
From recovery to the ring: a Cape Breton wrestler's comeback story
Most wrestlers don't make their debut after their athletic prime but Rick Chezenko from Louisbourg, N.S., stepped into the ring for the first time at age 42 on Sunday in front of family, friends and a hometown Cape Breton crowd.
'To hear the crowd chant 'Chezenko' over and over, it was pretty surreal', Chezenko said. 'It was like something I'd dreamt of as a kid.'
Chezenko says he put his dreams on hold for years because of addiction.
'I stopped drinking in August 2023, so I'm over twenty months alcohol-free and over a year clean from cocaine use', Chezenko said.
The road to recovery started with a meeting at Loaves and Fishes in Sydney, N.S., he said.
'There was a lot of times when I didn't really want to live', Chezenko said. 'I'm just grateful that I found my way into the rooms of recovery because a lot of people have wrapped their arms around me.'
Chezenko's wrestling journey began during his recovery when he made it onto a reality TV show in Nova Scotia called 'Wrestle Centre Boot Camp.' On May 3, he made his debut at an East Coast Pro Wrestling card in New Waterford, N.S., before a supportive crowd.
'The whole cliche, 'It's never too late' - it's not really a cliche, if you're willing to do the work', Chezenko said.
Chezenko's next appearance in the ring will be June 14 in New Waterford and his reality TV appearances will air in September.
'Your dreams are possible,' Chezenko said. 'They really can become reality. They don't have to stay dreams. I'm one of the lucky ones.'
For more Nova Scotia news, visit our dedicated provincial page
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CBC
12 minutes ago
- CBC
New outdoor play turns the tide at Rising Tide Theatre
A theatre company in Trinity, N.L. is breaking from tradition this summer with a new offering. The New Found Lande Trinity Pageant, ran by Rising Tide Theatre each summer since 1993, will be replaced with a fresh take on the stories of Newfoundlanders and Labradorians today. "The pageant is an extremely important part of our story. It's the reason why we ended up in Trinity," artistic director Mallory Clarke told CBC Radio's Newfoundland Morning. The pageant took audience members on an outdoor tour of Trinity, and re-enacted some of the most defining moments in Newfoundland and Labrador's history. The new play will be similar, just with different stories. Clarke said the decision to make the adjustment was a result of feedback from businesses and community groups in the area, which suggested it was time for new programming. Over half of the theatre's programming this year is brand new. "We get a lot of the tourist audience, which is so wonderful and so important," Clarke said. "But I also think it's really important … that we're also providing some programming that really appeals to the local audience." Elizabeth Burry runs a jewelry studio in Trinity. "I could probably play any one of those parts in that play … because I've seen it so many times, and I don't get tired of it," Burry said. The pageant brought visitors from around the world into her studio, she said, and it's an important part of the town's tourism industry. Burry said she's disappointed to see the program go, but also that she has noticed the audience dwindle over the years. "As a local, I want to see something new as well, you know, a new play and a new history piece that will bring what the pageant brought to the area," she said. Actress Petrina Bromley stepped in. Bromley adapted the new outdoor play, This Marvellous, Terrible Place, from a photography book by the same name. The book depicts the day-to-day experiences and hardships of rural and outport life through the personal accounts of Newfoundlanders and Labradorians. "Our mandate is Newfoundlanders telling their own stories in their own voices," Clarke said. "So what that looks like now in 2025 is quite different than what it looked like in 1993 when we arrived in Trinity." The play opens on June 21, and runs on Wednesdays and Saturdays over the summer.


CBC
27 minutes ago
- CBC
A heist, a hunt and a notorious all-female gang are featured in Kitchener author's new novel
Social Sharing Kitchener author K.D. Straus takes readers on a journey through London, England's high society to familiar nearby southern Ontario cities in her first book, To Be True, of the North of the Avon series. Set in the 1920s, main character Marion Pallas navigates a heist, a hunt and a notorious gang of female thieves. Along the way she grapples with love, loss and quirky aunts. Straus joined CBC Kitchener-Waterloo's The Morning Edition with host Craig Norris to talk about the details of her first release and the next steps for the six book series. Audio of this interview can be found at the bottom of this story. This interview has been edited for length and clarity. Craig Norris: Give us a brief overview of the story. K.D. Straus: Well, how long do I have? I have my novel, To Be True, beginning in London, England in 1924. That's where we first meet Trudeau Tuttle, a Canadian playwright at a posh party being thrown in his honour. It's there that he is introduced to my story's main character Marion Pallas. They have an instant connection, which Marion has never felt before. She's always been the plain middle sister and had resigned herself to be nothing more. The high society ladies of London say their typical snide comments about Marion, like being less than her sisters and questioning Trudeau's interest in her. Now, Marion no longer gets mad, she gets even. A revenge heist happens the night of the party and Marion and her ever present pets are behind it. Only this time they have lifted a priceless brooch that begins that brings about an investigation. At this point, Marion panics and confesses to her devoted and decidedly unconventional Aunt Wink, who is my comedic character and one of my favourites. Once Wink becomes involved in trying to save her niece from the long arms of the law, mayhem ensues. She pulls in a motley crew of her cohorts, like the 40 Elephants All Girl Gang, and her poor playboy poker buddy to aid Marion. She also knows that a backup plan might be needed, and sadly, it is. I next have Marian escaping on an ocean liner to Canada with the man she loves. Once there, she struggles with loss of family and her own identity, but eventually moves forward, making Canada her new home, though never forgetting that she's still a fugitive. Suddenly, Wink's standing at her door. And this could only mean one thing: trouble's coming, and it is. WATCH | Kitchener author K.D. Straus set her new novel, To Be True, in the 1920s: A heist, a hunt, a gang of female thieves: Kitchener author's new book is a journey through 1920s southern Ontario 4 days ago Duration 1:38 Kitchener author K.D. Straus set her new novel, To Be True, in the 1920s. It takes the reader from London, England's high society to familiar Canadian cities. This is the first caper in the North of the Avon series. Straus spoke to CBC K-W's Aastha Shetty about the inspiration behind her first book. Norris: This is the first book in a series. What made you want to write a series? When and how did you decide that it had to be a series? Straus: My husband is a dreamer and told me that if I want to write, I should just write. So I did. I love historical fiction, I love history. I come from small towns, and they say to write what you know. Norris: You can say the small town you come from. Straus: I come from Drayton, Ontario. Norris: Woo, Drayton! So what's the inspiration behind this story? Straus: It came about during COVID. As a hair stylist I had nothing to do. They were difficult days, very difficult. So I decided to escape into my own world and create something that was light and funny. I needed to do that for myself. Norris: It was obviously a conscious choice to make this a female-centric story. Why was that? Straus: I've been surrounded by fearless and funny women my entire life. So why not, again, write what I know? Norris: The story takes place in different cities and towns across Ontario, set in the 20s and 30s. How accurate are the depictions of those towns? Straus: I did a lot of research and my editor checked my research. I say the best friend you can give to a book is a good editor. So it's very accurate. I have to write about places that I've been to, other than England, which I Googled. Norris: Each chapter starts with a historical fact. Talk about that a bit. Why did you want to include that? Was it to set us historically and factually in the novel? Straus: That was important because I wanted people to know the head space that the characters were in and the life they were living, who was in charge, the prime ministers and also it's kind of nice to know who was being born into that time frame. That was important to me. Norris: Was there anything that you found through your research that kind of surprised you? Straus: I think it was surprising getting into the 40 Elephants gang and finding out that they are indeed real. I had a client ask me about that the other day and yes, it's absolutely real. The 40 Elephants came out of the area of Elephant and Castle in England, I believe. I think they just decided that if men could have gangs and be thieves, so could they. They would rob stores and part of the reason, maybe, they were called the Elephant gang was that they would have clothing with pockets inside. When they left a store they would walk like an elephant because they were so loaded down. Norris: Your husband Don did the artwork for the novel and the cover of the jacket. What was it like working with him on this? Straus: It's the best. He is a wonderfully intelligent, talented man who offers up great ideas always. He's read my novel probably more times than he can even count and I'm very lucky to be married to my illustrator. Norris: This is the first book in the series. What happens now? Where do you go from here? You don't have to give anything away, but how does this work for you now? Straus: I am slotted in to have the next one edited in September. So we'll get that underway. Norris: That seems fast. Straus: I have six written. I started when I was 50. Norris: So you wrote six books in a year! Straus: I am 59 so it's a little longer than that, but yeah, I think when you do it, you just need to write. Norris: Do you have it laid out in your head that you know what the arc is going to be, or is it as you're writing the book you're working on that other things start to reveal themselves? Straus: Sometimes I surprise myself and of a better way to go. But mostly I think the arc is there. I certainly have what I call a murder wall. On TV you see where they lay out a murder. So I have sticky notes all over my office so that I can see the flow a little more easily. Norris: What do you think is the main thing that goes through all of these capers? Straus: There's always going to be the North of the Avon as the theme. That's the series name. In this book that's the name of the play. The next one is actually taking place in Stratford, North of the Avon. It will be constantly throughout every book.


CBC
29 minutes ago
- CBC
Vancouver show hopes to bridge the worlds of symphony and video games
An upcoming Vancouver concert will feature a symphony orchestra performing music from some of the world's most popular video games — and the orchestra's conductor wants to make new fans of symphonic music in the process. Game On! will see the Vancouver Symphony Orchestra take on music from megahit games like The Elder Scrolls 5: Skyrim, Civilization, Assassin's Creed and more at the Orpheum Theatre on June 11. Conductor Andy Brick says that back when he first started working with symphony orchestras to perform music from video games in 2003, the idea was a novelty. Brick says he was the first to conduct such a concert in the West, with the Czech National Symphony Orchestra in Leipzig, Germany — and admits many of his musicians, at first, expressed skepticism over being asked to play music from video games. "The minute we started — you know, the hall is sold out, was packed — the audience went crazy. It was almost like being at a rock concert," he told CBC News. "I think that's one of the really special things about video games, is that the audience connection to the music is quite different than what I think orchestras typically experience with their audiences." Brick says he hopes his Vancouver show can serve as a bridge to the world of symphonic music, especially for younger people. The composer also hopes to convince regular symphony listeners of the value of video game music, which one academic says has deep emotional resonance for gamers. "You're connecting to the music on the musical level, but you're also connecting to it on a physical, interactive level," Brick said. "When you get into the concert hall, when you hear this music, you're having a connection not just with the music, but you're having this visceral connection again," he added. "So I think there's a lot of physicality." 'Powerful resonance' Composer, percussionist and music educator Aidan Gold has written about how classical musicians respond to each other and improvise — likening it to a quasi-theatrical experience or even playing a game together. The composer from Seattle said that playing video games is often a long-form experience that's deeply personal, where a player engages with a game that responds to them in turn. "As a result, you can sort of connect very deeply with certain aspects of it, including the music, which ... forms, like, a powerful resonance" he said. "Then, whenever you hear it, especially in a new venue like the concert hall, that can often provoke a very communal reaction because you're connecting with all of these other people who may also have had that experience." Brick says audiences for his video-game-based symphony orchestra performances have tended to skew younger than usual — and as video games mature as a medium, the audience has grown up with them. He says condensing video game music into a symphonic performance can be challenging, given how music within games changes dynamically in response to the player, and composers often have to create a suite of tracks that evokes a particular game. "It's a music which ... speaks more to the atmosphere and the emotional content of the game than it does to a specific storyline," he said. "Because the specific storyline can change." Brick says he wants to convince regular symphony listeners of the value of video game music, especially given that many video game composers are classically trained. It's a feeling Gold shares, saying that having a symphony orchestra perform video game music has the potential to appeal to both new and old fans of symphonic music. "People who don't think so much about video games, or interactive structures, might see these concepts of video game music and be inspired to think more about like, 'OK, how is music like a game? How ... do these communal experiences work?'" Gold said.