Mother & Son star Henri Szeps dies, aged 81
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7NEWS
25 minutes ago
- 7NEWS
Aussie singer G Flip and US star Chrishell Stause marry for the fourth time in medieval-themed wedding
Australian singer G Flip and US star Chrishell Stause have celebrated saying 'I do' for the fourth time with a medieval-themed wedding. G Flip, who uses they/them pronouns, and the Selling Sunset star renewed their vows on Saturday in Los Angeles. The couple rented out a castle in the Hollywood Hills for the occasion, TMZ reported. For the ceremony, Stause wore a white off-the-shoulder gown with a lace corset, while G Flip was dressed in a red tunic with a sword on their back. Stause shared photos from the wedding on her Instagram stories, including the invitation. 'By royal decree, we request the honor of your noble presence to witness the wedding ceremony of Lord Flipo & Lady Stause,' it read. 'Lord Flipo & Lady Stause bid thee join in revelry and royal delight. 'Attire: Medieval, Renaissance, Regal and Festive attire encouraged. RSVP with haste.' Stause shared behind-the-scenes details from her big day, revealing that she'd written her vows on a scroll made from dipping paper into a pan with brown liquid. Two knights dressed in full costume also attended the ceremony, along with celebrity hairstylist Chris Appleton. Stause and G Flip first met at a Halloween party in October 2021. G Flip then enlisted Stause to feature in their music video for Get Me Outta Here. Stause confirmed her relationship with the Australian musician in May 2022, during Selling Sunset's reunion episode. In July 2022, Stause and G Flip secretly tied the knot in Las Vegas in July 2022. They then renewed their vows a year later in a ceremony in Palm Springs in July 2023. In July 2024, the couple held a third ceremony in Melbourne while they were in Australia celebrating Stause's 43rd birthday. Speaking to Us weekly in May, G Flip revealed they have a goal to wed Stause every year. 'I think it's really healthy and it's good to update your vows every year. I think all couples should do it,' G Flip said. 'I reckon it makes you stronger, looking your person in the eyes and promising them new things every year.' Strause added: 'We normally plan it a week out, so it's super last-minute and then it's more spontaneous. 'We don't ever want to take the fun out of it, so it becomes a chore. That's the only rule: It can't be stressful. 'If you're newlyweds every year, that must help keep things spicy.'
Herald Sun
an hour ago
- Herald Sun
Behind the scenes in Kia's Tasman Town
Don't miss out on the headlines from Motoring News. Followed categories will be added to My News. How many sports stars does it take to convince Australians that Kia can make a good, off-road, dual cab ute? The South Korean car manufacturer – better known for their sensible SUVs – clearly thinks the answer is a lot. Last week, for the launch of its first-ever ute, the Tasman, Kia shipped Alex Volkanovski, Lance Franklin, David Boonie, Damien Oliver, Alfie Langer, Steve Waugh, Dane Swan, Nathan Hindmarsh and Darren Lockyer to a small country town in the Central West of New South Wales. MORE: Kia's Tasman tested in pre-production form Retired Broncos star Darren Lockyer with a horse in Tasman Town. Picture: Supplied A truly impressive bevy of athletes. Some of the biggest names in Australian sport. And they were all brought together to participate in what might best be described as a night of improvisational theatre. No, really. For the launch, Kia took over Sofala, a historic gold rush town with a population of around 100 people, and transformed it into 'Tasman Town', the imaginary destination featured in their ads. I was one of a few dozen motoring writers and media types who were invited along for the event. MORE: Drivers fed up by dangerous driving Kia transformed Sofala, NSW, into Tasman Town. Picture: Supplied On arrival, we were greeted as though we were newcomers to the area, interested in buying a local property. To help us get acquainted with the town, an actor, playing the local mayor, gave us a tour of the main street. Along the way, we were introduced to a few of the 'residents'. These were, of course, the athletes who were in character as … well … themselves. But versions of themselves who drove Kias, worked trades, and lived in a fake town. Frankly, I call this non-consensual improvisation. MORE: Driving Subaru's Forester hybrid Kia transformed a pub into the Tasman Hotel. Picture: Supplied Usually, I would gnaw off my own hand to avoid it. Kia, perhaps being one step ahead of dissidents like myself, were mercifully quick to distribute beer and wine to prevent any such drastic actions. Certainly, some athletes were more comfortable in their acting roles than others. UFC Featherweight Champion Alex Volkanovski – pretending to a butcher – was a standout performer. I suppose if your actual job is beating men into a pulp with your knuckles, all other gigs are comparatively easy. MORE: Australia's favourite cars Kia transformed Sofala, NSW, into Tasman Town. Picture: Supplied A few actual Sofala residents were also involved in the show. They had the important job of walking ponies and goats up and down the street. You know, just like any ordinary country town. The rest of the locals had gathered at the pub, schooners in hand, to watch the palaver unfold. Their faces were inscrutable as the media pack shuffled past. Once the mandatory theatre component of the evening had concluded, guests and the sporting icons were free to mingle. MORE: Jet pilot tech changing Aussie cars Former cricketer Steve Waugh in Kia's Tasman Town. Picture: Supplied This, I realise, would be a dream event for many Australians. Unfortunately, as someone with terrible facial memory and a dearth of knowledge on any non car-related sport, I was in a personally-tailored horror story. Every conversation was socially fraught. Did this person look familiar because I've met them at a car launch? Or are they an Australian sporting legend whom I should absolutely know? There were a million ways for a person like me to socially embarrass themselves. Inevitably, it wasn't long before I found one. MORE: Huge ask for Australia's most valuable car Retired NRL star Nathan Hindmarsh in Kia's Tasman Town. Picture: Supplied During the evening's formal dinner, the person assigned to the place next to me sat down, shook my hand and asked, 'Who are you?'. This was an aggressive start to a conversation, I thought. I fired back, 'I'm Stephanie, who are you?' To which he replied, very politely, that he was Nathan Hindmarsh, one of the footy players. Also, he clarified, he'd asked me how are you, not who are you. Hindmarsh then proceeded to further shame me by being thoroughly funny and charming for the rest of the evening. The Tasman launch was an extravaganza, but I was obviously not the target audience. Stephanie Coombes with the Kia Tasman. Picture: Supplied The fact that no female sporting stars were present – even though they featured in some of the ads – is further evidence of this fact. If Kia has a vision board for the Tasman, dead centre is a caricature of an Aussie tradesman. Their method for appealing to these men – getting high-profile sporting heroes to pretend to be tradies – is borderline patronising. But Kia is not in a position to take any serious creative risks. They need the Tasman to work in Australia. This is no small task. Kia is entering a very established, highly-competitive dual cab ute market late in the day, and with a car that is being thoroughly panned online for its boxy, brutalist design. Kia has decided to align itself with winners. Only time will tell whether that sporting glory will rub off on the Tasman, a ute that's joining the race well behind the starting line. Originally published as Behind the scenes in Kia's Tasman Town
The Age
3 hours ago
- The Age
Where was Helen Reddy's I am Woman on the Hottest 100?
I was lucky enough to enjoy Saturday's journey through Australian music, with two of my grown-up children on a road trip to the Blue Mountains. To celebrate 50 years of being on air, Triple J invited listeners to vote on the 10 best Australian songs. After 2.65 million people voted, including yours truly, the result was a nostalgic playlist, The Hottest 100 Australian Songs. As we drove, it stirred fond memories of their childhood and my youth. After lunch, as number 56, Jimmy Barnes' Working Class Man played, my daughter showed me an Instagram reel shared by @sherelmoodyfemicidewatch. It was footage of well-known Australian rap artist, Fortay, who has decided to try his hand at stand-up comedy. The reel was from a recent performance at Zhivago nightclub in Adelaide, where he addressed any feminists who might be in the audience: 'If the power grid goes down, you bitches are in trouble. You better start behaving yourself. Stop protesting. Stop trying to cancel my concerts. 'Cause once the power grids go down … 'cause I tell you what…' At this point the men in the audience jollied him along. 'Fortay's comin round!' one called out. Encouraged, Fortay continued: 'The men in this crowd are gonna be doin' what we want with you.' I typed ferociously in the comment section, trying to be concise and powerful, but knowing, in my escalating anger, that I was a voice in the wilderness. Because, in reality, no one is going to cancel Fortay. His threats of violence will continue to be condoned and this will help to sustain a culture that kills one woman a week in our country. How do I know Fortay will not be cancelled? My life spans the second and third waves of feminism and is taking me into the next, but misogyny does not die; it just reinvents itself. Now it looks like a tattooed rapper with street cred, or a YouTuber, or an angry incel, or a 'Christian' American president. After the wave of anger subsided, we continued to enjoy the afternoon of music nostalgia, counting down towards the top 10: the best ever, most loved, most powerful, most iconic Australian songs. So far, we'd heard anthems like Treaty by Yothu Yindi at number 36, a still unfulfilled promise that resonates with as much relevance as ever. I was surprised that we had not yet heard Helen Reddy's feminist anthem, I Am Woman, which became a soundtrack to the women's liberation movement worldwide, and whose lyrics – 'Hear me roar' – have been part of the vernacular for female empowerment for more than 50 years. But I assumed its significance would be satisfyingly recognised in the top 10. The bangers kept coming: Powderfinger, the Angels and AC/DC. Paul Kelly made a well-deserved appearance at No. 9 and Cold Chisel at numbers 8 and 7! Missy Higgins and The Veronicas edged in at 4 and 3, and finally Hilltop Hoods' Nosebleed Section at No. 2 and INXS's Never Tear us Apart at No. 1. Great songs. But still no Helen Reddy. It was over, and I Am Woman was not listed as even one of the best 100 Australian songs. It was a democratic process, and I am not disputing the results, but it made me wonder why our feminist anthem was overlooked. 'I am woman, hear me roar'. These words have become idiomatic in the English language, emblematic of equality, resistance, of breaking down patriarchal structures that disempower women. It would seem that a war cry is needed more now than ever when misogyny is rearing its ugly head through legitimised channels.
