
Kim Do-yeon embraces her evolving identity, on and offstage
In her teenage years, Kim Do-yeon exuded bright energy with her vibrant and playful image, capturing the hearts of fans with her lively presence as a member of the popular K-pop girl group I.O.I and later, Weki Meki.
Now in her 20s, the singer-turned-actor has evolved into a calm, poised version of herself.
So, which Kim Do-yeon is the 'real' her? She gave a simple answer: she is both.
'I debuted at such a young age, of course I wasn't as calm and poised as I am now. Back then, I was just a lively girl without a second thought,' said Kim in a recent interview with The Korea Herald.
Having spent much of her life in the public eye as an idol, Kim said she grappled with the challenges of balancing the image of the "idol" with her individual growth.
'In my early 20s, I think I was in a sort of transitional phase, very unsure of myself. As a girl group idol, there are certain expectations of how you should appear to the public. I wanted to meet those expectations, but I slowly struggled to keep up,' said the 25-year-old.
Her journey of self-acceptance and discovery led Kim to the stage, where she took on the role of Anna Sorokin in 'Anna X,' a play that explores the life of the infamous socialite who swindled New York's elite. The theme of self-identity and what is real in 'Anna X' resonated deeply with her.
'I was at a point where I was thinking about how to handle this duality of my identity. When I read the script, I saw parallels with my experiences."
Now, Kim feels more at peace with herself, having acknowledged both sides of who she is.
'Before, I was afraid of being misunderstood or showing too much of myself. But now, I've come to terms with the fact that people might misinterpret me, and that's okay. I'm learning to embrace all parts of myself.'
And her years spent performing as a K-pop singer helped prepare her for the stage.
'I wasn't unfamiliar with the experience of performing on stage before an audience. Despite feeling terrified during rehearsals, I became more comfortable once I was actually on stage,' she said, reflecting on her first night of the show.
More confident than ever, Kim feels that acting is one of the first choices she has truly made for herself. While participating in 'Produce 101,' debuting as I.O.I, redebuting and the seven-year journey with Weki Meki all felt like a natural progression, now she is taking control of her own decisions and accepting full responsibility for them.
'I'm learning to embrace the idea that the decisions I make are shaping me, and that's been incredibly motivating,' said Kim. 'I'm really enjoying life right now. I'm throwing myself into challenges, making mistakes and picking myself up again. The process of experiencing everything fully, without holding back, is incredibly fulfilling.'

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Korea Herald
8 minutes ago
- Korea Herald
How social media and streaming platforms are shaping K-pop debuts
From TikTok to Melon, new groups like Cortis leverage global social media and music platforms to connect with fans and amplify their debut A decade ago, K-pop groups mainly prepared for local television music and variety shows when debuting or releasing a new album. Today, the landscape has changed dramatically: idols must establish a presence across multiple platforms, from music streaming services like Spotify and Melon to video platforms such as YouTube and TikTok. Interestingly, platforms that once had clear, distinct functions are now overlapping. Music streaming services are hosting original content, while social media platforms are increasingly offering music-related features. As a result, idol groups must diversify their digital strategies. Big Hit Music's newly debuted boy group, Cortis, is a prime example. The group first revealed its name on TikTok on Aug. 7, posting a short-form video titled 'Logo Sound' that introduced the members. In less than 24 hours, the video surpassed two million views and 300,000 likes, signaling strong interest. 'With so many platforms available, agencies vary promotional strategies depending on the group's experience and strengths,' an executive from a local K-pop powerhouse said, 'For example, if a group wants to highlight their visuals, they produce content optimized for that purpose.' Cortis also ran a separate TikTok promotion shortly after. Searching the group name on the platform reveals hidden Easter eggs and clues related to music videos from their debut album. The initiative generated comments in multiple languages, including Korean, English, Spanish, Portuguese, French, Indonesian and Thai, reflecting early international fan engagement. Four days after their TikTok launch, Cortis held a 24-hour YouTube premiere event, releasing original content every hour featuring music, choreography and video production. Fans could also submit questions to the members in real-time, creating an interactive debut experience. On Aug. 11, Cortis uploaded their first Instagram video announcing the prerelease of the track 'Go!' As of Tuesday, the group's Instagram account had more than 60 posts and 745,000 followers. 'In the past, agencies focused on promoting via TikTok or YouTube, but now SNS-based new media platforms are being used extensively,' another K-pop agency official said. 'New media environments are ideal for viral marketing. Smaller agencies are also targeting global audiences, so TikTok's influence has grown.' Domestic platforms are joining the mix as well. Kakao Entertainment's Melon launched special promotions for Cortis to engage fans during the group's debut. Melon Magazine released exclusive content tied to the prerelease of the debut EP's main track 'What You Want' on Aug. 18 and plans to again on the official album release date, Sept. 8. The first installment of Melon Magazine featured 'My Profile,' in which members shared MBTI types, nicknames, routines and even childhood dreams ranging from professional athlete to robot scientist. The second installment introduced the members' debut songs visually, using creative illustrations to explore each track. Since June 2023, Melon's 'Hi-Rising' project has supported debut campaigns for K-pop groups such as Zerobaseone, Riize, TWS, Meovv and KiiiKiii, helping artists establish early connections with fans and positioning Melon as a key player in K-pop talent promotion. 'Through exclusive content and events, we provide platforms for debuting artists to meet fans and strengthen platform competitiveness. Agencies and artists can promote new talent effectively without incurring large costs,' Melon official said, Tuesday.


Korea Herald
an hour ago
- Korea Herald
President Lee to join K-pop leaders in Arirang TV special
From Twice to 'KPop Demon Hunters,' Arirang TV program to spotlight K-pop's global influence President Lee Jae Myung is set to appear on the special broadcast "K-Pop: The Next Chapter," joining key entertainment industry figures in discussing the current state and future of K-pop. The program, scheduled for broadcast on Arirang TV, South Korea's public international broadcaster, at 5 p.m. Wednesday, will feature a lineup that includes President Lee; Maggie Kang, who co-directed the animated feature 'KPop Demon Hunters' with Chris Appelhans; Twice's Jihyo and Jeongyeon; producer-DJ (Kim Jung-gu), the hitmaker behind Blackpink and Big Bang songs; and music critic Kim Young-dae. The show host is Jang Sung-kyu, a former JTBC announcer-turned-TV personality. According to the presidential office, the special was designed as a platform to reflect on K-pop's global reach, explore the new possibilities introduced by global content and share visions for its next phase. 'As Korea aims to reestablish itself as a cultural powerhouse among the world's Big 5 of soft power, continuous growth and innovation in the cultural industries, including K-pop, are essential. Accordingly, the insights and voices shared through this program will be reflected in shaping future policy directions,' a presidential office official said in a press statement released Tuesday. The appearance comes as President Lee has doubled down on positioning Korea as a global cultural leader. His administration last week unveiled an expansive five-year plan to strengthen the nation's cultural standing and develop a sustainable digital and media ecosystem. The initiative sets ambitious growth targets for K-culture while emphasizing the need to support both artistic creation and public participation. At a cabinet meeting earlier this week, Lee also remarked, 'The wave that began with K-pop is now spreading across K-culture as a whole.' He continued, 'Recently, as 'KPop Demon Hunters' has gained huge popularity worldwide, crowds have been flocking to the National Museum of Korea, with museum goods selling out day after day. We must accelerate our journey toward becoming a true powerhouse of K-culture.' The president further urged government ministries to come up with measures "including strategies for the global expansion of K-content and the development of related infrastructure such as K-pop facilities — while adhering to the arm's-length principle of supporting but not interfering.'


Korea Herald
2 hours ago
- Korea Herald
Lee to discuss future of K-pop with 'Kpop Demon Hunters' director, TWICE on TV talk show
President Lee Jae Myung will discuss the future of the K-pop industry with the director of the Netflix animated film "Kpop Demon Hunters" and members of girl group TWICE on a television program, the presidential office said Tuesday. Lee will appear on the pre-recorded program "K-Pop: The Next Chapter" by English-language broadcaster Arirang TV, scheduled to air at 5 p.m. Wednesday. Participants include Maggie Kang, creator of the Netflix film, TWICE members Jihyo and Jeongyeon, DJ and music producer and music critic Kim Young-dae. "It was arranged to reflect the global status of K-pop, the scalability of global content and its new possibilities, and share visions and ideas for K-pop's next stage," the office said in a release. "We plan to draw on the opinions and insights expressed during the program to help shape future policy directions." The global success of "Kpop Demon Hunters," produced by Sony Pictures Animation and distributed by Netflix, has raised calls for broader support for Korean companies in developing original content and intellectual property right in the culture industry. (Yonhap)