Cannes Staffers Urged To Remain Politically Neutral In Pre-Fest Letter From Organizers; Will There Be A Protest From Them Tonight?
EXCLUSIVE: Cannes Film Festival organizers have urged all staffers to remain politically neutral while on the job in a series of guidelines sent out ahead of this evening's opening night gala.
The instructions, which were sent to all staff members working on this year's event and have been reviewed by Deadline, list guidelines on social media use and dealing with the press alongside instructions on steering clear of political discussions. News of the updated guidelines come as we learn a selection of Cannes staffers aim to once again mount demonstrations during this year's event, including at tonight's opening ceremony, to raise awareness of their working conditions.
More from Deadline
Matt Rife To Star In Comedy 'The Escort' For 'Wedding Crashers' Director David Dobkin; Upgrade & UTA Launching For Cannes Market
Mubi Deep Dive: Founder Efe Cakarel & Content Boss Jason Ropell Lift The Lid On Rapid Growth & Next Steps...But What Does The Industry Think?
Maya Hawke & Rhys Ifans Set For Aisling Walsh's Lucia Joyce Biopic As The Veterans Boards Sales - Cannes
'Maintain a certain political neutrality in your exchanges with festival-goers,' the instruction read in the pre-festival letter from organizers. We understand the specific note on politics is a new addition to advice traditionally shared with festival staffers.
Multiple Cannes staffers we spoke with this morning said the updated staff protocols were indicative of what they described as the festival's beefed-up approach to political protests and demonstrations, particularly around its centerpiece events like this evening's opening ceremony.
In a statement to Deadline, the public and privately-backed festival said: 'As in many organizations, team members are asked not to express political opinions when speaking on behalf of the Festival in a professional context. Outside of this framework, everyone is free to hold and express their own beliefs.'
Last year, a small collection of staff working across the festival's competition strands did mount a series of modest demonstrations to raise awareness about their working conditions. A rooftop demonstration was held at last year's opening night gala.
The group was organized under the unofficial union Sous Les Écrans La Dèche, which includes 300 film festival workers from across France, including staff who work on the Cannes Official Selection, the festival's Marché du Film, and parallel sections of Directors' Fortnight and Critics' Week. We understand the group is in discussion about how to replicate a similar demonstration at this evening's opening ceremony, as last-minute negotiations held this week about their working contracts with the French government and the Cannes Film Festival broke down.
The Sous les Écrans la Dèche movement has some high-profile supporters. French filmmaker Justine Triet wore the group's bright red pin on her suit lapel as she walked the red carpet for Palme d'Or winner Anatomy Of A Fall at Cannes in 2023. 2025 Cannes Film Festival jury member Payal Kapadia was wearing the same pin as she debuted All We Imagine As Light on the Croisette in 2024.
Cannes opens this evening with Leave One Day by first-time French filmmaker Amelie Bonnin. Juliette Binoche leads the competition jury. The festival runs until May 24.
Best of Deadline
Everything We Know About Ari Aster's 'Eddington' So Far
Everything We Know About 'Nobody Wants This' Season 2 So Far
List Of Hollywood & Media Layoffs From Paramount To Warner Bros Discovery To CNN & More
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
34 minutes ago
- Yahoo
Ubisoft sexual harassment trial: Up to three years suspended prison sentences requested
The trial of three former top executives from French video game giant Ubisoft – the maker of games like Assassin's Creed and Far Cry - took place this week in Bobigny, France. Serge Hascoët, Thomas François and Guillaume Patrux appeared before the Bobigny criminal court on charges of psychological abuse, sexual harassment and attempted sexual assault. The prosecutor called for suspended prison sentences of up to three years and fines for all three, describing the accusations as 'extremely serious'. The public prosecutor's office requested an 18-month suspended prison sentence and a €45,000 fine against the company's former No. 2, Serge Hascoët; one year's imprisonment and a €10,000 fine against game designer Guillaume Patrux; and a suspended sentence of three years in prison as well as a €30,000 fine against the former vice-president of the editorial department, Thomas François. The verdict is expected on 2 July. The trial, seen as a landmark #MeToo moment in the male-dominated video game publishing industry, followed the publication of an in-depth investigation by Libération and Numerama in 2020. It highlighted working conditions plagued by harassment, humiliation and discriminatory comments, as well as the psychological, sexist and sexual harassment that had been going on at Ubisoft for around ten years. The testimonies that poured in painted a damning picture of what went on behind the walls of the Ubisoft studios. When François was questioned about a sexual assault that a former colleague had accused him of committing, and for which she had testified on the stand the previous day, he replied that he had 'no recollection.' The three defendants pleaded amnesia and their denial was roundly rebutted by the civil parties' lawyers. According to them, the trial was really about the 'extremely virile and childish culture' at Ubisoft, the French flagship of an 'industry built by men and for men.' The civil parties and the defence also deplored the fact that no proceedings have been brought against the legal entity Ubisoft, its CEO Yves Guillemot and Marie Derain, the head of human resources. 'This trial could have been exemplary,' according to Marc Rutschlé, union delegate at Solidaires Informatique. He told L'Humanité: 'It wasn't three isolated individuals who created this atmosphere of widespread harassment. Their impunity was organised. There are no defendants and many victims. The whole structural aspect has been evacuated.' Previously, Guillemot allegedly referred to some of the accusations as 'generational differences of opinion' and 'creative friction'.


New York Post
an hour ago
- New York Post
Mommy blogger Candice Miller deactivates Instagram days after posting for the first time since husband's suicide
Hamptons mommy blogger Candice Miller deactivated the Instagram account that made her famous just days after she posted for the first time since her husband's shock suicide last year. The mom of two — who was saddled with hubby Brandon Miller's nearly $33.6 million debt following his death — shut down the Instagram account for Mama & Tata, the luxury lifestyle blog that she ran with her sister documenting their ritzy lives. Earlier this week, Miller returned to Instagram and posted a photo of the sun glaring over the ocean with a cryptic quote attributed to French philosopher Albert Camus. Candice Miller was saddled with her late husband Brandon Miller's nearly $33.6 million debt following his death. Bre Johnson/ / Shutterstock 'In the midst of winter, I found there was, within me, an invincible summer,' the caption read. 'And that makes me happy. For it says that no matter how hard the world pushes against me, within me, there's something stronger – something better, pushing right back.' Miller's husband Brandon, a high-profile New York real estate developer, poisoned himself in the garage of their Hamptons home over the 4th of July weekend last year as he secretly battled a mountain of debt totaling $33.6 million. At the time of his death, the 44-year-old had just $8,000 in the bank. After Brandon's death, Miller sold their Hamptons estate for $12.8 million and resettled with her two daughters in Miami, Florida, where she is working on rebuilding her life.

Miami Herald
an hour ago
- Miami Herald
Gucci, YSL owner sends blunt message about tariff threats
I bought my first pair of Saint Laurent (YSL) heels when I was 25. They were all black patent leather in the iconic Tribute style, with crisscross straps and a sky-high platform that made absolutely no sense and every kind of sense at the same time. I can't remember exactly why, but I had some reason to celebrate (or so I told myself), and I couldn't resist the rush of slipping those shoes on in the YSL store at Copley in Boston. They were bold. A little aggressive. And completely, unapologetically French. Related: Popular luxury brand takes a massive leap of faith in risky move That moment wasn't just about fashion - it was about owning something that felt like power. Putting them on was like flipping a switch: confidence, elegance, a little bit of edge. Luxury brands like YSL know exactly what they're selling. Sure, there's craftsmanship and quality, but really, it's culture. A story. An idea that something made in France or Italy is worth paying a premium. So when presidents start throwing around threats of tariffs and urging companies to move production closer to home, that idea gets tested. But Kering (PPRUY) , the company behind Gucci, YSL, and Bottega Veneta, just made it clear: it has no intention of budging. Image source: Sorbis/Shutterstock On the Q1 2025 earnings call, Kering CEO François-Henri Pinault made one thing clear: the company won't be moving its production out of Europe in response to U.S. tariffs. "Most of our brands we are producing in Italy and in France, and this is part of the promise that we bring through our products, through our heritage, to the consumer," he told investors. He went even further, adding, "We are selling part of our culture, being an Italian culture or a French culture. So we have no plan of producing to counter the tariff. It makes no sense." Related: Luxury outerwear brand avoids tariffs as rivals try to exit China His comments came just days after President Donald Trump signaled that sweeping new tariffs on goods from the European Union were imminent, calling the EU's trade actions "an atrocity." Pinault said the company already operates in large global markets (like China) where import duties are standard, and he emphasized that adjusting its entire supply chain would dilute the very value proposition luxury buyers are paying for. Still, Kering isn't ignoring the issue. Pinault acknowledged the company may have to rethink pricing strategy if the tariffs go into effect. Tariffs aren't the only problem on Kering's plate. In its latest results, the group reported a 14% drop in revenue for the first quarter of 2025, totaling €3.9 billion. Gucci continues to struggle. The brand brought in €1.6 billion in Q1 2025, down 24% year-over-year. Sales fell sharply across both its retail and wholesale channels. Meanwhile, YSL posted €679 million in Q1 revenue, down 8%, with some resilience in European and Middle Eastern markets. Kering closed 25 stores globally during the quarter, and although Bottega Veneta (up 4%) and its beauty and eyewear segments saw growth, the group's overall trajectory remains challenged. Pinault addressed the issue, stating, "We are increasing our vigilance to weather the macroeconomic headwinds our industry faces." The company also recently offloaded its stake in The Mall Luxury Outlets and entered a joint venture for three Parisian real estate assets, moves that signal a tighter focus on its core business and brand strategy. Kering's message - heritage over haste - is one not all luxury players may be able to afford. But if it pulls through, it'll be because it stood by elegance, even when tariffs made shortcuts tempting. Related: Versace, Michael Kors, Jimmy Choo stumble hard The Arena Media Brands, LLC THESTREET is a registered trademark of TheStreet, Inc.