logo
Konkona Sen Sharma opens up on casual sexism in Bollywood: 'Call it out, even if it's just a joke'

Konkona Sen Sharma opens up on casual sexism in Bollywood: 'Call it out, even if it's just a joke'

Actor-director Konkona Sen Sharma has spoken candidly about navigating casual sexism in the film industry. In a recent interview, she stressed the importance of addressing problematic behaviour, even when it comes masked as humour or within personal circles. In a recent interview, Konkona Sensharma highlights the importance of confronting casual sexism in the film industry, urging people to call out problematic behaviour.(AFP)
Things must change, says Konkona
In an interview with Zoom, Konkona reflected on her own journey as both an actor and a filmmaker. She acknowledged that while she has encountered instances of sexism, her experience has been relatively less intense compared to many others. She said that her smoother path as a director was partly due to her existing recognition as an actor and her unique background in the industry.
"One has to be able to recognise that it's very wrong and bad and that things must change. I feel it's very important to call it out, even among friends, because there are a lot of things we normalise, like the words we use or the way we speak about people. I think you have to call it out every single time, even if it sounds boring or even if it's "just a joke." I always say it—even as a joke, I would like to call it out, and I do say it as much as possible," Konkana said.
Konkona on growing a thick skin
While advocating for change, Konkona acknowledged the harsh realities of working in a biased environment.
"To a certain extent, you do have to grow a bit of a thick skin because you still have to do what you set out to do. You can't let other people's bad behaviour stop you, even though they shouldn't behave like that, and you shouldn't have to compensate for their behaviour, but practically speaking, that's how it is. So I do think it's important to call it out, especially among our own friends and circles, and to look out for other people."
Konkona's latest work
Konkona was last seen in Anurag Basu's Metro In Dino, which released in theatres on 4 July. The film also features Sara Ali Khan, Aditya Roy Kapur, Pankaj Tripathi, Ali Fazal, Fatima Sana Shaikh, Anupam Kher and Neena Gupta. Backed by Bhushan Kumar's T-Series, the film offers an emotionally layered take on modern relationships.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

'Butter': The foodie feminist bestseller skewering sexism in Japan
'Butter': The foodie feminist bestseller skewering sexism in Japan

New Indian Express

timean hour ago

  • New Indian Express

'Butter': The foodie feminist bestseller skewering sexism in Japan

TOKYO: Japanese writer Asako Yuzuki did not expect her novel "Butter" to capture a cult following abroad, hailed as a biting feminist critique of sexism and body-shaming. Translated into English last year, the tale of murder and misogyny has whetted an insatiable appetite, selling 610,000 copies overseas, including 400,000 in Britain -- more than Japan -- where it won multiple awards. Yuzuki was inspired by the real-life story of "Black Widow" Kanae Kijima, a woman sentenced to death in 2012 for poisoning three men she met on dating sites. The sensationalised media coverage at the time largely focused on Kijima's appearance, speculating how someone described as homely and unattractive could be considered a femme fatale. Many credited her romantic success to her homemaking prowess -- notably in the kitchen. "When the case broke, the Japanese media mainly remembered that the suspect liked to cook and took classes ... to 'please men'," Yuzuki told AFP in an interview. "That deeply disturbed me." In "Butter", a journalist likewise disquieted by the portrayal of a Kijima-like character (renamed Kajii) writes to the jailed suspect, hoping to secure an exclusive interview by appealing to her gourmet tastes.

Metro In Dino Box Office Day 11: Anurag Basu's Film Eyes Rs 40 Crore In India
Metro In Dino Box Office Day 11: Anurag Basu's Film Eyes Rs 40 Crore In India

News18

time3 hours ago

  • News18

Metro In Dino Box Office Day 11: Anurag Basu's Film Eyes Rs 40 Crore In India

Anurag Basu's Metro In Dino, a spiritual successor to Life in a... Metro, is nearing Rs 40 crore in India and surpassing Rs 50 crore globally. Anurag Basu's ensemble drama Metro In Dino is showing steady legs at the box office. The slice-of-life film, which hit theatres earlier this month, has now entered its second week and is inching closer to the Rs 40 crore mark in India. Globally, it has already crossed the Rs 50 crore milestone. Serving as a spiritual successor to Basu's much-loved Life in a… Metro, the film features a star-studded cast including Aditya Roy Kapur, Sara Ali Khan, Anupam Kher, Pankaj Tripathi, Konkona Sen Sharma, Fatima Sana Shaikh, Ali Fazal, and Neena Gupta. With its multiple parallel storylines and emotional moments, Metro In Dino has found a warm spot among audiences. After a solid weekend run, Metro In Dino saw a predictable drop in collections on Monday, with earnings dipping by around 86.02 per cent compared to Sunday. According to early estimates, the film recorded an overall occupancy of 11.42 per cent, with the highest turnout during evening shows. While the drop was sharp, the Anurag Basu directorial is still pulling steady crowds in key urban centres like Delhi NCR and Mumbai, where the majority of its screenings and footfall remain concentrated. Metro… In Dino is being called the spiritual sequel to Basu's 2007 gem Life… In A Metro. Much like the earlier film, this one too gives us different stories woven together — all exploring love, loneliness, second chances and everything in between, all set against the backdrop of bustling metro cities. The film brings a warm, emotional ride through the chaos of urban life. A part of the film's review by News18 read, 'It has its heart and soul in the right place. It is sublime to the core. Much like Anurag's earlier works, this too shifts the spotlight on the raw tenderness of man-woman relationship. It's pays an ode to Irrfan and KK. And in a cameo appearance, it features Imtiaz Ali, yet another filmmaker who has successfully been able to bring out the sparkle, intricacies and wringing agony of modern-day relationships. When you've so many creative Czars in spirit and passion associated with a piece of art, how can it possibly go wrong? Metro In Dino turns out to be the big-screen love story we've been waiting for and deserve." First Published: Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.

Anurag Kashyap on Bhushan Kumar and his music company T-Series: 'They paid very less for Dev D, Gangs of Wasseypur and...'
Anurag Kashyap on Bhushan Kumar and his music company T-Series: 'They paid very less for Dev D, Gangs of Wasseypur and...'

First Post

time5 hours ago

  • First Post

Anurag Kashyap on Bhushan Kumar and his music company T-Series: 'They paid very less for Dev D, Gangs of Wasseypur and...'

He went on to add, 'The highest amount of money they paid for any of my movies is Bombay Velvet. As music it was very good but it worked the least for them.' read more Anurag Kashyap has expressed his experience of working with Bhushan Kumar and his company T-Series in an interview with The Juggernaut. The filmmaker revealed, 'The idea is not to cater to the market. If T-Series, Bhushan Kumar, is not buying it, then it is good music. T Series doesn't buy good music at a good price. They paid very less for Dev D, Gangs of Wasseypur or Gulaal.' Kashyap added, 'They only pay for who is the star in it. They don't pay for the quality of music. They paid nothing for Dev D music. Ask the producers, UTV studios… they don't understand what's good music. They will only pay for a certain kind of music and only push for that.' STORY CONTINUES BELOW THIS AD Bombay Velvet He went on to add, 'The highest amount of money they paid for any of my movies is Bombay Velvet. As music it was very good but it worked the least for them. Because nobody wanted to listen to jazz. They paid the highest price for that and not Dev D or Gangs of Wasseypur.' Kashyap seems to have permanently quit the Hindi film industry. In an interview with The Hindu, the man behind films like Black Friday and Ugly said, 'I've left Mumbai. I want to stay away from film people. The industry has become too toxic. Everyone is chasing unrealistic targets, trying to make the next Rs 500 or Rs 800 crores film. The creative atmosphere is gone.' He added, 'A city is not just a structure but also its people. People here… they pull you down. The biggest exodus is to the Middle East, especially Dubai. Others have fled to Portugal, London, Germany, US. These are mainstream filmmakers I am talking about.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store