logo
Dakota Johnson Is ‘Babysitter' To Orlando Bloom's Dog

Dakota Johnson Is ‘Babysitter' To Orlando Bloom's Dog

Yahooa day ago

Orlando Bloom's pet pooch, Biggie Smalls, is one lucky dog. He not only has one of Hollywood's best actors wrapped around his finger but also has actor Dakota Johnson as his 'babysitter,' although temporarily. Biggie Smalls was recently seen resting in Johnson's arms when Bloom was giving an interview on Today. And before anyone knew, the pup hogged the limelight and upstaged the actor with his little barks and adorable look.
Orlando Bloom recently visited TODAY's studio on June 9 to talk about his new movies — Prime Video comedy 'Deep Cover' and drama, 'The Cut' with Savannah Guthrie. And the actor was not alone. He bought his fur baby, Biggie Smalls, on the sets.
While talking about the films, their conversation was interrupted when Biggie Smalls started barking off-screen. Soon after, Bloom introduced his teacup poodle to the camera, who was resting in Dakota Johnson's arms on a couch. The actor appeared on the show to talk about her upcoming film, 'Materialists,' alongside co-star Chris Evans.
Looking at Biggie Smalls's reaction, Bloom joked that the pup was 'looking for attention.' Even Guthrie chimed in and said that the pooch 'has found a new owner.' The 'Pirates of the Caribbean' star continued saying that his brown pup 'would never bark' and 'keeps quiet as a mouse.' But maybe the pooch is 'having separation anxiety' looking at his 'Dad' on the other side.
And looking at Johnson's gesture, Bloom quipped that she is 'stealing the dog.' However, when the actor bought Biggie Smalls over to Bloom, Johnson said, 'I'm just the babysitter. I'm just the nanny.'
Bloom eventually revealed that Biggie Smalls is his 'emotional support animal.' The interview then continued with the actor with the pup 'really enjoying his moment' in front of the camera. And when Craig Melvin asked Johnson about what happened with Biggie Smalls behind the camera during their segment, she replied, 'It's just what I do. I'm here for the people.'
The post Dakota Johnson Is 'Babysitter' To Orlando Bloom's Dog appeared first on DogTime.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Barbara Walters documentary revisits icon's 'bullies,' insecurity about Diane Sawyer
Barbara Walters documentary revisits icon's 'bullies,' insecurity about Diane Sawyer

USA Today

time4 hours ago

  • USA Today

Barbara Walters documentary revisits icon's 'bullies,' insecurity about Diane Sawyer

Barbara Walters documentary revisits icon's 'bullies,' insecurity about Diane Sawyer Show Caption Hide Caption Need a show to binge? These are the must watch shows this summer USA TODAY's TV critic Kelly Lawler breaks down the best TV shows you don't to want to miss this summer Without question, Barbara Walters' trailblazing career and unwavering courage in front of the camera are inimitable. A new documentary, 'Barbara Walters: Tell Me Everything,' commemorates the journalist's interviews with presidents and celebrities, how she overcame sexism and accomplished so many firsts. Jackie Jesko's film premiered June 12 at the Tribeca Film Festival and streams on Hulu June 23. Viewers will see how the Boston-born Walters was first exposed to the entertainment industry at her father's nightclub. They'll hear from Walters' 'The View' co-host Joy Behar and her ABC News colleague Cynthia McFadden, as well as women Walters inspired like Oprah Winfrey and Katie Couric. Walters died in 2022 at 93. Jesko relies on audio from previous interviews of Walters to add her voice to the film. Whether you hung on her every word or knew very little about the icon, here's what you should know from 'Tell Me Everything.' What we know about Barbara Walters, from her notorious pal to the 'SNL' nickname she hated Barbara Walters' start: 'I was used to working with bullies' In 1961, NBC's 'Today' show hired Walters, much to her surprise. 'I wasn't beautiful, and I didn't pronounce my Rs, but they needed someone they could hire cheap,' Walters says in the documentary. That economical hire went on to earn big bucks. Walters became the first female anchor of 'Today' in 1974. Then ABC lured Walters to its evening newscast in 1976 with an annual salary of $1 million, making her the first female anchor of network evening news. The news inspired Winfrey, who was making ends meet on a paltry salary. 'As a young anchorwoman who was making $22,000, that was hope for me,' Winfrey says, 'that if she can get $1 million, maybe I can get $50,000 one day.' But Walters' ascent was not an easy one. 'I was used to working with bullies,' she says, naming 'Today' host Frank McGee, her ABC co-anchor Harry Reasoner and future anchor Peter Jennings. Katie Couric recalls Bryant Gumbel's 'sexist attitude' while co-hosting the 'Today' show Barbara Walter's marriage confession: 'As soon as I got in it, I wanted to get out of it' Walters married four times to three different men, including television producer Merv Adelson, twice. But she says in 'Tell Me Everything,' she felt she wasn't 'very good at marriage. It may be that my career was just too important, or it may have been that I was a difficult person to be married to, and I wasn't willing, perhaps, to give that much.' Walters adds that she 'felt trapped' in her unions: 'As soon as I got in it, I wanted to get out of it.' The joy Walters found in her personal life came from her daughter, Jacqueline Dena Guber. Walters suffered three miscarriages and adopted Jacqueline with her second husband, Lee Guber. 'For me, it was the best thing I ever did,' Walters says. Barbara Walters' 'monstrous bout' with colleague Diane Sawyer Connie Chung says that after joining ABC News in 1997, she felt like a casualty of the simmering tension between Walters and Diane Sawyer. 'Diane and Barbara were in this monstrous bout to win stories,' Chung says, 'and I was caught in the middle.' Former ABC anchor Cynthia McFadden says Walters felt 'dogged by Diane's very existence. She often said Diane was the perfect woman. She used the word(s) 'a blonde goddess,' this ideal woman and that she, Barbara, couldn't compete with that.' Jesko, a former producer at ABC News, tells USA TODAY that addressing the feud felt important because "more than anything else, I think it's so revealing about Barbara. Diane just represented to her a lot of things that she wished she could be.' 'Barbara swooped in' on Oprah Winfrey's interview with Monica Lewinsky In 1998, then-President Bill Clinton admitted to an affair with White House intern Monica Lewinsky and a race ensued to get Lewinsky's perspective. 'We had an agreement with Monica Lewinsky's team,' Winfrey says in the film, 'and then Barbara swooped in and said to Monica Lewinsky, 'I can give you a better deal.'' Walters had offered Lewinksy appearances on ABC's 'Nightline' and 'Good Morning America,' which Winfrey couldn't compete with. 'I didn't like that,' she says. Looking back on controversial interview questions: 'She was very representative of where the line was' The 'Tell Me Everything' trailer revisits Walters' blunt and impertinent interview questions. She asked Barbra Streisand why she didn't have a nose job and questioned Lady Gaga's sexual orientation. 'Have all of her clips aged great?' Andy Cohen, host of Bravo's 'Watch What Happens Live' asks in the documentary. 'No. But at the time she was very representative of where the line was in the culture, and she knew how to dance just on the line. And I wanted to know, by the way.' In one sitdown, Walters asked Bette Midler if she viewed herself as sexy, and how she'd rate her own looks. 'I had a lot of fun with her when she interviewed me,' Midler tells Jesko. 'I considered her a friend, but I also considered her a journalist. So as much as I liked her, I felt that I had to be careful.' Jesko understands the concern over Walters' questions. 'Nobody would ask (those) now, but I think that it's hard to take her out of the context of her own time,' the filmmaker says. 'I don't think any of us want to be judged by the standards of many decades into the future, and she herself regretted a lot of those things because in retrospect, they did seem rude or tone deaf.'

Hollywood Hunk, 48, Brings Unsuspecting Date for Latest Red Carpet Appearance
Hollywood Hunk, 48, Brings Unsuspecting Date for Latest Red Carpet Appearance

Yahoo

time4 hours ago

  • Yahoo

Hollywood Hunk, 48, Brings Unsuspecting Date for Latest Red Carpet Appearance

Hollywood Hunk, 48, Brings Unsuspecting Date for Latest Red Carpet Appearance originally appeared on Parade. Who needs a plus-one when your date is this adorable? Orlando Bloom turned heads at the 2025 Tribeca Festival this week, not just for the premiere of his latest film Deep Cover, but for the scene-stealing sidekick in his arms: Biggie Smalls, the tiny teacup poodle he shares with fiancée Katy Perry. The 48-year-old actor looked effortlessly sharp in a black knit and pinstripe trousers, but it was Biggie, sporting a chic little collar, who had the cameramen flashing. Bloom recently told The Tonight Show Starring Jimmy Fallon that Biggie is his 'emotional support animal,' joking, 'I'm very emotional right now.' The pup has hardly left his side since Bloom adopted him last year—though he's getting used to the spotlight. After a cute cameo on the Today show earlier this week, Biggie's red carpet appearance just confirmed that he's not just a support animal, he's a scene-stealer! Hollywood Hunk, 48, Brings Unsuspecting Date for Latest Red Carpet Appearance first appeared on Parade on Jun 11, 2025 This story was originally reported by Parade on Jun 11, 2025, where it first appeared.

Why ‘Materialists' director Celine Song thinks love is a marketplace
Why ‘Materialists' director Celine Song thinks love is a marketplace

San Francisco Chronicle​

time5 hours ago

  • San Francisco Chronicle​

Why ‘Materialists' director Celine Song thinks love is a marketplace

In Celine Song's latest movie 'Materialists,' a New York City matchmaker navigates the politics of love. 'You're not ugly — you just don't have money,' says Lucy, portrayed by Dakota Johnson, exhaling cigarette smoke into the New York City air from a fire escape. More Information 'Materialists' (R) is in theaters Friday, June 13. Song's debut film, 2023's 'Past Lives,' rocked audiences with its soft yet devastating spotlight on what it's like to love your husband and your childhood sweetheart the way you love adjoining parts of your own soul. But her follow-up feature takes on a whole new love triangle, one plagued by questions of vanity, class and self-worth. Now for the second time in a row, the writer-director delivers on the wounding nuances of modern love. Like Johnson's Lucy, Song worked for a matchmaking agency in New York. Her clientele was more honest with her about what they wanted in a partner than with their own friends and therapists, she said. And their priorities — height, money and a low body mass index — are the ugly truths central to 'Materialists.' The Chronicle met with Song at the Langham hotel in Manhattan the day after the 'Materialists' premiere to discuss love, commodification and where the two meet. The following interview has been edited for length and clarity. Q: A big theme in this movie is value. Where does the idea derive from in your own life? A: If somebody says, 'I really need to date somebody who's above 6 feet tall,' it all comes down to, 'Because that makes me feel valuable — that makes me feel like I am worthy of love from somebody who everybody considers valuable.' It comes down to that: 'I don't want to walk into a party with somebody who is 5-foot-6.' So I think that's why the conversation about value really showed up. I worked as a matchmaker for six months, and I learned so much about how people describe the person they want to be partnered with for the rest of their life. It's amazing, because it's all numbers: height, weight, income. Q: How would you describe the characters' relationship with self-love, self-worth? A: I think that all three of them are struggling with self-worth, which is common in modern life and modern dating. Another part of the problem is this objectification and commodification of the self and of each other. In 'Pride and Prejudice' or in Victorian romance, this marriage market used to happen in salons or garden parties, where people talk about everybody's value: their worth in silver, their property. That kind of marketplace has existed forever. But now, this objectification and commodification has become so accessible and global. (Song gestures to her phone screen.) Q: I recently saw photos of Kris Jenner's new face — not sure if you saw too. I'm curious what you think about the access to plastic surgery and how it bears weight on dating and love. A: It's terrifying. I feel like there is a really insidious language around taking care of yourself or 'self-improvement.' But this language is really about increasing your value in the marketplace. To me, what's really scary is how cheap Botox is getting. And what's insidious is that it's like, well, everybody is doing it. Those are your competitors in the dating market, and they're doing it. So aren't you doing it? Q: Two characters in 'Materialists' have had plastic surgery and struggle with self-worth, but they're also trying to find love. Do you think you have to have self-love before you find a partner, or are you someone who believes 'We can figure this out together'? A: I met my husband when I was 24, so we were too young to really get to this world of value. I don't know if anybody is that secure when you're in your 20s. But what's amazing is that when you ask somebody who loves you why they love you, their answer will never have anything to do with your market value. It's never going to have anything to do with height or weight. It will always be like, 'I just do.' It's just simple. So in that way, I already know that the marketplace is not real. But now you have access to the global dating market on Instagram, so the problem is that now you're going to start evaluating and objectifying yourself in relation to everybody else, which is really common. Q: So much of this movie is about the math of dating and the failure of that math. What do you think ultimately brings people together? A: It's completely mysterious to me why one person feels something for another person. All you can hope for is that you do, and part of that is being open to that person. It's much easier to be cynical, isn't it? But the truth is that it's a very brave thing to say, 'No, I want love. I believe in it. It might be right around the corner.' And the truth is that it might be right around the corner. That's actually true. Q: Both of your movies, 'Materialists' and 'Past Lives,' explore love triangles that can't last, so you set up a portion of your audience for disappointment. Do you like doing that? A: I want it to be a revelation for the audience members themselves. It usually speaks more about who you are as a person watching it than it does about the characters. Many people might walk away from the film being like, 'I would have made that decision differently.' But the truth is, Lucy is not you. You're you. Q: What hope is there for single people? A: Well, there's advice in the film. … When love happens and is offered to you, you just need the bravery to be able to say yes. I think that's the only thing we can hope for.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store