Brian Avnet, Longtime Artist Manager and Music Executive, Dies at 82
Brian Avnet, the respected personal manager and music executive who discovered Josh Groban, collaborated with David Foster and helped The Manhattan Transfer to great success, has died. He was 82.
Avnet died May 14 at his home in Los Angeles after a years-long battle with Parkinson's disease, a publicist announced.
More from The Hollywood Reporter
Ed Gale, 'Chucky' and 'Howard the Duck' Actor, Dies at 61
Shaboozey Defends Megan Moroney Amid AMAs Backlash: "Let's Not Twist the Message"
Judge Quickly Rejects Mistrial Request at Sean "Diddy" Combs Trial
The Baltimore native also worked closely with the likes of Johnny Mandel, Herb Alpert and Lani Hall, Frankie Valli and the Four Seasons, Cyndi Lauper, Take 6, Jean-Luc Ponty, Eric Benét and Joshua Ledet.
Avnet began working with The Manhattan Transfer in 1979, and two years later the vocal group became the first to win Grammys in the pop and jazz categories in the same year, earning trophies for 'The Boy From New York City' and 'Until I Met You (Corner Pocket).'
'Brian was an excellent manager and like a brother to me,' Manhattan Transfer founding member Alan Paul said in a statement. 'He was savvy, honest, funny and gifted with a heart of gold. I never met anyone personally or in business who didn't like him.'
Added fellow founding member Janis Siegel: 'Brian got into the rough and tumble with us as we all negotiated the ups and downs of the music business. He was fiercely loyal, passionate about his opinions, smart and kind.'
With composer and producer Foster, Avnet teamed on recording projects for Whitney Houston, Céline Dion, Toni Braxton, Natalie Cole, Diana Krall, Faith Hill, Brandy, En Vogue, Olivia Newton-John, the Bee Gees, Michael Bolton, All-4-One, Julio Iglesias and Smokey Robinson.
Avnet discovered Groban through vocal coach Seth Riggs, who helped develop his career and became his manager.
And in 1995, when Foster launched 143 Records at Warner Bros., he appointed Avnet to lead the label. The roster included Groban, Michael Bublé, The Corrs and Beth Hart.
Avnet was born in Baltimore on July 16, 1942. His father, Duke, practiced law in the area for 54 years and was blacklisted during the McCarthy era for his defense of actor-singer Paul Robeson. His mother, Beatrice, was a social worker.
At 15, Avnet landed a job at the newly opened Painters Mill Music Fair in Owings Mills, Maryland, and he would become the venue's youngest-ever manager. He also assisted Lee Guber at the Westbury Music Fair on Long Island.
A graduate of Gettysburg College, Avnet completed an internship with Princeton's theatrical department. He worked in summer stock, shared a New York apartment with Dustin Hoffman and Jon Voight and went on to produce A Streetcar Named Desire, starring Voight, at the Studio Arena Theatre in Buffalo, New York.
Avnet also collaborated with Bette Midler, starting when she was playing bathhouses in New York before becoming a Broadway sensation in the 1970s. He served as G.M. for her 19-show run at the Palace Theatre in New York in December 1973, for which she won a special Tony Award 'for adding lustre to the Broadway season.'
In 1974, Avnet moved to Los Angeles to work with Lou Adler on the production of The Rocky Horror Show at The Roxy, and the success of that nine-month run led to the 1975 film adaptation. He also produced an L.A. stage production of Tommy and managed Jesus Christ Superstar at the Universal Amphitheatre, where he oversaw its first season.
Avnet, who in 2017 was named Manager of the Year by Pollstar and inducted into the Personal Managers Hall of Fame, never signed a contract with any of his artists.
'It was a long career, and he was beloved. His word was his bond. And that's rare in the entertainment industry,' said his wife of 26 years, Marcia. Survivors also include his brother, Richard, and his nephew, Evan.
A private memorial service will be held in L.A. in September. Donations in his memory can be made to the Michael J. Fox Foundation for Parkinson's Research.
Best of The Hollywood Reporter
Most Anticipated Concert Tours of 2025: Beyoncé, Billie Eilish, Kendrick Lamar & SZA, Sabrina Carpenter and More
Hollywood's Most Notable Deaths of 2025
Hollywood's Highest-Profile Harris Endorsements: Taylor Swift, George Clooney, Bruce Springsteen and More
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


New York Post
11 hours ago
- New York Post
Eury Perez, other Marlins starters could be waiver-wire steals in fantasy baseball
New York Post may be compensated and/or receive an affiliate commission if you click or buy through our links. Featured pricing is subject to change. Back when Best Buy sold DVDs, they had bins loaded with DVDs for discount prices. Not all of the titles available were winners, but if you dug through the copies of 'Howard the Duck,' 'Air Bud: Seventh Inning Fetch,' or Carrot Top's 'Chairman of the Board,' you could find films like, 'No Country for Old Men' or 'The Shawshank Redemption.' Advertisement Digging through discount bins is similar to scouring the waiver wires — sometimes, when you dig deep enough, you find something of value. Though the Marlins' pitching staff owned a 5.29 ERA, 1.46 WHIP, .262 opponents' average and had the sixth-fewest strikeouts in the majors, Roto Rage recommends doing a bargain-bin hunt in Miami.
Yahoo
a day ago
- Yahoo
Shakira Cancels Second Concert In Three Days Due To 'Tour Production Issue'
Following her recent cancellation of a concert in Boston, Shakira has pulled the plug on her scheduled performance Saturday in Washington DC. BBC News reports that the Columbian star had been billed to appear as part of large LGBTQ+ festival WorldPride, but an announcement by the host stadium confirmed the gig was off. More from Deadline Shakira's Medellín Concert Postponed Because Of Stage Safety Concerns: "Grateful For The Unconditional Support" Shakira Cancels Lima Concert After Being Hospitalized For Abdominal Issue 'The View's Ana Navarro Praises Shakira's Grammys Speech & Defending Latino Community: "More People Need To Lose The Fear" The statement said 'complications with the previous show in Boston' meant 'Shakira's full tour production cannot be transported to Washington, D.C' in time. Shakira added in her own statement: 'Because of the unforeseen and unfortunate circumstances that affected me and other artists in Boston, my full tour production is not able to be moved to Washington, DC in time for my scheduled performance on Saturday. 'I have been counting the days, excited to be reunited with my fans in both Washington and Boston,' she added. 'I promise that I will do everything in my power to be with you as soon I can.' Fans were issued immediate refunds for the cancelled concert, which was binned two days after Shakira's Boston concert was called off due to 'a safety issue.' Shakira is currently performing in stadiums across north America as part of her Las Mujeres Ya No Lloran tour, in support of her 12th studio album. She is due to perform next in Atlanta on Monday June 2. The artist's year started on a high, with a win at the 2025 Grammy Awards. Taking the stage at the Arena in Los Angeles, the Colombian singer won in the Best Latin Pop Album category for Las Mujeres Ya No Lloran and took the opportunity to express her support to immigrants. 'I want to dedicate this award to all my immigrant brothers and sisters in this country,' she said. 'You are loved. You are worth it, and I will always fight with you.' Best of Deadline Sean 'Diddy' Combs Sex-Trafficking Trial Updates: Cassie Ventura's Testimony, $10M Hotel Settlement, Drugs, Violence, & The Feds 'Poker Face' Season 2 Guest Stars: From Katie Holmes To Simon Hellberg 2025-26 Awards Season Calendar: Dates For Tonys, Emmys, Oscars & More


Forbes
a day ago
- Forbes
Billie Eilish's New Single Matches The One That Made Her A Star
Billie Eilish's 'Wildflower' ties 'Bad Guy' as her second-longest-charting song on the Hot 100, ... More hitting 49 weeks on the tally. LOS ANGELES, CALIFORNIA - FEBRUARY 02: (FOR EDITORIAL USE ONLY) Billie Eilish performs onstage during the 67th GRAMMY Awards at Arena on February 02, 2025 in Los Angeles, California. (Photo by) Billie Eilish's most recent album Hit Me Hard and Soft recently celebrated its first birthday. The singer-songwriter released her third full-length in May 2024, and it was immediately welcomed as both a commercial and critical success. As the album continues to overperform across the Billboard rankings, two of its most popular songs are still present on the Hot 100, the most important tally for individual tracks in the U.S. Thanks to one more stay on that list, Eilish's current single reaches a very special milestone. "Wildflower," the current focus track from Hit Me Hard and Soft, is still charting on the Hot 100. At the moment, it marks 49 weeks on Billboard's ranking of the most-consumed tracks in the country. As "Wildflower" reaches 49 frames on the Hot 100, it ties with "Bad Guy" as her second-longest-charting track of all time on the competitive tally. While both "Wildflower" and "Bad Guy" have spent 49 weeks apiece on the Hot 100, their chart journeys have been quite different. "Bad Guy" debuted in April 2019 and reached No. 1 by August, becoming Eilish's first – and so far, only – leader. "Wildflower," however, opened at what turned out to be its peak, debuting on the Hot 100 in June 2024. Despite its longevity, "Wildflower" has only ever climbed as high as No. 17. This week, "Wildflower" declines more than 10 spaces, dipping from No. 44 to No. 58 on the Hot 100. That's a relatively low position for a cut that's nearing a full year on the roster, and it's not even Eilish's highest-rising smash at the moment. "Birds of a Feather" remains the longest-charting tune in Eilish's catalog on the Hot 100. Last frame, it became her first one-year charter. Now, it has collected a total of 53 appearances somewhere on the list. Currently, "Birds of a Feather" drops from No. 12 to No. 17 after peaking at No. 2, where it became one of Eilish's most successful releases to date – and one of two to stall in the runner-up space, joining 'Therefore I Am.'