‘Captain America: Brave New World' stays at the top on weak Oscars weekend at the box office
LOS ANGELES — 'Captain America: Brave New World' kept falling but still hovered above all others at a weak weekend box office.
The latest Disney-Marvel offering brought in another $15 million according to studio estimates Sunday, when most of Hollywood's attention was on the Oscars.
The Anthony Mackie-led 'Captain America: Brave New World' opened strong at about $120 million on a three-day weekend last month, but plunged to $28.2 million last week in one of the most significant second-week drops for a Marvel movie. It's earned $163.7 since its release.
It was slammed by many critics and audiences, failing to bring the Marvel reset some had hoped for. That task now falls to May's 'Thunderbolts' and July's 'Fantastic Four: First Steps.' But 'Captain America' will face little competition through March, and could remain at No. 1 for a while.
The weekend's only significant new release, Focus Features' 'Last Breath,' earned just $7.8 million. The based-on-a-true-story adventure starring Woody Harrelson, Simi Liu and Chris Lemons is about a routine deep-sea diving mission that goes terribly wrong when a young diver is stranded some 300 feet below the surface.
It got strong reviews, with Lindsey Bahr of The Associated Press praising the 'white-knuckle experience' and 'pure suspense and anxiety' it brings.
At No. 3 was Oz Perkins' 'The Monkey,' which brought in $6.4 million for a two-week total of $24.6 million. It's among the strongest openings for indie distributor Neon, whose film 'Anora,' and its director Sean Baker could make a major mark at the Oscars later Sunday.
'The Monkey' marks another successful low-budget collaboration between Perkins and Neon, whose 'Longlegs' brought in $126.9 million globally last year.
'Paddington in Peru' was fourth with $4.5 million in its third weekend for a total of $31.4 million.
Top 10 movies by domestic box office
With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore.
1. 'Captain America: Brave New World,' $15 million.
2. 'Last Breath,' $7.8 million.
3. 'The Monkey,' $6.4 million.
4. 'Paddington in Peru,' $4.5 million.
5. 'Dog Man,' $4.2 million.
6. 'Mufasa: The Lion King,' $1.9 million.
7. 'Ne Zha 2,' $1.8 million.
8. 'Heart Eyes,' $1.3 million.
9 'The Unbreakable Boy,' $1.2 million.
10. 'One of Them Days,' $925,000.
Originally Published: March 2, 2025 at 1:38 PM CST
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Business Insider
an hour ago
- Business Insider
Kelly Ripa says she ate like her husband for 3 days to help fit into her Oscars dress
It turns out that all Kelly Ripa needed to do to fit into her Oscars dress was eat like Mark Consuelos for three days. On Monday's episode of " Live with Kelly and Mark," Ripa spoke about how she struggled to fit into her gown for the Academy Awards "So right before the Academy Awards, I was having trouble getting my dress zipped up the side. It was a side-zip dress, and I kept getting zipped into the dress," Ripa said. "I don't know if any women have experienced having your side skin sipped into your dress. It is a punishing thing." To help Ripa get red carpet-ready, Consuelos suggested she follow his high-protein diet. "It's the only time I've listened to Mark about my diet because I typically don't like to do what you're doing," Ripa said. "I just find, you're like, way too disciplined. I can't live that way." But she didn't mind giving it a shot if it's just "for 72 hours," Ripa said, adding that some of the foods she ate included steak, yoghurt, and vegetables. "I didn't love it, because I'm not big on animal protein. I don't love it, but I ate exactly how you told me to eat, and that dress zipped right up, no side skin," Ripa said. "And I looked super fit. Super, super fit. So thank you for that." Consuelos added that increasing protein should go hand-in-hand with meeting daily fiber needs. "It's crucial for maintaining a healthy gut microbiome and may lower the rates of chronic disease such as diabetes," Consuelos said. Protein helps build lean muscle mass, boosts immunity, and is good for weight loss. The latest Dietary Guidelines for Americans, published by the United States Department of Agriculture, recommend 14 grams of dietary fiber for every 1,000 calories consumed. This amounts to 22 to 28 grams daily for adult women and 28 to 34 grams daily for adult men, depending on their age range. Dietitians previously told Business Insider that salmon, shrimp, and black beans are high-protein foods that can be beneficial to include in a weight-loss diet. Eating a lot of protein isn't usually harmful, but it can mean you're not getting enough of other important nutrients. "Most athletes that I talk to are eating too much protein because they think eating more protein means building more muscle," sports dietitian Nancy Clark told BI. "It's actually the carbs that fuel muscle. All the protein they're eating displaces the carbs that are needed to fuel the muscles."
Yahoo
7 hours ago
- Yahoo
‘The Fantastic Four' Director Matt Shakman Reveals the ‘Magical' Comics That Inspired the Film in ‘Small and Large Ways' (EXCLUSIVE)
Before Iron Man, before the Hulk, before Spider-Man, there was the Fantastic Four. The quartet of astronauts transformed into superheroes were Stan Lee and Jack Kirby's first creation for Marvel Comics, launching the sprawling storytelling universe of interconnected characters that has endured for 64 years. Until Disney acquired 20th Century Fox in 2019, however, Reed Richards (a.k.a. Mr. Fantastic), Sue Storm (a.k.a. the Invisible Woman), Johnny Storm (a.k.a. the Human Torch) and Ben Grimm (a.k.a. the Thing), as were unable to join the Marvel Cinematic Universe. That will finally change in July with the premiere of Marvel Studios' 'The Fantastic Four: First Steps,' starring Pedro Pascal as Reed, Vanessa Kirby as Sue, Joseph Quinn as Johnny and Ebon Moss-Bachrach as Ben. To marshal Marvel's First Family into the MCU, studio chief Kevin Feige tapped veteran director Matt Shakman, who helmed every episode of Marvel's first streaming series, 'WandaVision,' as well as episodes of 'Monarch: Legacy of Monsters,' 'Succession,' 'Game of Thrones,' 'The Great,' 'The Boys,' 'Fargo,' 'The Good Wife' and 'It's Always Sunny in Philadelphia.' More from Variety Marvel Studios Skipping Comic-Con Hall H Panel for 2025 As Comic Book Movies Scale Back Releases, Marvel and DC Look to This Summer to Decide the Future of Superhero Cinema David Tennant Says He Had His 'Eye On' the Role of Reed Richards in 'The Fantastic Four' Before Pedro Pascal Was Cast: 'They've Gone in a Different Direction' Beyond his extensive resume, Shakman's biggest qualification for the job is his love for the Fantastic Four comics, as demonstrated in the foreward the filmmaker penned for the new Marvel Premiere Collection release, 'Fantastic Four: Solve Everything' — which Variety is exclusively previewing below. The volume, which goes on sale June 3, is a streamlined collection of Fantastic Four comics published between 2009 and 2011 (i.e. issues #570–588) written by Jonathan Hickman, with art by Dale Eaglesham, Neil Edwards and Steve Epting, and cover art by Joe Quesada. In his foreward, Shakman singles out Hickman's work — and this particular run of issues — as a major influence on the new 'Fantastic Four' movie. Among several curious allusions to FF storylines and characters, the director specifically cites three of Hickman's inventions — Reed's philanthropic Future Foundation, the multiverse portal the Bridge, and the interdimensional Council of Reeds. How these may (or may not) be incorporated into the movie remains to be seen, but Shakman's love for the comics, and for these characters, is abundantly clear. Fantastic Four: Solve EverythingForeward By Matt Shakman I fell in love with the Fantastic Four when I was a kid growing up in Ventura, California. Encountering a family of super heroes that felt so familiar blew my mind: the humor, the heart, the sniping and griping, the messiness. At the same time, I was taken by the optimism and wonder of their world. With their roots in the '60s space race, the F4 have always been about exploration — whether it is to the cosmos or the Negative Zone or deep into the human mind. Reed, Sue, Ben and Johnny may have incredible powers, but they are family first, scientists and explorers second and super heroes only when absolutely necessary. Every Marvel filmmaker attempts to build on what has come before in publishing while simultaneously reinventing the characters for the current moment. The same is true with comic creators. What Lee and Kirby launched in the '60s changed Marvel forever. Their bold gamble to center a realistic family turned into the biggest hit of the early Silver Age. Every artist and writer since has attempted to build on that legacy while finding something in the characters that made them sparkle anew. In preparation for Marvel Studios' 'The Fantastic Four: First Steps,' I delved into the 60-plus years of comics history. Marvel's First Family has been continuously cared for by the best and brightest the company had to offer. None shone so bright as Jonathan Hickman. The humor and heart I loved as a kid? It's there and better than ever. The messy family dynamics? Made even more interesting as Val and Franklin take center stage. And that sense of optimism and wonder? I don't think the Fantastic Four have been quite as fantastic as they are in the pages of this book. As we developed the script for the film, I returned again and again to this epic run — thrilled by brain-bending innovations like the Council of Reeds and riveted by heroic standoffs against the likes of Annihilus. But it was Hickman's deep insight into the specific family dynamics of the Four that affected me the most. His Reed Richards is part Steve Jobs and part Oppenheimer, always on the edge of saving the world or destroying it. The author runs right at Mister Fantastic's weakness: believing that he can and should do it all on his own. Reed is determined to 'Solve Everything' — but he learns that the cost of solving everything is… everything. Ultimate knowledge risks ultimate sacrifice: the loss of his family. Sue has come a long way from the 'Invisible Girl' of the early '60s. In these pages, she is part United Nations Secretary General and part Field Marshal, backing up diplomacy with force when necessary. Hickman's Sue may be the most powerful member of the Four — she's the glue that holds the world together while Reed experiments in the lab with things that could destroy it. She brokers deals as the world's finest diplomat, ending up as the Queen of the Sea. In one of my favorite F4 moments, she declares to Namor, 'I am a Queen that bows before no King.' Damn right. How do these two very different people make up the greatest marriage in comics history? We see, page after page, that the secret is their unique balance of heart and mind. Before Jerry Maguire, these two completed each other. Sue and Reed are relatable not just as partners, but also as parents. We understand their anxiety, fretting over the destiny of Val and Franklin just as I fret over my 9-year-old daughter's future. I cherish the family intimacy of scenes in the Baxter Building and never doubt that these parents love their children and would do anything to protect their future. I know that Johnny and Ben would do the same. And we know that, as super heroes, they will fight just as hard to protect our world. Having absorbed six decades of F4 publishing, many of Hickman's magical moments and unique character dynamics stick with me. And they made it into our film in small and large ways. From Sue as a diplomat to Reed trying to solve everything even at the risk of imperiling his family. Johnny's need to be taken seriously. Ben's gentle nature, forever at odds with his appearance. The Future Foundation. The Bridge. The mystery of children and the anxiety we have as parents about their future. Hickman is a poet, of both the everyday and the extraordinary. His work beats with a heart as big as Sue Storm's, rendering an emotional journey that culminates in a scene that makes me tear up every time I read it. (I won't ruin it… just wait for 'Uncles.') His writing is thrilling, thought-provoking and tender…and, like the characters he writes about, fantastic. Best of Variety What's Coming to Netflix in June 2025 New Movies Out Now in Theaters: What to See This Week 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts?
Yahoo
7 hours ago
- Yahoo
Scarlett Johansson Asked to Have ‘Thunderbolts*' EP Credit Removed, Says Marvel Casts Get ‘So Enormous' You Sometimes ‘Feel Like a Device' to Move the Plot Along
Scarlett Johansson told David Harbour during a conversation for Interview magazine that she asked Marvel to remove her executive producer credit for 'Thunderbolts*,' the Marvel tentpole that opened in theaters in May. Harbour headlined 'Thunderbolts*' alongside Florence Pugh, Sebastian Stan, Julia Louis Dreyfus and more. Harbour and Pugh originally made their MCU debuts opposite Johansson in 'Black Widow.' 'It's the opening day of a movie that basically you are the seventh Thunderbolt in. Your character is all over this movie…. You are an executive producer on it. Congratulations,' Harbour said during the chat. More from Variety Marvel's 'Vision' Lands 'Schitt's Creek' Star Emily Hampshire as E.D.I.T.H. 'The Fantastic Four' Director Matt Shakman Reveals the 'Magical' Comics That Inspired the Film in 'Small and Large Ways' (EXCLUSIVE) Marvel Studios Skipping Comic-Con Hall H Panel for 2025 'I asked to have my credit removed because I wasn't involved,' Johansson replied, more or less suggesting that contractual reasons were why she was credited. Elsewhere during their Interview magazine discussion, the 'Black Widow' co-stars found common ground over the annoyances that arise while playing the same character for a decade or more. Johansson played Black Widow in the MCU for 11 years. 'Some of the films that I did for Marvel engaged my character more than others,' she said. 'Like in 'Captain America: The Winter Soldier' with Chris [Evans], we were really dynamic. In some of the other films, the cast was so enormous and there was so much plot to serve that you start to feel like you're a device to move it along. And if you're committed to five and a half months of that, it's like, 'Okay. I can't paint my nails, I can't get a haircut.' These sound like silly problems, but your identity is wrapped up in this job for a long time, and if you're not doing engaging work as an actor, you feel a little cagey sometimes.' Harbour can relate to Johansson after playing Hopper on Netflix's 'Stranger Things' for nearly 10 years. The series comes to an end with its fifth and final season this upcoming holiday season. 'When I started I loved it so much,' Harbour said. 'Buddies of mine who'd done TV shows for many years said, 'By season three or four you'll be running.' And I was like, 'Never! I love all these guys so much.' And then you get to a certain point where you're like, 'How much more story is there?' You're having to play a lot of the same beat, and there's a feeling where you're like, 'I want to take a risk. I want to do something that people haven't seen me do before.' So yeah, after 10 years, it's like, 'Okay.'' Johansson's Black Widow was killed off in 2019's 'Avengers: Endgame.' The standalone 'Black Widow' movie served as a prequel. The actor has stressed in the years since that she does not plan on returning to Marvel. 'It would be very hard for me to understand in what capacity [returning] would make sense for me, for the character that I play,' Johansson told Vanity Fair earlier this year. 'I miss my buddies and really would love to be with them forever, but what works about the character is that her story is complete. I don't want to mess with that. For fans, too — it's important for them.' Head over to Interview's website to read Johansson's latest interview with Harbour. Best of Variety 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts? 25 Hollywood Legends Who Deserve an Honorary Oscar New Movies Out Now in Theaters: What to See This Week
