
‘Taut', ‘extraordinary delight', ‘absolutely bonkers': the best Australian books out in March
Fiction, Ultimo, $34.99
Diana Reid's breakout debut, Love and Virtue, tapped the millennial zeitgeist from all angles: a campus novel exploring class, power and rape culture. Her fast follow-up, Seeing Other People, dealt in similar grey areas, starring two sisters in their 20s, both drawn to the same women.
Signs of Damage is something of a departure: a thriller set in Europe across two time periods, as a family reckons with unknown trauma. It starts in 2008 in the south of France, where the Kelly family are holidaying when 13-year-old Cass goes missing. Something happens to her, but we don't know what. Sixteen years later, in Europe again for a friend's wedding, Cass is on a balcony when someone else tumbles off and dies – but she can't remember anything at all. The writing is taut, the mysteries abundant, and the trauma plot deftly handled and subtly subverted, in a book whose pages turn themselves. – Steph Harmon
Fiction, Text, $36.99
Memoir and nonfiction writer Robert Dessaix offers a window into his life in his new book, Chameleon. The author of Twilight of Love, A Mother's Disgrace and Night Letters, Dessaix writes with beauty, wit and infectious energy about his early experiences, particularly in Morocco, where he discovered and uncovered his homosexual masculinity.
Chameleon is an education on the role travel and literature can have in shaping our identities and imaginations; Dessaix delves into his long life to tease out the key moments, and books, that have made him the man and the writer that he is. – Joseph Cummins
Fiction, Ultimo, $34.99
Madeleine Watts' stunning second novel is about a young couple who go on a road trip through the American south-west, as the calamitous California wildfires rage across it. She's there as an academic obsessively researching the Colorado River: colonised, diverted and destroyed. He's there in his capacity at a land art organisation, surveying giant works as they take (or remove) shape across the desert. (The thrill of a novelist who can invent conceptual art you actually want to look at!)
Those who have road-tripped in America will be delighted to revisit some of these spots, rendered here vividly and with love. But as the climate crisis clouds their windscreen, grief ruptures the pair's relationship – and a mysterious, unfathomable loss unfolds in the rear view. – SH
Fiction, Ultimo, $34.99
The Theory of Everything is a frustrating, extraordinary delight. Frustrating because of how resolutely it defies convention: a short story told in fragments might make way for a poem, or a list, or a manifesto. There's no 'easy' narrative to settle into here; the story itself is elusive, seemingly one thing before becoming another. That's why it's extraordinary too.
Yumna Kassab, author of The Lovers and Politica, makes the reader work hard for the rewards. They're to be found in the book's form – experimental in the truest, most liberating sense – and in its incisive interrogation of the central themes (power, race, gender, wealth, freedom) delivered as sharp little punches to the gut. Kassab has written fireworks into these pages. – Bec Kavanagh
Cookbook, Hardie Grant, $60
When Melbourne chef Helly Raichura opened a restaurant inside her home in 2018, she named it Enter Via Laundry. Diners did precisely that, before sitting down to eat regional Indian dishes like the ones she'd known growing up in India..
Raichura has now poured her knowledge of India's long culinary history into a beautiful tome of 68 recipes structured into key historical periods, starting with pre-Vedic (before 1500BC). They include a cheat's guide to ghee, recipes for lentil fritters and samosa warqi (pastries stuffed with smoked lamb) and Enter Via Laundry's ever-popular khandavi (ribbons of chickpea flour in coconut sauce). – Emma Joyce
Nonfiction, HarperCollins, $35.99
Full disclosure: Alyx Gorman is Guardian Australia's lifestyle editor. But we must shout out this impressive work of journalism, which saw Gorman interview more than 130 people to explore 'the orgasm gap': the discrepancy between how often straight women orgasm during sex when compared with straight men. In Australia, the orgasm gap sits at about 26% for straight women – far higher than women who have sex with women, and men who have sex with men.
So why is this? Gorman not only interviews regular people about their sex lives, but also sex workers, sex therapists, scientists and academics, to unpick why straight women can be unsatisfied by the sex they're having – and what men can do to improve things. Men, buy this book. – Sian Cain
Fiction, UQP, $32.99
When Steve MinOn won the emerging category at the 2023 Queensland Literary awards, judges praised his manuscript for 'offering a fresh cultural perspective and challenging conventional notions of our national literature'. That's all well and good but it sort of glides over the absolutely bonkers main character: a dead man named Stephen Bolin (an anglicised almagamation of two Chinese first names, inspired by MinOn's own second name), who escapes from the morgue to walk his decomposing body to Far North Queensland, the town of his birth.
Accompanying these gruesome and occasionally very funny passages is the story of where Bolin came from: four generations of migrant families – from China to Scotland to the UK to Australia – brought to life in a truely original debut. – SH
Fiction, Penguin, $36.99
Few authors would admit to using a ghost writer. But portrait artist Vincent Fantauzzo has been open about enlisting Craig Henderson for his memoir, and with good reason: Fantauzzo is dyslexic, so he told his life story to Henderson in a series of difficult, emotional phone calls.
And what a story it is. Unveiled tracks Fantauzzo's life, from growing up with an abusive father in Melbourne's public housing system through to his current glittering career as one of Australia's most commercially successful artists. It's an underdog success story you can't help but root for, and a peer behind the curtain at Fantauzzo's most famous works – like the haunting portrait of Heath Ledger he completed one day before the actor's death. – Katie Cunningham
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Daily Mail
21 hours ago
- Daily Mail
Penny Lancaster swipes 'karma gets you' about new doc on the 'fall' of Michelle Mone - two decades after their dispute
Penny Lancaster swiped 'karma gets you' about the new BBC documentary on lingerie tycoon Michelle Mone. Thursday's instalment of ITV 's Loose Women saw panellists Kaye Adams, Nadia Sawalha, Penny Lancaster and Brenda Edwards sit down and discuss the day's hot topics. During the show, Kaye brought up the BBC One documentary titled The Rise and Fall of Michelle Mone. The two-part series delves into the story of the high-profile businesswoman who founded lingerie brand Ultimo. Her husband's, Doug Barrowman, company PPE Medpro has come under scrutiny after it was awarded contracts worth more than £200million to provide equipment during the pandemic upon Baroness Mone's recommendation. Any wrongdoing has been denied. From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the DailyMail's new Showbiz newsletter to stay in the loop. Penny Lancaster swiped 'karma gets you' about the new BBC documentary on lingerie tycoon Michelle Mone as she appeared on Thursday's instalment of Loose Women Penny, who married Rod Stewart in 2007, modelled lingerie for Michelle's underwear company, Ultimo in 2002 but was axed after two years (Michelle pictured in 2019) Penny, who married Rod Stewart in 2007, modelled lingerie for Michelle's underwear company, Ultimo in 2002 but was axed after two years, the Express reported. 'So she asked you to come and model her lingerie very early on didn't she?' Kaye asked. 'And then she, without telling you, replaced you with Rachel Hunter who was Rod's wife,' Kaye added. Penny silently nodded and admitted: 'I wasn't informed of the documentary, someone told me it was coming out. 'It didn't surprise me because karma gets you, I guess, but as far as any details I'm prepared to talk about. 'It would have to be the right time and place for that and I've put it behind me for the time being.' Kaye probed, 'I get that and I totally respect it, but it must have been a difficult period of your life I presume?' Penny nodded and agreed, 'It was a very difficult time, yeah, but you know.' During the discussion, Kaye read out a quote from Rod Stewart that he said 20 years ago about the lingerie situation. She read: 'Michelle really needs to be put in her place and if this is revenge, so be it, I'm sticking up for my old lady. 'Penny doesn't want to admit it but she has been hurt by all of this, she's been in tears, Penny is a beautiful girl, I love her and I hate to see her hurt in this way. 'She did nothing wrong, put yourself in her place. How do you think she feels to be told she's being replaced by Rod's ex-wife.' Penny explained that she prefers to 'rise above it and be the better one'. A spokesperson for Michelle Mone told MailOnline: 'I am deeply disappointed by the BBC's decision to broadcast a programme using misleading and one-sided accounts of my life and career. 'I hope that the programme does not discourage young women from pursuing their ambitions. The allegations relating to my husband's company, PPE Medpro, will be defended in court.'


The Guardian
2 days ago
- The Guardian
The Rise and Fall of Michelle Mone review – a thrilling dive into a life of money, models and political scandal
In the 1990s, Michelle Mone saw an opportunity. She was in her late 20s, so the story goes, on holiday with her young family in Florida, and flicking through a magazine, when she saw an advert for the 'Monique': a breast-enhancing bra insert, or what we'd now call a chicken fillet. It sounds like the unlikely start of a business empire, but what began there would ultimately grow into Ultimo, the lingerie brand established by Mone and her first husband, Michael. For a time it looked set to compete with the big guns of the underwear world. The Rise and Fall of Michelle Mone is a gripping two-part documentary, which first examines how Mone rose to fame and entered the heart of the political establishment, before moving on to look at her more recent nosedive into scandal and a different sort of notoriety, in next week's episode. As Mone built her brand of bras out of a small warehouse in Glasgow, she also constructed her own legend. This is a tale of tits and assets, then, but in the way that all great BBC documentaries can be, it is also a story of culture and politics, and a broad portrait of an era, as well as a focused portrait of a person. Mone found success and fame during the late 90s, at the tail-end of Cool Britannia, in a decade still flashing the Vs of girl power, its cleavage squeezed in, up and out. By all accounts, Mone knew how to spin a yarn and put that talent to good use. Ultimo was pitched as the plucky Scottish David to the big lingerie Goliaths such as Gossard and Playtex. The documentary reports she liked to claim that Julia Roberts wore an Ultimo bra in the movie Erin Brockovich, a tale which passed into myth. The costume designer on the film denied this. Publicly, she was seen as a tough, tenacious girl-done-good in the largely male world of big business. On the surface, this is a retelling of the Michelle Mone fairytale. She grew up in poverty in Glasgow's East End and left school at 15 with no qualifications. She grafted her way into the business world, working her way up from selling fruit and veg, via a modelling career and eventually landing on lingerie. The documentary is detailed enough that it tracks down a childhood friend and a modelling colleague, as well as talking to former contacts and advisers. It even interviews Selfridges' lingerie buyer in the late 90s, Virginia Marcolin, who gives a convincing account of the persistent woman she met back then, who was determined to get her product into one of the biggest department stores in the UK. You can see what people saw in Mone. Quite literally, in fact. There is lots of footage from that time, as she was keen on having cameras around to document her rags to riches story, and to keep the brand, and herself, in the public eye. There are ample clips of her launching the Ultimo bra, trying to expand into Australia, and her then-new house, in which her first marriage was beginning to show signs of trouble. She talked about that, too, on TV, on chatshows, on panels. She became a celebrity, and in Ultimo's careful choice of models, sometimes famous themselves, the brand fed the celebrity machine. It was a successful ecosystem of notoriety, but whether it was as successful a business as it appeared is one of the many questions asked here. In some ways, this is a parable of fame. Mone courted it and won it, but eventually learned that once you turn on the faucet of public attention, trying to turn it off again is a sisyphean task. Even as the Ultimo launch succeeds, there are hints of choppy waters under the smooth public image. The documentary makers question Mone's relationship with the truth and say that of the more than 50 people who worked for Ultimo they approached, none would speak on camera, and those who did, gave less-than-flattering accounts of the workplace and asked for their identities to be hidden. Now, Mone is perhaps less famous for her business acumen than she is for her involvement in the lucrative 'VIP lane' PPE scandal with her husband, Doug Barrowman, which was brought to public attention by a Guardian investigation (both deny any wrongdoing and have never been arrested or charged, though do stay for the legal notes at the end of episode two, which are unusually entertaining). It builds towards their notorious interview with Laura Kuenssberg, at the end of 2023, and the second episode is a great success as an investigative thriller, carefully laying out the claims that have been made against them. But this also works as a cultural artefact, and surely Mone, of all people, would appreciate that the story makes very good television. The Rise and Fall of Michelle Mone aired on BBC Two and is on iPlayer now.


Daily Mirror
2 days ago
- Daily Mirror
Michelle Mone's spectacular fall from bra baroness to most hated businesswoman
Baroness Mone of Mayfair has an inspiring rags to riches story, but the self-made millionaire was also the architect of her own demise which left her reputation in tatters and her empire in ruins She was once hailed as a working-class heroine who built an underwear empire from scratch to become a self-made millionaire. But how times have changed. Once hailed as Britain's most successful businesswoman, whose rags-to-riches story even won her a peerage, she is now a pariah who is placed among the ranks of the country's most hated women. With her reputation in tatters, Baroness Mone of Mayfair has lost the Tory whip, is on leave from the House of Lords, and a business connected to her is under investigation by the National Crime Agency. Once the subject of gushing TV reports and newspaper stories, she is now the subject of a BBC documentary on her downfall, which concluded tonight. So, where did it all go wrong? It's a dizzying fall from grace for the self-styled entrepreneur from Glasgow's East End who smashed every glass ceiling and rose to be worth an estimated £20 million. Many, however, would say her demise is as much her own making as her success was. Born in 1971 and raised in a two-bedroom flat, Mone left school at 15 to support her family. She worked as a model and in marketing before launching what would become her multimillion-pound lingerie brand: Ultimo. She and husband Michael remortgaged their house and went £70,000 into debt to develop the idea to create a cleavage-enhancing bra that was both sexy and supportive - but it paid off. The bra captured the imagination of shoppers and the headlines alike. By the early 2000s, Mone was a regular fixture on TV and in newspapers. Jack Irvine, former newspaper editor, remembers how keen she was for the limelight. 'She had two driving forces. One was to be very rich and one was to be very famous,' he said. Media savvy Mone knew how to create headlines. One story was that her bra was used in the film Erin Brockovich, and that she had given star Julia Roberts cleavage. Another newspaper editor, Magnus Llewellin, said: "If you actually bother to check, somebody involved in the actual making of the film came out and said an Ultimo bra wasn't used in the production." But behind the scenes, cracks were already showing. Reports of toxic working environments and public spats with former staff began to surface, and there were a number of employment tribunals, including one high-profile case in which a member of staff found a recording device in his office. Ultimo had also been struggling and in 2014, Mone sold her majority stake and severed ties with the company altogether two years later. Then came the move into politics. In 2015, Prime Minister David Cameron made her his government's "entrepreneurship tsar' and weeks later it was announced she was to become a Conservative peer, as Baroness Mone of Mayfair - a title as glossy as her public image. The Covid pandemic, however, would embroil her in a scandal from which she couldn't redeem herself. As PPE contracts were handed out by the Tory government, Baroness Mone was revealed to have secretly lobbied ministers on behalf of PPE Medpro, a company that made it onto the VIP list and secured over £200 million in government contracts to supply medical equipment. Initially, Mone denied any involvement. But in late 2022, the truth began to unravel. The BBC and The Guardian reported she and her children had secretly received tens of millions in profits from the PPE contracts. The House of Lords website was quietly scrubbed of her name, and Mone took a leave of absence from her role. Then, in 2023, came the dramatic confession. In a jaw-dropping TV interview, she admitted she had lied about her role in PPE Medpro, claiming she did it to protect her family. 'I made a mistake,' she said. 'I was just trying to help during a crisis.' But by then, public opinion had turned. The woman once seen as a self-made success story was now viewed as emblematic of cronyism and privilege at its most shameless. While legal proceedings are ongoing and no charges have been brought, the damage to Mone's public image is hard to undo. She now faces a civil recovery claim from the government, and questions remain over how deeply she and her husband were involved. Today, Michelle Mone is a peer in name only - absent from the red benches and persona non grata among her former allies. Her empire is gone, her honour is in question, and - like her famous lingerie - there's little support left.