logo
Electric Picnic fans given last chance to secure tickets ahead of 2025 festival

Electric Picnic fans given last chance to secure tickets ahead of 2025 festival

Fans who missed out on tickets to this year's Electric Picnic have been handed a final opportunity to seal their place at the Co Laois festival this summer.
Three is offering hopeful festival-goers a chance to obtain the last available tickets as they make their return to Ireland's most iconic music festival.
Electric Picnic 2025, which boasts a star-studded lineup featuring the likes of Hozier, Chappell Roan and Fatboy Slim, will take place at Stradbally Estate this August.
The festival initially sold out within hours after tickets went on sale back in August 2024. A limited number of tickets were made available for purchase last month but were snapped up in just over 15 minutes.
Fans who have been unable to get their hands on tickets have been given one final chance to secure a coveted pass thanks to mobile operator and Electric Picnic partners, Three.
Three is stepping in with an exclusive offer through Three+, giving customers access to last chance tickets.
Three customers will have the chance to redeem an exclusive pre-sale code to get the final tickets for the festival. Final tickets will then go on sale on Wednesday, May 28, at 10am via the Three+ app.
Electric Picnic 2025 also marks the return of Three's Charge & Chill Station, positioned at the heart of the main arena offering festival goers a well-earned escape without straying too far from the buzz.
Three customers can enjoy unbeatable views of the main stage from a dedicated viewing platform, while recharging both their phones and themselves.
Expect everything from secret performances to immersive experiences and surprises all in the unbeatable atmosphere of the popular Three Charge & Chill Station.
Electric Picnic takes place from August 29-31 and last week organisers s revealed more than 40 new acts who will take to the stage at Stradbally Estate this summer.
Alongside Sam Fender and Kings of Leon, who were confirmed to appear at this year's festival back in March, this year's line-up is also set to feature huge acts such as Becky Hill, Confidence Man, The Kooks, Barry Can't Swim and Lord Huron
Estonia Eurovision star Tommy Cash, as well as Dutch Eurovision favourite Joost, are also on the bill, along with a host of top Irish artists such as Orla Gartland KhakiKid, Amble, Bell X1, Kingfishr, The Academic, Maverick Sabre and Mundy.
This year, capacity at the festival has increased once again as organisers have said they will be welcoming 80,000 people to the 600-acre Stradbally Estate in this August.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Big Ticket: Why it costs so much to go to a music festival
Big Ticket: Why it costs so much to go to a music festival

RTÉ News​

timea day ago

  • RTÉ News​

Big Ticket: Why it costs so much to go to a music festival

The arts and music festivals come thick and fast at this time of year. This weekend we have All Together Now – following on from Longitude just a couple of weeks ago. And they come after the likes of Forbidden Fruit, Beyond the Pale, Kalidescope – with Another Love Story, Body and Soul and Electric Picnic yet to come (not mentioning the countless other music and artists festivals that take place across the country). And they're an expensive to attend. Tickets for the (sold out) All Together Now started at €250, Longitude was €200 – though there's no camping available for that. Electric Picnic tickets were closer to €300. And if you were going as a couple – or even with your entire family – that's going to add up quite quickly. And that's before you factor in the transport costs, and the cost of food and drink for the weekend. You could very quickly find yourself in the 'foreign holiday' realm of spending – and that's assuming you're just going to one festival and not multiple events. It's a far cry from the good old days of Lisdoonvarna and Féile… Yes – from time to time sometimes see ticket stubs and posters for old gigs and festivals doing the rounds online and people always hone in on just how cheap the tickets were back then. At the first Lisdoonvarna in 1978, for example, a weekend ticket was a whopping £5. That would be the equivalent of around €37 today. Although things had picked up a good bit by the first Féile in 1990 – it would have been held this weekend 35 years ago. A three day weekend ticket to that was just under £30 - which is equivalent to €80 in today's money. So even in that decade or so you can see things getting much more expensive, but even that would still be considered startlingly good value for a three day festival nowadays. Bar the fact that everything is more expensive nowadays – why are festival tickets so much dearer? The first thing we need to do here is recognise our own part in the problem. Because the reality is that consumer tastes and expectations have changed dramatically since the late '70s – and even early '90s, when compared with today. The likes of Lisdoonvarna and the Trip to Tipp might be the stuff of legend – but I don't think they'd pass muster with gig-goers nowadays. For a start the line-ups were almost exclusively local acts. Lisdoonvarna was all Irish trad, while the only international act at Féile 1990 was Meatloaf. There's nothing wrong with that – but at the same tie there's definitely an expectation nowadays that a premium music festival has to have at least a few big, internationally-popular acts in the line-up. That doesn't mean they can't be Irish – among All Together Now's headliners are Fontaines DC and CMAT, while Electric Picnic has Hozier. But they sit next to global stars like Chapell Roan and Nelly Furtado; and wherever they're from those big-name acts are going to cost more to secure. Gig-goers today also have a higher expectation around the look and sound of the acts. You'd probably be foolish to go to a festival purely for the sound quality, but you do expect it to sound somewhat decent. And we expect festivals to have multiple stages as well as the likes of comedy tents, chill out zones, wellness areas and even activities for kids. And it's not just the entertainment where our expectations are higher – it's the facilities too. It's fair to say that Lisdoonvarna and even Féile would have been a much more 'informal' affair than what you'd get at a festival nowadays. Of course there would have been toilets and food and drink – and maybe camping – but it would have been fairly minimal stuff. You're talking ham sandwiches and maybe a burger and chips… compared to a wide variety of food and drink options now, catering to all kinds of tastes and diets. And that's not all driven by consumer demand - the legal requirements on festival organisers has also changed a lot, even since the 1990s. It's no longer good enough to pick a large field somewhere, cobble together a stage, and then start selling tickets. Because there are now significant health and safety requirements around holding public events. You need adequate numbers of toilets based on the number of attendees, for example, you need to have proper walkways for people to safely get around, you need good lighting on those walkways – you need to have a traffic and crowd management plan for people coming to and from the event, you must have adequate security. And of course all of these facilities – especially the stages - have to be built to a very high standard to ensure won't collapse or cause injury in some other way. Insurance is often cited as a big factor in the high price of Irish gig tickets, isn't it? This is a common refrain from some promoters defending high ticket prices in Ireland. Back in 2023 Peter Aiken of Aiken Promotions blamed insurance costs in Ireland when he was defending the high price being charged by Bruce Springsteen for his RDS shows that year. As an example, he said Ed Sheeran's 2022 gigs in Cork had cost €65,000 to insure – compared to just €1,500 for his show in Belfast. Similarly he said a Rod Stewart gig in Belfast had cost just over £200 to insure – but his Dublin show cost €10,000. But those in the insurance industry say the cost of cover is not nearly as big of a factor as some would suggest. Generally, they say, you're talking less than a euro per ticket sold – at least for basic public liability insurance. In the context of an organiser probably having to pay out tens of thousands of euro if a festival goer falls and breaks an arm or leg, that's not a lot. And that's clear even if you take Peter Aiken's Rod Stewart example. At €10,000 for a gig in 3Arena, which holds between 9,300 and 13,000 people depending on the configuration, you're still talking about – at most – a cost of €1.07 per ticket sold. And how is the insurance cost calculated for something like a festival? According to Jane Brady of Brady Insurance, which specialises in insuring events from small village fairs to the St Patrick's Day festival, there are two main factors that influence the cost of event insurance. One is, obviously enough, the number of people who will be attending the event; because the rate would be X amount per person. The other factor is the venue. The big variable there is whether it's a permanent venue – like an arena or a concert hall, or whether it's in a temporary, outdoor venue - as most big summer festivals tend to be. And this is where all of those facilities – like walkways, lighting, toilets and so on, come into the mix. Jane said an insurer would want to know that festivals have a thorough event plan in place - and are prepared for as many eventualities as possible – as part of their cover. And she said having a track record helps a lot here – if this is your 10th time organising an event like this, and they've all run smoothly in the past, you've shown that you know what you're doing. Whereas there's obviously a higher risk involved if it's someone who's holding an event like this for the first time ever. And that's all taken into account for public liability insurance. Another optional extra that festival organisers might take out – that would add to the cost – is cancelation cover, which means they can get back most of their costs if they have to cancel due to the likes of bad weather, or if an act pulls out at the last minute. And does the type of acts taking part in the festival have an impact? Yes actually – insurance underwriters would treat certain types of music differently to others, for example. So if you're a festival that specialises in something that's a bit more 'energetic' like metal or EDM – you're probably going to be seen as riskier than the average. On the other hand, if you're looking for insurance for a choral music festival, there's probably not too much concern on the insurer's part that someone is going to get injured in the mosh pit. But the type of act can influence the insurance cost in a different way. For example an act that has a reputation for not turning up to perform would naturally have a higher risk rating when it comes to cancellation cover. But an older act might carry a heavier risk burden too – because there's a greater potential for them to get sick, or injured, or lose their voice. That's especially true if they have a heavy tour schedule, and they're not building in plenty of breaks and days off between shows. This summer we saw one festival – Beyond the Pale – have a bit of a wobble where it looked at the last minute like it might not go ahead. They blamed cashflow issues – and did manage to fix the problem… but would something like that be covered by insurance? No, cancellation cover would protect you against something else that was out of your control. Not having the money to hand to cover costs would be seen as something that the organiser would be across. But that highlights one of the other key issues that can make a festival so expensive – because it's a high risk venture, especially for the newer festivals that aren't guaranteed to sell out immediately in the way that the likes of Electric Picnic does. The planning on a festival starts a year or more before it takes place, and the initial line-up usually gets announced around nine months ahead of time in order to drum up ticket sales. That means those acts have to be secured long before money starts to pour in – while you will also have to start handing over deposits and payments for other things like the venue, the staging and facilities, as well as getting together the crew that can make it all happen. It's kind of a 'build it and hope they'll come' situation. And this is part of the reason why corporate sponsors have become so important to festivals of all sizes – because you can get them on board relatively early, and get some revenue from them to help cover those inital, upfront costs. So while people may dislike how branded and corporate music festivals have become – and they perhaps yearn for more festivals like Glastonbury or the Woodstocks and Lisdoonvarnas of old - the reality is that, without those brands, a lot of these events simply would not happen in the first place.

The best outfits and looks from Galway Races Ladies Day throughout the years
The best outfits and looks from Galway Races Ladies Day throughout the years

Irish Daily Mirror

time2 days ago

  • Irish Daily Mirror

The best outfits and looks from Galway Races Ladies Day throughout the years

Widely known as 'Ladies Day', Thursday of the Galway Races has become just as famous for its fashion as it has for its racing. 'Ladies Day' has typically been the most eagerly anticipated of the Festival's events, with the opportunity for race-goers to socialise and show off their style. The annual event always delivers some incredible looks and outfits as attendees dress to the nines in an effort to land the coveted title and cash prize. As one of the biggest events in the Irish racing calendar, it's a must-attend for both racing enthusiasts and fashion aficionados. Throughout the years, Ballybrit has hosted some exquisite and daring fashion choices as punters show off their style at the world-famous racecourse. With the 2025 Ladies Day set to take place this Thursday, we take a look back at some of the best outfits to grace Ballybrit over the years, from gravity-defying headpieces to stunning sartorial choices. Check out our picture gallery below to sample of some of the best outfits which have been on show at the Galway Races in recent years. Davinia Knight from Co Laois 1 of 25 Eva Hayes Morrissey from County Limerick (Image: Andrew Downes, xposure) 2 of 25 Caitriona King from Corofin, Galway 3 of 25 Laura O'Hanlon from Roscommon 4 of 25 Rudrani Pramanik from Dooradoyle, Limerick 5 of 25

Dara Ó Briain to make his Electric Picnic debut at Comedy Tent as line-up revealed
Dara Ó Briain to make his Electric Picnic debut at Comedy Tent as line-up revealed

Irish Independent

time2 days ago

  • Irish Independent

Dara Ó Briain to make his Electric Picnic debut at Comedy Tent as line-up revealed

One of Ireland's most popular stand-up comedians, Ó Briain, will perform in the early afternoon slot on Saturday, August 30. It comes as Electric Picnic announced the Comedy Tent line-up, with plenty of well-known names set to hit the stage to entertain festivalgoers. A spokesperson for the festival, which takes place from August 29 to 31 in Stradbally Hall in Co Laois, said a 'myriad of mirth, mayhem, mischief and comedic delight is in store'. "Some of the biggest names in the industry, alongside a whole host of original, exciting, emerging comics, descend upon the rolling lawns of the beautiful Stradbally estate,' they added. Irish comedy sketch troupe Foil Arms and Hog, consisting of Sean Finegan, Conor McKenna, and Sean Flanagan, will perform their only Irish festival show this year at the festival in August. Other comedy stars coming to Strandbally Hall this August include comedian and An Irishman Abroad podcast creator Jarlath Regan, stand-up comedian and Corkman Chris Kent, and Belfast's Shane Todd, who is making his return to the Electric Picnic. One of Ireland's best-known comics, Andrew Maxwell, who won Celebrity Mastermind, Dublin comedian and actor Gearóid Farrelly, and comedian and podcaster Emma Doran will also perform at the festival. Among comedians who will make their debut at Electric Picnic are Cork native and Barcelona resident Kyla Cobbler, and Irish comedian living in New York City, Katie Boyle, whose debut TV special I'll Do it Myself has hit over 1 million views on YouTube. TikTok star Rachel Galvo, who recently sold out the Olympia Theatre, Italian-Irish comedian Vittorio Angelone from Belfast, who was nominated for best newcomer at the Edinburgh Fringe in 2022, and Kilkenny's Mike Rice, who has just completed his first tour of the UK and Ireland, will also hit the stage at the Comedy Tent. Other comedy acts include comedian and TV personality Eric Lalor, award-winning Hot Young Guys podcasters and comedians Killian Sundermann, Shane Daniel Byrne, and Tony Cantwell, comedian John Colleary, Bridget and Eamon creator and star Bernard O'Shea, Canadian slacker comic Glen Wool and many more. Electric Picnic has sought to provide a platform for the best of the new comedians, and this year, it will be Síomha Hennessy, Steve Spade, Emer Maguire, Bronagh Diamond, Darragh Bourke and Eddie Mullarkey who will play the biggest gig in their careers thus far. The Comedy Circus will be hosted by MC and Irish comedian Karl Spain for the weekend, as the EP Comedy Tent opens at 1.30pm on Saturday, August 30, and runs until Sunday, August 31. The festival is headlined by Hozier and Chappell Roan on Friday, Sam Fender and Fat Boy Slim on Saturday and Kings of Leon and Becky Hill on Sunday.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store