
Taufik Batisah shares why he's staging his first, and possibly final, solo concert
Speaking in a mix of English and Malay to members of the media on Monday afternoon (Jul 7) at his fried chicken joint, Chix Hot Chicken, Taufik candidly divulged his reasons for finally pulling the trigger on the much-requested concert.
Joining Taufik Batisah at the light-hearted session was singer Sufi Rashid – who is also the founder of the concert's organiser, SAH Entertainment.
Taufik Batisah admitted that in recent years, he has been "more focused" on his other ventures, such as real estate and his interior design company.
That is not to say that the Singapore Idol winner has discarded his singing roots; he still enjoys performing and has been a constant presence on television till today.
Taufik shared that during property viewings and at his restaurant, there would always be clients and customers who say that they had voted for him during Singapore Idol and ask him if he ever plans to release new music or hold a concert. After all, the last time he released new music was in 2014.
"So [staging a concert] was always at the back of my head," Taufik said.
He revealed that a few years ago, he and Sufi had talked about staging one. However, things did not work out.
"As a promoter, we have considerations like dates and the concept," chimed Sufi.
"Especially when you're gonna work with a conceptual person like [Taufik], you have to make sure that there's storytelling...It has to be such that when people buy tickets, it's worth it."
He added: "We don't want people to come to us, saying 'Why must we buy tickets when we can just watch Taufik in Mediacorp?'"
Fast forward a few years, Taufik has decided that now is the time to finally stage the concert, after seeing SAH Entertainment's track record – and after much prodding from his fans and wife.
One Last Dance will be the first time that SAH Entertainment stages a concert for a Singaporean artiste. It previously held concerts for global and regional acts such as Ne-Yo and Siti Nurhaliza. Sufi revealed that he plans to hold concerts for other Singaporean artistes, saying: "This is part of my contribution to support industry artistes in Singapore, not just for who they are but also their talent."
The team shared that, for now, One Last Dance has 31 songs on its set list, though that number might get reduced to fit the concert runtime.
Taufik himself is aware that certain songs from his repertoire appeal to certain age demographics.
For instance, he notes that his 2006 song Sesuatu Janji (A Promise) is now viral in TikTok among Malay-speaking users in the region.
"I want to take [the audience] on a journey on what they have given me for the past 20 years," said Taufik.
"Ultimately, this is a concert for the supporters, [to thank them] for the privilege of performing on stage and listening to my songs which they made popular."
As the session became more introspective, Taufik finally addressed the elephant in the room: Why does the name of his inaugural concert allude to a finality?
In a pensive tone, he shared: "When I joined real estate in 2019, I was consciously making an effort to be out of the [entertainment] industry.
"It took me so long to wanna do a concert [and] to find the right person to do it with."
According to Taufik, One Last Dance could very well be his first and final concert.
"I feel that as someone from Singapore, as someone from a small country, as someone who's a minority, it's hard to last in the entertainment industry," said Taufik.
"I've seen cases where artistes, both in the acting and music fields, don't make financial preparations to retire and end up defeated. This makes me very sad."
In Taufik's view, because the industry is small, there is only a certain period of time when an artiste will be relevant.
"You need to prepare for the moment when you're no longer relevant...You need to be aware that this will happen," he admitted.
"In my mind, this concert is my last concert, unless God blesses me with a longer career in music."
Citing a desire to focus on his other endeavours, Taufik added: "I want to be able to take care of my family. I'm being very, very practical. In all honesty, I'm doing this concert for my fans."
View this post on Instagram
A post shared by SAH ENTERTAINMENT (@sahentertainment)
Tickets for One Last Dance will go on sale on Wednesday (Jul 9) via Sistic, with prices ranging between S$78 and S$228.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


AsiaOne
9 minutes ago
- AsiaOne
K-pop girl group StayC prove they can do more than cute concepts at Singapore concert , Entertainment News
They may be known for their cute concepts, but at their Singapore concert on Aug 16 held at The Star Theatre, it was clear K-pop girl group StayC can excel at much more. The 2.5-hour show started with Bebe, a funky house tune with a catchy beat. Not just a more mature sound for the sextet, the song also has a choreography that showed StayC don't need a signature move to get the audience's attention. After introducing themselves, Sumin, Sieun, Isa, Seeun, Yoon, and J explained that they chose Bebe - released in March this year - as their opening song as it fit their concert tour theme Stay Tuned. "We took too long to come back," remarked 23-year-old Isa. They were last here in February 2024 for the Teenfresh tour. [embed] While their 2023 single Teddy Bear and subsequent album Teenfresh was bubblegum pop, their recent album Metamorphic explores new sounds and showcases a different side of StayC, and this was emphasised during the concert. "We've 'graduated' from being teens, but we still stand for StayC (Star to a Young Culture)," said Sumin, 24, in a pre-recorded video clip. Yoon, who was only 16 years old when they debuted in 2020, added: "We started out as adolescents and now we're becoming adults." The 21-year-old noted that the challenge is in making small but notable changes and breaking down the walls they've built, and while watching them perform, I felt they've succeeded in this. Much like the title of their recent album, it felt like they went through metamorphosis with each performance - their concert was arranged in a way where they'd perform sets of songs belonging to one genre, and the next set would have a completely different vibe. This highlighted their versatility well. StayC girls it's goin' down! The girls are here at The Star Theatre ❤️#STAYC #스테이씨 #STAYCinSINGAPORE #STAYTUNEDinSG — AsiaOne (@asiaonecom) August 16, 2025 They also performed songs which displayed, in my opinion, their strong suit - live singing. While their stable vocals were louder and clearer than the backing track in every performance - even dance-heavy tracks like their newly released single I Want It - I enjoyed moments when they slowed things down and allowed the audience to just enjoy their singing. Their unit performances showcased each member's vocal colours well, but a crowd -favourite and one I too personally enjoyed was when all six of them sang Young Luv. Hearing 24-year-old Sieun's clear and lovely voice sing "I'm sorry for my young love," transition to J's deep vocals was pleasing to my ears, to say the least. "I want to show that StayC has no limits, that we are capable of all of this. Like, 'StayC has this side too?'" said the latter - the youngest member of the group who turns 21 in December - during a pre-recorded clip. Sieun believes StayC has "infinite potential": "Our spectrum is limitless, and we have so many different paths to explore. I don't want to set any boundaries." StayC pranking Sumin The members were just as entertaining during their talking segments, often responding to loud fans who screamed from the audience seats. Isa said she found out during the soundcheck that many fans didn't eat prior to the concert, and Yoon adorably asked: "Did you makan (eat) already? What food do you want to makan ?" One fan cheekily yelled: "StayC's love!" which they acknowledged and laughed over. Sumin shared a funny story about the members pranking her during their Sydney stop. In one part of the choreography for Asap, a member does an impromptu dance move while the rest follows. The member and dance move changes at every tour stop. In Sydney, Sumin ran to the corner but to her surprise, the members stood still and laughed. It was also Sumin's turn in Singapore and Yoon said she texted the group chat the night prior: "She said, 'You guys will follow me tomorrow, right? I'm so worried I can't sleep.'" [embed] It seems they spared Sumin this time, because when she did a ballerina twirl for her part in Asap in Singapore, the members swiftly followed. The last song before the encore was the one that stuck with me most. It brought back vivid memories of where I was during StayC's debut - it was released towards the end of the first year of the Covid pandemic, and when I was cooped up at home, So Bad was a song I looped endlessly. As someone who listens to more girl groups than boy bands in the K-pop scene, at the time, StayC's sound felt fresh and new to me. So when the beginning of So Bad played, I couldn't help but scream the opening lyrics with the fans: "StayC girls, it's going down!" There were multiple times throughout the concert where I thought, "Ah, this is what girl groups are about. This is K-pop." This was one of those moments where I felt that the most. Hearing 22-year-old Seeun's iconic " Geuge joha (I like that)" was truly a full-circle moment for me and made up for me missing their stop here last year. During one of the video clips, Sumin said she's curious to find out what they'll make out of their potential, and so am I. I'm looking forward to seeing what's next for StayC. [[nid:721398]] syarifahsn@ No part of this article can be reproduced without permission from AsiaOne.


CNA
2 hours ago
- CNA
Have dating apps and Gen Zs changed Singapore's nightlife?
Scroll up for the next video X Have dating apps and Gen Zs changed Singapore's nightlife?


Independent Singapore
4 hours ago
- Independent Singapore
Singapore's chewing gum ban just got chewed out – ‘Unthinkables' defies the law without breaking it
SINGAPORE: In a country known for its clean streets, organised lines, and strict ban on chewing gum, one agency has just achieved the unthinkable. Literally. A recent story from featured BBH Singapore, the creative force behind some of the most discussed campaigns in Asia, has launched 'Unthinkables!'. This product looks, tastes, and chews like gum. The twist? It isn't gum. By ingeniously steering the country's enduring prohibition, this invention isn't just a sugary indulgence; it's a dazzling advertising manoeuvre. The ban that sparked the bite To appreciate the cleverness of Unthinkables!, there's a need to revisit 1992 when Singapore announced one of its most celebrated regulations — a veto on the sale and import of chewing gum. This prohibition was designed to safeguard public property, particularly train entrances and elevators, from gum defacement. The law rapidly became a representation of Singapore's firm governance. Those who violate could face cumbersome penalties, and the law has been imposed for more than three decades. This altered the simple act of chewing gum into a defiant fantasy. That's where BBH Singapore saw an opportunity. Rebellion, repackaged On the surface, Unthinkables! seems to brazenly challenge the law. Its cheerful, flamboyant packet, decked in exciting pinks, purples, and blues, piercingly declares its source: 'FROM THE LAND THAT BANNED CHEWING GUM.' However, underneath the animated visuals and spirited designs lies a prudently fashioned legal tactic. Collaborating with artisan sugarcrafter Irene Chan, the founder of Oni Cupcakes, the BBH team spent months in their Innovation Lab testing over 60 different formulas. The outcome? A chewable candy that acts like gum but is made without the legally restricted gum base. This smart redefinition of 'gum' is what makes Unthinkables! completely legal — it's classified as candy, designed as an experience. Not just candy – A creative Trojan horse However, this product is more than just candy. Every piece resembles gum and is accompanied by a QR code linking directly to BBH Singapore's creative portfolio. This portfolio includes highlights like the popular 'Heinekicks' campaign and a horror short film for Income travel insurance. See also SAF regular serviceman dies after physical training at Kranji Camp With this, Unthinkables! becomes more than just a different, innovative snack; it's like a chewable business card. It's a stunt that sells not only an idea but embodies the idea: a perfect example of BBH's commitment to innovative solutions and imaginative creativity. What does this mean for the Chewing Gum Law? While Unthinkables! hasn't defied the law, it does challenge it. BBH Singapore has followed the legal guidelines. However, culturally and politically, they've nudged the boundaries of Singapore's image of control and order. The product walks a fine line, and that's intentional. It demonstrates how innovation can succeed even in the harshest systems and how the spirit of a decree can be overextended when the law permits some flexibility. Could this result in an adjustment or amendment of how the gum veto will be understood and implemented? Will there be a reassessment of other 'emblematic' laws in light of contemporary innovations? Or will Singapore tighten its definitions to uphold the original intent of the ban? For now, Unthinkables! stays completely legal — and disruptively innovative. The verdict Unthinkables! is more than just a playful product launch. It's an artistic conquest that drives the limits without crossing them. By turning a national injunction into a brand's most audacious strength, BBH Singapore has done what only a few could try — defy authority without being castigated. In an arena where marketing operations often take precautions and avoid risks, Unthinkables! acts as an invigorating reminder that the finest concepts not only sell; they incite thought, prompt questions, and rewrite the rules. In Singapore, that's as unthinkable as chewing gum once was.