
The week in audio: Coming Out; The Great Post Office Trial; The Teen Commandments
By far the most moving and absorbing piece of audio I heard last week was on Radio Atlas, the website that showcases excellent non-English-speaking audio documentaries. Before I get to the programme itself, I feel Radio Atlas may need a reintroduction (I just checked, and I first wrote about it in 2016). Set up and run by Falling Tree's Eleanor McDowall, it finds the best audio pieces from around the world and gives them a beautiful translation into English that appears on your screen, each word timed perfectly to those spoken, so that you're not rushing ahead or catching up. It does mean, of course, that you have to look at your phone when you're listening (unless you speak the language), but that's good. These shows need your undivided attention.
Anyway, Coming Out is from Lithuania, made by Rūta Dambravaitė and Inga Janiulytė-Temporin for publicly owned radio station LRT Radijas's Radijo Dokumentika series. Billed as 'a tender love story, lived in private, across five decades', it's based around an extended interview with Vitalius, now 70, who tells the story of his 52-year relationship with Albinas, 85, whose memory is going. The pair met in a Kaunas city park, known as a meeting point for gay men and thus a place of danger. When Lithuania was part of the Soviet Union, the military police used to actively search for gay people to charge them – and worse.
Vitalius tells his and Albinas's story beautifully. His childhood is devastating: he grew up in a village where he knew no other LGBT people and couldn't imagine they existed. 'A cosmic loneliness,' he says, and your heart breaks. This documentary is the first time he's ever spoken about being gay. Usually, when people ask about his and Albinas's relationship, he lets them assume that he is Albinas's son. Though there is a moment, towards the end, when he describes telling a shop assistant exactly who he is buying a ring for – 'It's for my man' – and, honestly, I burst into tears. The music, classical and opera, chosen by Vitalius himself, is hugely and suitably romantic.
The story has a coda. During the programme, an impassioned Vitalius argues for his and Albinas's partnership to be treated the same as a straight one under Lithuanian law. The country only decriminalised homosexuality in 1993, and still doesn't recognise same-sex marriages or civil unions. When Coming Out was broadcast in early 2024, the online version became the most streamed episode in the show's history (it went on to win the Prix Europa European audio documentary of the year), and opened up a debate on human rights in Lithuania. It also led to a symbolic humanist wedding ceremony for Vitalius and Albinas, witnessed by 21,000 people, who signed the certificate. It was the first time Vitalius and Albinas ever held hands in public.
Speaking of a righteous fight to be recognised, here's dogged Nick Wallis back on Radio 4 to report on the current state of play with the Post Office scandal. He has been reporting on this for 15 years, and there are 17 other episodes to The Great Post Office Trial if you wish to catch up, though after ITV's Mr Bates vs the Post Office I can't imagine there are many who don't know what went on.
This brand new episode gives us some audio from the inquiry, which is still yet to deliver its report. Much of it is centred on ex-Post Office chief executive Paula Vennells, who doesn't come across well, being at once bewildered and bewildering; so incurious and sappy as to provoke laughter from the public gallery. We also hear from former post office operators Lee Castleton and Rooprit Gill, who are robust in their final victory, even though they're yet to receive full monetary compensation for what happened.
Wallis is great at pushing both the new interim head of the Post Office, Neil Brocklehurst, and the MP Gareth Thomas, the minister now in charge of the victims' compensation, as to why everything's so complicated and is taking so long. Of the two, Thomas seems to be more on the case, though it still seems like wading through mud. 'You've got 92-year-old Betty Brown, who's heading towards the end of her life without having received full and final compensation… what are you going to do to make things happen quickly?' asks Wallis of Thomas. From his hemming and hawing, it sounds as if Brown will be lucky to get what she's owed before her 100th year.
Radio 2's Sara Cox and her best friend, Clare Hamilton, have a new podcast, The Teen Commandments, in which they share insights on, and anecdotes about, raising teenagers and promise to reveal what they were like when they were that dread age. 'It's all karma,' says Hamilton.
I get the feeling that, like many new shows, The Teen Commandments wants to recreate the intimate, funny vibes of Miss Me?, Lily Allen and Miquita Oliver's hugely successful podcast. But that's harder than it might appear, and The Teen Commandments is sort of there, but not quite. The episodes need a specific topic rather than a jovial ramble around the edges, and are in need of listener contributions too, which no doubt will come flooding in. Until then, it's a bit formless, veering wildly between Cox and Hamilton reminiscing about how cute their kids were when they were little, and impromptu masturbation – theirs, not their kids – as a way of finding the energy for what needs to be done. 'Procrasto-wank,' says Cox; a good name for it, but perhaps not quite what listeners were expecting.
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Western Telegraph
3 hours ago
- Western Telegraph
Probus Club hears tales of historical Tenby figures
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Scottish Sun
8 hours ago
- Scottish Sun
Orlando Bloom moves into £13m bachelor pad ‘which screams I'm filthy rich & single' after Katy Perry split
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Telegraph
8 hours ago
- Telegraph
Modern British cityscapes aren't just bland – they're killing us too
In the first series of Building Soul with Thomas Heatherwick (Radio 4, Monday), the British designer had an alarming theory. Modern architecture in British cities isn't merely bland and monotonous and alienating, it's dangerous too. Swathes of urban areas being transformed into homogenous, rectangular, glass-filled deserts rots the very fabric of society, makes us physically ill and, just maybe, can cause wars. Our buildings are killing us. It was ear-catching stuff and, if you're anything like me, completely persuasive – cities worldwide are being rapidly flipped into soulless mini-Dubais. Next time you're in a foreign city, head to the newest part of town. It could be Rotterdam or anywhere, etc. Having converted me to his cause, Heatherwick has returned with a new series with a radical solution. Out with the Nimbies and the Yimbies – what we need are Pabbimbies (tortured acronym, author's own). Pabbimbies (people against boring buildings in my back yard) are Heatherwick's secret weapon in what he calls Britain's 'blandemic'. Once again, I was persuaded. In 2025, no building project can be undertaken without its environmental impact being taken into consideration. Developers have had to go green, because the Government has demanded it. And the Government has demanded it because we, the people, have decided it's important. Can we do the same with beauty or, to borrow a Heatherwick phrase, 'interestingness'? Heatherwick tried to get to the bottom of who was to blame for this blandemic, but found a thoroughly modern and thoroughly depressing unvirtuous circle. It's not the politicians or the city planners or the developers or the architects who are to blame, it's all of them. And none of them. Each feel powerless while thinking of the others as all-powerful. Adam Curtis, whose latest documentary series focused on how disenfranchised British people have become, would have nodded along approvingly. Yet the British people can mobilise when it comes to buildings. We campaign to save them, we renovate them, we adore them, we travel hundreds of miles to look at them, we pay annual subscriptions to organisations that exist to prop them up. We just need to take this energy, which we seem to reserve for old buildings, and channel it into new buildings. We revere our architectural past, we should demand a say in our architectural future. It matters too. In a chat with Kevin McCloud, the celebrity house renovator, Heatherwick hit upon something startling and depressing. Discussing Peter Barbour's extraordinary Edgewood Mews, a housing project in Finchley, London, that resembles the fortifications of a particularly groovy medieval Spanish town, Heatherwick described it as 'generous'. McCloud agreed. 'It's a gift to humanity,' he said. Once again – go and find the newest development near you. Can it be described as generous or a gift to humanity? More likely it's miserly and a blight. If you're ever in north London, go to see Edgewood Mews. It's worth the trip. Heatherwick didn't exactly explain how we Pabbimbies should mobilise and rise up against our glass and steel overlords, but there are two episodes left in the series so hopefully our instructions will come. What's clear is that change won't happen unless we demand it. 'In France, the architect is seen to not know the value of the sunset,' said the architect Kengo Kuma (look up his work – now there's interestingness). We can add city planners, politicians and developers to that too. Those of us who do know the value of the sunset cannot allow our urban areas to be dictated by those who do not. Pabbimbies assemble! Episode one of Building Soul with Thomas Heatherwick is on BBC Sounds now and continues on Mondays on Radio 4 at 9.30am



