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'Squid Game' Season 3 Trailer Teases Harrowing Series Finale

'Squid Game' Season 3 Trailer Teases Harrowing Series Finale

CNET3 days ago

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‘More' by Pulp Review: Satire and Sincerity
‘More' by Pulp Review: Satire and Sincerity

Wall Street Journal

time42 minutes ago

  • Wall Street Journal

‘More' by Pulp Review: Satire and Sincerity

In the 1990s, the U.K. was in thrall to Britpop, the retro-leaning movement that was a more melodic answer to the grunge that had taken hold in the U.S. Among the biggest bands of the scene, Oasis had anthems, Blur had taste and Pulp had style. That last, Sheffield-based band, led by singer Jarvis Cocker, was initially an outlier because its first two albums came out in the '80s and weren't representative of what came later. But by 1994's 'His 'n' Hers,' Pulp had mastered its own brand of multifaceted guitar pop, which mixed glam rock, disco and punk. Mr. Cocker, whose persona was a magnetic fusion of Bryan Ferry's louche sexiness and Elvis Costello's wit, became one of rock's great frontmen. And then, after Pulp's 2001 album 'We Love Life,' produced by avant-pop legend Scott Walker, the group went its separate ways. The band's membership had always been fluid, though drummer Nick Banks and keyboardist Candida Doyle were there from nearly the beginning, and it was fair to assume after it split that Mr. Cocker would pick up where the band left off. But he had tired of Pulp's celebrity and pursued low-key solo projects. In what has become an increasingly common progression for once-disbanded groups, a series of reunion tours led to studio sessions and now, after 24 years, we have a new Pulp record. The stunningly strong 'More' (Rough Trade), out Friday, is a celebration of everything that made it great in the first place. The opening 'Spike Island' is both heavy and slinky, marrying a quasi-disco beat to a palpitating bassline that's at once sensual and menacing. Mr. Cocker, a bundle of jittery energy, spits out his lines as if he's walking briskly on the street next to you and trying to finish his story before heading down into the tube. He's an exceptionally good lyricist with an uncanny ability to mix satire and sincerity, and here he jokes about the absurdity of making a life in music while nodding to his band's history and extended absence: 'Not a shaman or a showman / Ashamed I was selling the rights / I took a breather / And decided not to ruin my life.' During his mellower solo years, Mr. Cocker has acquired some wisdom but has lost none of his mischievousness. Much of 'More' is about looking for love and breaking up, though nothing is ever simple. On the second track, 'Tina,' his narrator thinks he's found the perfect relationship, but he's never met his obsession and she doesn't know he exists: An outside observer would call him a deranged stalker. Mr. Cocker has an eye for telling images—here he imagines making love in a charity shop's storage room, 'The smell of digestive biscuits in the air.'

Nottingham Forest hope Nicolas Dominguez will recover from knee injury before start of new season
Nottingham Forest hope Nicolas Dominguez will recover from knee injury before start of new season

New York Times

timean hour ago

  • New York Times

Nottingham Forest hope Nicolas Dominguez will recover from knee injury before start of new season

Nottingham Forest hope that Nico Dominguez will recover for the start of the new Premier League season after the midfielder suffered a knee injury. Dominguez has had to withdraw from international duty with Argentina because of the problem, which has seen him require treatment to repair a meniscus issue. Advertisement The 26-year-old established himself as a regular under Nuno Espirito Santo in the final stages of the campaign, as Forest secured European football for the first time in three decades. His form was enough to earn him a call-up for the World Cup qualifiers in Chile on June 6 and at home to Colombia on June 11. Dominguez last played for his country in a 0-0 draw with Brazil in November 2021, but will have to wait a little while longer for his next cap. Dominguez, who signed from Bologna in September 2023, made 23 starts and 11 substitute appearances in the top flight for Forest last season, as Forest pushed for a top-five finish – before ultimately finishing seventh, to secure a place in the Conference League next season. The player, who began his career at Velez Sarsfield in his home country, will be assessed in the coming weeks and throughout pre-season. But there is a hope that he could yet return for the start of the new campaign in August, if his recovery timeline goes positively.

More about Musetti's ball-kick that hit lineperson
More about Musetti's ball-kick that hit lineperson

New York Times

timean hour ago

  • New York Times

More about Musetti's ball-kick that hit lineperson

Follow live reaction from Roland Garros after Carlos Alcaraz convincingly beat Tommy Paul in straight sets (6-0, 6-1, 6-4) Getty Images Both American men that reached the French Open quarterfinals have been eliminated on day 10. Carlos Alcaraz (2) needed just 94 minutes to see off U.S. No.2 Tommy Paul (12) in straight sets after compatriot Frances Tiafoe (15) was beaten in four sets by Lorenzo Musetti (8). Earlier in the day, Aryna Sabalenka (1) beat Olympic champion Zheng Qinwen (8) to set up a mouthwatering semifinal against defending champion Iga Świątek (5), who beat Elina Svitolina (13) in straight sets. TV: TNT, truTV, Tennis Channel (U.S.); TNT, Discovery+ (UK) TNT, truTV, Tennis Channel (U.S.); TNT, Discovery+ (UK) Streaming: Max for main coverage, Fubo (try for free) for secondary Max for main coverage, Fubo (try for free) for secondary Join the discussion: live@ GO FURTHER Tennis gets the Iga Swiatek vs. Aryna Sabalenka showdown the WTA Tour craved Connections: Sports Edition Spot the pattern. Connect the terms Find the hidden link between sports terms Tennis is weird about defaults — the ultimate penalty for bad behavior, which involves automatically losing the match. Whether or not a player smacks a ball in frustration, or throws or kicks it like Musetti, the penalty more often than not is outcome-based. If the person struck is in distress, the player gets defaulted, they are allowed to continue. But per the rulebook, that should be irrelevant. 'Players shall not violently, dangerously or with anger hit, kick or throw a tennis ball while on the grounds of the tournament site except in the reasonable pursuit of a point during a match (including warm-up). 'For purposes of this rule, abuse of balls is defined as intentionally or recklessly hitting a ball out of the enclosure of the court, hitting a ball dangerously or recklessly within the court or hitting a ball with disregard of the consequences.' The most famous default for ball abuse in recent times came in the 2020 U.S. Open, when Novak Djokovic was defaulted from his match against Pablo Carreño Busta after accidentally striking a linesperson with the ball. The problem with the logic currently applied is that it gives players credit for being in control of something which they are not in control of. Smashing or kicking a ball into a crowd of people or an enclosed space is risky. Whether or not it hits someone with a glancing blow or square on is pure luck. Musetti is lucky to still be on court. Musetti 6-2, 4-6, 2-1* Tiafoe Things got a bit testy in that service game. It got to 30-30, with Frances Tiafoe eager to get a break point chance. Lorenzo Musetti said, 'Not this game.' The Italian blasted a 191 km/h ace, his fifth of the match. Then, he crunches a cross-court forehand winner, before letting out a loud 'Come on.' Still on serve in the third set. How does the American respond? Musetti 6-2, 4-6, *1-1 Tiafoe I blinked and Frances Tiafoe's service game was over. Getting a quick hold is critical for the American to keep pace with Lorenzo Musetti. We're tied in the third set. The Italian serves now... Musetti 6-2, 4-6, 1-0* Tiafoe Oh my goodness! That was such a cheeky backhand slice from Lorenzo Musetti. The ball just catches the far left line in to give the Italian the game. A big start for Musetti to secure the opening service hold of the third set. Your turn, Frances Tiafoe... Getty Images Musetti 6-2, 4-6, *0-0 Tiafoe No worries here. Tiafoe swiftly out to 40-15 and this tempo is proving a little too hot for Musetti to handle right now. A Tiafoe forehand flier seals the second set and we are back on level terms. Boy could this match get really fun from here… Over to you, Lukas Weese — I will leave you in his extremely capable hands from here! To clarify, Lorenzo Musetti's warning for unsporting behaviour came as he kicked a loose ball in frustration — which did indeed fly into the line judge's chest. Frances Tiafoe was very quickly asking the umpire for a default too. Musetti 6-2, 4-5* Tiafoe Lorenzo Musetti has looked so calm for the majority of this match — and indeed this French Open. For a moment though, it looks like he's playing rattled. That includes Tiafoe coming into the net and winning a soft point to put on a little more pressure. But Musetti comes through that to hold. Next up, Tiafoe serving for the second set… Getty Images Musetti obviously felt that too. He is served with a warning for unsporting behaviour as he whacks a ball and it flies into the chest of a line judge. The Italian looks a bit sheepish after that too. Rightly so. Getty Images Musetti 6-2, *3-5 Tiafoe Tiafoe at 40-30 opts to drop and Musetti not only makes it — he manages to run his pick-up along the top of the net, before it drops on Tiafoe's side. We've had the odd roar into the sky from the American in this game. But then he takes out the frustration on a forehand winner crosscourt, which is an absolute peach. Hold sorted — one game from the second set now for Tiafoe… Musetti 6-2, 3-4* Tiafoe There has been a huge improvement in Frances Tiafoe's serves in this second set, compared to the first. His first-serve percentage is up from 52 to 79, his points won on those serves from 54 to 58, and his top speed hitting 252km/h compared to 196. It's giving Tiafoe a platform — but he has to keep his foot on the pedal. Musetti has a look at 30-30 in this one… Getty Images Musetti 6-2, 3-4* Tiafoe Another pair of holds as we tick through the middle part of this second set. Musetti's hold to love comes with an outrageous drop shot that almost threatens to bounce back over the net given how much spin there is on it. Admittedly, hitting the line and the gusty wind also play a part in that. It feels like we're in the calm before the real storm arrives in the coming games. Over to you, Frances… Musetti 6-2, 2-3* Tiafoe It felt like Musetti wanted to settle down a little bit — equally, Tiafoe knew consolidating his previous break was in the bag. So it's a swift hold to 15 and we're back on the Tiafoe serve after the changeover. Getty Images Musetti 6-2, *1-3 Tiafoe Back onto the Tiafoe serve we go, where Musetti is 15-30 and mucks up going between his legs as he chases back on the cover. The Italian continues to give Tiafoe real problems but this time, Tiafoe judges a drop shot much better. It still takes another shot, but that other shot flies into the open court. One break point saved by Tiafoe but another two come along as the Italian senses a way back in. And when I say sense, maybe I just mean the vibes from some of the incredibly nonchalant shots that Tiafoe is playing. By some distance the longest game of the match and after three visits to deuce, the American finds the first serves he needs to hold on and consolidate his previous break. Getty Images Musetti 6-2, 1-2* Tiafoe Now then, Tiafoe has a look at 0-30 after a strong forehand winner. But somehow he fails with a smash and then volley at the net on the same point, to let Musetti off the hook. It should be 0-40. Instead it's 15-30. Maybe Musetti then feels sorry for the American? Because he throws in his first double fault of the match, then sends his next first serve into the net… Some of the salvage operations being run here by Musetti are so impressive thereafter, and Tiafoe is also giving him the next shot so many times. But after a couple of smashes, Tiafoe takes the second of two break points to finally dent the Musetti serve in this match. Getty Images Musetti 6-2, *1-1 Tiafoe Musetti continues to fire off the backhand winners, now up to four for the match. But when Tiafoe is nailing his first serve, these games become so much easier for him. He tidies up here and we're now fully up and running in this second set. Getty Images Musetti 6-2, 1-0* Tiafoe It is such a bonus when you're on top in a set, to then win it earlier than you might so you can also serve first in the second. Musetti is serving well, and he drills through that opening service game of the second set to 15 — and to make sure Tiafoe doesn't get a sense of a fresh start. Getty Images I watched Lorenzo Musetti in last year's semifinal against Novak Djokovic at Wimbledon. He lost in straight sets that day, but earned plenty of plaudits for his elegant playing style. One of those shots today — a jauntily flicked one-handed backhand that turned into a flashing cross-court winner — is just one of the shots in his arsenal. Brilliant stuff. Musetti 6-2, *0-0 Tiafoe We are being treated to some wonderful shots off the racket of Lorenzo Musetti. A beautiful flicked backhand flies crosscourt and clips the line, as he travels to 0-30. A poor drop shot and fluffed forehand on his heels puts Tiafoe in real trouble, facing two break points and handing Musetti the first service game in the second. And so it plays out. Tiafoe tiptoes into the net off a wobbly approach and volleys wide of the target. Musetti has the first set inside 35 minutes and looks more than comfortable right now. Getty Images Musetti 5-2* Tiafoe Just a few signs that Musetti can be a bit flimsy here against a full-force Tiafoe. A lazy backhand into the net gets Tiafoe to 30-30 and the backhand power then brings the American his first break point of the match — saved by a remarkable backhand slice from Musetti that almost tickles the net before dying at Tiafoe's feet. From there, Musetti isn't hanging around and he holds. The Italian is now a game away from taking the first set.

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