Gender not main factor in attacks on Egyptian woman pharaoh: study
She was one of ancient Egypt's most successful rulers, a rare female pharaoh who preceded Cleopatra by 1,500 years, but Queen Hatshepsut's legacy was systematically erased by her stepson successor after her death.
The question of why her impressive reign was so methodically scrubbed has attracted significant debate, but in new research published Monday, University of Toronto scholar Jun Wong argues far too much emphasis has been placed on her gender.
"It's quite a romantic question: why was this pharaoh attacked after her death?" Wong told AFP, explaining his interest in a monarch who steered ancient Egypt through a period of extraordinary prosperity.
Earlier scholars believed Queen Hatshepsut's stepson Thutmose III unleashed a posthumous campaign of defilement against her out of revenge and hatred, including because he wanted to purge any notion that a woman could successfully rule.
"The way in which (Hatshepsut's) reign has been understood has always been colored by her gender," Wong said, referencing beliefs that Thutmose III may have viewed her as "a kind of an evil stepmother."
His research, which builds on other recent scholarship and is being published in the journal Antiquity, argues Thutmose III's motivations were far more nuanced, casting further doubt on the theory of backlash against a woman in charge.
Hatshepsut ruled Egypt roughly 3,500 years ago, taking over following the death of her husband Thutmose II.
She first served as regent to her stepson, the king-in-waiting, but successfully consolidated power in her own right, establishing herself as a female pharaoh.
Experts say she expanded trade routes and commissioned extraordinary structures, including an unparallelled mortuary in the Valley of the Kings on the Nile's west bank.
Wong reassessed a range of material from damaged statues uncovered during excavations from 1922 to 1928.
He said there is no doubt Thutmose III worked to eliminate evidence of Hatshepsut's achievements, but his efforts were "perhaps driven by ritual necessity rather than outright antipathy," Wong said.
Thutmose III may have been trying to neutralize the power of his predecessor in a practical and common way, not out of malice.
He also found that some of the statues depicting Hatshepsut were likely damaged because later generations wanted to reuse them as building materials.
"For a long time, it has been assumed that Hatshepsut's statuary sustained a vindictive attack," Wong said, arguing that a fresh look at the archives suggests "this is not the case."
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Gender not main factor in attacks on Egyptian woman pharaoh: study
She was one of ancient Egypt's most successful rulers, a rare female pharaoh who preceded Cleopatra by 1,500 years, but Queen Hatshepsut's legacy was systematically erased by her stepson successor after her death. The question of why her impressive reign was so methodically scrubbed has attracted significant debate, but in new research published Monday, University of Toronto scholar Jun Wong argues far too much emphasis has been placed on her gender. "It's quite a romantic question: why was this pharaoh attacked after her death?" Wong told AFP, explaining his interest in a monarch who steered ancient Egypt through a period of extraordinary prosperity. Earlier scholars believed Queen Hatshepsut's stepson Thutmose III unleashed a posthumous campaign of defilement against her out of revenge and hatred, including because he wanted to purge any notion that a woman could successfully rule. "The way in which (Hatshepsut's) reign has been understood has always been colored by her gender," Wong said, referencing beliefs that Thutmose III may have viewed her as "a kind of an evil stepmother." His research, which builds on other recent scholarship and is being published in the journal Antiquity, argues Thutmose III's motivations were far more nuanced, casting further doubt on the theory of backlash against a woman in charge. Hatshepsut ruled Egypt roughly 3,500 years ago, taking over following the death of her husband Thutmose II. She first served as regent to her stepson, the king-in-waiting, but successfully consolidated power in her own right, establishing herself as a female pharaoh. Experts say she expanded trade routes and commissioned extraordinary structures, including an unparallelled mortuary in the Valley of the Kings on the Nile's west bank. Wong reassessed a range of material from damaged statues uncovered during excavations from 1922 to 1928. He said there is no doubt Thutmose III worked to eliminate evidence of Hatshepsut's achievements, but his efforts were "perhaps driven by ritual necessity rather than outright antipathy," Wong said. Thutmose III may have been trying to neutralize the power of his predecessor in a practical and common way, not out of malice. He also found that some of the statues depicting Hatshepsut were likely damaged because later generations wanted to reuse them as building materials. "For a long time, it has been assumed that Hatshepsut's statuary sustained a vindictive attack," Wong said, arguing that a fresh look at the archives suggests "this is not the case." bs/acb


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Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. The destruction of statues of the ancient Egyptian Queen Hatshepsut may not after all have been part of a campaign of retribution by her nephew and successor, King Thutmose III, archaeologists have claimed. Hatshepsut ruled Ancient Egypt from 1479–1458 B.C. alongside Thutmose III, who was just three years old when he became pharaoh after the death of his father. Serving first as regent before assuming the title of pharaoh outright, Hatshepsut is one of only a few female pharaohs across ancient Egyptian history; after her death, Thutmose III ruled alone. Statues of Hatshepsut were discovered during excavations of the mortuary temples of tombs of Deir el-Bahri in Luxor in the 1920s—but many appeared badly damaged. This led to to questions as to whether Thutmose III had ordered the statuary of his former co-ruler to be destroyed out of some animosity towards her. However Jun Yi Wong of the University of Toronto has undertaken an examination of previously unpublished documents on the statuary, and points out in a statement that "many of her statues survive in relatively good condition, with their faces virtually intact." Based on his analysis of the historical field notes, Wong has concluded that much of the damage was not at Thutmose III's hand—and that which was had precedent. Cracked face of a statue of Hatshepsut, left, and right, Osiride statue of the ruler partly restored using plaster. Cracked face of a statue of Hatshepsut, left, and right, Osiride statue of the ruler partly restored using plaster. Department of Egyptian Art Archives, the Metropolitan Museum of Art According to Wong, many of the statues went on to be used as building materials and tools later in ancient Egyptian history, which would have added to their damage. Meanwhile, statues that were confirmed to have been damaged during Thutmose III's reign were destroyed specifically by breaking them across weak points: specifically, the neck, waist and knees. This, Wong argues, is an example of the 'deactivation' of statues—a ritualistic practice intended to neutralize the power of the representations. Examples of this practice can be found across the statuary of various kings in pharaonic history, he notes. This means that Hatshepsut's statues were likely treated in a similar way on her death as her predecessors, rather than suffering "a vindictive attack by Thutmose III." As Wong put it: "This treatment does not necessarily denote hostility towards the depicted individual," and there are multiple reasons for her statues to have become fragmented and destroyed. Fragments recovered from an indurated limestone statue of Hatshepsut. Fragments recovered from an indurated limestone statue of Hatshepsut. Harry Burton/Department of Egyptian Art Archives, the Metropolitan Museum of Art That said, history shows that Hatshepsut did suffer "persecution" after her death unlike other rulers of Egypt, and "its wider political implications cannot be overstated," Wong went on. However, he added, there should be "room for a more nuanced understanding of Thutmose III's actions, which were perhaps driven by ritual necessity rather than outright antipathy." During Hatshepsut's reign, she was often represented in art and statues as male, in accordance with tradition. Art and creativity flourished under her rule, with the Deir el-Bahri complex built during her time as ruler. After her death, however, her name was lost, and erased from historical accounts until such was brought to light by excavations millennia later. Do you have a tip on a science story that Newsweek should be covering? Do you have a question about archaeology? Let us know via science@ Reference Wong, J. Y. (2025). The afterlife of Hatshepsut's statuary. Antiquity, 99(405), 746–761.