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80s Inspired ‘Hell Of A Summer' Slays Its Way Into The Slasher Revival

80s Inspired ‘Hell Of A Summer' Slays Its Way Into The Slasher Revival

Forbes05-04-2025

(Left to right) Finn Wolfhard, Fred Hechinger and Billy Bryk attend Neon's 'Hell Of A Summer' New ... More York Premiere on April 01, 2025.
Movies such as the Scream reboot, Freaky, Heart Eyes, and now Hell of a Summer aren't just genre revivals; they're a clear message to Hollywood from a key demographic.
"The mistake is chasing something that feels too contemporary. A movie takes so long to make and get out to an audience that if you are trying to have the most up-to-date slang and references and speak to the kids, you've missed the window by the time the movies come out. It's going to feel dated," explains Billy Bryk, who co-wrote and co-directed the coming-of-age horror comedy with Stranger Things' Finn Wolfhard.
"There are so many people making comedy sketches on TikTok and Instagram that you can consume comedy immediately, which speaks to what's happening right now in a way that, like movies can't. People must focus on letting movies be movies and not make movies feel like content or memes. Make more movies that may feel less zeitgeisty and more timeless."
The pair of cinephiles, who also star in the Hell of a Summer, which will exclusively be in theaters on Friday, April 3, 2025, were on a clear mission right out of the gate.
"We wanted to reintroduce the blend of genres and recontextualize it for a contemporary audience," Wolfhard explains. "We're in a weird place not only in the world but also in the film industry. It has felt like a transitional period for a few years, and a lot of that also has to do with many big film companies who make amazing movies but have so much money they don't know what to do with it. What used to happen in the 70s, 80s, and 90s was that a studio wouldn't make two $100 million movies; they would make twenty $10 million movies, and you would have these smaller films that could really breathe and had their own sort of time."
Inspired by a blend of coming-of-age, horror, and comedy films, Hell of a Summer follows 24-year-old camp counselor Jason Hochberg, played by Thelma and The White Lotus' Fred Hechinger. He arrives at Camp Pineway thinking his biggest problem is feeling out of touch with his teenage co-workers. However, what he doesn't know is that a masked killer is lurking in the campgrounds, picking counselors off one by one.
That was a eureka moment for 25-year-old Hechinger. Hot property in Hollywood right now, the actor, who is also one of the film's producers, starred in five films in 2024 alone including Gladiator II.
"Something that was very personal in making this was the feeling of being slightly old for the first time, which isn't to say you're old in the outside world, but it's the first time in your life that you are too old for something" he muses. "If you think of life as just like continually coming of age to different experiences, this felt like one of those formative coming of age moments where the place you love the best you have to move on from. You have to leave and take that risk and enter the next chapter of your life, however unclear and scary that might seem."
All three of them are in their early to mid-20s bonded immediately after their first meeting.
"We sat down with Fred, and what was supposed to be a 40-minute tea turned into a four-and-a-half hour discussion about filmmaking and our lives and influences, and immediately afterward we were like, 'We have to push to get Fred'" Ghostbusters: Afterlife's Byrk recalls. "He was coming off The White Lotus. Everybody wanted to work with him, and we got him for the month we needed him. We moved our schedule around a little bit to make it happen."
Hechinger adds, 'What was so amazing was we realized that we shared hundreds of references, and they ran the gamut. At first, we were talking about horror movies from the 70s and 80s; then we were talking about coming-of-age comedies, and then YouTube videos like Jake and Amir that we realized meant a lot to all of us. It was something that we watched religiously growing up and shaped our sense of humor, our sense of rhythm, and editing. It was really inspiring to take these vastly different references and put them all together. We were really interested in and inspired by that mix of timelessness and the contemporary.'
"Finn and Billy are so sharp and smart. I love how they played to their strengths. If you're making your first film, rather than trying to put in a million locations and getting bogged down in all that transport, travel, and losing all your budget on those factors, I felt that because of their experience acting in movies, they knew that they could focus on the priorities they cared about. They asked, 'What is a location where we can really get into these character dynamics in the most focused and intelligent way possible?' The answer was a summer camp, so the fact that it all took place in one place makes it easier. In a practical sense, if it was raining and we planned to shoot a scene out on the campground, we could quickly jump inside one of the cabins and film a different scene."
(Left to Right)Abby Quinn, Finn Wolfhard, Krista Nazaire, and Fred Hechinger in 'Hell of a Summer.'
The trio's influences for Hell of a Summer include filmmakers such as The Thing director John Carpenter, who recently received a long-overdue star on the Hollywood Walk of Fame, Superbad's Greg Mottola, and Wes Anderson. They and the film's distributor, Neon, have even tried to work the latter into the grassroots marketing campaign.
"It was really important to us to build a more homegrown press tour. We wanted to make sure to hit schools and talk to young filmmakers and young people. It's important to me to pull back the curtain as much as you can," Hechinger says. "Billy, Finn, and I all love the movie Rushmore, and it made us so happy that we got to take a bus across the country with the name of the movie on it, which is a tip of the cap to the Rushmore bus."
"It has been really fun that we've been able to go to schools and talk about how we made the movie, meet film students and young people that are already making movies or are thinking about making movies and continue to want to make more. I'm thrilled that we're getting to do it in this old-school way."
Audiences first got a taste of Hell of a Summer when it premiered at the Toronto International Film Festival on September 2023. Even though the film's release feels perfectly timed, with Hechinger red hot and the final Stranger Things season coming soon, was Wolfhard worried it might not hit theaters?
"Yeah. That is not a stretch to think at all," the actor confirms. "There was a long period of time of waiting and hearing back from various places, getting feedback, then waiting some more, and then the strikes and all this weird stuff happening. I feel like it's the right time for this movie to come out, so the wait was worth it, but it was stressful."
"You don't know with these things. It felt like writing the scripts was going to be a big challenge, but we did it. Getting it financed would be a big challenge, but we did that, and then we thought making would be a big challenge. After all that, the film still has to come out. We're so grateful, and Neon has been incredible. They're such an incredible company, and we're such fans. It's a dream place for this film to land. The fact that they're committing to a wide theatrical release for Hell of a Summer is massive for us because we grew up watching these types of movies in theaters. We believe it so important for audiences to see them there."

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‘The Life of Chuck' cast reveal their favorite Stephen King works, including Mark Hamill's love of the ‘terrifying' ‘Pet Sematary'
‘The Life of Chuck' cast reveal their favorite Stephen King works, including Mark Hamill's love of the ‘terrifying' ‘Pet Sematary'

Yahoo

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‘The Life of Chuck' cast reveal their favorite Stephen King works, including Mark Hamill's love of the ‘terrifying' ‘Pet Sematary'

Filmmaker Mike Flanagan and all of the main cast members from The Life of Chuck spoke with Gold Derby about their movie adaptation of Stephen King's novella from his 2020 book If It Bleeds. The film won the 2024 People's Choice Award at the Toronto International Film Festival, and was later acquired by Neon. It's due in theaters on Friday. Tom Hiddleston, Jacob Tremblay, and Benjamin Pajak play the adult, teenage, and child versions of Charles "Chuck" Krantz, a modest accountant who grew up his dream to be a dancer. He's the central figure in the bittersweet story that's told in reverse over three acts. Flanagan wrote, directed, and produced the film that matches the tone of other non-horror adaptations from King, including Stand by Me (1986), The Shawshank Redemption (1994), and The Green Mile (1999). 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The Dark Tower series for me is something that connects them all — I think that's his magnum opus. My favorite story to read though is The Life of Chuck, which is way up there. Hearts in Atlantis makes me cry tears of joy. The Green Mile novel is astonishing. Tom Hiddleston: For movies, it's The Shawshank Redemption. It made a big impact on my whole life. It changed how I think about life, actually, when I watched it. It hit me at a very formative time, when I was a teenager. The compassion in the film, and the way it lands, and what redemption really is. The last 20 minutes of that film are some of the most moving from a motion picture I've ever seen. Mark Hamill: There are so many different types of Stephen King novels. The most terrifying novel to me was Pet Sematary. I saw The Shining and walked straight from the theater to a bookstore to buy the book, so I could figure out what the hell I just saw. But I also like his books that aren't about supernatural or horror. The Body comes to mind, The Green Mile, and Shawshank Redemption. It's an embarrassment of riches. Benjamin Pajak: I love If It Bleeds. I'm kind of biased, but I just love the stories in it. Every story in there has a place in my heart. I read it when I got cast, and I hadn't really known Stephen King before I found out I'd be in the movie. I immediately just felt connected to his writing when I read the book. Chiwetel Ejiofor: There are very few films that I genuinely feel envious of people if they haven't seen them, 'cause I envy that first time that they watch it. I still have that feeling about The Shawshank Redemption. It's one of those films that you just want to watch somebody's face in the third act. Karen Gillan: The Shining is probably my favorite film of all time. I love that film. I'm a Stanley Kubrick fan. It's just so terrifying and brilliant, with its exploration into this man's descent into madness. 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When 'The Life of Chuck' Will Be Available to Stream and How to Watch
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For ‘The Life of Chuck,' the road from TIFF to the Oscars could be a long march
For ‘The Life of Chuck,' the road from TIFF to the Oscars could be a long march

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If a movie inspires you to get up in the middle of a Koreatown steakhouse and do the robot with your waiter, isn't that worthy of some kind of award, even if it's not an Oscar? I'm Glenn Whipp, columnist for the Los Angeles Times and host of The Envelope newsletter. Let's talk about 'The Life of Chuck,' the latest Stephen King adaptation, a film possessing the pedigree of an Oscar best picture contender. The last 12 movies to win the Toronto International Film Festival's People's Choice Award have gone on to earn an Oscar nomination for best picture. It's a list that includes eventual Oscar winners like '12 Years a Slave,' 'Green Book' and 'Nomadland.' Two years ago, Cord Jefferson's 'American Fiction' premiered at Toronto and parlayed the momentum from its People's Choice prize into an adapted screenplay victory for Jefferson. Suffice it to say, it's a prime precursor. Which makes the arrival of 'The Life of Chuck,' last year's People's Choice winner, all the more of a curiosity. 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That may surprise you, particularly if you were around when Lavin headlined the long-running CBS sitcom 'Alice,' in which she played a widowed mom working as a waitress while pursuing her dream of singing. The series ran from 1976 to 1985, piling up more than 200 episodes, a spinoff for Polly Holliday (Flo, the 'kiss my grits' sass-flinger) and a lasting reputation for presenting an early, understated feminist role model. Alice wasn't nearly as brash as Bea Arthur's Maude or quite as lovable as Jean Stapleton's Edith Bunker, but like her contemporary Mary Tyler Moore, she could turn the world on with her smile. Lavin, who died in December at 87, did earn two Golden Globes for the role and, after 'Alice' ended, she won a Tony Award in 1987 for lead actress in a play for her turn as a Jewish mother navigating a changing world in Neil Simon's 'Broadway Bound.' 'It was one of the greatest stage performances I have ever seen, and I told her that the first day I met her,' says Nathan Lane, who had the opportunity to share his enthusiasm with Lavin when they worked together on the Hulu sitcom 'Mid-Century Modern.' Lane recalls watching the play and choking up when Lavin absent-mindedly wiped off a phone receiver — her character was always cleaning — right after a wrenching phone call. 'She could do anything and make it look effortless,' Lane says. 'Working with her was the happiest experience I've ever had in television.' In Emmy history, 33 actors — 22 men and 11 women — have been posthumously nominated. Most recently, Treat Williams earned a nod last year for his supporting turn in the FX limited series 'Feud: Capote vs. the Swans.' Ray Liotta was nominated in 2023 in the same category for 'Black Bird.' And in 1978, Will Geer received three posthumous nominations, including his last season on 'The Waltons.' (He lost all three.) Lavin has a legitimate case. She elevates 'Mid-Century Modern' every time she's onscreen with her vitality and comic timing. In April, she picked up a comedy supporting actress nod from the Gotham Television Awards. You can read the entire column, which includes some terrific stories from 'Mid-Century Modern' showrunners Max Mutchnick and David Kohan, here. Have a great weekend. Hope you find a moment to dance.

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