News AU
Harry Potter reboot star Nick Frost fails to mention J.K. Rowling during new interview in which he revealed the 'only people' whose approval he sought for iconic role
New Harry Potter star Nick Frost has revealed the "only people" whose approval he sought before taking on an iconic role in the TV series - but notably failed to mention controversial author J.K. Rowling. Frost will play beloved Hogwarts groundskeeper Hagrid in the upcoming HBO adaptation of Rowling's seven-volume fantasy series into a long-form TV show, which is set to start filming in the UK in less than a month. The actor and comedian said he was a huge fan of the late Robbie Coltrane, who originally played Hagrid in the films from 2001 to 2011. Frost said he never knew the legendary actor, but his best mate Danny did. And he was elated when Coltrane's children called Danny with their resounding approval of him taking over their father's most famous role. 'I loved the fact he was massive and angry, and that's how he began, as a kind of people's poet in a way,' Frost said over Zoom in London, according to NewsCorp's entertainment journalist James Wigney on Friday. 'And I love that working-class element he brought to everything he did. I had never met him, but my best friend Danny knows his family very well. 'And apparently, his kids phoned my mate Danny to say, 'We are so happy that Nick got the role of Hagrid and that Dad was a really big fan of his'. Frost said Coltrane's family were the "only people" he felt he had to "really impress" in the Harry Potter world, and that "job is done" now. The actor will join a star-studded ensemble, including John Lithgow as Dumbledore, Janet McTeer as Professor McGonagall, Johnny Flynn as Lucius Malfoy, and Paapa Essiedu as Snape in the awaited series revamp. Dominic McLaughlin has been cast for the titular role of Harry Potter, with Alastair Stout as Ron Weasley and Arabella Stanton as Hermoine Granger. Frost's failure to mention Rowling is notable after some of the new stars, including Lithgow and Essiedu, recently expressed opposition to the author's views. However, he previously disagreed with the 59-year-old's opinions in an interview with The Observer. 'She's allowed her opinion and I'm allowed mine, they just don't align in any way, shape or form,' the Hot Fuzz actor told the publication recently. Asked if he fears the conversation about Rowling could overshadow the new show, Frost said he hoped it would serve as an educational tool. 'I don't know,' he said. 'But maybe it shouldn't blow over? We shouldn't just hope it will go away, because it makes it easier. Maybe we should educate ourselves.' Last November, HBO chief Casey Bloys said Rowling's views have not "affected the casting or hiring of writers or productions staff'. A spokesperson for the network added the author "has a right to express her personal views" and the new series will "only benefit from her involvement." Rowling recently celebrated the ruling that only biological women meet the definition of a woman under equality laws in a landmark case. She has previously mocked the phrase "people who menstruate", said women's rights and "lived reality" would be "erased" if "sex isn't real", and called a list of trans women "men, every last one of them".

Sydney Morning Herald
6 days ago
- Sydney Morning Herald
What to stream this week: Teresa Palmer's Gen X drama and five more to add to your list
Our picks this week include an Australian-Irish romantic drama, an Agatha Christie adaptation starring Matthew Rhys, and documentaries about an eccentric football legend and U2's Bono. Mix Tape ★★★ (Binge and Foxtel) Mix Tape is all about the wonder. First love, favourite songs and inescapable heartbreak are the building blocks of this Irish-Australian romantic drama. Ricocheting between past and present, the teenage protagonists and their middle-aged successors, these four hour-long episodes have an inexorable momentum. It's not subtle, but it's effective. Yes, the plot forcefully pushes these characters into bitter circumstances, but there's also a deeper recognition that sometimes a gesture, or an unspoken decision, or a great song, can add more than carefully crafted detail. Loading Sheffield, England, 1989: lanky teen Dan O'Toole (Rory Walton-Smith) sights high school classmate Alison Connor (Florence Hunt) across the room at a house party. New Order's Bizarre Love Triangle is playing: 'I feel shot right through with a bolt of blue.' Cut to the present day and Dan (Jim Sturgess) is a music journalist, still based in Sheffield and married with a son to Katja (Sara Soulie), while Alison (Teresa Palmer) is getting far more sunshine in Sydney, mother of two daughters and married to surgeon Michael (Ben Lawson). Why aren't they together? When will they get back together? Joy Division's Love Will Tear Us Apart is obviously cued up, but this adaptation of Jane Sanderson's 2020 novel knows, as does the viewer, that Dan and Alison are meant to be together, both as a means of healing and a wellspring of happiness. Their children are mostly leaving home and their partners are slightly off – the emphasis Michael puts on the 'my' in 'you're my wife' lingers uneasily. 'You never forget the boy who makes you your first mix-tape,' Alison tells her daughter, Stella (Julia Savage), which means more once Alison explains to her Spotify-era child what a mix-tape is. Loading Irish writer Jo Spain (Harry Wild) and Australian director Lucy Gaffy (Irreverent) treat love and longing as a magnetic force. It draws the teenagers together, with montages and shared reveries that come with an impeccable soundtrack – Psychedelic Furs, The Church, The Cure – and immaculate production design for the adolescent bedrooms. There's a degree of nostalgia, which some will happily succumb to, but this Gen X mix of Nick Hornby and Nancy Meyers (Alison's home has Bondi Beach views) also liberally applies tragic circumstances, especially in Alison's case, to divide the young lovers. There are tendrils of other shows, including the reckoning with unspoken trauma, the meaning behind a midlife crisis and the technical wonder that was a dual cassette deck, but fulfilling kismet is the goal. And when that happens, shared gazes and the right song do the job. Towards Zero ★★★½ (BritBox) To its last collective breath, the BBC will be producing Agatha Christie adaptations. The late author is a murder-mystery franchise that cannot be killed. The question is how they can defy, or at least tweak, tradition. This three-part update of Christie's 1944 novel tries a few diverse gambits, which surprisingly mesh. There's a stellar cast, led by Anjelica Huston (Transparent) and Matthew Rhys (The Americans), but also structural adjustments and a knowing celebration of cliches. Loading As conveyed by a fateful opening monologue, Rachel Bennette's adaptation wants to track how the many suspects came to be assembled in the Devon mansion of bedbound tyrant Lady Tresillian (Huston), and their torturous connections. The key crime isn't the plot's inciting incident, it's a culmination well after the introduction. By then you've studied tennis star Nevile Strange (Oliver Jackson-Cohen), his new wife Kay (Mimi Keene), and his former wife Audrey (Ella Lily Hyland). Add suspicious cousins and creepy servants, too. With incitement from director Sam Yates, the plot leans into period scandal – a courtroom collectively gasps when Kay is labelled a 'gold digger' – and throwback designer chic. It would be all too wink-wink if the investigating detective, Inspector Leach (Rhys), wasn't dishevelled, depressed, and disinclined to believe anyone. Leach's professionalism, like the show, has a wilful streak. It's not clear that solving the case will save him. Pernille (seasons 1-5) ★★★★ (Netflix) Here's a stealth winter watch. A slice-of-life Norwegian comic-drama that takes in bittersweet lows and everyday hopes, it follows child-welfare worker Pernille (Henriette Steenstrup, the show's creator), a single mother juggling two demanding daughters, a demanding career and, frankly, several other demands. It's a messy, matter-of-fact life – Pernille neglects herself at times while trying to help others, copes in good and bad ways, and reveals a sardonic worldview. One Mississippi or Better Things are points of comparison but Pernille feels more connected to everyday struggle. It's a show that's doing exactly what it wants. Bono: Stories of Surrender ★★★ Apple TV+ Australian filmmaker Andrew Dominik (Chopper, Blonde) continues his music documentary arc, switching from Nick Cave to U2's frontman for this filmed performance of the singer's 2023 one-man show. It's a mix of memoir, focused on Bono's childhood when he was still just Paul Hewson, and the salvation U2 afforded him after teenage losses, matched with stripped-down versions of the band's hits. It's revelatory in a sense but Bono has long been a master of rock'n'roll mystique, and that's maintained by Dominik, whose black-and-white images reverently cloak Bono. Ange & the Boss: Puskas in Australia ★★★½ (DocPlay) Ange is Ange Postecoglou, the recently sacked Australian manager of English Premier League side Tottenham Hotspur, whose initial playing career at South Melbourne FC included a stint as defender, driver and translator – from Greek to English – for Ferenc Puskas, the Hungarian legend who was the best player in the world in the 1950s prior to Pele's ascent, before enjoying a nomadic managerial career that brought him to Melbourne in 1990. This is a joyous sports documentary about Australia's migrant heritage, footballing philosophy and an idiosyncratic giant of the game. Rick and Morty (season 8) ★★½ (Max) An adult animated comedy created by Community's Dan Harmon and the since-departed Justin Roiland, Rick and Morty has become one of television's enduring cult series. It has a good-sized and furiously devoted audience – the reason it has now reached its eighth season – but it can also repel first-time viewers as it cartwheels through the cosmic mishaps of mad scientist Rick Sanchez (Ian Cardoni) and his press-ganged grandson Morty Smith (Harry Belden). I have tried with this show repeatedly and fallen short as its madcap verve can drift into the self-referential, but it's not going anywhere.