
PinkPantheress Won't Be Boxed In
Except, as PinkPantheress explains over Zoom from New York a few days before the mixtape's release, she's never really seen herself as a pop star. 'I'm not looking for stardom,' she says, her long French-tipped nails flicking back her fringe. 'I don't think that I fit that role, and I also don't think I can handle it.' Last year, as her stratospheric rise to popularity was peaking—she'd just won the Billboard Women in Music award for producer of the year, and been announced as a tour opener for both Olivia Rodrigo and Coldplay—she made the difficult decision to reel things back. 'I needed just to remedy myself a bit, and help myself feel better,' she says of pulling out of the tour dates and stepping away from the spotlight. It didn't take long, however, for the urge to make music to return. 'I ended up taking that break to home in on a specific sound,' she says. 'That's why I'm more excited, I'd say, about this release—because it's way more specific and way more in tune with what I wanted for myself.'
So, on Fancy That, PinkPantheress is reintroducing herself. Not as an entirely different musician, exactly, but as PinkPantheress 2.0—a little more refined, and a lot more certain of herself. And it's certainly an impressive leveling up from her (already excellent) debut album. Over the course of the mixtape's nine tracks, PinkPantheress cycles through a head-spinning grab bag of references mined from the '90s and 2000s: the Underworld-sampling opener 'Illegal,' whose saucy double entendres could either refer to a secret romance or a beloved new drug dealer; the eerie 'Nice to Know You,' which samples William Orbit to create a deliciously strange hybrid of Burial and the Sugababes; or the superb album closer 'Romeo,' on which trip-hop rhythms are paired with exhilarating orchestral strings straight out of a Basement Jaxx house banger. (It turns out the duo behind Basement Jaxx spent a couple of sessions in the studio with PinkPantheress, and she also samples their track 'Romeo' on 'Girl Like Me.')
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UPI
13 hours ago
- UPI
Krysten Ritter calls her 'Dexter' killer psychotic, deranged, playful
1 of 5 | Left to right, Eric Stonestreet, Uma Thurman, Neil Patrick Harris, Michael C. Hall, Krysten Ritter, David Dastmalchian and Peter Dinklage star in "Dexter: Resurrection," airing Fridays. Photo by Zach Dilgard/Paramount+ with SHOWTIME NEW YORK, Aug. 10 (UPI) -- Jessica Jones icon Krysten Ritter says Lady Vengeance, the serial killer she plays on Dexter: Resurrection, thinks she is a personal and professional match for the titular anti-hero. "My character takes an interest in Dexter (Michael C. Hall) right away. There is a natural chemistry and attraction there and she wants to know more. She's a loner. She is a femme fatale," Ritter told UPI in a recent Zoom interview. "She is very confident, but she's also psychotic and deranged and playful and she is a part of this serial killer group because she likes the money and it's intriguing to her." A central story-line for the New York-set, Dexter sequel series is how billionaire philanthropist Leon Prater (Peter Dinklage) is secretly an avid true-crime artifact collector who pays notorious killers -- including Lady Vengeance, Al/Rapunzel (Eric Stonestreet), Garreth/the Gemini Killer (David Dastmalchian), Lowell/the Tattoo Collector (Neil Patrick Harris) and the Dark Passenger, whom Dexter is impersonating -- to come to his posh apartment for dinner. Uma Thurman plays Prater's right-hand woman, Charley. Modern Family alum Stonestreet calls Al, "a fun-loving, Midwestern guy, a father of three with one more on the way." "In my mind, he's a salesman travels around and sells something sort of mundane and I think he gets a trip to New York City every year and gets to get some souvenirs for the family, gets a little extra money for the old lady... and camaraderie," he said. "He gets to be around what I think HE probably thinks is these weirdos." 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Dastmalchian said it was also exciting to see Miami native Dexter operate in a new setting. "Imagine watching one of your favorite hunters, all of a sudden entering a new terrain where they're on a totally different stomping ground and then we all get together," he added. "I love the movie Clue and playing the game Clue when I was a kid, so there was something about this that felt like we were in a much darker, higher-stakes Clue." Stonestreet said he is a long-time fan of Hall and his Dexter franchise, which dates back to 2006 and even includes a prequel starring Patrick Gibson as a younger version of the murderer, who has vowed to only kill bad people. "It's awesome," Stonestreet said. "There's just no other way to say it. We're actors, but we're also fans of things, as well, and, all of a sudden, you're across the way from Uma Thurman and you can't believe it." In keeping with the dark comedy of the series, the stars also had plenty of room to ad-lib lines of dialogue. "There's a lot of improv, especially with this one. Eric Stonestreet is the king of improv, which is really exciting," Ritter said. "There were a couple of times where we had to be off over there doing something and I was like: 'Oh, thank God I'm sitting next to Eric because he's going to bring it,' and even when he's off-camera, he brings so much to the on-set experience. I think it really helped bring levity and and camaraderie to all of those scenes where we're all together." Stonestreet said he was only able to do this because his scene partners were receptive to it. "If I didn't feel comfortable adding jokes, then, it wouldn't be fun to me," he added. "I don't want to be on a set like that, really, for the truth of it, but Michael did tell me -- when I went back after shooting a couple of scenes or weeks or days on the show -- 'i think every one of your improvisations is in the cut that I just saw.'" "They were so good," Dastmalchian agreed. "It's not about the goodness. It's about the space that they needed to fill," Stonestreet said. "Writers can't write for every moment that's not known yet, so, all of a sudden, we're like: 'Hey, you're walking towards the charcutarie board. Fill that space with something.' And I'm like, 'OK, here we go!'" Dastmalchian pointed out that not everything Stonestreet came up with was intended to be funny, however. "One of the great things in comedy, I think, is you can set people up, get the audience off kilter a little bit and then you can smack them down," Dastmalchian said. "But I got to see him do something pretty scary creepy that was alive in the moment, an improvisation, which was pretty terrifying." The show is now airing on Showtime and streaming on Paramount+ 'Dexter: Resurrection': Michael C. Hall, Uma Thurman attend premiere Star Michael C. Hall arrives on the red carpet at the world premiere of "Dexter: Resurrection" in New York City on July 9, 2025. Photo by Derek French/UPI | License Photo


Forbes
17 hours ago
- Forbes
Coldplay's Song Climbs To New Global Peaks 25 Years After Its Debut
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Axios
2 days ago
- Axios
Deepfaked after death: Some don't want it
Former CNN anchor Jim Acosta's interview with an AI-generated avatar of a Parkland shooting victim has reignited debate on the ethics of creating deepfakes of the dead. Why it matters: As cheap and free generative AI tools become capable of replicating voices, faces and personalities, some people are adding clauses to their wills to prevent the creation of their digital likeness after they die. Catch up quick: Acosta, who's now an independent journalist, aired an interview last week with an AI-generated avatar of Joaquin Oliver, one of the teenagers who was killed at age 17 in the 2018 mass shooting in Parkland, Florida. Viewers found the video disturbing, exploitative and bad journalism in need of an editor. What it wasn't? Illegal. Oliver's father, Manuel Oliver, is the executor of his son's estate, so he can use his son's name, image and likeness (NIL) — including creating an AI version of him. This is known as a post-mortem right of publicity, which is recognized in the state of Florida. How it works: Digital twins are created by uploading photos, videos and writings of a person into a large language model. The models then spit out "twins," which can range from video avatars with audio to text chatbots. Generative AI can roughly simulate tone and personality and predict how a person might respond. The big picture: Celebrities have been planning for what happens to their digital NIL after death at least since rapper Tupac Shakur's hologram posthumously "performed" at Coachella in 2012. But in a world where everyone has an online footprint, it's no longer just a celebrity problem. Case in point: The viral video of two concertgoers from last month's Coldplay concert was quickly fed into AI tools that used the couple's likeness to create deepfakes. State of play: It's easy enough to put a clause in your will stating you don't want to be reanimated by AI. "It would let families know the decedent's wishes and obligate the executor to carry them out as best they can," said Denise Howell, a technology lawyer and host of the podcast Uneven Distribution on the Hearsay Culture network. But enforcing that wish could mean expensive lawsuits, especially in states without clear laws on posthumous AI rights. "Our right of publicity laws weren't written with this situation in mind or designed to deal with it. They vary from state to state and many states don't have them at all," Howell said. The other side: Not everyone wants to opt out. Chatbots based on a person's likeness are a way that some loved ones grieve. Joaquin's father says he created the AI version of his son both to deal with his loss and also to bring more attention to gun control. "If the problem that you have is with the AI, then you have the wrong problem. The real problem is that my son was shot eight years ago." Oliver said in an Instagram video. Follow the money: While few people are planning for posthumous AI rights, many are already building digital versions of themselves to monetize and control now and after death. AI rights management platform Vermillio now offers this service to everyone for free. 2wai allows celebrities (and soon everyone else) to create their digital avatars on their phones. But even if you train an AI avatar yourself, it may say things you never would. "For me, it's a consent issue," Johnni Medina, manager of content and digital engagement at Pace University, told Axios. "I know how I feel about things. I don't know that my loved ones know exactly how I feel about things." "If I were tragically murdered, I would hate to think that my likeness could be used to advocate for the death penalty for my aggressor," they said. In May, the sister of a man who was killed in a road rage incident used AI to generate a video of her brother giving a victim impact statement.