
Sinister experiments and girl-power cults feature in August's young adult titles
Things I Learned While I Was Dead
(Faber, £8.99), we witness sisterly love taken to the extreme when Calico volunteers to be cryogenically frozen along with the dying Asha, as part of an experiment that may sound a tad dodgy, but is the only option left.
Waking up decades later, after the 'Green War' has changed everything (there's a nice nod to 'Global Eco President Thunberg'), Calico discovers there's still no cure available, and that she's one of several teenagers in a former prison that feels like somewhere people 'go to rot'.
As the thriller unfolds, there are also chapters in verse from Asha's perspective – cryptic lines about life or death that contribute to the uneasy sense that all is not quite as it seems in this 'vast but empty' space.
The book closes with an epilogue that lapses into triteness a little too often, an unnecessary coda for this thought-provoking exploration of medical ethics and the nature of grief. This is sci-fi with a big heart, demonstrating the power of speculative fiction to tackle some of life's hardest challenges. I am excited to see what this writer does next.
READ MORE
Lauren Wilson's
The Goldens
(Harper Fire, £8.99) tugs us into the web of a 'perplexing gossamer thread of a human, every inch of her glittering gold'. Chloe, an aspiring writer unsure how to fit in at university, finds herself 'bewitched' by wealthy, glamorous Clara from the instant they meet. Thrillingly, Clara seems to be drawn to her too, and that feeling of being chosen is a heady one.
'In my experience, by the age of eighteen, every girl knows another girl that she would follow to the very ends of the earth. For me, that girl was Clara Holland.'
Soon, they're living together, and it's all so lovely that Clara decides to invite others – reaching out to her vast army of online followers – into the circle. So begins the Goldens – 'the ultimate girl gang', a group of 'strong, beautiful, independent young women' who may or may not be a little cult-like.
But people are always critical of such feminist enterprises, aren't they – and what evidence is there, really, that Clara has anything to do with that girl who never made it home alive from one of her extravagant parties?
This appealingly glossy thriller is given depth by Chloe's scepticism – despite her attraction to Clara, she's also aware that the rhetoric is a little much. 'When all was laid bare,' she thinks, 'she was a pretty, privileged girl opening up her lovely home to girls just like her ... Surely, the only young woman she was empowering in this scenario was herself?'
What Chloe gets from this isn't just proximity to the golden girl – it's what seems like a real career opportunity in the form of ghostwriting a book. Her complicated motivations make her plausible and relatable; this is a compelling, fun summer read.
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Mary Watson is having a busy 2025, with an adult thriller out earlier this year; her latest YA novel is
Strange Nature
(Bloomsbury, £9.99), in which Jasmin distracts herself from her impending Leaving Cert by falling in with a charismatic crowd of college students, hanging around on the campus she still associates with her now-disgraced professor grandfather.
His career-destroying act of violence shattered her family, but his research, we discover, remains an active influence on some sinister experiments being carried out today. (We may note here that fiction tends to over-represent the percentage of highly-dubious medical experiments; the ones that follow the rules make for far less interesting tales.)
'The Wellness Formula,' we are told, 'is the blueprint for living an optimum life in the modern world. Guided by the very latest scientific advances, we take a holistic approach, one that challenges the usual assumptions around what we need to be in optimal health.'
It all sounds marvellous, but with a suspicious death on campus, it may be time to start asking some questions about research ethics. This is a delightful read for fans of dark academia and mad scientists, and it's pleasing to see these tropes play out on an Irish canvas.
'As far as Roscoe is concerned, the accident last year never happened. I can be free of it, as easy as surrendering to the sea. I can be Iggy again, who loves to swim, and hang out, and bump into cute strangers on their paddle-boards. It hadn't occurred to me before now, but it seems totally possible that this summer I could start again. Why didn't I think of this sooner?'
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Unflinching examinations of contemporary teenage life in these YA picks
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The space between tagline and title evaporates with Daniel Tawse's
This Book Will Make You Cry
(Hodder, £9.99). I wondered initially if we were in for some metatextual fun, a tear-jerking book within a tear-jerking book, but quickly and glumly realised we are now in an era where sales and marketing teams are skipping straight to BookTok descriptions.
Despite shadowy references to an accident of the previous year, this is a fairly predictable queer summer romance – though what a joy to live in an era where there's a sufficient volume of titles for this sentiment to even be possible.
The twist here, though clever, is one many readers will spot in advance. The emotional intensity is skilfully conveyed but the love interest himself is remarkably bland (bonding over a shared love of pizza and Pixar movies echoes Phoebe Buffay being astonished she and her birth mother agree that puppies are cute rather than ugly; this may be a return to the dark days of 'insta-love'). While this book did not make me cry, it did have me rooting very much for Iggy and their emotional journey.
Finally, Becki Jayne Crossley tackles a lot in
Tart
(Bloomsbury, £8.99), which opens with a boy on a bike landing in a coma and then jumps to what his girlfriend, Libby, was getting up to: 'I stood in front of a group of poisonous teenage girls and kissed a boy that wasn't my boyfriend. They filmed it from at least three different angles, so I get to relive the memory I don't fully possess every time I open a social media app.'
Libby's ostracisation at school is brilliantly, hauntingly depicted; that very particular brand of girl-gang cruelty leaps from the page. Fortunately, there's new girl Neha, who's shocked no one realises Libby's the victim here; a few small acts of kindness between the two bring them together and the sparks begin to fly.
Neha's worried her crush on her new friend will make things weird – and anyway, isn't Libby grieving her comatose boyfriend? Meanwhile, Libby's never felt this way about a girl before ...
We can see where it's going, but this is sort of the point: it is a wholesome and optimistic hug of a book. Some of the more serious topics, like Neha's grief over her dead parents, feel sidelined in favour of the fuzzy (though worthy) joy of finding your tribe, and there's a twist that resolves the potential conflict a little too easily. One for Heartstopper fans; the gritty-realist aficionados should go elsewhere.
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Irish Times
a day ago
- Irish Times
My name has always stood out on life's roll calls but now I have to share it
'That's a great name,' the receptionist says to me as I sign into a gym class. I get this a lot. Teachers, postmen, secretaries, they always have a comment to make about my name. 'Sounds like someone important!' a nurse said to me recently as she filled in the details of my hospital band. I still don't know how to respond – I can't exactly take credit for it. But it has become a pathetic point of pride, and sitting there in ill health I thought: 'Well, at least I've still got that going for me.' This illusion came crashing down when the receptionist excitedly turned to me as she realised: 'Oh wait! It's like Molly-Mae!' This was the second time in as many weeks that someone had suggested I shared my name with the influencer and Love Island demigod Molly-Mae Hague (she is engaged to boxer Tommy Fury). 'Well the spelling's different,' I could hear myself stuttering in what sounded like a sad, sad attempt to reclaim something that, evidently, was never even mine. Up until this point, I have smugly avoided the struggle of the Mary Murphys and Seán O'Connors of the world. Neither my first nor second name is obscure, and yet my full name has always stood out on life's roll calls. So standing there as just some other Molly Fur(e)y, humbled by this receptionist's critical spelling error, I had to wonder: what is in a name? Can our identity be wrapped up in it or is it just some random jumble of letters used to identify us? Shakespeare's Juliet was sure of the latter when she first said ('a rose by any other name would smell as sweet', etc), but I have always felt my name was as specific to me as my fingerprint. Living in the name-shadow of £6 million-worth of blonde and beauty, however, I've had to question the vanity of such an assumption. READ MORE 'You are such a Molly,' people have said to me. I do not know what this means, but it is always satisfying to hear. Implicit in the flippant remark is the grand suggestion that by some stroke of luck my parents managed to land on the exact mix of sounds and letters that captured my essence when naming me. My dad is, as ever, less existential about the matter. 'Well every Tom, Dick and Harry was called Rachel,' he tuts, laughing at his own joke. 'But you did just look like a Molly,' he shrugs, further enmeshing my sense of self with the name. Is it any wonder that a name-doppelgänger has inspired such a crisis of identity? The year I was born, 1999, Molly was the 63rd most popular baby name for girls in Ireland. Compared to the 615 Chloes born that year, a paltry 73 Mollys arrived. By 2024, it had jumped 41 places to 22nd most popular but, in 2021 it hit its peak, ranking 18th with 219 Mollys named. Standing at a traffic light as a woman coos at her baby named Molly, I am confronted with this veritable rise before my very eyes. 'There are four other Mollys in her creche!' she explains to me when I ask her about it. 'It's trendy at the moment.' I am winded by the accusation that my name is merely fashionable, offended at the implication that it is basic and, therefore, that I am too. As if I didn't have enough on my plate with the Molly-Mae of it all, I now have the impending banality of my first name to worry about. I am not the first to feel threatened by my name-doppelgängers. In 2021, fuelled by what he described in a Reddit post as 'a spell of pandemic boredom', Arizona college student Joshua Swain created the Swainbowl: an event for all Joshua Swains to come together and 'fight for the right to keep this common name'. Armed with pool noodles and a lifetime's worth of anonymous frustration, hundreds of Joshes duelled in a park in Lincoln, Nebraska. [ Love Island review: Even with two Irish hopefuls in the villa I'm ready to pack my bags and head home Opens in new window ] I do not necessarily feel the need to challenge Molly-Mae to a duel (although I have not ruled out the distinct possibility that she may want to challenge me ), but I do quite like the idea of gathering all of my name-doppelgängers in the one place. Maybe my defensiveness would be quelled if I just got a good look at them all – compared notes, heard about what they have done with the name, got to the bottom of what it means to be 'such a Molly'. [ Molly-Mae Hague denies Tommy Fury break-up and documentary are 'publicity stunt' ] I suppose the idea that there is something inherently 'you' about your name is what makes it so uncanny to meet people with the same one. They offer a foil to your little life, or rather a distorted mirror that makes you consider all of the parallel lives you could have led. This Molly Fur(e)y managed to be a doctor! This one is a businesswoman! This one is an influencing millionaire! Placing my urge to out-Molly Fur(e)y all of them aside, perhaps there is a camaraderie to be found in that. Maybe I should hold my name-doppelgängers in the same bracket as Irish heads spotted abroad or people wearing the same jumper as you on the street – familiar strangers. Should I ever come across Molly-Mae, I will offer her the knowing nod reserved for such encounters, and I will be sure to tell her just what a great name I think she has.


Irish Times
a day ago
- Irish Times
Beers and cheers as Wrexham's latest Hollywood sequel kicks off
Successful Hollywood tales often spawn sequels. But how many are left in the can for Wrexham, the working-class northeast Wales town whose football club is in its fifth season as the subject of a wildly popular Disney+ fly-on-the-wall documentary series? Possibly plenty, judging by the childlike enthusiasm and endearing eccentricity that is on show at the Turf bar at the club's Racecourse ground on Saturday, as the new season kicks off. If anything, the love-in may be strengthening between the town and Wrexham AFC's owners, Deadpool star Ryan Reynolds and It's Always Sunny in Philadelphia actor Rob McElhenney, who have bankrolled the little club's promotion through three divisions to the Championship. This is a club, pub and town now collectively punching above their weight: the local economy is doing better than almost anywhere else in Wales, with a £180 million (€208 million) tourism boom fuelled by global interest in the Welcome to Wrexham Disney+ show. READ MORE Wrexham's wholesome, football-themed story stands out as a nugget of feelgood gold in a Britain dogged by insecurity over its national identity and political crises. But first, to the pub for Saturday's Championship opener away to Southampton. Wrexham's match might be 354km away on the south coast, but the heart of the club is on the sleeves of those watching screens at the Turf, built into a stand at the Racecourse. [ Welcome to Wrexham: the love affair between Hollywood and a football-mad Welsh barracks town Opens in new window ] Kickoff is at 12.30pm. I arrive at the pub by 11.15am to a sea of panicked faces: the Turf is already almost full as harried staff turn away locals and tourists seeking tables. Standing room only. By noon, customers can enter only on a one-in-one-out basis. One of the first faces I recognise is Richie Griffiths, a barman on my last visit in 2023 when the club had just won promotion to the football league. On that occasion, hordes of daytime tourists had drunk out all the Madri. On Saturday, things are heading the same way. Griffiths is off duty this time, however, supping his pint outside. The Turf Bar, Wrexham: Inside is a symphony of soft Welsh accents fused with North American twangs. Photograph: Mark Paul Inside is a symphony of soft Welsh accents fused with North American twangs, an echo of the unlikely transatlantic alliance that has brought the town global recognition. I eke out standing room, wedged against a wall by the bar. Nearby, a US couple have snaffled a table with their young son, who dons a Welsh language Wrecsam bobble hat. On my other shoulder is Dave, a Canadian who works at a mine three hours from Calgary. He has flown in just to sample the vibe for Saturday's match, as well as Tuesday's cup fixture. A kid squeezes past us through the mass of limbs. He wears Welsh rugby underpants over his trousers. The waistband says 'Oddballs'. Customers – locals – harvest empty glasses for the staff. This being a wedged pub on a hot day, the musk of flatulence drifts through our zone. Culprit unknown. 'I can breathe, I can breathe,' jokes a barmaid as the queue for beer thins. Meanwhile, I am struggling. Wrexham go a goal up with a penalty against Southampton. Tourists and locals alike scream and blow kisses at the screens. The fairytale continues, for now. Wrexham fans cheering in the Turf as they score a penalty to go one up on Saturday against Southampton — Mark Paul (@MarkPaulTimes) Later, I take a walk around the town. The economic statistics look good on paper but Wrexham hasn't yet morphed into Utopia. There are wrinkles in the success. The pubs teem, there's a buzz on the streets. But while the tourists buy beer, the number of shuttered retail outlets suggests they don't stay long to buy much else. Hope Street, an awkwardly-named thoroughfare in the centre, is an avenue of vape shops, charity shops, barber shops and shut shops. There is a plot twist back at the Turf. Southampton equalise in the 90th minute. In the 96th minute, they go 2-1 up. Woe descends. There'll be no Championship fairytale for Wrexham today. As the whistle blows, silence fills the Turf ... for all of about three minutes. [ Ryan Manning's late free-kick helps Southampton ruin Wrexham's Championship return Opens in new window ] A mural of Wrexham AFC manager, Phil Parkinson, outside The Turf pub. Photograph: Mark Paul The frivolity, at an incongruous level for 2.30pm, soon intensifies if anything. The result appears to be forgotten. The pub gets busier than it was during the match. A seven-piece band sets up in a corner beneath one of the television screens: three of them, for some reason, are tooting saxophones. The singer, aged maybe in his late 60s, looks one of the youngest of the lot, as they belt out football tunes and ballads in Welsh. Who is that, I ask a local. 'It's Geraint Lövgreen,' comes the reply. 'He is one of the best-known singers in the Welsh language. That's his daughter over there, look ...' His daughter is Mari Lövgreen, a Welsh language television presenter. She sings along as she watches her dad's band. US tourists try to sing along too, but they have no idea what is going on. It's entirely possible that nobody knows what's going on, but none of that seems to matter to anyone. The sun is out. So is the fun. Welcome to the madhouse in Wrexham, the town that won Hollywood's lottery and is still loving every minute.


Irish Times
a day ago
- Irish Times
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